Music sequencer (English Wikipedia)

"The RCA Synthesiser". 120 Years of Electronic Music (120years.net). 2014-02-11. Archived from the original on 2011-10-26.—(PDF version Archived 2012-04-02 at the Wayback Machine is available)

500sound.com

"Synclavier Early History". Synclavier European Services. Archived from the original on 2016-11-14.

anerd.com

"Fairlight – The Whole Story". Audio Media. No. January 1996. Archived from the original on 2017-05-04. Fairlight launched the CMI Series II in 1982, which incorporated their now legendary Page R, the first serious music sequencer, which, according to Paine, "simply blew people away".

archive.org

Holmes, Thom (2012). "Early Synthesizers and Experimenters". Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). Routledge. pp. 190–192. ISBN 978-1-136-46895-7. See also excerpt from pp. 157-160 in Chapter 6 of Early Synthesizers and Experimenters.
Yamaha (5 May 1984). Yamaha CX5M Music Computer Flyer (GB). Retrieved 5 May 2018 – via Internet Archive.

bbc.co.uk

news.bbc.co.uk

Fildes, Jonathan (2008-06-17). "'Oldest' computer music unveiled". BBC News Online. Archived from the original on 2009-01-11. Retrieved 2008-06-18.—another oldest known recording of computer realized music played by the Ferranti Mark 1, captured by BBC in Autumn, 1951; the songs Baa Baa Black Sheep and In the Mood.

books.google.com

Pejrolo, Andrea (2011). "1.7.1 The Primary Goals You Want to Achieve with Your Audio Sequencer". Creative Sequencing Techniques for Music Production: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase. Taylor & Francis. p. 48. ISBN 978-0-240-52216-6. Note: an example of section title containing "Audio Sequencer"
Rothstein, Joseph (1995). MIDI: A Comprehensive Introduction. Computer Music and Digital Audio Series. Vol. 7. A-R Editions, Inc. pp. 77, 122. ISBN 978-0-89579-309-6.
Pinch, Trevor. J.; Trocco, Frank (2009). "Buchla's Box". Analog Days: The Invention and Impact of the Moog Synthesizer (reprint ed.). Harvard University Press. pp. 55–56. ISBN 978-0-674-04216-2.
"Subotnick suggested that using a light source to control sound might be promising. ... Later he [Buchla] turned this into an electro mechanical sequencer by introducing step relays and a dial. ... Buchla, like Moog, realized that voltage control ... But Buchla was after something different; ... Buchla was led to the electronic sequencer—a device that later was used to make much influential pop, rock, and dance music. A sequencer produces predetermined control voltages in a cycle or sequence and can endlessly recycle ..."
Note: for a sequencer using a light source, see "Circle Machine" on #Analog sequencers and Raymond Scott#Electronics and research.
Pejrolo, Andrea (2011). "1.7.1 The Primary Goals You Want to Achieve with Your Audio Sequencer". Creative Sequencing Techniques for Music Production: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase. Taylor & Francis. p. 48. ISBN 978-0-240-52216-6. (sub-section title contains the expression "Audio Sequencer")
Holmes, Thom (2012). "Early Synthesizers and Experimenters". Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). Routledge. pp. 190–192. ISBN 978-1-136-46895-7. See also excerpt from pp. 157-160 in Chapter 6 of Early Synthesizers and Experimenters.
Holmes, Thom (2008). Electronic and experimental music: technology, music, and culture (3rd ed.). Routledge. p. 222. ISBN 978-0-415-95781-6. Moog admired Buchla's work, recently stating that Buchla designed a system not only for "making new sounds but [for] making textures out of these sounds by specifying when these sounds could change and how regular those change would be."
Hiller, Lejaren (Winter 1981). "Composing with Computer: A Progress Report". Computer Music Journal. 5 (4): 7–21. doi:10.2307/3679501. JSTOR 3679501.
also available in Curtis Roads, ed. (1992-10-08). The Music Machine: Selected Readings from Computer Music Journal. MIT Press (1989/1992). pp. 75. ISBN 978-0-262-68078-3.
Holmes, Thom (2008). "Digital Synthesis and Computer Music". Electronic and experimental music: technology, music, and culture. Taylor & Francis. pp. 254. ISBN 978-0-415-95781-6.
Roads, Curtis (Winter 1980). "Interview with Max Mathews". Computer Music Journal. 4 (4).
in Curtis Roads, ed. (1992-10-08). The Music Machine: Selected Readings from Computer Music Journal. MIT Press (1989/1992). pp. 5. ISBN 978-0-262-68078-3.
Bogdanov, Vladimir (2001). All music guide to electronica: the definitive guide to electronic music. Backbeat Books. pp. 320. ISBN 978-0-87930-628-1.
Russ, Martin (2008). Sound Synthesis and Sampling. Focal Press. p. 346. ISBN 978-0240521053. Retrieved 21 June 2011.
Russ, Martin (2012). Sound Synthesis and Sampling. CRC Press. p. 192. ISBN 978-1136122149. Retrieved 26 April 2017.
Paul Théberge (1997), Any Sound You Can Imagine: Making Music/Consuming Technology, page 223, Wesleyan University Press
Herbert A. Deutsch (1985), Synthesis: an introduction to the history, theory & practice of electronic music, page 96, Alfred Music
Roads, Curtis (1996). The computer music tutorial. MIT Press. p. 226. ISBN 0-262-68082-3. Retrieved 2011-06-05.
Martin Russ, Sound Synthesis and Sampling, page 84, CRC Press
Peter Manning (2013), Electronic and Computer Music, page 319, Oxford University Press

