Otobong Nkanga (English Wikipedia)

Samudzi, Zoé (January–February 2021). "The Paradox of Plenty". Art in America. 109 (1): 18–20. Archived from the original on 29 August 2024. Retrieved 28 August 2024.
DeLand, Lauren (October 2018). "Otobong Nkanga". Art in America. 106 (9): 118–119. Archived from the original on 21 March 2023. Retrieved 28 August 2024.

berlinerfestspiele.de

"Otobong Nkanga: There's No Such Thing as Solid Ground". Berliner Festspiele. 2020. Archived from the original on 2 June 2023.

bombmagazine.org

Foumberg, Jason (2 August 2018). "Otobong Nkanga's To Dig a Hole That Collapses Again". BOMB Magazine. Archived from the original on 29 August 2024. Retrieved 28 August 2024.

books.google.com

Meyer-Hermann, Eva; Perchuk, Andrew; Rosenthal, Stephanie, eds. (2008). Allan Kaprow: Art as Life. Los Angeles: Getty Research Institute. p. 225. ISBN 9780892368907. OCLC 157022738.

castellodirivoli.org

"Otobong Nkanga. Of Cords Curling around Mountains". Castello di Rivoli. 2021. Archived from the original on 5 October 2023. Retrieved 28 August 2024.

contemporaryand.com

"Otobong Nkanga". Contemporary And (in French). Archived from the original on 26 March 2023. Retrieved 7 March 2015.

doi.org

Pahl, Katrin (2021). "Improbable Intimacy: Otobong Nkanga's Grafts and Aggregates". Theory & Event. 24 (1): 240–267. doi:10.1353/tae.2021.0009. ISSN 1092-311X. S2CID 234243538.
Szewczyk, Monika (2014). "Exchange and Some Change: The Imaginative Economies of Otobong Nkanga". Afterall: A Journal of Art, Context and Enquiry (37): 42. doi:10.1086/679375. ISSN 1465-4253. JSTOR 10.1086/679375.

frieze.com

Whitehead, Anna Martine (26 March 2018). "Otobong Nkanga: To Dig a Hole That Collapses Again". Frieze. Archived from the original on 23 February 2024. Retrieved 28 August 2024.

galleryviewer.com

"The Encounter That Took a Part of Me | Otobong Nkanga". Gallery Viewer. 2016. Archived from the original on 29 June 2022. Retrieved 3 September 2024.

hyperallergic.com

Van Houten Maldonado, Devon (20 July 2018). "Imagining a Reconciliatory Relationship with the Earth". Hyperallergic. Archived from the original on 25 September 2023. Retrieved 28 August 2024.

insituparis.fr

"Otobong Nkanga". In Situ - fabienne leclerc. Archived from the original on 30 May 2024. Retrieved 15 November 2021.

jstor.org

Szewczyk, Monika (2014). "Exchange and Some Change: The Imaginative Economies of Otobong Nkanga". Afterall: A Journal of Art, Context and Enquiry (37): 42. doi:10.1086/679375. ISSN 1465-4253. JSTOR 10.1086/679375.

koreaherald.com

Woo-young, Lee (12 November 2015). "Nigerian artist Otobong Nkanga wins Yanghyun art prize". The Korea Herald. Archived from the original on 26 September 2022. Retrieved 28 August 2024.

museabrugge.be

"Underneath the Shade We Lay Grounded. Otobong Nkanga". Musea Brugge. 2022. Archived from the original on 29 August 2024. Retrieved 28 August 2024.

ocula.com

Bailey, Stephanie (1 June 2018). "Otobong Nkanga". Ocula.com. Archived from the original on 25 May 2023. Retrieved 16 November 2021.

otobong-nkanga.com

"Otobong Nkanga | Visual Artist". Otobong Nkanga. Archived from the original on 11 July 2024. Retrieved 12 May 2021.

premiumtimesng.com

Okakwu, Evelyn (13 November 2015). "Nigerian artist emerges first African winner of Korean award". Premium Times. Archived from the original on 9 February 2016. Retrieved 28 August 2024.

proquest.com

search.proquest.com

Clarke, Chris (February 2018). "Otobong Nkanga: The Breath from Fertile Grounds". Art Monthly (413): 35. ProQuest 2043673657.

semanticscholar.org

api.semanticscholar.org

Pahl, Katrin (2021). "Improbable Intimacy: Otobong Nkanga's Grafts and Aggregates". Theory & Event. 24 (1): 240–267. doi:10.1353/tae.2021.0009. ISSN 1092-311X. S2CID 234243538.

tate.org.uk

"Across the Board". Tate. Archived from the original on 6 October 2022.
"Otobong Nkanga". Tate. 2019. Archived from the original on 30 November 2023. Retrieved 28 August 2024.

theguardian.com

"20th Biennale of Sydney, Carriageworks". The Guardian. 14 January 2016. Archived from the original on 11 March 2022. Retrieved 28 August 2024.

