Music of Tanzania (English Wikipedia)

Nne, Juma (1 October 2001). "Saleh J – Tanzanian Swahili rap pioneer". Africanhiphop.com. Archived from the original on 21 April 2021. Retrieved 5 June 2022.

africasacountry.com

"Aika & Nahreel". africasacountry.com. 16 March 2013. Archived from the original on 6 November 2018. Retrieved 18 January 2020.

ajol.info

Suriano, Maria (2011). "Hip-Hop and Bongo Flavour Music in Contemporary Tanzania: Youths' Experiences, Agency, Aspirations and Contradictions". Africa Development. 36 (3–4): 113–126. doi:10.1080/00020184.2011.628800. ISSN 0850-3907. S2CID 163049425. Archived from the original on 2 June 2022. Retrieved 2 June 2022.

books.google.com

Askew, Kelly (2002). Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago: University of Chicago Press. pp. 27–67, 276. ISBN 978-0-226-02981-8. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Ivaska, Andrew (2011). Cultured States: Youth, Gender, and Modern Style in 1960s Dar Es Salaam. Durham, NC: Duke University Press. p. 78. ISBN 978-0-8223-4770-5. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Stone, Ruth M., ed. (2008). The Garland Handbook of African Music. New York: Routledge. pp. 14, 46–50, 136–137. ISBN 9781135900014. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Njogu, Kimani; Maupeu, Herv (2007). "Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo". Songs and Politics in Eastern Africa. Dar es Salaam, Tanzania: Mkuki na Nyota Publishers Ltd. pp. 241–246. ISBN 978-9987-08-108-0. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Edmondson, Laura (2007). McNaughton, Patrick (ed.). Performance and Politics in Tanzania: The Nation on Stage. Bloomington, IN: Indiana University Press. ISBN 978-0-253-11705-2. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Perullo, Alex (2007). "'Here's a Little Something Local': An Early History of Hip Hop in Dar es Salaam, Tanzania, 1984–1997". In Brennan, James R (ed.). Dar es Salaam. Histories from an Emerging African Metropolis. British Institute and Mkuki na Nyota Publishers Ltd. pp. 250–272. ISBN 978-9987-08-107-3. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Perullo, Alex (2011). Live from Dar es Salaam: Popular Music and Tanzania's Music Economy. United States: Indiana: Indiana University Press. ISBN 978-0-253-00150-4. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Lihamba, A. (2004). "A History of Theatre in Tanzania". In Banham, Martin (ed.). A History of Theatre in Africa. United Kingdom: Cambridge University Press. pp. 223–247. ISBN 978-1-139-45149-9. Archived from the original on 7 June 2022. Retrieved 7 June 2022.
Barz, Gregory F. (2003). Performing Religion: Negotiating Past and Present in Kwaya Music of Tanzania. Leiden, The Netherlands: Brill Publishers. p. 20. doi:10.1163/9789004334328. ISBN 978-90-420-0827-4.
Nyerere, Julius K. (1966). "President's Inaugural Address: 10 December 1962". Freedom and Unity-Uhuru na Umoja: A Selection from Writings and Speeches, 1952–65 (in Swahili). United Kingdom: Oxford University. pp. 40–45. ISBN 978-0-19-644082-8. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Lemelle, Sidney J (2006). "'Ni Wapi Tunakwenda': Hip Hop Culture and the Children of Arusha". In Basu, Dipannita (ed.). The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture. London: Pluto Press. pp. 230–254. ISBN 1-78371-953-2. Retrieved 6 June 2022.
Clark, Msia Kibona (2018). Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers. Ohio: Ohio University Press. pp. 105–127. ISBN 978-0-89680-502-6. Retrieved 4 June 2022.

brill.com

Sanga, Daines Nicodem (10 December 2019). "Global Impacts upon Ngoma". Utafiti. 14 (1). Brill: 126–144. doi:10.1163/26836408-14010007. ISSN 2683-6408. S2CID 199148535. Archived from the original on 8 June 2022. Retrieved 7 June 2022.

