Marjetica Potrč (English Wikipedia)

See Potrč's essay "New Territories in Acre and Why They Matter". The Acre project was the subject of Potrč's exhibitions Forest Rising (the Curve, Barbican Art Gallery, London, 2007); Florestania (Temple Bar Gallery, Dublin, 2007); Xapuri Rural School (São Paulo Biennale, 2006; TULCA, Galway, Ireland, 2010; and Bildmuseet, Umeå, Sweden, 2018); Acre Rural School (Nicolas Krupp Gallery, Basel, 2012); and The School of the Forest/Miami Campus (Pérez Art Museum, Miami, 2015).

biennaleofsydney.art

See the description on the 23rd Biennale of Sydney website.
See the description on the Biennale of Sydney website.
See the Biennale of Sydney website. Many examples of both visual essays and diagrams can be found here, on the artist's website.

Quoted in Goran Tomčić's interview with Marjetica Potrč in Bomb, no. 58, Jan. 1, 1997.

The project was carried out as part of the umbrella project Nine Urban Biotypes – Negotiating the Future of Urban Living. For more information on The Soweto Project, see the Design for the Living World website.

See Potrč's essay "New Territories in Acre and Why They Matter". The Acre project was the subject of Potrč's exhibitions Forest Rising (the Curve, Barbican Art Gallery, London, 2007); Florestania (Temple Bar Gallery, Dublin, 2007); Xapuri Rural School (São Paulo Biennale, 2006; TULCA, Galway, Ireland, 2010; and Bildmuseet, Umeå, Sweden, 2018); Acre Rural School (Nicolas Krupp Gallery, Basel, 2012); and The School of the Forest/Miami Campus (Pérez Art Museum, Miami, 2015).

Marjetica Potrč, "The Personhood of Nature", lecture in the series "Sessions on Territory – Urbanism in a Broken World: Repair", at the Department of Architecture, ETH Zurich, May 15, 2023.

See also the project's presentation at the 17th Venice Biennale of Architecture, 2021, Future Island in Venice: The Time of Stone.

See the description on Potrč's website. For a perspective on the project by a local participant, see Sally Goble, "Come on in, the water's freezing: The joys of a winter swimming club", The Guardian, Feb. 16, 2016; and for an analysis by a landscape architect, see Erik Schofield, "5 Odd Things You Should Know Before Taking a Dip in King's Cross Pond", Land 8: Landscape Architects Network, Dec. 22, 2015.

See Katherine Carl and Srdjan Jovanović Weiss, eds., Lost Highway Expedition Photobook (Rotterdam: Centrala Foundation for Future Cities and School of Missing Studies and Ljubljana: ŠKUC Gallery, 2007). Potrč discusses the project with Peter Mörtenböck and Helge Mooshammer on the Networked Cultures website; see also the related video.

Marjetica Potrč, "The Artist as Mediator: Changing the Culture and Creating New Values", interviewed by Laura Bernhardt, Current – Kunst und Urbaner Raum (Stuttgart), no.1, 2021, p. 26, available here.
See the description on Potrč's website. For a perspective on the project by a local participant, see Sally Goble, "Come on in, the water's freezing: The joys of a winter swimming club", The Guardian, Feb. 16, 2016; and for an analysis by a landscape architect, see Erik Schofield, "5 Odd Things You Should Know Before Taking a Dip in King's Cross Pond", Land 8: Landscape Architects Network, Dec. 22, 2015.
Marjetica Potrč, "Architectural Case Studies".
See the Biennale of Sydney website. Many examples of both visual essays and diagrams can be found here, on the artist's website.

The work was exhibited again in the exhibition Hello World: Revisiting a Collection (2018), also at the Hamburger Bahnhof.

See the description on Potrč's website. For a perspective on the project by a local participant, see Sally Goble, "Come on in, the water's freezing: The joys of a winter swimming club", The Guardian, Feb. 16, 2016; and for an analysis by a landscape architect, see Erik Schofield, "5 Odd Things You Should Know Before Taking a Dip in King's Cross Pond", Land 8: Landscape Architects Network, Dec. 22, 2015.

Marjetica Potrč, speaking at Hamburger Bahnhof, June 17, 2019.
See Katherine Carl and Srdjan Jovanović Weiss, eds., Lost Highway Expedition Photobook (Rotterdam: Centrala Foundation for Future Cities and School of Missing Studies and Ljubljana: ŠKUC Gallery, 2007). Potrč discusses the project with Peter Mörtenböck and Helge Mooshammer on the Networked Cultures website; see also the related video.