Music theory (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Music theory" in English language version.

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3oxfordmusiconline.com

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3archive.org

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1classicalliberalarts.com

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1hs-augsburg.de

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1oxfordreference.com

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1dictionary.com

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1harvard.edu

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1mq.edu.au

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1doi.org

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archive.org

Shiloah, Amnon (2003). The Theory of Music in Arabic Writings (c. 900–1900). Germany: G. Henle Verlag Munchen. pp. 48, 58, 60–61. ISBN 978-0-8203-0426-7.
Cobb, Buell E. Jr. (1978). The Sacred Harp: A Tradition and Its Music. United States of America: The University of Georgia Press Athens. pp. 4–5, 60–61. ISBN 978-0-8203-0426-7.
van der Merwe 1989, 3. van der Merwe, Peter (1989). Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music. Oxford: Clarendon Press. ISBN 978-0-19-316121-4.

britannica.com

Canon: music at the Encyclopædia Britannica

classicalliberalarts.com

Boethius 1989. Boethius, Anicius Manlius Severinus (1989). Claude V. Palisca (ed.). Fundamentals of Music (PDF) (Translation of De institutione musica). Translated by Calvin M. Bower. New Haven and London: Yale University Press. ISBN 978-0-300-03943-6 – via classicalliberalarts.com.

dictionary.com

"Definition of melody | Dictionary.com". www.dictionary.com. Retrieved 11 January 2023.

doi.org

Dunsby & Stopford 1981, 49–53. Dunsby, Jonathan; Stopford, John (1981). "The Case for a Schenkerian Semiotic". Music Theory Spectrum. 3: 49–53. doi:10.2307/746133. JSTOR 746133.

harvard.edu

sites.fas.harvard.edu

Faculty of Arts & Sciences. "Pitch Structure: Harmony and Counterpoint". Theory of Music – Pitch Structure: The Chromatic Scale. Harvard University. Retrieved 2 October 2020.

hs-augsburg.de

"Guy Aretini's letter to the unknown : modern translation of the letter". Hs-augsburg.de. Retrieved 3 March 2022.

inflibnet.ac.in

shodhganga.inflibnet.ac.in

"Chapter 2 Elements and concepts of music (With reference to Hindustani and Jazz music)" (PDF). Shodhganga.inflibnet.ac.in. Retrieved 3 March 2022.

jstor.org

Dunsby & Stopford 1981, 49–53. Dunsby, Jonathan; Stopford, John (1981). "The Case for a Schenkerian Semiotic". Music Theory Spectrum. 3: 49–53. doi:10.2307/746133. JSTOR 746133.

mq.edu.au

clas.mq.edu.au

Mannell n.d. Mannell, Robert (n.d.). "Spectral Analysis of Sounds". Macquarie University.

oxfordmusiconline.com

Fallows, David (2011). "Theory". The Oxford Companion to Music. Oxford Music Online. ISBN 978-0199579037.
Lam Lam, Joseph S. C. "China, §II, History and Theory". Grove Music Online. Oxford University Press.
"Polyrhythm". Grove Music Online. Oxford University Press. Retrieved 11 August 2017. The superposition of different rhythms or metres.

oxfordreference.com

"Syncopation". The Oxford Dictionary of Music. Oxford University Press. 2013. ISBN 978-0199578108. Syncopation is achieved by accenting a weak instead of a strong beat, by putting rests on strong beats, by holding on over strong beats, and by introducing a sudden change of time‐signature.

sheffield.k12.oh.us

"How Loud? How Soft?" (PDF). Sheffield-Sheffield Lake City Schools.