cambridge.org

Remes, Pieter (1999). "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth". Yearbook for Traditional Music. 31. Cambridge University Press: 1–26. doi:10.2307/767970. ISSN 2304-3857. JSTOR 767970. S2CID 190741861. Archived from the original on 5 June 2022. Retrieved 5 June 2022.

cnn.com

edition.cnn.com

Lisa Cohen (10 June 2020). "The world's first Freddie Mercury museum is on an African island". CNN. Archived from the original on 23 June 2020. Retrieved 27 June 2020.

doi.org

Kerr, David (2 January 2018). "From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam". Journal of African Cultural Studies. 30 (1). Routledge: 65–80. doi:10.1080/13696815.2015.1125776. ISSN 1369-6815. S2CID 146229942. Archived from the original on 22 June 2022. Retrieved 5 June 2022.
Suriano, Maria (2011). "Hip-Hop and Bongo Flavour Music in Contemporary Tanzania: Youths' Experiences, Agency, Aspirations and Contradictions". Africa Development. 36 (3–4): 113–126. doi:10.1080/00020184.2011.628800. ISSN 0850-3907. S2CID 163049425. Archived from the original on 2 June 2022. Retrieved 2 June 2022.
Perullo, Alex (2005). "Hooligans and heroes: Youth identity and hip-hop in Dar es Salaam, Tanzania". Africa Today. 51 (4). Indiana University Press: 75–101. doi:10.1353/at.2005.0045. JSTOR 4187688. S2CID 144975952. Archived from the original on 9 June 2022. Retrieved 5 June 2022.
Sanga, Daines Nicodem (10 December 2019). "Global Impacts upon Ngoma". Utafiti. 14 (1). Brill: 126–144. doi:10.1163/26836408-14010007. ISSN 2683-6408. S2CID 199148535. Archived from the original on 8 June 2022. Retrieved 7 June 2022.
Sanga, Imani (1 November 2006). "Composition processes in popular church music in Dar es Salaam, Tanzania". Ethnomusicology Forum. 15 (2). Routledge: 247–271. doi:10.1080/17411910600915406. ISSN 1741-1912. S2CID 191621780. Archived from the original on 2 June 2022. Retrieved 2 June 2022 – via Taylor and Francis.
Barz, Gregory F. (2003). Performing Religion: Negotiating Past and Present in Kwaya Music of Tanzania. Leiden, The Netherlands: Brill Publishers. p. 20. doi:10.1163/9789004334328. ISBN 978-90-420-0827-4.
Graebner, Werner (1989). "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila". Popular Music. 3 (8). Cambridge University Press: 243–258. doi:10.1017/S0261143000003548. ISSN 1474-0095. S2CID 162437123. Archived from the original on 22 June 2022. Retrieved 2 June 2022 – via Cambridge CORE.
Remes, Pieter (1999). "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth". Yearbook for Traditional Music. 31. Cambridge University Press: 1–26. doi:10.2307/767970. ISSN 2304-3857. JSTOR 767970. S2CID 190741861. Archived from the original on 5 June 2022. Retrieved 5 June 2022.

jstor.org

Perullo, Alex (2005). "Hooligans and heroes: Youth identity and hip-hop in Dar es Salaam, Tanzania". Africa Today. 51 (4). Indiana University Press: 75–101. doi:10.1353/at.2005.0045. JSTOR 4187688. S2CID 144975952. Archived from the original on 9 June 2022. Retrieved 5 June 2022.
Remes, Pieter (1999). "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth". Yearbook for Traditional Music. 31. Cambridge University Press: 1–26. doi:10.2307/767970. ISSN 2304-3857. JSTOR 767970. S2CID 190741861. Archived from the original on 5 June 2022. Retrieved 5 June 2022.

kilitimetz.com

"Kilitime". kilitimetz.com. Archived from the original on 15 May 2006.
"Kilitime". kilitimetz.com. Archived from the original on 10 November 2006.

