Musical notation (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Musical notation" in English language version.

refsWebsite

Global rank English rank

7archive.org

6^th place

6doi.org

2^nd place

4web.archive.org

1^st place

2semanticscholar.org

11^th place

8^th place

2books.google.com

3^rd place

2worldcat.org

5^th place

16.202

low place

1jstor.org

26^th place

20^th place

1oup.com

485^th place

440^th place

1mcgill.ca

2,527^th place

1,840^th place

1newadvent.org

471^st place

409^th place

1routledge.com

2,932^nd place

1,911^th place

1donga.com

812^th place

931^st place

1britac.ac.uk

low place

9,450^th place

1music-notation.info

low place

1dodekamusic.com

low place

1getty.edu

2,274^th place

3,241^st place

1musicmarkup.info

low place

1emusician.com

low place

8,768^th place

1mtosmt.org

low place

6.202 (Global: low place; English: low place)

128.97.6.202

Giorgio Buccellati, "Hurrian Music", associate editor and webmaster Federico A. Buccellati Urkesh website (n.p.: IIMAS, 2003).

archive.org (Global: 6^th place; English: 6^th place)

Chrysanthos (1832), p. 33. Chrysanthos of Madytos (1832). Theoritikón méga tís Mousikís Θεωρητικὸν μέγα τῆς Μουσικῆς [Great Theory of Music]. Tergeste: Michele Weis. Retrieved 11 April 2012.
Chrysanthos (1832) made a difference between his monosyllabic and the traditional polysyllabic parallage. Chrysanthos of Madytos (1832). Theoritikón méga tís Mousikís Θεωρητικὸν μέγα τῆς Μουσικῆς [Great Theory of Music]. Tergeste: Michele Weis. Retrieved 11 April 2012.
Murray (1994), p. 45. Murray, Chris (1994). Dictionary of the Arts. New York: Facts on File. ISBN 978-0-8160-3205-1.
Bhandarkar (1913–1914). Bhandarkar, D. R. (1913–1914). "28. Kudimiyamalai inscription on music". In Konow, Sten (ed.). Epigraphia Indica. Vol. 12. pp. 226–237.
Apel (1961), pp. xxiii, 22. Apel, Willi (1961). The Notation of Polyphonic Music, 900–1600. Publications of the Mediaeval Academy of America, no. 38 (5th revised and with commentary ed.). Cambridge, Mass.: Mediaeval Academy of America.
Edwards (2009), p. 67. Edwards, Paul (2009). How to Rap: The Art & Science of the Hip-Hop MC. foreword by Kool G. Rap. Chicago: Chicago Review Press.
Edwards (2009), p. 69. Edwards, Paul (2009). How to Rap: The Art & Science of the Hip-Hop MC. foreword by Kool G. Rap. Chicago: Chicago Review Press.

books.google.com (Global: 3^rd place; English: 3^rd place)

McNaught (1893), p. 43. McNaught, W. G. (January 1893). "The History and Uses of the Sol-fa Syllables". Proceedings of the Musical Association. 19: 35–51. doi:10.1093/jrma/19.1.35. ISSN 0958-8442.
Gnanadesikan (2011), p. ^{[page needed]}. Gnanadesikan, Amalia E. (2011). The Writing Revolution: Cuneiform to the Internet. John Wiley & Sons. ISBN 9781444359855. Retrieved 20 September 2016.*Hall, John; Neitz, Mary Jo; Battani, Marshall (2003). Sociology on Culture. London: Routledge. ISBN 978-0-415-28484-4.

britac.ac.uk (Global: low place; English: 9,450^th place)

Bagley (2004). Bagley, Robert (26 October 2004). The Prehistory of Chinese Music Theory (Speech). Elsley Zeitlyn Lecture on Chinese Archaeology and Culture. British Academy's Autumn 2004 Lecture Programme. London: British Academy. Archived from the original on 9 June 2008. Retrieved 30 May 2010.

dodekamusic.com (Global: low place; English: low place)

"Dodeka: the fastest way to learn to play music". Dodeka Music.

doi.org (Global: 2^nd place; English: 2^nd place)

