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Palo (religion) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Palo (religion)" in English language version.

refsWebsite
Global rank English rank
113doi.org
2nd place
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59semanticscholar.org
11th place
8th place
33jstor.org
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15worldcat.org
5th place
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7nih.gov
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5web.archive.org
1st place
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1nytimes.com
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1latimes.com
22nd place
19th place
1wsj.com
79th place
65th place
1seattletimes.com
519th place
316th place
1wptv.com
low place
low place

doi.org

jstor.org

  • Bettelheim 2001, p. 36; Ayorinde 2004, p. 15; Palmié 2013, p. 120; Pokines 2015, p. 2. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ayorinde, Christine (2004). Afro-Cuban Religiosity, Revolution, and National Identity. Gainesville: University Press of Florida. ISBN 978-0813027555. Palmié, Stephan (2013). "Signal and Noise: Digging up the Dead in Archaeology and Afro-Cuban Palo Monte". Archaeological Review from Cambridge. 28 (1): 115–131. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Bettelheim 2001, p. 36. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 36; Dodson 2008, p. 92; Fernández Olmos & Paravisini-Gebert 2011, p. 95; Kerestetzi 2015, p. 160. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Dodson, Jualynne E. (2008). Sacred Spaces and Religious Traditions in Oriente Cuba. Alburquerque: University of New Mexico Press. ISBN 978-0826343536. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 36; Ayorinde 2004, p. 16; Fernández Olmos & Paravisini-Gebert 2011, p. 94. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ayorinde, Christine (2004). Afro-Cuban Religiosity, Revolution, and National Identity. Gainesville: University Press of Florida. ISBN 978-0813027555. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Barnet 1997, p. 161; Bettelheim 2001, p. 36. Barnet, Miguel (1997). "On Congo Cults of Bantu Origin in Cuba". Diogenes. 45 (179): 141–164. doi:10.1177/039219219704517912. OCLC 4657598041. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 37. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 36; Kerestetzi 2015, p. 150. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 38. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 36; Ochoa 2010, p. 140. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 36; Ochoa 2010, pp. 88–89; Fernández Olmos & Paravisini-Gebert 2011, p. 96; Kerestetzi 2015, p. 154. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Vélez 2000, pp. 15–16; Bettelheim 2001, p. 37; Fernández Olmos & Paravisini-Gebert 2011, p. 89. Vélez, María Teresa (2000). Drumming For The Gods: The Life and Times of Felipe Garcia Villamil, Santero, Palero and Abakua. Studies in Latin American and Caribbean Music. Philadelphia: Temple University Press. ISBN 978-1566397315. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Bettelheim 2001, p. 43. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 43; Pokines 2015, p. 2; Kerestetzi 2015, p. 167. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 43; Wedel 2004, p. 56. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Wedel, Johan (2004). Santería Healing: A Journey into the Afro-Cuban World of Divinities, Spirits, and Sorcery. Gainesville: University Press of Florida. ISBN 978-0-8130-2694-7.
  • Bettelheim 2001, p. 38; Ochoa 2010, p. 271. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 38; Ochoa 2010, p. 154. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 38; Kerestetzi 2015, p. 159. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 39. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 46. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 38; Ochoa 2010, p. 155. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, pp. 38–39; Kerestetzi 2015, p. 159. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • González Bueno 1993, p. 118; Bettelheim 2001, p. 38; Ochoa 2010, pp. 111–112, 150. González Bueno, Gladys (1993). "An Initiation Ceremony in Regla de Palo". In Pedro Pérez Sarduy and Jean Stubbs (ed.). Afrocuba: An Anthology of Cuban Writing on Race, Politics and Culture. Melbourne: Ocean Press. pp. 117–120. ISBN 9781875284412. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 40. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, pp. 40, 41; Ochoa 2010, pp. 116–117, 122; Fernández Olmos & Paravisini-Gebert 2011, p. 95; Kerestetzi 2015, p. 168. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • González Bueno 1993, p. 119; Bettelheim 2001, p. 41. González Bueno, Gladys (1993). "An Initiation Ceremony in Regla de Palo". In Pedro Pérez Sarduy and Jean Stubbs (ed.). Afrocuba: An Anthology of Cuban Writing on Race, Politics and Culture. Melbourne: Ocean Press. pp. 117–120. ISBN 9781875284412. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 40; Espírito Santo 2018, p. 81. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Espírito Santo, Diana (2018). "Assemblage Making, Materiality, and Self in Cuban Palo Monte". Social Analysis. 62 (3): 67–87. doi:10.3167/sa.2018.620304. S2CID 149589227.
  • Bettelheim 2001, pp. 40–41; Ochoa 2010, p. 124. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • González Bueno 1993, p. 119; Bettelheim 2001, p. 41; Ochoa 2010, p. 127. González Bueno, Gladys (1993). "An Initiation Ceremony in Regla de Palo". In Pedro Pérez Sarduy and Jean Stubbs (ed.). Afrocuba: An Anthology of Cuban Writing on Race, Politics and Culture. Melbourne: Ocean Press. pp. 117–120. ISBN 9781875284412. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Brandon 1993, p. 43; Hagedorn 2000, p. 100; Hagedorn 2001, p. 75. Brandon, George (1993). Santeria from Africa to the New World: The Dead Sell Memories. Bloomington and Indianapolis: Indiana University Press. ISBN 978-0253211149. Hagedorn, Katherine J. (2000). "Bringing Down the Santo: An Analysis of Possession Performance in Afro-Cuban Santería". The World of Music. 42 (2): 99–113. JSTOR 41699335. Hagedorn, Katherine J. (2001). Divine Utterances: The Performance of Afro-Cuban Santería. Washington, D.C.: Smithsonian Books. ISBN 978-1560989479.
  • Clark 2001, p. 23; Wirtz 2007, p. 30. Clark, Mary Ann (2001). "¡No Hay Ningun Santo Aqui! (There Are No Saints Here!): Symbolic Language within Santería". Journal of the American Academy of Religion. 69 (1): 21–41. doi:10.1093/jaarel/69.1.21. JSTOR 1466068. Wirtz, Kristina (2007). Ritual, Discourse, and Community in Cuban Santería: Speaking a Sacred World. Gainesville: University Press of Florida. ISBN 978-0813030647.
  • Bettelheim 2001, p. 43; Ochoa 2010, p. 145; Fernández Olmos & Paravisini-Gebert 2011, p. 97. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Bettelheim 2001, p. 47. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 44. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.