mdundo.com

The Evolution of Reggae Music in Tanzania – News Reggae music in Tanzania Archived 21 June 2022 at the Wayback Machine Retrieved 18 February 2022

nation.africa

nairobinews.nation.africa

Digital, Standard. "Bongopiano: The unstoppable musical fusion rocking the dancefloors". Nairobi News.

navy.mil

navyband.navy.mil

"United States Navy Ceremonial Music and National Anthems". United States Navy Band. 1967. Archived from the original on 7 April 2022. Retrieved 3 June 2022.

nbn-resolving.org

Sanga, Daines Nicodem (27 March 2013). "Traditional dances and Bongo Fleva: A study of youth participation in ngoma groups in Tanzania". Swahili Forum. 20 (1). Mainz, Germany: University of Bayreuth, University of Leipzig: 67–84. ISSN 1614-2373. Archived from the original on 22 June 2022. Retrieved 7 June 2022.

nime.org

Kerr, David; Rubanza, Hashim. "Sounding Tanzania in the Studios of Dar es Salaam" (PDF). Music and Technology. 4 (1). Birmingham, UK: Birmingham Centre for Media and Cultural Research: 72–85. Archived (PDF) from the original on 22 June 2022. Retrieved 6 June 2022.

okayafrica.com

"Vanessa Mdee: 'It's Tough to Be a Female Artist, You Have to Work Five Times Harder Than the Men'". okayafrica.com. 11 February 2019. Archived from the original on 31 July 2021. Retrieved 31 July 2021.

queenconcerts.com

"Queen on tour". QueenConcerts. Archived from the original on 8 April 2022. Retrieved 3 June 2022.

researchgate.net

Englert, Birgit (2008). "Ambiguous Relationships: Youth, Popular Music and Politics in Contemporary Tanzania". University of Vienna. Vienna. Archived from the original on 6 June 2022. Retrieved 6 June 2022.
Suriano, Maria (14 August 2007). "'Mimi ni msanii, kioo cha jamii' urban youth culture in Tanzania as seen through Bongo Fleva and Hip-Hop". Swahili-Forum. 14: 207–233. Archived (PDF) from the original on 6 June 2022. Retrieved 22 June 2022.
Englert, Birgit (2003). "Bongo Flava (Still) Hidden 'Underground'–Rap from Morogoro, Tanzania". Stichproben. 5 (3). Wiener Zeitschrift für kritische Afrikastudien: 73–94. Archived (PDF) from the original on 6 June 2022. Retrieved 6 June 2022.

reverbnation.com

ASB Twanga Pepeta Archived 18 February 2022 at the Wayback Machine Retrieved 18 February

sahistory.org.za

Enoch Mankayti Sontonga Archived 4 November 2013 at the Wayback Machine, SAHistory.org.za, accessdate 2020-1-22

