"Miriam Feuersinger [....] sings here with such a fervent simplicity, flawless intimacy and effortless naturalness that even her vocalises touch your heart." Dirk Kruse: Klagelieder für Sopran und Salterio. Review on the website of the BR-Klassik, retrieved 17 October 2020.
"Miriam Feuersinger – Heavenly sounds. For us the greatest discovery in this year's list of prize winners: Miriam Feuersinger's album with cantatas by baroque composer Christoph Graupner. [...] The soprano singer has such a clear and enchanting voice and a subtle way of making music that it fills your heart." ECHO Klassik 2014 Spezial: Die Geheimtipps. In Crescendo, 13 October 2014; retrieved 15 October 2020.
"Miriam Feuersingers klare Stimme passt sich hervorragend ein und vervollständigt eine rundum gelungene Aufnahme." Magdalena Wolf: Viva Italia! In Crescendo, 20 October 2014; retrieved 17 October 2020.
der-neue-merker.eu
"[…] so to speak in the Champions League of the Baroque: from the crystal-clear sopranos Silvia Frigato and Miriam Feuersinger to[....]" Karl Masek in Review on Online Merker; retrieved 15 October 2020.
earlymusicreview.com
The singing from soprano Miriam Feuersinger and tenor Daniel Schreiber is beautifully lyrical, and both singers always sound as if they have something urgent to convey to the listener. D. James Ross: Rezension. In Early Music Review, 1 November 2015; retrieved 17 October 2020.
klassik-heute.com
"The soloists are excellent: [...] the soprano Miriam Feuersinger [...] masters her part with seriousness, beauty of tone and vocal fluency." Detmar Huchting: CD-Besprechung – Telemann Festive Cantatas. Bei klassik-heute.com; retrieved 17 October 2020.
klassik.com
magazin.klassik.com
"Miriam Feuersinger is convincing in this Graupner programme […]" Gustavo Martin Sanchez: Es muss nicht immer Bach sein. Review in klassik.com, 1 February 2015; retrieved 17 October 2020.
kulturradio.de
"The soprano voice of Miriam Feuersinger is ideally suited for these expressive vocal works. In terms of clarity, purity and comprehensibility of text, she can hardly be surpassed. In addition, she has a great empathy for the text set to music." Bernhard Schrammek in Alte Musik – „Habe deine Lust an dem Herren“. Review on the website of the Kulturradio rbb, retrieved 15 October 2020.
"The soprano Miriam Feuersinger shines here with flawless colouratura, in Ristori's "Lavinia a Turno", she also opens up sensitive areas of expression. [...] The singer and the orchestra succeed in interpreting this music that goes to the heart in a rousing way." La Dresda Galante. Aus Gründen der Staatsräson. In the Neue Zürcher Zeitung, 8 May 2015; retrieved 17 October 2020.
"What the young Austrian soprano Miriam Feuersinger does here will not only make baroque fans and experts sit up and take notice." Johannes Saltzwedel: Höllenpein und Seligkeit. In KulturSpiegel 3/2014; retrieved 17 October 2020.
"Miriam Feuersinger and Franz Vitzthum celebrate this and other songs with attention to detail, vocal colouring, small word accents or moments of excitement." Erregungsmomente. Review in Fono Forum [de], 5/2013, p. 74.
