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Music and Lyrics (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Music and Lyrics" in English language version.

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7web.archive.org
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3billboard.com
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2theguardian.com
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1efilmcritic.com
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1wikidata.org
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1nla.gov.au
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1aria.com.au
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amazon.com

aria.com.au

billboard.com

blu-ray.com

boxofficemojo.com

cinemascore.com

  • "Find CinemaScore" (Type "Music and Lyrics" in the search box). CinemaScore. Retrieved December 25, 2020.

efilmcritic.com

ew.com

metacritic.com

nla.gov.au

webarchive.nla.gov.au

nytimes.com

movies.nytimes.com

  • A.O. Scott (February 14, 2007). "Melodic Guy, Verbal Gal Meet Cute and Get Lyrical". The New York Times. Archived from the original on March 27, 2009. Retrieved February 11, 2017. Music and Lyrics, in contrast, is the type of modern Hollywood production that aspires to nothing more than the competent dispensing of mild amusement and easy emotion. The writer and director, Marc Lawrence ... shows some imagination as he parodies the music-video styles of various eras, and he contrives a bit of novelty in making the movie's central couple creative partners as well as potential lovers. Mr. Grant is at his best when he allows a hard glint of caddish narcissism to peek through his easy flirtatiousness, something he did in About a Boy and American Dreamz. There is not quite enough of that here, nor enough of the anarchic loopiness that Ms. Barrymore brought to roles opposite Adam Sandler in The Wedding Singer and 50 First Dates.

rottentomatoes.com

sfgate.com

  • Mick LaSalle (February 14, 2007). "When cute couple write pop songs, they may find love". San Francisco Chronicle. Archived from the original on June 29, 2011. Retrieved May 7, 2020. Writer-director Marc Lawrence makes a talk-heavy variety of romantic comedy that not everyone likes -- Miss Congeniality, Two Weeks Notice, Forces of Nature -- but he does it well. Moreover, Music and Lyrics has virtues its predecessors lack. Scenes play out longer than in most films, and conversations have a chance to evolve. Also, because much of the film places the protagonists in rooms together, working for extended periods, there are an unusual number of two-person scenes, giving the actors the chance to show their charm, work off each other and develop the nuances of interaction. ... Lawrence's take on pop music success is exactly right, satiric without being absurdist, and therefore a prize worth the effort.

swisscharts.com

theguardian.com

variety.com

web.archive.org

  • "Music and Lyrics" Archived 2010-02-08 at the Wayback Machine. eFilmCritic.
  • "Music And Lyrics" Archived 2010-04-11 at the Wayback Machine. Wild About Movies.
  • A.O. Scott (February 14, 2007). "Melodic Guy, Verbal Gal Meet Cute and Get Lyrical". The New York Times. Archived from the original on March 27, 2009. Retrieved February 11, 2017. Music and Lyrics, in contrast, is the type of modern Hollywood production that aspires to nothing more than the competent dispensing of mild amusement and easy emotion. The writer and director, Marc Lawrence ... shows some imagination as he parodies the music-video styles of various eras, and he contrives a bit of novelty in making the movie's central couple creative partners as well as potential lovers. Mr. Grant is at his best when he allows a hard glint of caddish narcissism to peek through his easy flirtatiousness, something he did in About a Boy and American Dreamz. There is not quite enough of that here, nor enough of the anarchic loopiness that Ms. Barrymore brought to roles opposite Adam Sandler in The Wedding Singer and 50 First Dates.
  • Mick LaSalle (February 14, 2007). "When cute couple write pop songs, they may find love". San Francisco Chronicle. Archived from the original on June 29, 2011. Retrieved May 7, 2020. Writer-director Marc Lawrence makes a talk-heavy variety of romantic comedy that not everyone likes -- Miss Congeniality, Two Weeks Notice, Forces of Nature -- but he does it well. Moreover, Music and Lyrics has virtues its predecessors lack. Scenes play out longer than in most films, and conversations have a chance to evolve. Also, because much of the film places the protagonists in rooms together, working for extended periods, there are an unusual number of two-person scenes, giving the actors the chance to show their charm, work off each other and develop the nuances of interaction. ... Lawrence's take on pop music success is exactly right, satiric without being absurdist, and therefore a prize worth the effort.
  • Peter Bradshaw (9 February 2007). "Music and Lyrics". The Guardian. Archived from the original on 16 February 2017. Retrieved 12 December 2016.
  • Philip French (11 February 2007). "Music and Lyrics". The Observer. Archived from the original on 9 March 2016. Retrieved 12 December 2016.
  • "ABC's Fry Is Hugh Grant's New Vocal Coach". Billboard.com. 2006. Archived from the original on 15 September 2014. Retrieved 29 January 2012.

wikidata.org

wildaboutmovies.com