cem3374.com

J.Michmerhuizen; Thomas E. Oberheim (June 1974). DS-2 Digital Sequencer Instruction and Service Manual (PDF). Archived from the original (PDF) on 2011-12-18. Retrieved 2017-12-06.

chriscarter.co.uk

Chris Carter, ROLAND MC8 MICROCOMPOSER Archived 2017-04-20 at the Wayback Machine, Sound on Sound, vol.12, no.5, March 1997

csiro.au

"CSIRAC: Australia's first computer". Australia: Commonwealth Scientific and Industrial Research Organisation (CSIRO). Archived from the original on 2007-11-16. Retrieved 2007-12-21.

demon.co.uk

ems-synthi.demon.co.uk

Hinton, Graham (2001). "Synthi 100 (1971, formerly Digitana, aka the Delaware)". Electronic Music Studios (Cornwall). Archived from the original on 2013-10-31.
Hinton, Graham (2001). "Synthi Sequencer 256 (1971, formerly Synthi Moog Sequencer)". Electronic Music Studios (Cornwall). Archived from the original on 2013-10-31.

deutsches-museum.de

"Das Siemens-Studio für elektronische Musik von Alexander Schaaf und Helmut Klein" (in German). Deutsches Museum. Archived from the original on 2013-09-30.

discogs.com

Yellow Magic Orchestra—Yellow Magic Orchestra at Discogs

doi.org

Fowler, Charles B. (October 1967). "The Museum of Music: A History of Mechanical Instruments". Music Educators Journal. 54 (2): 45–49. doi:10.2307/3391092. JSTOR 3391092. S2CID 190524140.
Koetsier, Teun (2001). "On the prehistory of programmable machines: musical automata, looms, calculators". Mechanism and Machine Theory. 36 (5): 589–603. doi:10.1016/S0094-114X(01)00005-2.
Long, Jason; Murphy, Jim; Carnegie, Dale; Kapur, Ajay (12 July 2017). "Loudspeakers Optional: A history of non-loudspeaker-based electroacoustic music". Organised Sound. 22 (2). Cambridge University Press: 195–205. doi:10.1017/S1355771817000103.
Levaux, Christophe (12 July 2017). "The Forgotten History of Repetitive Audio Technologies". Organised Sound. 22 (2). Cambridge University Press: 187–194. doi:10.1017/S1355771817000097.
Fowler, Charles B. (October 1967). "The Museum of Music: A History of Mechanical Instruments". Music Educators Journal. 54 (2): 45–49. doi:10.2307/3391092. JSTOR 3391092. S2CID 190524140.
Fowler, Charles B. (October 1967), "The Museum of Music: A History of Mechanical Instruments", Music Educators Journal, 54 (2), MENC_ The National Association for Music Education: 45–49, doi:10.2307/3391092, JSTOR 3391092, S2CID 190524140
Hiller, Lejaren (Winter 1981). "Composing with Computer: A Progress Report". Computer Music Journal. 5 (4): 7–21. doi:10.2307/3679501. JSTOR 3679501.
also available in Curtis Roads, ed. (1992-10-08). The Music Machine: Selected Readings from Computer Music Journal. MIT Press (1989/1992). pp. 75. ISBN 978-0-262-68078-3.
Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4: 102–106. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745.