semanticscholar.org

api.semanticscholar.org

Kerr, David (2 January 2018). "From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam". Journal of African Cultural Studies. 30 (1). Routledge: 65–80. doi:10.1080/13696815.2015.1125776. ISSN 1369-6815. S2CID 146229942. Archived from the original on 22 June 2022. Retrieved 5 June 2022.
Suriano, Maria (2011). "Hip-Hop and Bongo Flavour Music in Contemporary Tanzania: Youths' Experiences, Agency, Aspirations and Contradictions". Africa Development. 36 (3–4): 113–126. doi:10.1080/00020184.2011.628800. ISSN 0850-3907. S2CID 163049425. Archived from the original on 2 June 2022. Retrieved 2 June 2022.
Perullo, Alex (2005). "Hooligans and heroes: Youth identity and hip-hop in Dar es Salaam, Tanzania". Africa Today. 51 (4). Indiana University Press: 75–101. doi:10.1353/at.2005.0045. JSTOR 4187688. S2CID 144975952. Archived from the original on 9 June 2022. Retrieved 5 June 2022.
Sanga, Daines Nicodem (10 December 2019). "Global Impacts upon Ngoma". Utafiti. 14 (1). Brill: 126–144. doi:10.1163/26836408-14010007. ISSN 2683-6408. S2CID 199148535. Archived from the original on 8 June 2022. Retrieved 7 June 2022.
Sanga, Imani (1 November 2006). "Composition processes in popular church music in Dar es Salaam, Tanzania". Ethnomusicology Forum. 15 (2). Routledge: 247–271. doi:10.1080/17411910600915406. ISSN 1741-1912. S2CID 191621780. Archived from the original on 2 June 2022. Retrieved 2 June 2022 – via Taylor and Francis.
Graebner, Werner (1989). "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila". Popular Music. 3 (8). Cambridge University Press: 243–258. doi:10.1017/S0261143000003548. ISSN 1474-0095. S2CID 162437123. Archived from the original on 22 June 2022. Retrieved 2 June 2022 – via Cambridge CORE.
Remes, Pieter (1999). "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth". Yearbook for Traditional Music. 31. Cambridge University Press: 1–26. doi:10.2307/767970. ISSN 2304-3857. JSTOR 767970. S2CID 190741861. Archived from the original on 5 June 2022. Retrieved 5 June 2022.

standardmedia.co.ke

Digital, Standard. "BongoPiano: The musical crossover that has everyone dancing". Standard Entertainment. Retrieved 9 August 2024.

tadio.co.tz

The Broadcasting Services Act, 1993 (PDF) (Act). Parliament of the United Republic of Tanzania. 11 June 1994. Archived 27 September 2020 at the Wayback Machine

tandfonline.com

Sanga, Imani (1 November 2006). "Composition processes in popular church music in Dar es Salaam, Tanzania". Ethnomusicology Forum. 15 (2). Routledge: 247–271. doi:10.1080/17411910600915406. ISSN 1741-1912. S2CID 191621780. Archived from the original on 2 June 2022. Retrieved 2 June 2022 – via Taylor and Francis.

thecitizen.co.tz

Parkshard, Doreen (4 February 2022). "Yogobeats: from being a music artiste to a thriving producer". The Citizen (Tanzania). Dar es Salaam: Nation Media Group. Mwananchi Communications. Archived from the original on 23 May 2022. Retrieved 5 June 2022.

theguardian.com

Hutchinson, Kate (17 December 2018). "'This cuts across society': how singeli music went from Tanzania to the world". The Guardian. Kampala, Uganda. Retrieved 26 June 2022.
Astill, James (2 February 2001). "Tanzanian rap breaks free of past". The Guardian. Dar es Salaam. p. 18. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Harris, John (14 January 2005). "The sins of St Freddie". The Guardian. Archived from the original on 2 February 2017. Retrieved 3 June 2022.

tinamagazine.com

Dembi, Lola (3 July 2018). "Tanzania's Official music releases website, helping industry". Tinamagazine.com. Archived from the original on 14 December 2018. Retrieved 11 December 2018.

udsm.ac.tz

journals.udsm.ac.tz

Mahenge, Elizabeth (16 April 2022). "Matumizi ya Mbinu ya Usimulizi katika Kuibua Dhamira ya Ukombozi wa Kisiasa Kusini mwa Afrika: Uchunguzi wa Nyimbo Teule za Muziki wa Dansi nchini Tanzania 1940–1990" [Use of Narrative Techniques in Raising the Demand for Political Liberation in Southern Africa: An Examination of Selected Dance Music Songs in Tanzania 1940–1990]. Chuo Kikuu cha Dar es Salaam (in Swahili). 40 (40).
Mukandabvute, Aaron A.; Gores, Maria (16 April 2022). "Athari za Kimaadili Zitokanazo na Nyimbo za Muziki wa Singeli nchini Tanzania" [Ethical Impact of Singeli Music in Tanzania]. Mulika Journal (in Swahili). 40 (2). Dar es Salaam, Tanzania: University of Dar es Salaam. Retrieved 27 June 2022.

