Edgar 1904, p. 106 "The older style was conspicuously geometric, angular for the most part, with a certain admixture of spiral and circular designs;" Edgar, C.C. (1904). "Chapter IV. - The Pottery". In The Editorial Committee (ed.). Excavations of Phylakopi in Melos conducted by the British School at Athens. The Society for the Promotion of Hellenic Studies Supplementary Paper No. 4. London: MacMillen and Co. Limited.
Edgar 1904, p. 106 "the new style is curvilinear above everything, full of naturalistic motives and free to a fault. It is now that the characteristics of Mycenaean art make their appearance in full force." Edgar, C.C. (1904). "Chapter IV. - The Pottery". In The Editorial Committee (ed.). Excavations of Phylakopi in Melos conducted by the British School at Athens. The Society for the Promotion of Hellenic Studies Supplementary Paper No. 4. London: MacMillen and Co. Limited.
Dickinson 1970, p. 16. "If the stylistic phases of pottery can be given dates, then buildings, tombs and destruction-levels can be dated
by the associated pottery. Rather misleadingly, these phases have often been treated as chronological periods, although stylistic development cannot be necessarily tied to historical events. Dickinson, Oliver Thomas Pilkington Kirwan (1970). The Origin and Development of Early Mycenaean Culture (PhD). Vol. I. Oxford: Pembroke College.
Neer, Richard T. (2012). Greek art and archaeology: a new history, c. 2500-c. 150 BCE. New York: Thames & Hudson. ISBN978-0-500-28877-1. OCLC745332893.