emusician.com

Chadabe, Joel (May 1, 2001). "The Electronic Century Part IV: The Seeds of the Future". Electronic Musician. Archived from the original on October 2, 2009. In September 1977, I bought the first Synclavier...
Chadabe, Joel (1 May 2000). "Part IV: The Seeds of the Future". Electronic Musician. XVI (5). Penton Media. Archived from the original on 28 September 2012.

factmag.com

The life and times of Ikutaro Kakehashi, the Roland pioneer modern music owes everything to Archived 2017-04-03 at the Wayback Machine, Fact

free.fr

jarrography.free.fr

"EKO Computerhythm (1972)". Jarrography – The ultimate Jean Michel Jarre discography. Archived from the original on 2012-05-03.

grammy.com

"Technical GRAMMY Award: Ikutaro Kakehashi And Dave Smith". 29 January 2013. Archived from the original on 22 August 2016.
"Ikutaro Kakehashi, Dave Smith: Technical GRAMMY Award Acceptance". 9 February 2013. Archived from the original on 9 December 2014.

hitachihyoron.com

Kunihiko, Nagai; Teruhiro, Takezawa; Kazuma, Yoshimura; KaTsutoshi, Tajima (April 1979). "Micro computer Basic Master (MB-6880)" (PDF) (in Japanese). 2.特長 ... (4) スピーカーを内蔵しており、プログラムによる音楽の自動演奏が可能である。 / 表 I 「ベーシックマスター」の主な仕様一覧 ... 音楽発生機能: 5ビットD/A変換のスピーカー再生 / 4.3 音楽発生機能 ...
Published on: "Special Features: Micro computer and its application". Hitachi Hyoron (April 1979). Japan: Hitachi, Ltd. Archived from the original on 15 September 2017. Retrieved 15 September 2017.

idg.se

Städje, Jörgen (2012-10-06). "Andromatic, den automatiska andromedaren". International Data Group (IDG). Archived from the original on 2012-10-07.

jstor.org

Fowler, Charles B. (October 1967). "The Museum of Music: A History of Mechanical Instruments". Music Educators Journal. 54 (2): 45–49. doi:10.2307/3391092. JSTOR 3391092. S2CID 190524140.
Fowler, Charles B. (October 1967). "The Museum of Music: A History of Mechanical Instruments". Music Educators Journal. 54 (2): 45–49. doi:10.2307/3391092. JSTOR 3391092. S2CID 190524140.
Fowler, Charles B. (October 1967), "The Museum of Music: A History of Mechanical Instruments", Music Educators Journal, 54 (2), MENC_ The National Association for Music Education: 45–49, doi:10.2307/3391092, JSTOR 3391092, S2CID 190524140
Hiller, Lejaren (Winter 1981). "Composing with Computer: A Progress Report". Computer Music Journal. 5 (4): 7–21. doi:10.2307/3679501. JSTOR 3679501.
also available in Curtis Roads, ed. (1992-10-08). The Music Machine: Selected Readings from Computer Music Journal. MIT Press (1989/1992). pp. 75. ISBN 978-0-262-68078-3.
Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4: 102–106. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745.

mathieubosi.com

"The RCA Synthesiser". 120 Years of Electronic Music (120years.net). 2014-02-11. Archived from the original on 2011-10-26.—(PDF version Archived 2012-04-02 at the Wayback Machine is available)

mit.edu

media.mit.edu

Nyssim Lefford; Eric D. Scheirer & Barry L. Vercoe. "An Interview with Barry Vercoe". Experimental Music Studio 25. Machine Listening Group, MIT Media Laboratory. Archived from the original on 2012-03-31.

