Natya Shastra (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Natya Shastra" in English language version.

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Susan L. Schwartz (2004). Rasa: Performing the Divine in India. Columbia University Press. pp. 12–15. ISBN 978-0-231-13144-5.
Coormaraswamy and Duggirala (1917). "The Mirror of Gesture". Harvard University Press. p. 4.; Also see chapter 36
Ghosh 2002, p. 2 note 7–12. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Martin Banham (1995). The Cambridge Guide to Theatre. Cambridge University Press. pp. 519. ISBN 978-0-521-43437-9.
Ghosh 2002, pp. 105–106. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Ghosh 2002, pp. 102, note the text lists all 33. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Ghosh 2002, pp. 102–103. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Ghosh 2002, p. 103. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Ghosh 2002, pp. 103–147. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Susan L. Schwartz (2004). Rasa: Performing the Divine in India. Columbia University Press. pp. 17–18. ISBN 978-0-231-13144-5.
Susan L. Schwartz (2004). Rasa: Performing the Divine in India. Columbia University Press. pp. 18–19. ISBN 978-0-231-13144-5.
Ghosh 2002, pp. 248–292. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Ghosh 2002, pp. 148–212. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Ghosh 2002, pp. 148–212, 489–490. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Susan L. Schwartz (2004). Rasa: Performing the Divine in India. Columbia University Press. pp. 14–15, 56–60, 96–98. ISBN 978-0-231-13144-5.
Ghosh 2002, p. 2 note 3; Ananda Lal 2004, pp. 308, 492. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Ghosh 2002, p. 555. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.

