Palo (religion) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Palo (religion)" in English language version.

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  • Bettelheim 2001, p. 36; Palmié 2013, p. 120; Pokines 2015, p. 2. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Palmié, Stephan (2013). "Signal and Noise: Digging up the Dead in Archaeology and Afro-Cuban Palo Monte". Archaeological Review from Cambridge. 28 (1): 115–131. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Bettelheim 2001, p. 36. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 36; Dodson 2008, p. 92; Fernández Olmos & Paravisini-Gebert 2011, p. 95; Kerestetzi 2015, p. 160. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Dodson, Jualynne E. (2008). Sacred Spaces and Religious Traditions in Oriente Cuba. Alburquerque: University of New Mexico Press. ISBN 978-0826343536. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 36; Fernández Olmos & Paravisini-Gebert 2011, p. 94. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Barnet 1997, p. 161; Bettelheim 2001, p. 36. Barnet, Miguel (1997). "On Congo Cults of Bantu Origin in Cuba". Diogenes. 45 (179): 141–164. doi:10.1177/03921921970451791 (inactive 2024-04-17).{{cite journal}}: CS1 maint: DOI inactive as of April 2024 (link) Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 37. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 36; Kerestetzi 2015, p. 150. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 38. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 36; Ochoa 2010, p. 140. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 36; Ochoa 2010, pp. 88–89; Fernández Olmos & Paravisini-Gebert 2011, p. 96; Kerestetzi 2015, p. 154. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Vélez 2000, pp. 15–16; Bettelheim 2001, p. 37; Fernández Olmos & Paravisini-Gebert 2011, p. 89. Vélez, María Teresa (2000). Drumming For The Gods: The Life and Times of Felipe Garcia Villamil, Santero, Palero and Abakua. Studies in Latin American and Caribbean Music. Philadelphia: Temple University Press. ISBN 978-1566397315. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Bettelheim 2001, p. 43. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 43; Pokines 2015, p. 2; Kerestetzi 2015, p. 167. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 43; Wedel 2004, p. 56. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Wedel, Johan (2004). Santería Healing: A Journey into the Afro-Cuban World of Divinities, Spirits, and Sorcery. Gainesville: University Press of Florida. ISBN 978-0-8130-2694-7.
  • Bettelheim 2001, p. 38; Ochoa 2010, p. 271. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 38; Ochoa 2010, p. 154. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 38; Kerestetzi 2015, p. 159. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Bettelheim 2001, p. 39. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 46. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 38; Ochoa 2010, p. 155. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, pp. 38–39; Kerestetzi 2015, p. 159. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • González Bueno 1993, p. 118; Bettelheim 2001, p. 38; Ochoa 2010, pp. 111–112, 150. González Bueno, Gladys (1993). "An Initiation Ceremony in Regla de Palo". In Pedro Pérez Sarduy and Jean Stubbs (ed.). Afrocuba: An Anthology of Cuban Writing on Race, Politics and Culture. Melbourne: Ocean Press. pp. 117–120. ISBN 9781875284412. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Bettelheim 2001, p. 40. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, pp. 40, 41; Ochoa 2010, pp. 116–117, 122; Fernández Olmos & Paravisini-Gebert 2011, p. 95; Kerestetzi 2015, p. 168. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • González Bueno 1993, p. 119; Bettelheim 2001, p. 41. González Bueno, Gladys (1993). "An Initiation Ceremony in Regla de Palo". In Pedro Pérez Sarduy and Jean Stubbs (ed.). Afrocuba: An Anthology of Cuban Writing on Race, Politics and Culture. Melbourne: Ocean Press. pp. 117–120. ISBN 9781875284412. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 40; Espírito Santo 2018, p. 81. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Espírito Santo, Diana (2018). "Assemblage Making, Materiality, and Self in Cuban Palo Monte". Social Analysis. 62 (3): 67–87. doi:10.3167/sa.2018.620304. S2CID 149589227.
  • Bettelheim 2001, pp. 40–41; Ochoa 2010, p. 124. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • González Bueno 1993, p. 119; Bettelheim 2001, p. 41; Ochoa 2010, p. 127. González Bueno, Gladys (1993). "An Initiation Ceremony in Regla de Palo". In Pedro Pérez Sarduy and Jean Stubbs (ed.). Afrocuba: An Anthology of Cuban Writing on Race, Politics and Culture. Melbourne: Ocean Press. pp. 117–120. ISBN 9781875284412. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842.
  • Brandon 1993, p. 43; Hagedorn 2000, p. 100; Hagedorn 2001, p. 75. Brandon, George (1993). Santeria from Africa to the New World: The Dead Sell Memories. Bloomington and Indianapolis: Indiana University Press. ISBN 978-0253211149. Hagedorn, Katherine J. (2000). "Bringing Down the Santo: An Analysis of Possession Performance in Afro-Cuban Santería". The World of Music. 42 (2): 99–113. JSTOR 41699335. Hagedorn, Katherine J. (2001). Divine Utterances: The Performance of Afro-Cuban Santería. Washington, D.C.: Smithsonian Books. ISBN 978-1560989479.
  • Clark 2001, p. 23; Wirtz 2007, p. 30. Clark, Mary Ann (2001). "¡No Hay Ningun Santo Aqui! (There Are No Saints Here!): Symbolic Language within Santería". Journal of the American Academy of Religion. 69 (1): 21–41. doi:10.1093/jaarel/69.1.21. JSTOR 1466068. Wirtz, Kristina (2007). Ritual, Discourse, and Community in Cuban Santería: Speaking a Sacred World. Gainesville: University Press of Florida. ISBN 978-0813030647.
  • Bettelheim 2001, p. 43; Ochoa 2010, p. 145; Fernández Olmos & Paravisini-Gebert 2011, p. 97. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Ochoa, Todd Ramón (2010). Society of the Dead: Quita Manaquita and Palo Praise in Cuba. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0520256842. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Bettelheim 2001, p. 47. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.
  • Bettelheim 2001, p. 44. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912.