muse-sequencer.org

MusE – The open source sequencer, MusE is a MIDI/Audio sequencer with recording and editing capabilities ...

muzines.co.uk

David Ellis, Yamaha CX5M Archived 2017-10-26 at the Wayback Machine, Electronics & Music Maker, October 1984

piclist.com

"Programming the MPU-401". www.piclist.com. Archived from the original on 6 May 2017. Retrieved 5 May 2018.

raymondscott.com

"Wall of Sound (sequencer)". RaymondScott.com. Archived from the original on 2011-11-13.
Moog, Robert. "Memories of Raymond Scott". RaymondScott.com. Archived from the original on 2011-11-06.
"Circle Machine". RaymondScott.com. Archived from the original on 2011-09-27.—includes 2 sound files: Raymond Scott's demonstration, and commercial soundtrack for new batteries of Ford Motors.

raymondscott.net

Raymond Scott Artifacts, p. 13

roland.com

"Roland - Company - History - History". Archived from the original on 2017-07-12. Retrieved 2017-05-17.

semanticscholar.org

api.semanticscholar.org

Fowler, Charles B. (October 1967). "The Museum of Music: A History of Mechanical Instruments". Music Educators Journal. 54 (2): 45–49. doi:10.2307/3391092. JSTOR 3391092. S2CID 190524140.
Fowler, Charles B. (October 1967). "The Museum of Music: A History of Mechanical Instruments". Music Educators Journal. 54 (2): 45–49. doi:10.2307/3391092. JSTOR 3391092. S2CID 190524140.
Fowler, Charles B. (October 1967), "The Museum of Music: A History of Mechanical Instruments", Music Educators Journal, 54 (2), MENC_ The National Association for Music Education: 45–49, doi:10.2307/3391092, JSTOR 3391092, S2CID 190524140
Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4: 102–106. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745.

soundonsound.com

Price, Simon. "Using Mixer Automation In Reason – Reason Tips & Techniques". Technique: Reason Notes. Sound on Sound. No. September 2006. Archived from the original on 2016-03-10.
"Controller Data Vs. Automation / ... sequencer package such as Logic or Pro Tools, ... are akin to automation on professional hardware mixing consoles, ... This type of automation system is different to using MIDI Continuous Controller [Control Changes] (CC) data, ... In Reason, automation is MIDI Controller [Control Changes] data, but with some specialised tools for handling the data and playing it back. ...",
"Recording Mixer Automation / As automation in Reason is MIDI CC data, it must be recorded on a sequencer track."
Reid, Gordon. "The History Of Roland Part 1: 1930–1978". Sound on Sound (Nov 2004). Archived from the original on 2011-06-29. Retrieved 2011-06-19.

squarespace.com

static1.squarespace.com

Holmes, Thom (2012). "Early Synthesizers and Experimenters". Electronic and Experimental Music: Technology, Music, and Culture (4th ed.). Routledge. pp. 190–192. ISBN 978-1-136-46895-7. See also excerpt from pp. 157-160 in Chapter 6 of Early Synthesizers and Experimenters.

steinberg.net

"Cubase 6 screenshot licensed under CC-BY-SA-3.0". Steinberg Media Technologies GmbH. Archived from the original on 2011-11-09.

synrise.de

"Multivox International". SYNRISE (in German). Archived from the original on 2003-04-20.

synthmaster.de

"EKO Computerhythm". SynthMaster.de. Archived from the original on 2016-03-04.

synthmuseum.com

"Model 800 Sequencer". SynthMuseum.com. Archived from the original on 2011-10-11.

techtarget.com

whatis.techtarget.com

On WhatIs.com of TechTarget, an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer".
- Margaret Rouse (April 2005). "sequencer". WhatIs.com. TechTarget. Archived from the original on 2015-06-27. In digital audio recording, a sequencer is a program in a computer or stand-alone keyboard unit that puts together a sound sequence from a series (or sequence) of Musical Instrument Digital Interface ( MIDI ) events (operations). The MIDI sequencer allows the user to record and edit a musical performance without using an audio-based input source. ...

