Martin Peerson (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Martin Peerson" in English language version.

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5web.archive.org

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1grovemusic.com

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1ex-cathedra.org

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1hyperion-records.co.uk

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ex-cathedra.org

Recordings: Peerson: Latin Motets, Ex Cathedra, 2005, archived from the original on 7 October 2007.

grovemusic.com

Audrey Jones; Richard Rastall, "Peerson [Pearson], Martin", in L. Macy (ed.), Grove Music Online, retrieved 8 April 2007.

hoasm.org

Martin Peerson (1572–1650) (fl. end 15th Century), Here of a Sunday Morning, archived from the original on 7 May 2013, retrieved 11 May 2008.

hyperion-records.co.uk

MARTIN PEERSON (c. 1572–1651): Latin Motets, Hyperion Records, 2005, archived from the original on 2 November 2012.

leeds.ac.uk

reporter.leeds.ac.uk

"Settling an Old Score", The Reporter: The University of Leeds Newsletter (509), 4 July 2005, archived from the original on 27 September 2011.

musicweb.uk.net

Gary Higginson (March 2005), Review of Ex Cathedra's recording Peerson: Latin Motets (2005), Musicweb International, archived from the original on 12 October 2008.

web.archive.org

Martin Peerson (1572–1650) (fl. end 15th Century), Here of a Sunday Morning, archived from the original on 7 May 2013, retrieved 11 May 2008.
Recordings: Peerson: Latin Motets, Ex Cathedra, 2005, archived from the original on 7 October 2007.
MARTIN PEERSON (c. 1572–1651): Latin Motets, Hyperion Records, 2005, archived from the original on 2 November 2012.
Gary Higginson (March 2005), Review of Ex Cathedra's recording Peerson: Latin Motets (2005), Musicweb International, archived from the original on 12 October 2008.
"Settling an Old Score", The Reporter: The University of Leeds Newsletter (509), 4 July 2005, archived from the original on 27 September 2011.

worldcat.org

search.worldcat.org

M[artin] P[eerson] (1620), Private Musicke. Or the First Booke of Ayres and Dialogues: Contayning Songs of 4. 5. and 6. Parts, of Seuerall Sorts, and being Verse and Chorus, is Fit for Voyces and Viols. And for Want of Viols, they may be Performed to either the Virginall or Lute, where the Proficient can Play vpon the Ground, or for a Shift to the Base Viol alone. All Made and Composed According to the Rules of Art. By M. P. Batchelar of Musicke, London: Printed by Thomas Snodham, OCLC 606486968.
M[artin] P[eerson] (1630), Mottects or Grave Chamber Mvsiqve: Containing Songs of Fiue Parts of Seuerall Sorts, some ful, and some Verse and Chorus. But all Fit for Voyces and Vials, with an Organ Part; which for want of Organs, may be Performed on Virginals, Base-Lute, Bandora, or Irish Harpe. Also, A Mourning Song of Sixe Parts for the Death of the late Right Honorable Sir Fvlke Grevil ... Composed According to the Rules of Art by M.P., London: Printed by William Stansby, OCLC 496804311.