Mary of Burgundy (English Wikipedia)

Karaskova, Olga (2014a). Marie de Bourgogne et le Grand Héritage : l'iconographie princière face aux défis d'un pouvoir en transition (1477-1530), Volume 1. Université Lille Nord de France, Université Charles-de-Gaulle – Lille 3, École doctorale Sciences de l'Homme et de la Société, Centre des recherches IRHiS – UMR 8529, Institut de Recherches Historiques du Septentrion, Musée de l'Ermitage. pp. 139, 140. Retrieved 27 October 2021.
Karaskova, Olga (2014). Marie de Bourgogne et le Grand Héritage : l'iconographie princière face aux défis d'un pouvoir en transition (1477-1530), Volume 1. Université Lille Nord de France, Université Charles-de-Gaulle – Lille 3, École doctorale Sciences de l'Homme et de la Société, Centre des recherches IRHiS – UMR 8529, Institut de Recherches Historiques du Septentrion, Musée de l'Ermitage. pp. 172–192. Retrieved 27 October 2021.
Eörsi, Anna (2020). ""Imaige a la Vierge Marie"; The Hours of Mary of Burgundy, Her Marriage, and Her Painter, Hugo van der Goes". Acta Historiae Artium. 61: 19–53. doi:10.1556/170.2020.00002. S2CID 234506689. Retrieved 8 November 2021. "Underlying the tendency to identify Mary of Burgundy with the Virgin Mary was the situation of Burgundy and its heiress, which was understood by means of salvation-historical analogies. In the book of hours, the figures of the two Marys are conflated severaltimes in a variety of ways (fols. 14v, 19v, 43v, 94v, 99v). The hymn in praise of the heavenly joys of the Virgin Mary, which is organically related to the frontispiece image, is thus (also) a chanted sequence for the eternal beatitude of the young bride."
Turel, Noa (18 December 2012). "Staging the Court: Auto-Iconicity and Female Authority around a 1478 Burgundian baptism". In Dresvina, Juliana; Sparks, Nicholas (eds.). Authority and Gender in Medieval and Renaissance Chronicles. Cambridge Scholars Publishing. pp. 343–374. ISBN 978-1-4438-4428-4. Retrieved 11 November 2021.
Karaskova, Olga (2014b). Marie de Bourgogne et le Grand Héritage : l'iconographie princière face aux défis d'un pouvoir en transition (1477-1530), Volume 2. Université Lille Nord de France, Université Charles-de-Gaulle – Lille 3, École doctorale Sciences de l'Homme et de la Société, Centre des recherches IRHiS – UMR 8529, Institut de Recherches Historiques du Septentrion, Musée de l'Ermitage. Retrieved 22 November 2021.

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