books.google.com

Katherine Young; Arvind Sharma (2004). Her Voice, Her Faith: Women Speak on World Religions. Westview Press. pp. 20–21. ISBN 978-0-8133-4666-3.
Guy L. Beck (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. University of South Carolina Press. pp. 138–139. ISBN 978-1-61117-108-2. Quote: "A summation of the signal importance of the Natyashastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyashastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (…)".
Tarla Mehta 1995, pp. xxiv, 19–20. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Sreenath Nair 2015. Sreenath Nair (2015). The Natyashastra and the Body in Performance: Essays on Indian Theories of Dance and Drama. McFarland. ISBN 978-1-4766-1221-8.
Emmie Te Nijenhuis 1974, pp. 3–4, 7–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Sunil Kothari & Avinash Pasricha 2001, p. 117, 163. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 102–104, 155–156. ISBN 978-1-4411-0381-9.
Ananda Lal 2004, p. 308. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Chandra Rajan (1999). Loom Of Time, Kalidasa. Penguin Books. p. 29. ISBN 978-0-14-400078-4.
Nina Mirnig, Peter-Daniel Szanto & Michael Williams 2013, p. 350. Nina Mirnig; Peter-Daniel Szanto; Michael Williams (2013). Puspika: Tracing Ancient India Through Texts and Traditions: Contributions to Current Research in Indology Volume I. Oxbow. ISBN 978-1-78297-044-6.
Kale Pramod (1974). The Theatric Universe: (a Study of the Natyashastra). Popular Prakashan. pp. 10–11. ISBN 978-81-7154-118-8.
Kale Pramod (1974). The Theatric Universe: (a Study of the Natyashastra). Popular Prakashan. pp. 8–9. ISBN 978-81-7154-118-8.
Pandurang Vaman Kane 1971, pp. 11–15. Pandurang Vaman Kane (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Kapila Vatsyayan 2001, p. 6. Kapila Vatsyayan (2001). Bharata, the Nāṭyaśāstra. Sahitya Akademi. ISBN 978-81-260-1220-6.
Ananda Lal 2004, p. 16; Natalia Lidova 1994, pp. 111–113. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3. Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5.
Natalia Lidova 1994, pp. 111–113. Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5.
Farley P. Richmond, Darius L. Swann & Phillip B. Zarrilli 1993, p. 30. Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Natalia Lidova 1994, pp. 111–113; Tarla Mehta 1995, pp. xxiv, xxxi–xxxii, 17. Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Natalia Lidova 1994, p. 112. Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5.
Rowell 2015, p. 9. Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
Rowell 2015, pp. 11–12. Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
Rowell 2015, pp. 12–13. Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
Emmie Te Nijenhuis 1974, pp. 1–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Pandurang Vaman Kane 1971, p. 11. Pandurang Vaman Kane (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Pandurang Vaman Kane 1971, pp. 15–16. Pandurang Vaman Kane (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Kapila Vatsyayan 2001. Kapila Vatsyayan (2001). Bharata, the Nāṭyaśāstra. Sahitya Akademi. ISBN 978-81-260-1220-6.
Radhavallabh Tripathi 1991, pp. 14–31. Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Radhavallabh Tripathi 1991, pp. 32–46. Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Biswanath Bhattacharya & Ramaranjan Mukherji 1994, pp. 161–163, 292–293. Biswanath Bhattacharya; Ramaranjan Mukherji (1994). Sanskrit Drama and Dramaturgy. Sharada. ISBN 978-81-85616-30-8.
Trimbak Govind Mainkar 1978. Trimbak Govind Mainkar (1978). Sanskrit Theory of Drama and Dramaturgy: The Theory of the Saṁdhis and the Saṁdhyaṅgas in Bharata's Naṭyaśāstra. Ajanta Publications. ISBN 9780836425642.
Tarla Mehta 1995, pp. 104–106. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Katherine Brisbane; et al. (2005). The World Encyclopedia of Contemporary Theatre: Volume 5: Asia/Pacific. Routledge. pp. 159–160. ISBN 978-1-134-92978-8.
Theo D'haen; David Damrosch; Djelal Kadir (2011). The Routledge Companion to World Literature. Routledge. p. 45. ISBN 978-1-136-65576-0.
Tarla Mehta 1995, p. 24. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 155–156. ISBN 978-1-4411-0381-9.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 102–104. ISBN 978-1-4411-0381-9.
Sreenath Nair 2015, pp. 15–38, Section 1, Chapter by Vatsyayan. Sreenath Nair (2015). The Natyashastra and the Body in Performance: Essays on Indian Theories of Dance and Drama. McFarland. ISBN 978-1-4766-1221-8.
Radhavallabh Tripathi 1991, pp. 22–28. Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Ananda Lal 2004, pp. 61–64. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Tarla Mehta 1995, p. 3. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Kapila Vatsyayan (1997). The Square and the Circle of the Indian Arts. Abhinav Publications. pp. 43–46, 61–65, for various arts see 39–70. ISBN 978-81-7017-362-5.
Tarla Mehta 1995, p. 5. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Sally Banes; Andre Lepecki (2012). The Senses in Performance. Routledge. pp. 27–28. ISBN 978-1-134-46070-0.
Tarla Mehta 1995, pp. 5–19. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Adya Rangacharya 1998. Adya Rangacharya (1998). Introduction to Bharata's Nāṭyaśāstra. Munshiram Manoharlal Publishers. ISBN 978-81-215-0829-2.
Kale Pramod (1974). The Theatric Universe: (a Study of the Natyashastra). Popular Prakashan. pp. 13–31. ISBN 978-81-7154-118-8.
David Mason; et al. (2016). Siyuan Liu (ed.). Routledge Handbook of Asian Theatre. Routledge. pp. 222–225. ISBN 978-1-317-27886-3.
Chris Salter (2010). Entangled: Technology and the Transformation of Performance. MIT Press. pp. xxii–xxiii. ISBN 978-0-262-19588-1.
