Marlovian theory of Shakespeare authorship (English Wikipedia)

Honan 2005, p. 194 "A nearly collusive relationship between the two dramatists, starting around 1590, really ensured that Tamburlaine's revolution in form and significant ideas would not die out. Much depended upon a fresh attitude to creativity itself, and it was Marlowe who most encouraged Shakespeare to bring stateliness and a high poetic habit to the drama." Honan, Park (2005). Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press. ISBN 978-0-19-818695-3.
Bate 1998, p. 109. However, Donna N. Murphy Murphy 2013 proposed that some Shakespeare plays were co-authorships between Marlowe and his friend, humorist Thomas Nashe. Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010. Murphy, Donna N. (2013). The Marlowe-Shakespeare Continuum. Christopher Marlowe, Thomas Nashe, and the Authorship of Early Shakespeare and Anonymous Plays. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-4988-3. Archived from the original on 3 October 2014. Retrieved 1 March 2014.
McCrea 2005, pp. xii–xiii; Further arguments for the orthodox position can be found in chapters 3 and 4 of Bate 1998, pp. 65–132, and the last chapter of Shapiro 2010, pp. 253–95. McCrea, Scott (2005). The Case for Shakespeare: The End of the Authorship Question. Westport CT: Greenwood Publishing Group. ISBN 978-0-313-36177-7. Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010. Shapiro, James (2010). Contested Will: Who Wrote Shakespeare?. London: UK edition: Faber and Faber. ISBN 9781439170229. Retrieved 14 January 2011.{{cite book}}: CS1 maint: publisher location (link)
White, Thomas William (1892). Our English Homer; or, Shakespeare historically considered. London S. Low, Marston.
Zeigler 1895 Zeigler, Wilbur Gleason (1895). It was Marlowe: a Story of the Secret of Three Centuries. Chicago: Donohue, Henneberry & Co. Retrieved 19 March 2012.
Those suspecting this include: Nicholl 1992, pp. 327–29; Breight 1996, p. 114; Hammer 1996, pp. 225–42; Trow 2001, p. 250; Nicholl 2002, pp. 415–17 (a different theory); Kendall 2003, pp. 272–79; Haynes 2004, pp. 121–22; Riggs 2004, p. 334; and Honan 2005, p. 354. Only Downie 2000, pp. 26–27, and Kuriyama 2002, p. 136, accepted the verdict of the jury as it was reported. Nicholl, Charles (1992). The Reckoning: The Murder of Christopher Marlowe. London: Jonathan Cape. ISBN 0-224-03100-7. Breight, Curtis C. (1996). Surveillance, Militarism, and Drama in the Elizabethan Era. London: Macmillan. Hammer, Paul E. J. (1996). "A Reckoning Reframed: The 'Murder' of Christopher Marlowe Revisited". English Literary Renaissance. No. 26. pp. 225–42. Trow, M.J. (2001). Who Killed Kit Marlowe? A Contract to Murder in Elizabethan England. Stroud, Glos.: Sutton Publishing. ISBN 0-7509-2689-9. Nicholl, Charles (2002). The Reckoning: The Murder of Christopher Marlowe (2nd ed.). London: Vintage. ISBN 0-09-943747-3. Kendall, Roy (2003). Christopher Marlowe and Richard Baines: Journeys through the Elizabethan Underground. London: Associated University Presses. ISBN 0-8386-3974-7. Haynes, Alan (2004). The Elizabethan Secret Services. Sutton Publishing. ISBN 0-7509-4006-9. Riggs, David (2004). The World of Christopher Marlowe. London: Faber & Faber. ISBN 0-571-22160-2. Honan, Park (2005). Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press. ISBN 978-0-19-818695-3. Downie, J.A. (2000). "Marlowe: facts and fictions". In Downie, J.A.; Parnell, J.T. (eds.). Constructing Christopher Marlowe. Cambridge University Press. pp. 13–29. ISBN 0-521-57255-X. Kuriyama, Constance Brown (2002). Christopher Marlowe: A Renaissance Life. Ithaca: Cornell University Press. ISBN 0-8014-3978-7.
For example, Park Honan (Honan 2005, p. 352) cites forensic reasons for doubting that the wound would have killed him instantly. Honan, Park (2005). Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press. ISBN 978-0-19-818695-3.
Honan 2005, p. 354 and Farey's Was Marlowe's Inquest Void? Archived 4 March 2016 at the Wayback Machine Honan, Park (2005). Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press. ISBN 978-0-19-818695-3.
Bate 1998, p. 103 Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010.
Latham 1975, p. xxxiii Latham, Agnes, ed. (1975). As You Like It, by William Shakespeare. London: Methuen, The Arden Shakespeare. ISBN 0-17-443586-X.
See, for example, the 'Marlowe's Ghost' chapter in Jonathan Bate's The Genius of Shakespeare (Bate 1998, pp. 101–32). Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010.

