Minyan ware (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Minyan ware" in English language version.

refsWebsite
Global rank English rank
1st place
1st place
2,242nd place
1,513th place
6,667th place
9,377th place
3rd place
3rd place
low place
low place
121st place
142nd place

academia.edu

aegeobalkanprehistory.net

books.google.com

  • Drews 1994, p. 12: "Although some of his contemporaries referred to it prosaically as "Orchomenos Ware," the name that prevailed was Schliemann's more romantic Minyan Ware, which recalled the glorious but tenuous Minyans of Greek mythology." Drews, Robert (1994). The Coming of the Greeks: Indo-European Conquests in the Aegean and the Near East. Princeton: Princeton University Press. ISBN 0-691-02951-2.
  • Drews 1994, pp. 12–13: "In their 1918 article, Blegen and Wace did not yet associate Minyan Ware with "the coming of the Greeks." They did observe, however, that the sudden appearance of Minyan Ware at the beginning of the Middle Helladic period was one of only two interruptions in the otherwise unbroken evolution of pottery on the Greek mainland from neolithic times to the Mycenaean Age. The only other interruption, they found, was the advent of Minoan and Minoanizing pottery at the beginning of the period they called Late Helladic. Wace and Blegen concluded that "Minyan Ware indicates the introduction of a new cultural strain," but they did not yet identify this new strain with the Greeks. However, since there were only two interruptions in the Bronze Age pottery sequence, and since the second of these had to do with the Minoans, the only alternative was to tie the Greeks' arrival in Greece to the appearance of Minyan Ware." Drews, Robert (1994). The Coming of the Greeks: Indo-European Conquests in the Aegean and the Near East. Princeton: Princeton University Press. ISBN 0-691-02951-2.

cnr.it

smea.isma.cnr.it

dartmouth.edu

projectsx.dartmouth.edu

  • Rutter, Lesson 9: Middle Helladic Greece: "The term "Minyan" was originally coined by Schliemann very early in the history of Aegean prehistoric archaeology and applied to a distinctive variety of dark-burnished pottery which he had found at Orchomenos, the home of the mythical king Minyas." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "Until about 1960, Gray Minyan was often identified as the pottery of northern invaders who destroyed EH civilization ca. 1900 B.C. and introduced MH material culture into the Greek peninsula. However, Caskey's excavations at Lerna as well as more recently excavated sequences at several other sites have made it abundantly clear that Gray Minyan, rather than being new in the MH period, is the direct descendant of the fine gray burnished pottery of the EH III Tiryns culture. Moreover, it seems likely that the Black/Argive variety of Minyan is nothing other than an evolved version of the EH III "Dark slipped and burnished" class. Thus Minyan pottery, if it is to be associated with an intrusive population element at all, must be connected with an EH III "invasion" ca. 2200/2150 B.C. and not with a MH one ca. 1900 B.C. Furthermore, there is nothing particularly "northern" about the ancestry of the EH III progenitors of MH Minyan except that they almost certainly came to the northeastern Peloponnese from central Greece (i.e. from the north with respect to the Peloponnese). How they arrived, or alternatively developed indigenously, in central Greece is a question which has yet to be resolved." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "The monochrome burnished pottery manufactured from moderately to extremely fine clays which is presently described as "{Minyan ware}" can occur in Gray, Black (or Argive), Red, and Yellow varieties. The most common shapes in all varieties of Minyan are open forms, for the most part goblets and kantharoi which are clearly recognizable as evolved forms of the Bass bowl and kantharos of the EH III Tiryns culture." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "The crisply articulated, angular forms of Gray Minyan vases in particular have given rise to the theory that they are copies of metallic prototypes, despite the fact that metal objects of any kind are relatively rare during the MH period and metal vessels are virtually non-existent. The angular profiles of Gray Minyan vases are in fact probably due simply to the common utilization of the fast wheel in their production. High, ribbed pedestal feet ("ring stems") are particularly characteristic of MH II-III Gray Minyan in central Greece, although they are also attested on MH III Yellow Minyan goblets in the Argolid and Corinthia. In the final phase of the MH period in the northeastern Peloponnese, goblet feet become considerably lower and the ribs disappear in favor of shallowly incised rings." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "Decoration of Minyan during MH I usually takes the form of grooving on the upper shoulder of bowls and kantharoi. During MH II, incised parallel semicircles ("festoons") and stamped concentric circles also become quite common, especially on Black/Argive Minyan." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "Gray Minyan is most common in central Greece, but is also frequent, especially in MH I–II, in the Peloponnese. Black/Argive Minyan is above all characteristic of the northern Peloponnese and is the variety of Minyan most commonly decorated with incised and stamped ornament. Red Minyan is most commonly found in Attica, Boeotia, Aegina, and the northern Cyclades. Yellow Minyan first appears in later MH II or in MH III. Because of its light surface color, this last variety is often decorated with dark, matt paint, in which case it is treated by archaeologists as Matt-painted rather than as Minyan." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.

