Modern art (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Modern art" in English language version.

refsWebsite

Global rank English rank

21worldcat.org

5^th place

10archive.org

6^th place

2doi.org

2^nd place

1books.google.com

3^rd place

1nytimes.com

7^th place

1artforum.com

8,626^th place

4,876^th place

1theguardian.com

12^th place

11^th place

1jstor.org

26^th place

20^th place

1independent.co.uk

36^th place

33^rd place

1ghostarchive.org

32^nd place

21^st place

1americanheritage.com

2,758^th place

1,739^th place

1archive.today

14^th place

americanheritage.com

Lander 2006. Lander, David (November–December 2006). "Fifties Furniture THE SIDE TABLE AS SCULPTURE". Shopping. American Heritage. 57 (6). American Association for State and Local History. ISSN 2161-8496. OCLC 60622066. Archived from the original on 2007-10-20.

archive.org

Atkins 1997, pp. 118–119. Atkins, Robert (1997). Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords (2nd ed.). New York: Abbeville Press Publishers. ISBN 978-0-7892-0415-8. OCLC 605278894 – via Internet Archive.
Gombrich 1995, p. 557. Gombrich, Ernst H. (1995). The Story of Art. London: Phaidon Press Limited. ISBN 978-0-7148-3355-2. OCLC 1151352542 – via Internet Archive.
Scobie 1988, pp. 103–107. Scobie, Stephen (1988). "The Allure of Multiplicity: Metaphor and Metonymy in Cubism and Gertrude Stein". In Neuman, S. C.; Nadel, Ira Bruce (eds.). Gertrude Stein and the Making of Literature. London: Palgrave Macmillan UK. doi:10.1007/978-1-349-08541-5_7. ISBN 978-1-349-08543-9. OCLC 7323640453 – via Internet Archive.
Cahoone 1996, p. 13. Cahoone, Lawrence (1996). From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell Publishers. ISBN 978-1-55786-602-8. OCLC 1149327777 – via Internet Archive.
Arnason & Prather 1998, p. 17. Arnason, H. Harvard; Prather, Marla (1998). History of modern art: painting, sculpture, architecture, photography (4th ed.). New York: Harry N. Abrams, Inc. ISBN 978-0-8109-3439-9. OCLC 1035593323 – via Internet Archive.
Cahoone 1996, p. 27. Cahoone, Lawrence (1996). From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell Publishers. ISBN 978-1-55786-602-8. OCLC 1149327777 – via Internet Archive.
Greenberg 1982, p. 5. Greenberg, Clement (1982). "Modernist Painting". In Frascina, Francis; Harrison, Charles; Paul, Deirdre (eds.). Modern Art and Modernism: A Critical Anthology. In association with the Open University. London: Harper & Row. ISBN 978-0-06-318234-9. OCLC 297414909 – via Internet Archive.
Gombrich 1995, p. 477. Gombrich, Ernst H. (1995). The Story of Art. London: Phaidon Press Limited. ISBN 978-0-7148-3355-2. OCLC 1151352542 – via Internet Archive.
Arnason & Prather 1998, p. 22. Arnason, H. Harvard; Prather, Marla (1998). History of modern art: painting, sculpture, architecture, photography (4th ed.). New York: Harry N. Abrams, Inc. ISBN 978-0-8109-3439-9. OCLC 1035593323 – via Internet Archive.
Jencks 1987, p. ^{[page needed]}. Jencks, Charles (1987). Post-Modernism: The New Classicism in Art and Architecture. New York: Rizzoli. ISBN 978-0-8478-0835-9. OCLC 1150952960 – via Inernet Archive.

archive.today

Lander 2006. Lander, David (November–December 2006). "Fifties Furniture THE SIDE TABLE AS SCULPTURE". Shopping. American Heritage. 57 (6). American Association for State and Local History. ISSN 2161-8496. OCLC 60622066. Archived from the original on 2007-10-20.

artforum.com

Danto, Arthur C. (2004-03-01). "FRANCISCO DE GOYA". Artforum. Retrieved 2024-04-28.

books.google.com

John-Steiner 2006, p. 69. John-Steiner, Vera (2006). "Patterns of Collaboration among Artists". Creative Collaboration. Oxford University Press. pp. 63–96. doi:10.1093/acprof:oso/9780195307702.003.0004. ISBN 978-0-19-530770-2. OCLC 5105130725, 252638637.

doi.org

Scobie 1988, pp. 103–107. Scobie, Stephen (1988). "The Allure of Multiplicity: Metaphor and Metonymy in Cubism and Gertrude Stein". In Neuman, S. C.; Nadel, Ira Bruce (eds.). Gertrude Stein and the Making of Literature. London: Palgrave Macmillan UK. doi:10.1007/978-1-349-08541-5_7. ISBN 978-1-349-08543-9. OCLC 7323640453 – via Internet Archive.
John-Steiner 2006, p. 69. John-Steiner, Vera (2006). "Patterns of Collaboration among Artists". Creative Collaboration. Oxford University Press. pp. 63–96. doi:10.1093/acprof:oso/9780195307702.003.0004. ISBN 978-0-19-530770-2. OCLC 5105130725, 252638637.

ghostarchive.org

Saunders 2013. Saunders, Frances Stonor (2013-06-14) [1995-10-22]. "Modern art was CIA 'weapon'". The Independent. Archived from the original on 2022-05-15. Retrieved 2021-04-17.

independent.co.uk

Saunders 2013. Saunders, Frances Stonor (2013-06-14) [1995-10-22]. "Modern art was CIA 'weapon'". The Independent. Archived from the original on 2022-05-15. Retrieved 2021-04-17.