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"Calvin & Rose G. Hoffman Prize". The King's School, Canterbury. Archived from the original on 3 August 2012. Retrieved 22 February 2012.

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"Verse novel wins debut book award". BBC News. 27 June 2013. Retrieved 27 September 2017 – via BBC.

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McCrea 2005, pp. xii–xiii; Further arguments for the orthodox position can be found in chapters 3 and 4 of Bate 1998, pp. 65–132, and the last chapter of Shapiro 2010, pp. 253–95. McCrea, Scott (2005). The Case for Shakespeare: The End of the Authorship Question. Westport CT: Greenwood Publishing Group. ISBN 978-0-313-36177-7. Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010. Shapiro, James (2010). Contested Will: Who Wrote Shakespeare?. London: UK edition: Faber and Faber. ISBN 9781439170229. Retrieved 14 January 2011.{{cite book}}: CS1 maint: publisher location (link)
Griffiths 1820, pp. 61–63 Griffiths, G.E., ed. (1820). The Monthly Review, or Literary Journal. London: A. and R. Spottiswoode. pp. 61–63.
Rawlings, P. (2005). Henry James and the Abuse of the Past. Springer. p. 180. ISBN 9780230504967.
Greenblatt 2016, p. 85 Greenblatt, Stephen (6 October 2016). Will in the World: How Shakespeare Became Shakespeare. Bodley Head. ISBN 978-1-84792-452-0.

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Foster 1987, pp. 42–54. Foster, Donald W. (1987). ""Master W.H.", R.I.P.". Publications of the Modern Language Association of America. 102 (102). Modern Language Association of America: 42–54. doi:10.2307/462491. JSTOR 462491. S2CID 163691922.

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Bate 1998, p. 109. However, Donna N. Murphy Murphy 2013 proposed that some Shakespeare plays were co-authorships between Marlowe and his friend, humorist Thomas Nashe. Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010. Murphy, Donna N. (2013). The Marlowe-Shakespeare Continuum. Christopher Marlowe, Thomas Nashe, and the Authorship of Early Shakespeare and Anonymous Plays. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-4988-3. Archived from the original on 3 October 2014. Retrieved 1 March 2014.

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"The World of Christopher MarloweHistory". Independent.co.uk. 5 August 2004.

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Foster 1987, pp. 42–54. Foster, Donald W. (1987). ""Master W.H.", R.I.P.". Publications of the Modern Language Association of America. 102 (102). Modern Language Association of America: 42–54. doi:10.2307/462491. JSTOR 462491. S2CID 163691922.

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"Calvin & Rose G. Hoffman Prize". The King's School, Canterbury. Archived from the original on 3 August 2012. Retrieved 22 February 2012.

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"THE MARLOWE PAPERS by Ros Barber | Kirkus Reviews". Kirkus Reviews. Retrieved 7 January 2020.

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See More's Drunken Sailor or Imprisoned Writer?

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"The Hoffman Prize - The Marlowe Society". Retrieved 25 July 2018.

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The International Marlowe-Shakespeare Society has a relevant selection of quotations Archived 2 April 2015 at the Wayback Machine on its website.
See "The Great Puzzle" on the website of the International Marlowe-Shakespeare Society.
See http://marloweshakespeare.info/MarloweScholarship.html Archived 2 April 2015 at the Wayback Machine for a selection of relevant quotations from scholars over the years.
The Riddle of the Monument.