Kilmer & Civil (1986), p. ^{[page needed]}. Kilmer, Anne Draffkorn; Civil, Miguel (1986). "Old Babylonian Musical Instructions Relating to Hymnody". Journal of Cuneiform Studies. 38 (1): 94–98. doi:10.2307/1359953. JSTOR 1359953. S2CID 163942248.
West (1994), pp. 161–163. West, Martin Litchfield (May 1994). "The Babylonian Musical Notation and the Hurrian Melodic Texts". Music & Letters. 75 (2): 161–179. doi:10.1093/ml/75.2.161.
L, West, M (1 October 1992). "Ancient Greek Music". OUP Academic. doi:10.1093/o (inactive 1 July 2025).{{cite journal}}: CS1 maint: DOI inactive as of July 2025 (link) CS1 maint: multiple names: authors list (link)
West (1994), p. 161. West, Martin Litchfield (May 1994). "The Babylonian Musical Notation and the Hurrian Melodic Texts". Music & Letters. 75 (2): 161–179. doi:10.1093/ml/75.2.161.
Only one Greek asmatikon written during the 14th century (Kastoria, Metropolitan Library, Ms. 8) preserved this gestic notation based on the practice of cheironomia, and transcribed the gestic signs into sticherarion notation in a second row. For more about kondakar, see Floros & Moran (2009) and Myers (1998). Floros, Constantin; Moran, Neil K. (2009). The Origins of Russian Music: Introduction to the Kondakarian Notation. Frankfurt am Main etc.: Peter Lang. ISBN 9783631595534. Myers, Gregory (1998). "The medieval Russian Kondakar and the choirbook from Kastoria: a palaeographic study in Byzantine and Slavic musical relations". Plainsong and Medieval Music. 7 (1): 21–46. doi:10.1017/S0961137100001406. S2CID 163125078.
McNaught (1893), p. 43. McNaught, W. G. (January 1893). "The History and Uses of the Sol-fa Syllables". Proceedings of the Musical Association. 19: 35–51. doi:10.1093/jrma/19.1.35. ISSN 0958-8442.

donga.com (Global: 812^th place; English: 931^st place)

english.donga.com

"Gukak". The DONG-A ILBO. dongA.com. Retrieved 20 September 2016.

emusician.com (Global: low place; English: 8,768^th place)

Stewart, Darin (1 December 2003). "XML for Music". emusician.com. Archived from the original on 26 September 2011.

getty.edu (Global: 2,274^th place; English: 3,241^st place)

The Scores Project: Introduction. 5 May 2025. ISBN 978-1-60606-936-3.

jstor.org (Global: 26^th place; English: 20^th place)

Kilmer & Civil (1986), p. ^{[page needed]}. Kilmer, Anne Draffkorn; Civil, Miguel (1986). "Old Babylonian Musical Instructions Relating to Hymnody". Journal of Cuneiform Studies. 38 (1): 94–98. doi:10.2307/1359953. JSTOR 1359953. S2CID 163942248.

mcgill.ca (Global: 2,527^th place; English: 1,840^th place)

cs.mcgill.ca

Toussaint (2004), 3. Toussaint, Godfried (2004). A Comparison of Rhythmic Similarity Measures (PDF). Technical Report SOCS-TR-2004.6. Montréal: School of Computer Science, McGill University. Archived from the original (PDF) on 7 July 2012.

mtosmt.org (Global: low place; English: low place)

Adams (2009). Adams, Kyle (October 2009). "On the Metrical Techniques of Flow in Rap Music". Music Theory Online. 5 (9). Retrieved 4 April 2014.

music-notation.info (Global: low place; English: low place)

"abc". www.music-notation.info. Retrieved 10 May 2022.

musicmarkup.info (Global: low place; English: low place)

"musicmarkup.info". Archived from the original on 24 June 2004. Retrieved 1 June 2004.

newadvent.org (Global: 471^st place; English: 409^th place)

Otten (1910). Otten, J. (1910). "Guido of Arezzo". The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved 30 May 2010.

oup.com (Global: 485^th place; English: 440^th place)

academic.oup.com

L, West, M (1 October 1992). "Ancient Greek Music". OUP Academic. doi:10.1093/o (inactive 1 July 2025).{{cite journal}}: CS1 maint: DOI inactive as of July 2025 (link) CS1 maint: multiple names: authors list (link)

routledge.com (Global: 2,932^nd place; English: 1,911^th place)

Häberlin, Andreas (2025). "4. Outline". A Music Transcription Method: Notating Recorded Music by Ear (1st ed.). New York NY: Routledge. pp. 38–40. ISBN 9781032842547.

