Oratorio (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Oratorio" in English language version.

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  • "oratorio, (n.)". Oxford English Dictionary. Oxford University Press. 2023. doi:10.1093/OED/8713946143. A large-scale, usually narrative musical work for orchestra and voices, typically on a sacred theme and performed with little or no costume, scenery, or action.
  • "Rev. of Semele. An Oratorio. Edited... by Ebenezer Prout". The Musical Times. 19 (424): 338. 1 June 1878. doi:10.2307/3357342. JSTOR 3357342. For want of a better term this work may be called a 'Secular Oratorio;' but... Arnold, not wishing to style it an Opera, mentions it as a 'dramatic performance' and certainly the nature of the libretto precludes the possibility of our surrounding it with any religious associations. Victor Schœlcher, in his Life of Handel... dwells on the absurdity of the feeling which, in the composer's time, prompted persons to forbid Esther or Judas Maccabaeus to be played in action, whilst they could listen with equanimity to Semele even in Lent, because it was 'after the manner of an Oratorio.'
  • Groote, Inga Mai (9 October 2023). "The Sound of the Sacred. Transfers of Sacrality in Contemporary Choral Music". Veröffentlichungen des Instituts für Europäische Geschichte Mainz Beihefte. Vol. 140. Göttingen: Vandenhoeck & Ruprecht. pp. 103–116. doi:10.13109/9783666302459.103. ISBN 978-3-525-30245-3.

jstor.org

  • "Rev. of Semele. An Oratorio. Edited... by Ebenezer Prout". The Musical Times. 19 (424): 338. 1 June 1878. doi:10.2307/3357342. JSTOR 3357342. For want of a better term this work may be called a 'Secular Oratorio;' but... Arnold, not wishing to style it an Opera, mentions it as a 'dramatic performance' and certainly the nature of the libretto precludes the possibility of our surrounding it with any religious associations. Victor Schœlcher, in his Life of Handel... dwells on the absurdity of the feeling which, in the composer's time, prompted persons to forbid Esther or Judas Maccabaeus to be played in action, whilst they could listen with equanimity to Semele even in Lent, because it was 'after the manner of an Oratorio.'

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