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Webster 1923 Webster, Archie (1923). "Was Marlowe the Man?". The National Review. 82: 81–86. Archived from the original on 27 January 2020. Retrieved 19 March 2012.
The publication of Marlovian Peter Farey's article Marlowe's Sudden and Fearful End (Farey 2005), in which there was no mention of Shakespeare at all, signalled a shift of emphasis which is evident in the Introduction to Daryl Pinksen's Marlowe's Ghost (Pinksen 2008, p. xix). See also Rosalind Barber's lecture on her doctoral research, Rethinking Shakespeare Archived 7 September 2012 at the Wayback Machine, published by the University of Sussex. Farey, Peter (2005). "Marlowe's Sudden and Fearful End: Self-Defence, Murder or Fake?". The Marlowe Society Research Journal (2): 27–60. ISSN 1745-591X. Retrieved 30 April 2015. Pinksen, Daryl (2008). Marlowe's Ghost: The Blacklisting of the Man Who Was Shakespeare. New York: iUniverse. ISBN 978-0-595-47514-8.
Honan 2005, p. 354 and Farey's Was Marlowe's Inquest Void? Archived 4 March 2016 at the Wayback Machine Honan, Park (2005). Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press. ISBN 978-0-19-818695-3.
The graphs (given as Appendices VII and VIII) in Chapter 8 Archived 3 March 2016 at the Wayback Machine of Farey's A Deception in Deptford illustrate this.
Archie Webster, The National Review Vol.82, (1923), Was Marlowe the Man? Archived 27 January 2020 at the Wayback Machine,
Hoffman and the Authorship Archived 24 September 2015 at the Wayback Machine.
Only four times in twenty-five years, in fact. Michael Rubbo's film was awarded a share of the prize in 2002, and in 2007 Peter Farey's Hoffman and the Authorship Archived 24 September 2015 at the Wayback Machine, an out-and-out Marlovian essay, was selected as a joint winner, as was Donna Murphy's Christopher Marlowe and the Authorship of Early English Anonymous Plays in 2010, and Dr. Ros Barber's novel-in-verse, The Marlowe Papers, in 2011.

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Watterson 1916 Watterson, Henry (1916). "The Shakespeare Mystery". The Pittsburgh Gazette Times. Retrieved 19 March 2012.

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Foster 1987, pp. 42–54. Foster, Donald W. (1987). ""Master W.H.", R.I.P.". Publications of the Modern Language Association of America. 102 (102). Modern Language Association of America: 42–54. doi:10.2307/462491. JSTOR 462491. S2CID 163691922.

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See Peter Bull's Research Site,

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"The play's the thing - The Spectator". The Spectator.

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The publication of Marlovian Peter Farey's article Marlowe's Sudden and Fearful End (Farey 2005), in which there was no mention of Shakespeare at all, signalled a shift of emphasis which is evident in the Introduction to Daryl Pinksen's Marlowe's Ghost (Pinksen 2008, p. xix). See also Rosalind Barber's lecture on her doctoral research, Rethinking Shakespeare Archived 7 September 2012 at the Wayback Machine, published by the University of Sussex. Farey, Peter (2005). "Marlowe's Sudden and Fearful End: Self-Defence, Murder or Fake?". The Marlowe Society Research Journal (2): 27–60. ISSN 1745-591X. Retrieved 30 April 2015. Pinksen, Daryl (2008). Marlowe's Ghost: The Blacklisting of the Man Who Was Shakespeare. New York: iUniverse. ISBN 978-0-595-47514-8.

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Dugdale, John (28 October 2016). "How close were Marlowe and Shakespeare?". The Guardian. Retrieved 25 September 2017 – via www.theguardian.com.

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Wraight 1994 Wraight, A. D. (1994). The Story that the Sonnets Tell. London: Adam Hart. ISBN 1-897763-01-8. Archived from the original on 13 January 2012. Retrieved 19 March 2012.
A.D. Wraight, Shakespeare: New Evidence (Wraight 1996). Wraight, A. D. (1996). Shakespeare: New Evidence. London: Adam Hart. ISBN 1-897763-08-5. Archived from the original on 27 January 2012. Retrieved 19 March 2012.

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"Jim Jarmusch on Only Lovers Left Alive, Vampires, and the Shakespeare Conspiracy". 11 April 2014.

