Ctheory.netArchived 2007-03-13 at the Wayback Machine Paul Hegarty, "Full With Noise: Theory and Japanese Noise Music", in Life in the Wires, edited by Arthur Kroker and Marilouise Kroker, 86–98 (Victoria, Canada: NWP CTheory Books, 2004).
László Moholy-Nagy in 1923 recognized the unprecedented efforts of the Italian Futurists to broaden our perception of sound using noise. In an article in Der Storm #7, he outlined the fundamentals of his own experimentation: "I have suggested to change the gramophone from a reproductive instrument to a productive one, so that on a record without prior acoustic information, the acoustic information, the acoustic phenomenon itself originates by engraving the necessary Ritchriftreihen (etched grooves)." He presents detailed descriptions for manipulating discs, creating "real sound forms" to train people to be "true music receivers and creators" (Rice 1994,[page needed]).
Ctheory.netArchived 2007-03-13 at the Wayback Machine Paul Hegarty, "Full With Noise: Theory and Japanese Noise Music", in Life in the Wires, edited by Arthur Kroker and Marilouise Kroker, 86–98 (Victoria, Canada: NWP CTheory Books, 2004).