ugent.be

lib.ugent.be

Van der Stockt, Anke (2019). The struggle for 'real' Tanzanian music: an anthropological analysis of the construction of national identity in Singeli (Thesis). Ghent, Belgium: Ghent University.

uni-bayreuth.de

eref.uni-bayreuth.de

Khamis, Said A. M. (7 December 2005). "Clash of interests and conceptualisation of taarab in East Africa". Swahili Forum (12): 133–159. ISSN 1614-2373. Archived from the original on 22 June 2022. Retrieved 2 June 2022.

web.archive.org

Askew, Kelly (2002). Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago: University of Chicago Press. pp. 27–67, 276. ISBN 978-0-226-02981-8. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Ivaska, Andrew (2011). Cultured States: Youth, Gender, and Modern Style in 1960s Dar Es Salaam. Durham, NC: Duke University Press. p. 78. ISBN 978-0-8223-4770-5. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Stone, Ruth M., ed. (2008). The Garland Handbook of African Music. New York: Routledge. pp. 14, 46–50, 136–137. ISBN 9781135900014. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Njogu, Kimani; Maupeu, Herv (2007). "Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo". Songs and Politics in Eastern Africa. Dar es Salaam, Tanzania: Mkuki na Nyota Publishers Ltd. pp. 241–246. ISBN 978-9987-08-108-0. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Edmondson, Laura (2007). McNaughton, Patrick (ed.). Performance and Politics in Tanzania: The Nation on Stage. Bloomington, IN: Indiana University Press. ISBN 978-0-253-11705-2. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Kerr, David (2 January 2018). "From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam". Journal of African Cultural Studies. 30 (1). Routledge: 65–80. doi:10.1080/13696815.2015.1125776. ISSN 1369-6815. S2CID 146229942. Archived from the original on 22 June 2022. Retrieved 5 June 2022.
Suriano, Maria (2011). "Hip-Hop and Bongo Flavour Music in Contemporary Tanzania: Youths' Experiences, Agency, Aspirations and Contradictions". Africa Development. 36 (3–4): 113–126. doi:10.1080/00020184.2011.628800. ISSN 0850-3907. S2CID 163049425. Archived from the original on 2 June 2022. Retrieved 2 June 2022.
Perullo, Alex (2005). "Hooligans and heroes: Youth identity and hip-hop in Dar es Salaam, Tanzania". Africa Today. 51 (4). Indiana University Press: 75–101. doi:10.1353/at.2005.0045. JSTOR 4187688. S2CID 144975952. Archived from the original on 9 June 2022. Retrieved 5 June 2022.
Perullo, Alex (2007). "'Here's a Little Something Local': An Early History of Hip Hop in Dar es Salaam, Tanzania, 1984–1997". In Brennan, James R (ed.). Dar es Salaam. Histories from an Emerging African Metropolis. British Institute and Mkuki na Nyota Publishers Ltd. pp. 250–272. ISBN 978-9987-08-107-3. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
The Broadcasting Services Act, 1993 (PDF) (Act). Parliament of the United Republic of Tanzania. 11 June 1994. Archived 27 September 2020 at the Wayback Machine
Perullo, Alex (2011). Live from Dar es Salaam: Popular Music and Tanzania's Music Economy. United States: Indiana: Indiana University Press. ISBN 978-0-253-00150-4. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Nne, Juma (1 October 2001). "Saleh J – Tanzanian Swahili rap pioneer". Africanhiphop.com. Archived from the original on 21 April 2021. Retrieved 5 June 2022.
Sanga, Daines Nicodem (27 March 2013). "Traditional dances and Bongo Fleva: A study of youth participation in ngoma groups in Tanzania". Swahili Forum. 20 (1). Mainz, Germany: University of Bayreuth, University of Leipzig: 67–84. ISSN 1614-2373. Archived from the original on 22 June 2022. Retrieved 7 June 2022.
Sanga, Daines Nicodem (10 December 2019). "Global Impacts upon Ngoma". Utafiti. 14 (1). Brill: 126–144. doi:10.1163/26836408-14010007. ISSN 2683-6408. S2CID 199148535. Archived from the original on 8 June 2022. Retrieved 7 June 2022.
Lihamba, A. (2004). "A History of Theatre in Tanzania". In Banham, Martin (ed.). A History of Theatre in Africa. United Kingdom: Cambridge University Press. pp. 223–247. ISBN 978-1-139-45149-9. Archived from the original on 7 June 2022. Retrieved 7 June 2022.
