Non-narrative film (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Non-narrative film" in English language version.

refsWebsite

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7books.google.com

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2centerforvisualmusic.org

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1nationalgallery.sg

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1boingboing.net

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1whiterose.ac.uk

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391.org

"The Futurist Cinema (1916) - F.T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacomo Balla, Remo Chiti". November 15, 1916.

academia.edu

Horak, Jan-Christopher, Discovering Pure Cinema: Avant-Garde Film in the 1920s

archive.org

Aumont, Jacques; Bergala, Alain; Marie, Michel; Vernet, Marc (1992). Aesthetics of Film. Texas Film and Media Studies. University of Texas Press. pp. 70–71. ISBN 978-0-292-70437-4.
Frank Eugene Beaver. Dictionary of Film Terms: The Aesthetic Companion To Film Art. Peter Lang; 2006. ISBN 978-0-8204-7298-0. p. 23.

artmuseum.pl

"Marcin Giżycki - Mieczysław Szczuka - 5 Moments of an Abstract Film - Museum of Modern Art in Warsaw". artmuseum.pl.

boingboing.net

"The Met just posted Hilary Harris's Organism (1975) to YouTube".

books.google.com

Dormehl, Luke (2012-03-30). A Journey Through Documentary Film. Kamera Books. ISBN 978-1-84243-592-2.
Wulff, Hans Jürgen (July 29, 1999). Darstellen und Mitteilen: Elemente der Pragmasemiotik des Films. Gunter Narr Verlag. ISBN 9783823352013 – via Google Books.
Pilling, Jayne (May 22, 1998). A Reader In Animation Studies. Indiana University Press. ISBN 9780861969005 – via Google Books.
Ian Aitken. European Film Theory and Cinema: A Critical Introduction. Indiana University Press; 1 January 2002. ISBN 978-0-253-34043-6. p. 80.
Tami Michelle Williams. Beyond Impressions: The Life and Films of Germaine Dulac from Aesthetics to Politics. ProQuest; 2007 [cited 13 September 2012]. ISBN 978-0-549-44079-6. p. 7.
Ian Aitken. European Film Theory and Cinema: A Critical Introduction. Indiana University Press; 1 January 2002 [cited 14 September 2012]. ISBN 978-0-253-34043-6. p. 72.
Rogowski, Christian (15 December 2018). The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy. Camden House. ISBN 9781571134295 – via Google Books.

cbc.ca

Dan Brown. Star Wars: the Canadian angle. CBC News Online. September 8, 2004. Retrieved September 13, 2012.

centerforvisualmusic.org

"CVM-Moritz-AbsoluteFilm". www.centerforvisualmusic.org.
"Moritz-Absolute Films of the 1920s". www.centerforvisualmusic.org.

dailyfreeman.com

Freeman, Daily (2023-06-05). "Movies with Spirit screens documentary 'Samsara'". Daily Freeman. Retrieved 2024-01-29.

diaf.de

"Deutsches Institut für Animationsfilm | Blog Detailseite". May 26, 2016. Archived from the original on May 26, 2016.

doi.org

Norden, Martin F. (Jan 14, 1984). "The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism". Leonardo. 17 (2): 108–112. doi:10.2307/1574999. JSTOR 1574999. S2CID 192322086 – via Project MUSE.
Benson, Timothy O.; Shatskikh, Aleksandra (January 29, 2013). "Malevich and Richter: An Indeterminate Encounter". October. 143: 52–68. doi:10.1162/OCTO_a_00131. S2CID 57562885 – via Crossref.

econtact.ca

McDonnell, Maura. "Visual Music". CEC - Canadian Electroacoustic Community.

expcinema.org

"Harry Smith - Heaven and earth magic". Experimental Cinema.

filmportal.de

Herbert Seggelke, filmportal.de

harvardfilmarchive.org

"Godfrey Reggio, Cinematic Seer". Harvard Film Archive. 2019-09-21. Retrieved 2024-01-29.

imdb.com

"Vita futurista (1916) - IMDb" – via www.imdb.com.

jhu.edu

muse.jhu.edu

Norden, Martin F. (Jan 14, 1984). "The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism". Leonardo. 17 (2): 108–112. doi:10.2307/1574999. JSTOR 1574999. S2CID 192322086 – via Project MUSE.

jstor.org

Norden, Martin F. (Jan 14, 1984). "The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism". Leonardo. 17 (2): 108–112. doi:10.2307/1574999. JSTOR 1574999. S2CID 192322086 – via Project MUSE.

khanacademy.org

"Léopold Survage, "Colored Rhythm: Study for the Film"" – via www.khanacademy.org.

mitpressjournals.org

Benson, Timothy O.; Shatskikh, Aleksandra (January 29, 2013). "Malevich and Richter: An Indeterminate Encounter". October. 143: 52–68. doi:10.1162/OCTO_a_00131. S2CID 57562885 – via Crossref.

nationalgallery.sg

"Fifth edition of Painting with Light film festival examines social interventions through art". National Gallery Singapore. Retrieved 2025-01-14.

nfb.ca

McLaren, Norman (1941). "Boogie-Doodle". NFB.ca. National Film Board of Canada. Retrieved 2009-04-09.
McLaren, Norman (1942). "Hen Hop". NFB.ca. National Film Board of Canada. Retrieved 2009-04-09.

oskarfischinger.org

"Untitled Document". oskarfischinger.org.

semanticscholar.org

api.semanticscholar.org

Norden, Martin F. (Jan 14, 1984). "The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism". Leonardo. 17 (2): 108–112. doi:10.2307/1574999. JSTOR 1574999. S2CID 192322086 – via Project MUSE.
Benson, Timothy O.; Shatskikh, Aleksandra (January 29, 2013). "Malevich and Richter: An Indeterminate Encounter". October. 143: 52–68. doi:10.1162/OCTO_a_00131. S2CID 57562885 – via Crossref.

topic.com

"Industrial Light and Magic". Topic. Retrieved 2019-07-26.

unknown.nu

"Abstract Cinema--Chromatic Music". www.unknown.nu.

web.archive.org

"Deutsches Institut für Animationsfilm | Blog Detailseite". May 26, 2016. Archived from the original on May 26, 2016.

whiterose.ac.uk

etheses.whiterose.ac.uk

David Kershaw (December 1982). Tape music with absolute animated film : Prehistory and development (PhD thesis). University of York.

wired.com

Steve Silberman. Life After Darth. George Lucas interview. Wired. May 2005. Retrieved September 13, 2012.