Pandurang Vaman Kane 1971, pp. 45–46. Pandurang Vaman Kane (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Pandurang Vaman Kane 1971, p. 46. Pandurang Vaman Kane (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Emmie Te Nijenhuis 1974, pp. 29. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Emmie Te Nijenhuis 1974, pp. 30. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Manjusree Tyagi (1997). Significance of compositional forms in Hindustani classical music. Pratibha. p. 89. ISBN 978-81-85268-63-7.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 6–7. ISBN 978-1-4411-0381-9.
Sunil Kothari & Avinash Pasricha 2001, pp. 117–118. Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Nina Mirnig, Peter-Daniel Szanto & Michael Williams 2013, pp. 186–187. Nina Mirnig; Peter-Daniel Szanto; Michael Williams (2013). Puspika: Tracing Ancient India Through Texts and Traditions: Contributions to Current Research in Indology Volume I. Oxbow. ISBN 978-1-78297-044-6.
Nina Mirnig, Peter-Daniel Szanto & Michael Williams 2013, pp. 174–177. Nina Mirnig; Peter-Daniel Szanto; Michael Williams (2013). Puspika: Tracing Ancient India Through Texts and Traditions: Contributions to Current Research in Indology Volume I. Oxbow. ISBN 978-1-78297-044-6.
Ananda Lal 2004, pp. 95–99. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Emmie Te Nijenhuis 1974, pp. 3–4. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Guy L. Beck (2006). Sacred Sound: Experiencing Music in World Religions. Wilfrid Laurier University Press. pp. 114–123. ISBN 978-0-88920-421-8.
Rachel Van M. Baumer; James R. Brandon (1993). Sanskrit Drama in Performance. Motilal Banarsidass. pp. 117–118. ISBN 978-81-208-0772-3.
Rowell 2015, pp. 13–14. Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
Nina Mirnig, Peter-Daniel Szanto & Michael Williams 2013, pp. 350–351. Nina Mirnig; Peter-Daniel Szanto; Michael Williams (2013). Puspika: Tracing Ancient India Through Texts and Traditions: Contributions to Current Research in Indology Volume I. Oxbow. ISBN 978-1-78297-044-6.
Emmie Te Nijenhuis 1974, p. 14. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Emmie Te Nijenhuis 1974, pp. 21–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Emmie Te Nijenhuis 1974, pp. 13–14, 21–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Cris Forster 2010. Cris Forster (2010). Musical Mathematics: On the Art and Science of Acoustic Instruments. Chronicle. ISBN 978-0-8118-7407-6. Indian Music: Ancient Beginnings – Natyashastra
Emmie Te Nijenhuis 1974, p. 32-34. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Emmie Te Nijenhuis 1974, pp. 14–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Reginald Massey; Jamila Massey (1996). The Music of India. Abhinav Publications. pp. 22–25. ISBN 978-81-7017-332-8.
Richa Jain (2002). Song of the Rainbow: A Work on Depiction of Music Through the Medium of Paintings in the Indian Tradition. Kanishka. pp. 26, 39–44. ISBN 978-81-7391-496-6.
Kale Pramod (1974). The Theatric Universe: (a Study of the Natyashastra). Popular Prakashan. pp. 52–54. ISBN 978-81-7154-118-8.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. p. 79. ISBN 978-1-4411-0381-9.
Daniel Meyer-Dinkgräfe (2001). William S. Haney and Peter Malekin (ed.). Humanism and the Humanities in the Twenty-first Century. Bucknell University Press. pp. 114–117. ISBN 978-0-8387-5497-9.
Arya Madhavan (2010). Kudiyattam Theatre and the Actor's Consciousness. Rodopi. pp. 44–49, 151–196. ISBN 978-90-420-2798-5.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 166–167. ISBN 978-1-4411-0381-9.
Sreenath Nair 2015, pp. 75–76. Sreenath Nair (2015). The Natyashastra and the Body in Performance: Essays on Indian Theories of Dance and Drama. McFarland. ISBN 978-1-4766-1221-8.
Michael Groden; Martin Kreiswirth; Imre Szeman (2005). The Johns Hopkins guide to literary theory & criticism. Johns Hopkins University Press. p. 518. ISBN 978-0-8018-8010-0.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 104–109. ISBN 978-1-4411-0381-9.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. p. 155. ISBN 978-1-4411-0381-9. Quote: (…) "the function of the art of theatre, described in the Natyashastra is to restore full human potential, life in enlightenment. The concept of beauty in Indian tradition is, therefore, conceived and presented as the experience of delight at a higher level of consciousness."
Ghosh 2002, p. 2 note 3; Ananda Lal 2004, pp. 308, 492. Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Ananda Lal 2004, p. 308, 492. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Dalal 2014, p. 7. Dalal, Roshen (2014). Hinduism: An Alphabetical Guide. Penguin Books. ISBN 978-81-8475-277-9.
Dalal 2014, p. 1-2. Dalal, Roshen (2014). Hinduism: An Alphabetical Guide. Penguin Books. ISBN 978-81-8475-277-9.
Kale Pramod (1974). The Theatric Universe: (a Study of the Natyashastra). Popular Prakashan. pp. 9–10. ISBN 978-81-7154-118-8.
Archana Verma (2011). Performance and Culture: Narrative, Image and Enactment in India. Cambridge Scholars Publishing. pp. 10–12. ISBN 978-1-4438-2832-1.
Natalia Lidova 1994, p. 113. Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5.
Tarla Mehta 1995, pp. 8–9. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Natalia Lidova 1994, pp. 113–114. Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5.
Dalal 2014, p. 278. Dalal, Roshen (2014). Hinduism: An Alphabetical Guide. Penguin Books. ISBN 978-81-8475-277-9.
Brenda Pugh McCutchen (2006). Teaching Dance as Art in Education. Human Kinetics. p. 450. ISBN 978-0-7360-5188-0.
Frank Burch Brown (2014). The Oxford Handbook of Religion and the Arts. Oxford University Press. pp. 192–. ISBN 978-0-19-517667-4.
Kapila Vatsyayan (1997). The Square and the Circle of the Indian Arts. Abhinav Publications. p. 41. ISBN 978-81-7017-362-5.