Englert, Birgit (2008). "Ambiguous Relationships: Youth, Popular Music and Politics in Contemporary Tanzania". University of Vienna. Vienna. Archived from the original on 6 June 2022. Retrieved 6 June 2022.
Khamis, Said A. M. (7 December 2005). "Clash of interests and conceptualisation of taarab in East Africa". Swahili Forum (12): 133–159. ISSN 1614-2373. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Sanga, Imani (1 November 2006). "Composition processes in popular church music in Dar es Salaam, Tanzania". Ethnomusicology Forum. 15 (2). Routledge: 247–271. doi:10.1080/17411910600915406. ISSN 1741-1912. S2CID 191621780. Archived from the original on 2 June 2022. Retrieved 2 June 2022 – via Taylor and Francis.
Graebner, Werner (1989). "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila". Popular Music. 3 (8). Cambridge University Press: 243–258. doi:10.1017/S0261143000003548. ISSN 1474-0095. S2CID 162437123. Archived from the original on 22 June 2022. Retrieved 2 June 2022 – via Cambridge CORE.
Nyerere, Julius K. (1966). "President's Inaugural Address: 10 December 1962". Freedom and Unity-Uhuru na Umoja: A Selection from Writings and Speeches, 1952–65 (in Swahili). United Kingdom: Oxford University. pp. 40–45. ISBN 978-0-19-644082-8. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
"Kilitime". kilitimetz.com. Archived from the original on 15 May 2006.
"Kilitime". kilitimetz.com. Archived from the original on 10 November 2006.
Kerr, David; Rubanza, Hashim. "Sounding Tanzania in the Studios of Dar es Salaam" (PDF). Music and Technology. 4 (1). Birmingham, UK: Birmingham Centre for Media and Cultural Research: 72–85. Archived (PDF) from the original on 22 June 2022. Retrieved 6 June 2022.
"Vanessa Mdee: 'It's Tough to Be a Female Artist, You Have to Work Five Times Harder Than the Men'". okayafrica.com. 11 February 2019. Archived from the original on 31 July 2021. Retrieved 31 July 2021.
Parkshard, Doreen (4 February 2022). "Yogobeats: from being a music artiste to a thriving producer". The Citizen (Tanzania). Dar es Salaam: Nation Media Group. Mwananchi Communications. Archived from the original on 23 May 2022. Retrieved 5 June 2022.
Remes, Pieter (1999). "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth". Yearbook for Traditional Music. 31. Cambridge University Press: 1–26. doi:10.2307/767970. ISSN 2304-3857. JSTOR 767970. S2CID 190741861. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Astill, James (2 February 2001). "Tanzanian rap breaks free of past". The Guardian. Dar es Salaam. p. 18. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
Suriano, Maria (14 August 2007). "'Mimi ni msanii, kioo cha jamii' urban youth culture in Tanzania as seen through Bongo Fleva and Hip-Hop". Swahili-Forum. 14: 207–233. Archived (PDF) from the original on 6 June 2022. Retrieved 22 June 2022.
Englert, Birgit (2003). "Bongo Flava (Still) Hidden 'Underground'–Rap from Morogoro, Tanzania". Stichproben. 5 (3). Wiener Zeitschrift für kritische Afrikastudien: 73–94. Archived (PDF) from the original on 6 June 2022. Retrieved 6 June 2022.
"Aika & Nahreel". africasacountry.com. 16 March 2013. Archived from the original on 6 November 2018. Retrieved 18 January 2020.
"United States Navy Ceremonial Music and National Anthems". United States Navy Band. 1967. Archived from the original on 7 April 2022. Retrieved 3 June 2022.
Enoch Mankayti Sontonga Archived 4 November 2013 at the Wayback Machine, SAHistory.org.za, accessdate 2020-1-22
ASB Twanga Pepeta Archived 18 February 2022 at the Wayback Machine Retrieved 18 February
The Evolution of Reggae Music in Tanzania – News Reggae music in Tanzania Archived 21 June 2022 at the Wayback Machine Retrieved 18 February 2022
"Queen on tour". QueenConcerts. Archived from the original on 8 April 2022. Retrieved 3 June 2022.
Harris, John (14 January 2005). "The sins of St Freddie". The Guardian. Archived from the original on 2 February 2017. Retrieved 3 June 2022.
Lisa Cohen (10 June 2020). "The world's first Freddie Mercury museum is on an African island". CNN. Archived from the original on 23 June 2020. Retrieved 27 June 2020.
Dembi, Lola (3 July 2018). "Tanzania's Official music releases website, helping industry". Tinamagazine.com. Archived from the original on 14 December 2018. Retrieved 11 December 2018.

