Osbert Parsley (English Wikipedia)

"Add MS 31390". Digitised Manuscripts. British Library. Retrieved 26 September 2021.
"Add MS 29246". Digitised Manuscripts. British Library. Retrieved 31 October 2021.
"Add MS 30480". Digitised Manuscripts. British Library. Retrieved 26 September 2021.
"Add MS 30481". Digitised Manuscripts. British Library. Retrieved 31 October 2021.
"Add MS 30482". Digitised Manuscripts. British Library. Retrieved 31 October 2021.
"Add MS 30483". Digitised Manuscripts. British Library. Retrieved 31 October 2021.
"Add MS 30484". Digitised Manuscripts. British Library. Retrieved 31 October 2021.
"Add MS 29246". Digitised Manuscripts. British Library. Retrieved 26 September 2021.

books.google.com

Dovey 1996, p. 72. Dovey, Zillah (1996). An Elizabethan Progress: The Queen's Journey Into East Anglia, 1578. Phoenix Mill: Fairleigh Dickinson University Press. ISBN 978-08386-3-721-0.
Murray 2014, pp. 23–24. Murray, Tessa (2014). Thomas Morley: Elizabethan Music Publisher. Woodbridge, Suffolk: Boydell Press. ISBN 978-18438-3-960-6.
Murray 2014, p. 21. Murray, Tessa (2014). Thomas Morley: Elizabethan Music Publisher. Woodbridge, Suffolk: Boydell Press. ISBN 978-18438-3-960-6.
Butler 2015, p. 147. Butler, Katherine (2015). Music in Elizabethan Court Politics. Woodbridge, Suffolk: Boydell Press. ISBN 978-18438-3-981-1.
Gant 2017, p. 146. Gant, Andrew (2017). O Sing Unto the Lord: A History of English Church Music. Chicago: University of Chicago Press. ISBN 978-02264-6-962-1.
Willis 2013, p. 153. Willis, Jonathan (2013). Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities. Farnham, UK: Ashgate Publishing Limited. ISBN 978-14094-8-081-5.
Unger 2010, pp. 121, 312. Unger, Melvin P. (2010). Historical Dictionary of Choral Music. Lanham, Maryland: Scarecrow Press. ISBN 978-08108-7-392-6.
Kerman 1998, p. 343. Kerman, Joseph (1998). "On William Byrd's Emendemus in melius". In Pesce, Dolores (ed.). Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance. New York; Oxford: Oxford University Press. ISBN 978-01953-5-165-1.

cathedral.org.uk

"Holy Week and Easter: 28 March until 4 April 2021". Norwich Cathedral. Retrieved 7 October 2022.

classicalsheffield.org.uk

"The Marian Consort". Classical Sheffield. Retrieved 7 October 2022.

diamm.ac.uk

"Parsley [Percely], Osbert". Medieval Manuscripts in Oxford Libraries. Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 1 October 2021.
"Mem: Cui comparabo [Lamentations]". Medieval Manuscripts in Oxford Libraries. Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 5 November 2021.
"Tye, Christopher (ca. 1505–ca. 1573)". Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 31 October 2021.
"O praise the Lord all ye heathen". Digitised Manuscripts. Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 10 November 2021.
"This is the day which the Lord has made". Digitised Manuscripts. Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 23 September 2021.
"Ut re fa so la upon the dial = Parsley's clock". Medieval Manuscripts in Oxford Libraries. Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 4 November 2021.
"Salvator mundi". Medieval Manuscripts in Oxford Libraries. Digital Image Archive of Medieval Music (DIAMM) University of Oxford. Retrieved 5 November 2021.