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

Kilmer & Civil (1986), p. ^{[page needed]}. Kilmer, Anne Draffkorn; Civil, Miguel (1986). "Old Babylonian Musical Instructions Relating to Hymnody". Journal of Cuneiform Studies. 38 (1): 94–98. doi:10.2307/1359953. JSTOR 1359953. S2CID 163942248.
Only one Greek asmatikon written during the 14th century (Kastoria, Metropolitan Library, Ms. 8) preserved this gestic notation based on the practice of cheironomia, and transcribed the gestic signs into sticherarion notation in a second row. For more about kondakar, see Floros & Moran (2009) and Myers (1998). Floros, Constantin; Moran, Neil K. (2009). The Origins of Russian Music: Introduction to the Kondakarian Notation. Frankfurt am Main etc.: Peter Lang. ISBN 9783631595534. Myers, Gregory (1998). "The medieval Russian Kondakar and the choirbook from Kastoria: a palaeographic study in Byzantine and Slavic musical relations". Plainsong and Medieval Music. 7 (1): 21–46. doi:10.1017/S0961137100001406. S2CID 163125078.

web.archive.org (Global: 1^st place; English: 1^st place)

Toussaint (2004), 3. Toussaint, Godfried (2004). A Comparison of Rhythmic Similarity Measures (PDF). Technical Report SOCS-TR-2004.6. Montréal: School of Computer Science, McGill University. Archived from the original (PDF) on 7 July 2012.
Bagley (2004). Bagley, Robert (26 October 2004). The Prehistory of Chinese Music Theory (Speech). Elsley Zeitlyn Lecture on Chinese Archaeology and Culture. British Academy's Autumn 2004 Lecture Programme. London: British Academy. Archived from the original on 9 June 2008. Retrieved 30 May 2010.
"musicmarkup.info". Archived from the original on 24 June 2004. Retrieved 1 June 2004.
Stewart, Darin (1 December 2003). "XML for Music". emusician.com. Archived from the original on 26 September 2011.

worldcat.org (Global: 5^th place; English: 5^th place)

search.worldcat.org

McNaught (1893), p. 43. McNaught, W. G. (January 1893). "The History and Uses of the Sol-fa Syllables". Proceedings of the Musical Association. 19: 35–51. doi:10.1093/jrma/19.1.35. ISSN 0958-8442.
Rochat (2018). Rochat, Jacques-Daniel (2018). Dodeka: la révolution musicale (in French). Chexbres: Crea 7. ISBN 9782970127505. OCLC 1078658738.

Musical notation (English Wikipedia)

6.202 (Global: low place; English: low place)

128.97.6.202

archive.org (Global: 6th place; English: 6th place)

books.google.com (Global: 3rd place; English: 3rd place)

britac.ac.uk (Global: low place; English: 9,450th place)

dodekamusic.com (Global: low place; English: low place)

doi.org (Global: 2nd place; English: 2nd place)

donga.com (Global: 812th place; English: 931st place)

english.donga.com

emusician.com (Global: low place; English: 8,768th place)

getty.edu (Global: 2,274th place; English: 3,241st place)

jstor.org (Global: 26th place; English: 20th place)

mcgill.ca (Global: 2,527th place; English: 1,840th place)

cs.mcgill.ca

mtosmt.org (Global: low place; English: low place)

music-notation.info (Global: low place; English: low place)

musicmarkup.info (Global: low place; English: low place)

newadvent.org (Global: 471st place; English: 409th place)

oup.com (Global: 485th place; English: 440th place)

academic.oup.com

routledge.com (Global: 2,932nd place; English: 1,911th place)

semanticscholar.org (Global: 11th place; English: 8th place)

api.semanticscholar.org

web.archive.org (Global: 1st place; English: 1st place)

worldcat.org (Global: 5th place; English: 5th place)

search.worldcat.org

archive.org (Global: 6^th place; English: 6^th place)

books.google.com (Global: 3^rd place; English: 3^rd place)

britac.ac.uk (Global: low place; English: 9,450^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

donga.com (Global: 812^th place; English: 931^st place)

emusician.com (Global: low place; English: 8,768^th place)

getty.edu (Global: 2,274^th place; English: 3,241^st place)

jstor.org (Global: 26^th place; English: 20^th place)

mcgill.ca (Global: 2,527^th place; English: 1,840^th place)

newadvent.org (Global: 471^st place; English: 409^th place)

oup.com (Global: 485^th place; English: 440^th place)

routledge.com (Global: 2,932^nd place; English: 1,911^th place)

semanticscholar.org (Global: 11^th place; English: 8^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

worldcat.org (Global: 5^th place; English: 5^th place)