worldcat.org

search.worldcat.org

Kerr, David (2 January 2018). "From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam". Journal of African Cultural Studies. 30 (1). Routledge: 65–80. doi:10.1080/13696815.2015.1125776. ISSN 1369-6815. S2CID 146229942. Archived from the original on 22 June 2022. Retrieved 5 June 2022.
Suriano, Maria (2011). "Hip-Hop and Bongo Flavour Music in Contemporary Tanzania: Youths' Experiences, Agency, Aspirations and Contradictions". Africa Development. 36 (3–4): 113–126. doi:10.1080/00020184.2011.628800. ISSN 0850-3907. S2CID 163049425. Archived from the original on 2 June 2022. Retrieved 2 June 2022.
Sanga, Daines Nicodem (27 March 2013). "Traditional dances and Bongo Fleva: A study of youth participation in ngoma groups in Tanzania". Swahili Forum. 20 (1). Mainz, Germany: University of Bayreuth, University of Leipzig: 67–84. ISSN 1614-2373. Archived from the original on 22 June 2022. Retrieved 7 June 2022.
Sanga, Daines Nicodem (10 December 2019). "Global Impacts upon Ngoma". Utafiti. 14 (1). Brill: 126–144. doi:10.1163/26836408-14010007. ISSN 2683-6408. S2CID 199148535. Archived from the original on 8 June 2022. Retrieved 7 June 2022.
Khamis, Said A. M. (7 December 2005). "Clash of interests and conceptualisation of taarab in East Africa". Swahili Forum (12): 133–159. ISSN 1614-2373. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
Sanga, Imani (1 November 2006). "Composition processes in popular church music in Dar es Salaam, Tanzania". Ethnomusicology Forum. 15 (2). Routledge: 247–271. doi:10.1080/17411910600915406. ISSN 1741-1912. S2CID 191621780. Archived from the original on 2 June 2022. Retrieved 2 June 2022 – via Taylor and Francis.
Graebner, Werner (1989). "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila". Popular Music. 3 (8). Cambridge University Press: 243–258. doi:10.1017/S0261143000003548. ISSN 1474-0095. S2CID 162437123. Archived from the original on 22 June 2022. Retrieved 2 June 2022 – via Cambridge CORE.
Remes, Pieter (1999). "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth". Yearbook for Traditional Music. 31. Cambridge University Press: 1–26. doi:10.2307/767970. ISSN 2304-3857. JSTOR 767970. S2CID 190741861. Archived from the original on 5 June 2022. Retrieved 5 June 2022.