jstor.org

Conaty, Siobhan M. (2009). "Benedetta Cappa Marinetti and the Second Phase of Futurism". Woman's Art Journal. 30 (1): 19–28 – via JSTOR.

nytimes.com

Lubow, Arthur (2003-07-27). "The Secret of the Black Paintings". The New York Times. ISSN 0362-4331. Retrieved 2024-04-28.

theguardian.com

"The unflinching eye". The Guardian. 2003-10-04. ISSN 0261-3077. Retrieved 2024-04-28.

worldcat.org

Atkins 1997, pp. 118–119. Atkins, Robert (1997). Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords (2nd ed.). New York: Abbeville Press Publishers. ISBN 978-0-7892-0415-8. OCLC 605278894 – via Internet Archive.
Gombrich 1995, p. 557. Gombrich, Ernst H. (1995). The Story of Art. London: Phaidon Press Limited. ISBN 978-0-7148-3355-2. OCLC 1151352542 – via Internet Archive.
Clement 1996, p. 114. Clement, Russell (1996). Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis. Westport, Conn: Greenwood Press. ISBN 978-0-313-29752-6. OCLC 34191505.
Scobie 1988, pp. 103–107. Scobie, Stephen (1988). "The Allure of Multiplicity: Metaphor and Metonymy in Cubism and Gertrude Stein". In Neuman, S. C.; Nadel, Ira Bruce (eds.). Gertrude Stein and the Making of Literature. London: Palgrave Macmillan UK. doi:10.1007/978-1-349-08541-5_7. ISBN 978-1-349-08543-9. OCLC 7323640453 – via Internet Archive.
John-Steiner 2006, p. 69. John-Steiner, Vera (2006). "Patterns of Collaboration among Artists". Creative Collaboration. Oxford University Press. pp. 63–96. doi:10.1093/acprof:oso/9780195307702.003.0004. ISBN 978-0-19-530770-2. OCLC 5105130725, 252638637.
Cahoone 1996, p. 13. Cahoone, Lawrence (1996). From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell Publishers. ISBN 978-1-55786-602-8. OCLC 1149327777 – via Internet Archive.
Arnason & Prather 1998, p. 17. Arnason, H. Harvard; Prather, Marla (1998). History of modern art: painting, sculpture, architecture, photography (4th ed.). New York: Harry N. Abrams, Inc. ISBN 978-0-8109-3439-9. OCLC 1035593323 – via Internet Archive.
Lubow, Arthur (2003-07-27). "The Secret of the Black Paintings". The New York Times. ISSN 0362-4331. Retrieved 2024-04-28.
"The unflinching eye". The Guardian. 2003-10-04. ISSN 0261-3077. Retrieved 2024-04-28.
Cahoone 1996, p. 27. Cahoone, Lawrence (1996). From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell Publishers. ISBN 978-1-55786-602-8. OCLC 1149327777 – via Internet Archive.
Greenberg 1982, p. 5. Greenberg, Clement (1982). "Modernist Painting". In Frascina, Francis; Harrison, Charles; Paul, Deirdre (eds.). Modern Art and Modernism: A Critical Anthology. In association with the Open University. London: Harper & Row. ISBN 978-0-06-318234-9. OCLC 297414909 – via Internet Archive.
Gombrich 1995, p. 477. Gombrich, Ernst H. (1995). The Story of Art. London: Phaidon Press Limited. ISBN 978-0-7148-3355-2. OCLC 1151352542 – via Internet Archive.
Arnason & Prather 1998, p. 22. Arnason, H. Harvard; Prather, Marla (1998). History of modern art: painting, sculpture, architecture, photography (4th ed.). New York: Harry N. Abrams, Inc. ISBN 978-0-8109-3439-9. OCLC 1035593323 – via Internet Archive.
Corinth et al. 1996, p. 25. Corinth, Lovis; Schuster, Peter-Klaus; Vitali, Christoph; Butts, Barbara; Brauner, Lothar; Bärnreuther, Andrea (1996). Lovis Corinth. Munich; New York: Prestel. ISBN 978-3-7913-1682-6. OCLC 35280519.
Cogniat 1975, p. 61. Cogniat, Raymond (1975). Pissarro. New York: Crown Publishers. ISBN 978-0-517-52477-0. OCLC 2082821.
Cogniat 1975, pp. 43–49. Cogniat, Raymond (1975). Pissarro. New York: Crown Publishers. ISBN 978-0-517-52477-0. OCLC 2082821.
Mullins 2006, p. 14. Mullins, Charlotte (2006). Painting people: figure painting today. New York: D.A.P./Distributed Art Pubs. ISBN 978-1-933045-38-2. OCLC 71679906.
Mullins 2006, p. 9. Mullins, Charlotte (2006). Painting people: figure painting today. New York: D.A.P./Distributed Art Pubs. ISBN 978-1-933045-38-2. OCLC 71679906.
Mullins 2006, pp. 14–15. Mullins, Charlotte (2006). Painting people: figure painting today. New York: D.A.P./Distributed Art Pubs. ISBN 978-1-933045-38-2. OCLC 71679906.
Jencks 1987, p. ^{[page needed]}. Jencks, Charles (1987). Post-Modernism: The New Classicism in Art and Architecture. New York: Rizzoli. ISBN 978-0-8478-0835-9. OCLC 1150952960 – via Inernet Archive.
Lander 2006. Lander, David (November–December 2006). "Fifties Furniture THE SIDE TABLE AS SCULPTURE". Shopping. American Heritage. 57 (6). American Association for State and Local History. ISSN 2161-8496. OCLC 60622066. Archived from the original on 2007-10-20.