The Musée catalog reads: "On doute que l'exécution soit de Pieter I Bruegel mais la conception lui est par contre attribuée avec certitude" ("It is doubtful if the execution is by Breugel the Elder, but the composition can be said with certainty to be his"). See also: JSTOR3780948 Lyckle de Vries, Bruegel's "Fall of Icarus": Ovid or Solomon?, Simiolus: Netherlands Quarterly for the History of Art, Vol. 30, No. 1/2 (2003), pp. 4–18. And for a scientific study of the canvas see: JSTOR Mark J. Y. Van Strydonck et al., "Radiocarbon Dating of Canvas Paintings: Two Case Studies", Studies in Conservation, Vol. 43, No. 4 (1998), pp. 209–214.
The first apparently to note these other works was Kinney, Arthur F. (April 1963). "Auden, Bruegel, and 'Musée des Beaux Arts'". College English. 24 (7): 529–531. doi:10.2307/372881. JSTOR372881.
The first apparently to note these other works was Kinney, Arthur F. (April 1963). "Auden, Bruegel, and 'Musée des Beaux Arts'". College English. 24 (7): 529–531. doi:10.2307/372881. JSTOR372881.
The Musée catalog reads: "On doute que l'exécution soit de Pieter I Bruegel mais la conception lui est par contre attribuée avec certitude" ("It is doubtful if the execution is by Breugel the Elder, but the composition can be said with certainty to be his"). See also: JSTOR3780948 Lyckle de Vries, Bruegel's "Fall of Icarus": Ovid or Solomon?, Simiolus: Netherlands Quarterly for the History of Art, Vol. 30, No. 1/2 (2003), pp. 4–18. And for a scientific study of the canvas see: JSTOR Mark J. Y. Van Strydonck et al., "Radiocarbon Dating of Canvas Paintings: Two Case Studies", Studies in Conservation, Vol. 43, No. 4 (1998), pp. 209–214.