thewhitereview.org

Elderton, Louisa (October 2014). "Interview with Otobong Nkanga". The White Review. Archived from the original on 28 November 2023. Retrieved 28 August 2024.

web.archive.org

Woo-young, Lee (12 November 2015). "Nigerian artist Otobong Nkanga wins Yanghyun art prize". The Korea Herald. Archived from the original on 26 September 2022. Retrieved 28 August 2024.
"Otobong Nkanga". Contemporary And (in French). Archived from the original on 26 March 2023. Retrieved 7 March 2015.
"20th Biennale of Sydney, Carriageworks". The Guardian. 14 January 2016. Archived from the original on 11 March 2022. Retrieved 28 August 2024.
"Otobong Nkanga". In Situ - fabienne leclerc. Archived from the original on 30 May 2024. Retrieved 15 November 2021.
"Otobong Nkanga | Visual Artist". Otobong Nkanga. Archived from the original on 11 July 2024. Retrieved 12 May 2021.
Samudzi, Zoé (January–February 2021). "The Paradox of Plenty". Art in America. 109 (1): 18–20. Archived from the original on 29 August 2024. Retrieved 28 August 2024.
DeLand, Lauren (October 2018). "Otobong Nkanga". Art in America. 106 (9): 118–119. Archived from the original on 21 March 2023. Retrieved 28 August 2024.
Davis, Heather (1 July 2019). "Blue, Bling: On Extractivism". Afterall. Archived from the original on 29 September 2022. Retrieved 16 November 2021.
Bailey, Stephanie (1 June 2018). "Otobong Nkanga". Ocula.com. Archived from the original on 25 May 2023. Retrieved 16 November 2021.
Van Houten Maldonado, Devon (20 July 2018). "Imagining a Reconciliatory Relationship with the Earth". Hyperallergic. Archived from the original on 25 September 2023. Retrieved 28 August 2024.
Mutumba, Yvette (2 October 2014). "Otobong Nkanga: Nothing Is Like It Seems, Everything Is Evidence". Afterall. Archived from the original on 29 September 2022.
Elderton, Louisa (October 2014). "Interview with Otobong Nkanga". The White Review. Archived from the original on 28 November 2023. Retrieved 28 August 2024.
"Across the Board". Tate. Archived from the original on 6 October 2022.
"The Encounter That Took a Part of Me | Otobong Nkanga". Gallery Viewer. 2016. Archived from the original on 29 June 2022. Retrieved 3 September 2024.
Foumberg, Jason (2 August 2018). "Otobong Nkanga's To Dig a Hole That Collapses Again". BOMB Magazine. Archived from the original on 29 August 2024. Retrieved 28 August 2024.
Whitehead, Anna Martine (26 March 2018). "Otobong Nkanga: To Dig a Hole That Collapses Again". Frieze. Archived from the original on 23 February 2024. Retrieved 28 August 2024.
"Otobong Nkanga". Tate. 2019. Archived from the original on 30 November 2023. Retrieved 28 August 2024.
"Otobong Nkanga: There's No Such Thing as Solid Ground". Berliner Festspiele. 2020. Archived from the original on 2 June 2023.
"Otobong Nkanga. Of Cords Curling around Mountains". Castello di Rivoli. 2021. Archived from the original on 5 October 2023. Retrieved 28 August 2024.
"Underneath the Shade We Lay Grounded. Otobong Nkanga". Musea Brugge. 2022. Archived from the original on 29 August 2024. Retrieved 28 August 2024.

worldcat.org

search.worldcat.org

Gipson, Ferren (2022). Women's Work: From Feminine Arts to Feminist Art. London: Frances Lincoln. ISBN 978-0-7112-6465-6. OCLC 1329421960.
Pahl, Katrin (2021). "Improbable Intimacy: Otobong Nkanga's Grafts and Aggregates". Theory & Event. 24 (1): 240–267. doi:10.1353/tae.2021.0009. ISSN 1092-311X. S2CID 234243538.
Meyer-Hermann, Eva; Perchuk, Andrew; Rosenthal, Stephanie, eds. (2008). Allan Kaprow: Art as Life. Los Angeles: Getty Research Institute. p. 225. ISBN 9780892368907. OCLC 157022738.
Szewczyk, Monika (2014). "Exchange and Some Change: The Imaginative Economies of Otobong Nkanga". Afterall: A Journal of Art, Context and Enquiry (37): 42. doi:10.1086/679375. ISSN 1465-4253. JSTOR 10.1086/679375.
Bobin, Virginie (2007). "Participation: A Legacy of Allan Kaprow, P. Pirotte". An Invention of Allan Kaprow for the Present Moment. Bern: Kunsthalle Bern. pp. 9–17. ISBN 978-3857801501. OCLC 646305186.
Bosah, Chukwuemeka (2017). The Art of Nigerian Women. Okediji, Moyosore B. (Moyosore Benjamin). New Albany, Ohio: Ben Bosah Books. p. 50. ISBN 978-0-9969084-5-0. OCLC 965603634.