textfiles.com

MIDI INTERFACES FOR THE IBM PC Archived 2015-10-21 at the Wayback Machine, Electronic Musician, September 1990

theregister.co.uk

Happy birthday MIDI 1.0: Slave to the rhythm Archived 2017-10-26 at the Wayback Machine, The Register

vintagesynth.com

Roland CMU-800 Archived 2017-06-04 at the Wayback Machine, Vintage Synth Explorer

web.archive.org

On WhatIs.com of TechTarget, an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer".
- Margaret Rouse (April 2005). "sequencer". WhatIs.com. TechTarget. Archived from the original on 2015-06-27. In digital audio recording, a sequencer is a program in a computer or stand-alone keyboard unit that puts together a sound sequence from a series (or sequence) of Musical Instrument Digital Interface ( MIDI ) events (operations). The MIDI sequencer allows the user to record and edit a musical performance without using an audio-based input source. ...
- "Cubase 6 screenshot licensed under CC-BY-SA-3.0". Steinberg Media Technologies GmbH. Archived from the original on 2011-11-09.
- Price, Simon. "Using Mixer Automation In Reason – Reason Tips & Techniques". Technique: Reason Notes. Sound on Sound. No. September 2006. Archived from the original on 2016-03-10.
  "Controller Data Vs. Automation / ... sequencer package such as Logic or Pro Tools, ... are akin to automation on professional hardware mixing consoles, ... This type of automation system is different to using MIDI Continuous Controller [Control Changes] (CC) data, ... In Reason, automation is MIDI Controller [Control Changes] data, but with some specialised tools for handling the data and playing it back. ...",
  "Recording Mixer Automation / As automation in Reason is MIDI CC data, it must be recorded on a sequencer track."
- Noel Sharkey, A 13th Century Programmable Robot (Archive), University of Sheffield.
- "The RCA Synthesiser". 120 Years of Electronic Music (120years.net). 2014-02-11. Archived from the original on 2011-10-26.—(PDF version Archived 2012-04-02 at the Wayback Machine is available)
- "Das Siemens-Studio für elektronische Musik von Alexander Schaaf und Helmut Klein" (in German). Deutsches Museum. Archived from the original on 2013-09-30.
- "Wall of Sound (sequencer)". RaymondScott.com. Archived from the original on 2011-11-13.
- Moog, Robert. "Memories of Raymond Scott". RaymondScott.com. Archived from the original on 2011-11-06.
- "Circle Machine". RaymondScott.com. Archived from the original on 2011-09-27.—includes 2 sound files: Raymond Scott's demonstration, and commercial soundtrack for new batteries of Ford Motors.
- Städje, Jörgen (2012-10-06). "Andromatic, den automatiska andromedaren". International Data Group (IDG). Archived from the original on 2012-10-07.
- "EKO Computerhythm (1972)". Jarrography – The ultimate Jean Michel Jarre discography. Archived from the original on 2012-05-03.
- "EKO Computerhythm". SynthMaster.de. Archived from the original on 2016-03-04.
- "Multivox International". SYNRISE (in German). Archived from the original on 2003-04-20.
- "CSIRAC: Australia's first computer". Australia: Commonwealth Scientific and Industrial Research Organisation (CSIRO). Archived from the original on 2007-11-16. Retrieved 2007-12-21.
- Fildes, Jonathan (2008-06-17). "'Oldest' computer music unveiled". BBC News Online. Archived from the original on 2009-01-11. Retrieved 2008-06-18.—another oldest known recording of computer realized music played by the Ferranti Mark 1, captured by BBC in Autumn, 1951; the songs Baa Baa Black Sheep and In the Mood.
- Nyssim Lefford; Eric D. Scheirer & Barry L. Vercoe. "An Interview with Barry Vercoe". Experimental Music Studio 25. Machine Listening Group, MIT Media Laboratory. Archived from the original on 2012-03-31.