chrysalis-foundation.org

Cris Forster 2010. Cris Forster (2010). Musical Mathematics: On the Art and Science of Acoustic Instruments. Chronicle. ISBN 978-0-8118-7407-6. Indian Music: Ancient Beginnings – Natyashastra

doi.org

Natalia Lidova 2014. Natalia Lidova (2014). Natyashastra. Oxford University Press. doi:10.1093/obo/9780195399318-0071.
Wallace Dace 1963, p. 249. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Wallace Dace 1963, pp. 249–254. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Kirkwood, William G. (1990). "Shiva's dance at sundown: Implications of Indian aesthetics for poetics and rhetoric". Text and Performance Quarterly. 10 (2): 93–110. doi:10.1080/10462939009365961.

jstor.org

Wallace Dace 1963, p. 249. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Wallace Dace 1963, pp. 249–254. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.

sanskritdocuments.org

"Natyashastra" (PDF). Sanskrit Documents.
Sanskrit: Natyashastra Chapter 28, नाट्यशास्त्रम् अध्याय २८, ॥ २१॥

ucla.edu

ethnomusicologyreview.ucla.edu

NA Jairazbhoy (1985), Harmonic Implications of Consonance and Dissonance in Ancient Indian Music, Pacific Review of Ethnomusicology, University of California Los Angeles, pages 28–31

uni-koeln.de

sanskrit-lexicon.uni-koeln.de

James Lochtefeld (2002), "Shastra" in The Illustrated Encyclopedia of Hinduism, Vol. 2: N–Z, Rosen Publishing, ISBN 0-8239-2287-1, p. 626; See also for help शास्त्र in Monier William's Sanskrit-English Dictionary, 2nd Edition, Oxford University Press, Archived by Koeln University, Germany

worldcat.org

Radhavallabh Tripathi 1991, pp. 14–31. Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Radhavallabh Tripathi 1991, pp. 32–46. Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Radhavallabh Tripathi 1991, pp. 22–28. Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Kennedy, Dennis, ed. (2003). The Oxford encyclopedia of theatre & performance. Oxford ; New York: Oxford University Press. p. 927. ISBN 978-0-19-860174-6. OCLC 50999926.