web.archive.org

  • Rutter, Lesson 9: Middle Helladic Greece: "The term "Minyan" was originally coined by Schliemann very early in the history of Aegean prehistoric archaeology and applied to a distinctive variety of dark-burnished pottery which he had found at Orchomenos, the home of the mythical king Minyas." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "Until about 1960, Gray Minyan was often identified as the pottery of northern invaders who destroyed EH civilization ca. 1900 B.C. and introduced MH material culture into the Greek peninsula. However, Caskey's excavations at Lerna as well as more recently excavated sequences at several other sites have made it abundantly clear that Gray Minyan, rather than being new in the MH period, is the direct descendant of the fine gray burnished pottery of the EH III Tiryns culture. Moreover, it seems likely that the Black/Argive variety of Minyan is nothing other than an evolved version of the EH III "Dark slipped and burnished" class. Thus Minyan pottery, if it is to be associated with an intrusive population element at all, must be connected with an EH III "invasion" ca. 2200/2150 B.C. and not with a MH one ca. 1900 B.C. Furthermore, there is nothing particularly "northern" about the ancestry of the EH III progenitors of MH Minyan except that they almost certainly came to the northeastern Peloponnese from central Greece (i.e. from the north with respect to the Peloponnese). How they arrived, or alternatively developed indigenously, in central Greece is a question which has yet to be resolved." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "The monochrome burnished pottery manufactured from moderately to extremely fine clays which is presently described as "{Minyan ware}" can occur in Gray, Black (or Argive), Red, and Yellow varieties. The most common shapes in all varieties of Minyan are open forms, for the most part goblets and kantharoi which are clearly recognizable as evolved forms of the Bass bowl and kantharos of the EH III Tiryns culture." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "The crisply articulated, angular forms of Gray Minyan vases in particular have given rise to the theory that they are copies of metallic prototypes, despite the fact that metal objects of any kind are relatively rare during the MH period and metal vessels are virtually non-existent. The angular profiles of Gray Minyan vases are in fact probably due simply to the common utilization of the fast wheel in their production. High, ribbed pedestal feet ("ring stems") are particularly characteristic of MH II-III Gray Minyan in central Greece, although they are also attested on MH III Yellow Minyan goblets in the Argolid and Corinthia. In the final phase of the MH period in the northeastern Peloponnese, goblet feet become considerably lower and the ribs disappear in favor of shallowly incised rings." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "Decoration of Minyan during MH I usually takes the form of grooving on the upper shoulder of bowls and kantharoi. During MH II, incised parallel semicircles ("festoons") and stamped concentric circles also become quite common, especially on Black/Argive Minyan." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Rutter, Lesson 9: Middle Helladic Greece: "Gray Minyan is most common in central Greece, but is also frequent, especially in MH I–II, in the Peloponnese. Black/Argive Minyan is above all characteristic of the northern Peloponnese and is the variety of Minyan most commonly decorated with incised and stamped ornament. Red Minyan is most commonly found in Attica, Boeotia, Aegina, and the northern Cyclades. Yellow Minyan first appears in later MH II or in MH III. Because of its light surface color, this last variety is often decorated with dark, matt paint, in which case it is treated by archaeologists as Matt-painted rather than as Minyan." Rutter, Jeremy B. "Prehistoric Archeology of the Aegean". Hanover, NH: Dartmouth College. Archived from the original on 2009-01-01.
  • Pavúk 2007. Pavúk, Peter (12 June 2007). "Grey Wares as a Phenomenon". Aegeo-Balkan Prehistory. Archived from the original on 25 December 2008.