Manuel María Zarzamendi (c.1830 – 9 February 1891 Córdoba, Veracruz, Mexico), was from La Victoria, Venezuela. He had been a typographer and journalist in Venezuela, then a printer and literary translator in New York, then printer publisher in Mexico. In Caracas, he had been editor of the publication, El Noticioso General, published twice a week. In 1858, the Federal War in Venezuela broke out. That same year, Zarzamendi became the first to introduce a steam powered printing press in Caracas. He immigrated to United States, arriving in New York City July 22, 1867. According to Jens Andermann(de) and William Rowe in their 2006 book, Images of Power: Iconography, Culture and the State in Latin America (Note 10, p. 75; Berghahn Books; OCLC70845266), his wife was, as an artist, "relatively successful in commercial terms with her 'chromophotographic miniatures in oil.'"
"Fake Directory Scheme Run to Earth," by Hurnard Jay Kenner (1887–1973), Associated Advertising (published by the Associated Advertising Club of the World), Vol. 8, No. 2, February 1922, pp. 7–8
"The Winthrop Press,"Art in Advertising: An Illustrated Monthly for Business Men, Vol. 9, No. 12, February 1895, p. 494
The Source: A Guidebook of American Genealogy, Loretto Dennis Szucs (born 1941) & Sandra Luebking (née Sandra Hargreaves; 1943–2011) (eds.), Ancestry Incorporated (1997; 2006)
1997 ed. – Chapter 11: "Research in Directories," by Gordon Lewis Remington; OCLC833041259, 35270040
Manuel María Zarzamendi (c.1830 – 9 February 1891 Córdoba, Veracruz, Mexico), was from La Victoria, Venezuela. He had been a typographer and journalist in Venezuela, then a printer and literary translator in New York, then printer publisher in Mexico. In Caracas, he had been editor of the publication, El Noticioso General, published twice a week. In 1858, the Federal War in Venezuela broke out. That same year, Zarzamendi became the first to introduce a steam powered printing press in Caracas. He immigrated to United States, arriving in New York City July 22, 1867. According to Jens Andermann(de) and William Rowe in their 2006 book, Images of Power: Iconography, Culture and the State in Latin America (Note 10, p. 75; Berghahn Books; OCLC70845266), his wife was, as an artist, "relatively successful in commercial terms with her 'chromophotographic miniatures in oil.'"
The Source: A Guidebook of American Genealogy, Loretto Dennis Szucs (born 1941) & Sandra Luebking (née Sandra Hargreaves; 1943–2011) (eds.), Ancestry Incorporated (1997; 2006)
1997 ed. – Chapter 11: "Research in Directories," by Gordon Lewis Remington; OCLC833041259, 35270040