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The International Marlowe-Shakespeare Society has a relevant selection of quotations Archived 2 April 2015 at the Wayback Machine on its website.
Bate 1998, p. 109. However, Donna N. Murphy Murphy 2013 proposed that some Shakespeare plays were co-authorships between Marlowe and his friend, humorist Thomas Nashe. Bate, Jonathan (1998). The Genius of Shakespeare. Oxford University Press. ISBN 978-0-19-512823-9. Retrieved 20 December 2010. Murphy, Donna N. (2013). The Marlowe-Shakespeare Continuum. Christopher Marlowe, Thomas Nashe, and the Authorship of Early Shakespeare and Anonymous Plays. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-4988-3. Archived from the original on 3 October 2014. Retrieved 1 March 2014.
Webster 1923 Webster, Archie (1923). "Was Marlowe the Man?". The National Review. 82: 81–86. Archived from the original on 27 January 2020. Retrieved 19 March 2012.
Wraight 1994 Wraight, A. D. (1994). The Story that the Sonnets Tell. London: Adam Hart. ISBN 1-897763-01-8. Archived from the original on 13 January 2012. Retrieved 19 March 2012.
The publication of Marlovian Peter Farey's article Marlowe's Sudden and Fearful End (Farey 2005), in which there was no mention of Shakespeare at all, signalled a shift of emphasis which is evident in the Introduction to Daryl Pinksen's Marlowe's Ghost (Pinksen 2008, p. xix). See also Rosalind Barber's lecture on her doctoral research, Rethinking Shakespeare Archived 7 September 2012 at the Wayback Machine, published by the University of Sussex. Farey, Peter (2005). "Marlowe's Sudden and Fearful End: Self-Defence, Murder or Fake?". The Marlowe Society Research Journal (2): 27–60. ISSN 1745-591X. Retrieved 30 April 2015. Pinksen, Daryl (2008). Marlowe's Ghost: The Blacklisting of the Man Who Was Shakespeare. New York: iUniverse. ISBN 978-0-595-47514-8.
Honan 2005, p. 354 and Farey's Was Marlowe's Inquest Void? Archived 4 March 2016 at the Wayback Machine Honan, Park (2005). Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press. ISBN 978-0-19-818695-3.
See http://marloweshakespeare.info/MarloweScholarship.html Archived 2 April 2015 at the Wayback Machine for a selection of relevant quotations from scholars over the years.
The graphs (given as Appendices VII and VIII) in Chapter 8 Archived 3 March 2016 at the Wayback Machine of Farey's A Deception in Deptford illustrate this.
Archie Webster, The National Review Vol.82, (1923), Was Marlowe the Man? Archived 27 January 2020 at the Wayback Machine,
Hoffman and the Authorship Archived 24 September 2015 at the Wayback Machine.
A.D. Wraight, Shakespeare: New Evidence (Wraight 1996). Wraight, A. D. (1996). Shakespeare: New Evidence. London: Adam Hart. ISBN 1-897763-08-5. Archived from the original on 27 January 2012. Retrieved 19 March 2012.
Roberta Ballantine, The Shakespeare Epitaphs
Only four times in twenty-five years, in fact. Michael Rubbo's film was awarded a share of the prize in 2002, and in 2007 Peter Farey's Hoffman and the Authorship Archived 24 September 2015 at the Wayback Machine, an out-and-out Marlovian essay, was selected as a joint winner, as was Donna Murphy's Christopher Marlowe and the Authorship of Early English Anonymous Plays in 2010, and Dr. Ros Barber's novel-in-verse, The Marlowe Papers, in 2011.

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The publication of Marlovian Peter Farey's article Marlowe's Sudden and Fearful End (Farey 2005), in which there was no mention of Shakespeare at all, signalled a shift of emphasis which is evident in the Introduction to Daryl Pinksen's Marlowe's Ghost (Pinksen 2008, p. xix). See also Rosalind Barber's lecture on her doctoral research, Rethinking Shakespeare Archived 7 September 2012 at the Wayback Machine, published by the University of Sussex. Farey, Peter (2005). "Marlowe's Sudden and Fearful End: Self-Defence, Murder or Fake?". The Marlowe Society Research Journal (2): 27–60. ISSN 1745-591X. Retrieved 30 April 2015. Pinksen, Daryl (2008). Marlowe's Ghost: The Blacklisting of the Man Who Was Shakespeare. New York: iUniverse. ISBN 978-0-595-47514-8.
Kerrigan 1986, p. 11. For a discussion of how such approaches have changed over time, see Pinksen 2004, pp. 14–27. Kerrigan, John (1986). The Sonnets and A Lover's Complaint, by William Shakespeare. London: Penguin Books. Pinksen, Daryl (2004). "The Origins of the Shakespeare Authorship Debate". The Marlowe Society Research Journal (1): 14–27. ISSN 1745-591X.

Marlovian theory of Shakespeare authorship (English Wikipedia)

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