- Hinton, Graham (2001). "Synthi 100 (1971, formerly Digitana, aka the Delaware)". Electronic Music Studios (Cornwall). Archived from the original on 2013-10-31.
- Hinton, Graham (2001). "Synthi Sequencer 256 (1971, formerly Synthi Moog Sequencer)". Electronic Music Studios (Cornwall). Archived from the original on 2013-10-31.
- J.Michmerhuizen; Thomas E. Oberheim (June 1974). DS-2 Digital Sequencer Instruction and Service Manual (PDF). Archived from the original (PDF) on 2011-12-18. Retrieved 2017-12-06.
- "Model 800 Sequencer". SynthMuseum.com. Archived from the original on 2011-10-11.
- Reid, Gordon. "The History Of Roland Part 1: 1930–1978". Sound on Sound (Nov 2004). Archived from the original on 2011-06-29. Retrieved 2011-06-19.
- Chris Carter, ROLAND MC8 MICROCOMPOSER Archived 2017-04-20 at the Wayback Machine, Sound on Sound, vol.12, no.5, March 1997
- "Synclavier Early History". Synclavier European Services. Archived from the original on 2016-11-14.
- Chadabe, Joel (May 1, 2001). "The Electronic Century Part IV: The Seeds of the Future". Electronic Musician. Archived from the original on October 2, 2009. In September 1977, I bought the first Synclavier...
- "Fairlight – The Whole Story". Audio Media. No. January 1996. Archived from the original on 2017-05-04. Fairlight launched the CMI Series II in 1982, which incorporated their now legendary Page R, the first serious music sequencer, which, according to Paine, "simply blew people away".
- Chadabe, Joel (1 May 2000). "Part IV: The Seeds of the Future". Electronic Musician. XVI (5). Penton Media. Archived from the original on 28 September 2012.
- "Technical GRAMMY Award: Ikutaro Kakehashi And Dave Smith". 29 January 2013. Archived from the original on 22 August 2016.
- "Ikutaro Kakehashi, Dave Smith: Technical GRAMMY Award Acceptance". 9 February 2013. Archived from the original on 9 December 2014.
- "Roland - Company - History - History". Archived from the original on 2017-07-12. Retrieved 2017-05-17.
- The life and times of Ikutaro Kakehashi, the Roland pioneer modern music owes everything to Archived 2017-04-03 at the Wayback Machine, Fact
- Kunihiko, Nagai; Teruhiro, Takezawa; Kazuma, Yoshimura; KaTsutoshi, Tajima (April 1979). "Micro computer Basic Master (MB-6880)" (PDF) (in Japanese). 2.特長 ... (4) スピーカーを内蔵しており、プログラムによる音楽の自動演奏が可能である。 / 表 I 「ベーシックマスター」の主な仕様一覧 ... 音楽発生機能: 5ビットD/A変換のスピーカー再生 / 4.3 音楽発生機能 ...
  Published on: "Special Features: Micro computer and its application". Hitachi Hyoron (April 1979). Japan: Hitachi, Ltd. Archived from the original on 15 September 2017. Retrieved 15 September 2017.
- David Ellis, Yamaha CX5M Archived 2017-10-26 at the Wayback Machine, Electronics & Music Maker, October 1984
- Yamaha Music Computer CX5M Owner's Manual. Yamaha. Archived from the original on 2015-10-22. Retrieved 2018-12-26.
- Roland CMU-800 Archived 2017-06-04 at the Wayback Machine, Vintage Synth Explorer
- Happy birthday MIDI 1.0: Slave to the rhythm Archived 2017-10-26 at the Wayback Machine, The Register
- MIDI INTERFACES FOR THE IBM PC Archived 2015-10-21 at the Wayback Machine, Electronic Musician, September 1990
- "Programming the MPU-401". www.piclist.com. Archived from the original on 6 May 2017. Retrieved 5 May 2018.

wikisource.org

en.wikisource.org

Schlesinger, Kathleen (1911). "Barrel-organ" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 3 (11th ed.). Cambridge University Press. pp. 432–434.

wikiwix.com

archive.wikiwix.com

"The RCA Synthesiser". 120 Years of Electronic Music (120years.net). 2014-02-11. Archived from the original on 2011-10-26.—(PDF version Archived 2012-04-02 at the Wayback Machine is available)

yamaha.com

download.yamaha.com

Yamaha Music Computer CX5M Owner's Manual. Yamaha. Archived from the original on 2015-10-22. Retrieved 2018-12-26.