latimes.com

nih.gov

pubmed.ncbi.nlm.nih.gov

  • Bettelheim 2001, p. 36; Ayorinde 2004, p. 15; Palmié 2013, p. 120; Pokines 2015, p. 2. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ayorinde, Christine (2004). Afro-Cuban Religiosity, Revolution, and National Identity. Gainesville: University Press of Florida. ISBN 978-0813027555. Palmié, Stephan (2013). "Signal and Noise: Digging up the Dead in Archaeology and Afro-Cuban Palo Monte". Archaeological Review from Cambridge. 28 (1): 115–131. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Pokines 2015, p. 6. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Wedel 2004, pp. 55–56; Fernández Olmos & Paravisini-Gebert 2011, p. 90; Pokines 2015, p. 2. Wedel, Johan (2004). Santería Healing: A Journey into the Afro-Cuban World of Divinities, Spirits, and Sorcery. Gainesville: University Press of Florida. ISBN 978-0-8130-2694-7. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Bettelheim 2001, p. 43; Pokines 2015, p. 2; Kerestetzi 2015, p. 167. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Palmié 2013, p. 126; Pokines 2015, p. 6. Palmié, Stephan (2013). "Signal and Noise: Digging up the Dead in Archaeology and Afro-Cuban Palo Monte". Archaeological Review from Cambridge. 28 (1): 115–131. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Brandon 1993, pp. 86–87; Sandoval 1979, p. 141. Brandon, George (1993). Santeria from Africa to the New World: The Dead Sell Memories. Bloomington and Indianapolis: Indiana University Press. ISBN 978-0253211149. Sandoval, Mercedes C. (1979). "Santeria as a Mental Health Care System: An Historical Overview". Social Science and Medicine. 13B (2): 137–51. doi:10.1016/0160-7987(79)90009-7. PMID 505056.
  • Pokines 2015, p. 2. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.

nytimes.com

  • Romero, Simon (December 10, 2009). "In Venezuela, Even Death May Not Bring Peace". The New York Times. Archived from the original on March 9, 2014. Retrieved December 10, 2009.

seattletimes.com

semanticscholar.org

api.semanticscholar.org

web.archive.org

  • Romero, Simon (December 10, 2009). "In Venezuela, Even Death May Not Bring Peace". The New York Times. Archived from the original on March 9, 2014. Retrieved December 10, 2009.
  • Pacenti, John (15 February 1998). "'Occult Cop' Walks Beat on the Dark Side". Los Angeles Times. Archived from the original on May 4, 2022. Retrieved 16 February 2018.
  • Mcgowan, William (November 8, 2002). "Resting Without Peace". Wall Street Journal. Archived from the original on January 9, 2015. Retrieved December 7, 2022.
  • "Judge suppresses some evidence in human bone theft case". The Seattle Times. Associated Press. 16 February 2018. Archived from the original on February 16, 2018. Retrieved 16 February 2018.
  • Burke, Peter (January 8, 2021). "Florida men stole heads of dead veterans from cemetery as part of 'black magic' religion, sheriff says". wwtv.com. Archived from the original on January 24, 2024. Retrieved December 7, 2022.

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search.worldcat.org

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