doi.org

Grattan Flood 1925, p. 990. Grattan Flood, W. H. (1925). "New Light on Late Tudor Composers: XIII. Osbert Parsley". The Musical Times. 66 (993). London: Musical Times Publications (United Kingdom): 990. doi:10.2307/911434. JSTOR 911434.
Brennecke 1951, p. 1188. Brennecke, Ernest (1951). "Shakespeare's 'Singing Man of Windsor'". Publications of the Modern Language Association of America. 66 (6). Cambridge: Cambridge University Press: 1188–1192. doi:10.2307/460166. JSTOR 460166. S2CID 164007359.
Waters 1930. Waters, Charles F. (1930). "The 'Hymn-Anthem': A New Choral Form". The Musical Times. 71 (1049). London: Musical Times Publications (United Kingdom): 632–635. doi:10.2307/916038. JSTOR 916038.
Milsom 1997, p. 583. Milsom, John (1997). "The Passing of Time". Early Music. 25 (4 (25th Anniversary Issue)). Oxford: Oxford University Press: 583–588. doi:10.1093/earlyj/XXV.4.583. JSTOR 3128406.
Phillips 1997, pp. 16–21. Phillips, Peter (1997). "Voices from Nowhere". The Musical Times. 138 (1855). London: Musical Times Publications (United Kingdom): 16–21. doi:10.2307/1003540. JSTOR 1003540.
Phillips 1997, p. 16. Phillips, Peter (1997). "Voices from Nowhere". The Musical Times. 138 (1855). London: Musical Times Publications (United Kingdom): 16–21. doi:10.2307/1003540. JSTOR 1003540.
Oxford University 1937, p. 218. Oxford University (1937). "Reviews of Music". Music and Letters. 18 (2). Oxford: Oxford University Press. doi:10.1093/ml/XVIII.2.218-a.

jstor.org

Grattan Flood 1925, p. 990. Grattan Flood, W. H. (1925). "New Light on Late Tudor Composers: XIII. Osbert Parsley". The Musical Times. 66 (993). London: Musical Times Publications (United Kingdom): 990. doi:10.2307/911434. JSTOR 911434.
Brennecke 1951, p. 1188. Brennecke, Ernest (1951). "Shakespeare's 'Singing Man of Windsor'". Publications of the Modern Language Association of America. 66 (6). Cambridge: Cambridge University Press: 1188–1192. doi:10.2307/460166. JSTOR 460166. S2CID 164007359.
Waters 1930. Waters, Charles F. (1930). "The 'Hymn-Anthem': A New Choral Form". The Musical Times. 71 (1049). London: Musical Times Publications (United Kingdom): 632–635. doi:10.2307/916038. JSTOR 916038.
Milsom 1997, p. 583. Milsom, John (1997). "The Passing of Time". Early Music. 25 (4 (25th Anniversary Issue)). Oxford: Oxford University Press: 583–588. doi:10.1093/earlyj/XXV.4.583. JSTOR 3128406.
Phillips 1997, pp. 16–21. Phillips, Peter (1997). "Voices from Nowhere". The Musical Times. 138 (1855). London: Musical Times Publications (United Kingdom): 16–21. doi:10.2307/1003540. JSTOR 1003540.
Phillips 1997, p. 16. Phillips, Peter (1997). "Voices from Nowhere". The Musical Times. 138 (1855). London: Musical Times Publications (United Kingdom): 16–21. doi:10.2307/1003540. JSTOR 1003540.

nationalarchives.gov.uk

"Currency converter: 1270–2017". The National Archives. Retrieved 29 September 2021.

norfolk.gov.uk

nrocatalogue.norfolk.gov.uk

"File MS 430 – Norwich Cathedral Musicians vol 1 (A-B)". Norfolk Record Office Online Catalogue. Norfolk Record Office. Retrieved 2 August 2022.

oxforddnb.com

Payne, Ian (2004). "Osbert Parsley". Oxford Dictionary of National Biography (online ed.). Oxford University Press. (Subscription or UK public library membership required.)

oxfordmusiconline.com

Morehen, John (2001). "Parsley, Osbert". Grove Music Online. Oxford University Press. Retrieved 15 January 2022. (subscription or UK public library membership required)

prestomusic.com

"Serenissima: Music from Renaissance Europe". PrestoMusic. Retrieved 2 August 2022.
"As Our Sweets Cords with Discords Mixed Be". PrestoMusic. Retrieved 2 August 2022.