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  • Bettelheim 2001, p. 36; Palmié 2013, p. 120; Pokines 2015, p. 2. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Palmié, Stephan (2013). "Signal and Noise: Digging up the Dead in Archaeology and Afro-Cuban Palo Monte". Archaeological Review from Cambridge. 28 (1): 115–131. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Pokines 2015, p. 6. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Wedel 2004, pp. 55–56; Fernández Olmos & Paravisini-Gebert 2011, p. 90; Pokines 2015, p. 2. Wedel, Johan (2004). Santería Healing: A Journey into the Afro-Cuban World of Divinities, Spirits, and Sorcery. Gainesville: University Press of Florida. ISBN 978-0-8130-2694-7. Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Bettelheim 2001, p. 43; Pokines 2015, p. 2; Kerestetzi 2015, p. 167. Bettelheim, Judith (2001). "Palo Monte Mayombe and Its Influence on Cuban Contemporary Art". African Arts. 34 (2): 36–49, 94–96. doi:10.2307/3337912. JSTOR 3337912. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303. Kerestetzi, Katarina (2015). "Making a "Nganga", Begetting a God: Materiality and Belief in the Afro-Cuban Religion of Palo Monte". Ricerche di Storia Sociale e Religiosa. 44 (87): 145–173.
  • Palmié 2013, p. 126; Pokines 2015, p. 6. Palmié, Stephan (2013). "Signal and Noise: Digging up the Dead in Archaeology and Afro-Cuban Palo Monte". Archaeological Review from Cambridge. 28 (1): 115–131. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.
  • Brandon 1993, pp. 86–87; Sandoval 1979, p. 141. Brandon, George (1993). Santeria from Africa to the New World: The Dead Sell Memories. Bloomington and Indianapolis: Indiana University Press. ISBN 978-0253211149. Sandoval, Mercedes C. (1979). "Santeria as a Mental Health Care System: An Historical Overview". Social Science and Medicine. 13B (2): 137–51. doi:10.1016/0160-7987(79)90009-7. PMID 505056.
  • Pokines 2015, p. 2. Pokines, James T. (2015). "A Santería/Palo Mayombe Ritual Cauldron Containing a Human Skull and Multiple Artifacts Recovered in Western Massachusetts, U.S.A.". Forensic Science International. 248: 1–7. doi:10.1016/j.forsciint.2014.12.017. PMID 25614303.

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  • Romero, Simon (December 10, 2009). "In Venezuela, Even Death May Not Bring Peace". The New York Times. Retrieved December 10, 2009.

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