semanticscholar.org

api.semanticscholar.org

Brennecke 1951, p. 1188. Brennecke, Ernest (1951). "Shakespeare's 'Singing Man of Windsor'". Publications of the Modern Language Association of America. 66 (6). Cambridge: Cambridge University Press: 1188–1192. doi:10.2307/460166. JSTOR 460166. S2CID 164007359.

sjbcathedral.org.uk

"Lunchtime Concerts – March 2018". St John the Baptist Cathedral, Norwich. Retrieved 7 October 2022.

worldcat.org

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Morley 1608, p. 96. Morley, Thomas (1608). A Plaine and Easie Introduction to Practicall Musicke. London: Humpfrey Lownes. OCLC 965139297.
Davey 1921, p. 141. Davey, Henry (1921) [1895]. History of English Music (2nd ed.). London: J. Curwen. OCLC 890125681.
Boston 1963, p. 32. Boston, Noel (1963) [1938–1939]. The Musical History of Norwich Cathedral. Norwich: The Friends of Norwich Cathedral. OCLC 450763.
Boyd 1962, p. 272. Boyd, Morrison Comegys (1962). Elizabethan Music and Musical Criticism (2nd ed.). Philadelphia: University of Pennsylvania Press. OCLC 599711.
Boyd 1962, p. 66. Boyd, Morrison Comegys (1962). Elizabethan Music and Musical Criticism (2nd ed.). Philadelphia: University of Pennsylvania Press. OCLC 599711.
Boston 1963, pp. 32–33. Boston, Noel (1963) [1938–1939]. The Musical History of Norwich Cathedral. Norwich: The Friends of Norwich Cathedral. OCLC 450763.
Boston 1963, p. 34. Boston, Noel (1963) [1938–1939]. The Musical History of Norwich Cathedral. Norwich: The Friends of Norwich Cathedral. OCLC 450763.
Boyd 1962, pp. 272–273. Boyd, Morrison Comegys (1962). Elizabethan Music and Musical Criticism (2nd ed.). Philadelphia: University of Pennsylvania Press. OCLC 599711.
Boston 1963, p. 33. Boston, Noel (1963) [1938–1939]. The Musical History of Norwich Cathedral. Norwich: The Friends of Norwich Cathedral. OCLC 450763.
Boston 1963, p. 31. Boston, Noel (1963) [1938–1939]. The Musical History of Norwich Cathedral. Norwich: The Friends of Norwich Cathedral. OCLC 450763.
Morehen 1974, p. 67. Morehen, John (1974). "The Instrumental Consort Music of Osbert Parsley". The Consort. 30. Hazlemere, UK: Dolmetsch Foundation: 67–72. ISSN 0268-9111.
Morehen 1974, p. 68. Morehen, John (1974). "The Instrumental Consort Music of Osbert Parsley". The Consort. 30. Hazlemere, UK: Dolmetsch Foundation: 67–72. ISSN 0268-9111.
Morley, Parsley and Inglott. WorldCat. OCLC 28532091. Retrieved 2 August 2022.
Musik der Tudor-Zeit = Music of the Tudor period. WorldCat. OCLC 352845058. Retrieved 5 October 2022.
The Lamentations of Jeremiah. WorldCat. OCLC 946166868. Retrieved 2 August 2022.
Cosmography of Polyphony. WorldCat. OCLC 1099655281. Retrieved 2 August 2022.
Æternum: Music of the Elizabethan Avant Garde from Add. MS 31390. WorldCat. OCLC 1082137236. Retrieved 2 August 2022.

worldcat.org

Morley, Parsley and Inglott. WorldCat. OCLC 28532091. Retrieved 2 August 2022.
Musik der Tudor-Zeit = Music of the Tudor period. WorldCat. OCLC 352845058. Retrieved 5 October 2022.
The Lamentations of Jeremiah. WorldCat. OCLC 946166868. Retrieved 2 August 2022.
Cosmography of Polyphony. WorldCat. OCLC 1099655281. Retrieved 2 August 2022.
Æternum: Music of the Elizabethan Avant Garde from Add. MS 31390. WorldCat. OCLC 1082137236. Retrieved 2 August 2022.