Pentatonic scale (English Wikipedia)

Jeff Todd Titon (1996). Worlds of Music: An Introduction to the Music of the World's Peoples, Shorter Version. Boston: Cengage Learning. ISBN 978-0-02-872612-0. p. 373.
Steve Khan (2002). Pentatonic Khancepts. Alfred Music Publishing. ISBN 978-0-7579-9447-0. p. 12.
Serna, Desi (2013). Guitar Theory for Dummies. Hoboken, New Jersey: Wiley. p. 168. ISBN 978-1-118-64677-9.
Ramon Ricker (1999). Pentatonic Scales for Jazz Improvisation. Lebanon, Ind.: Studio P/R, Alfred Publishing Co. ISBN 978-1-4574-9410-9. cites Annie G. Gilchrist (1911). "Note on the Modal System of Gaelic Tunes". Journal of the Folk-Song Society. 4 (16): 150–53. JSTOR 4433969.
Judit Frigyesi (2013). "Is there such a thing as Hungarian-Jewish music?" in Pál Hatos & Attila Novák (eds.) (2013). Between Minority and Majority: Hungarian and Jewish/Israeli ethnical and cultural experiences in recent centuries. Budapest: Balassi Institute. p. 129. ISBN 978-963-89583-8-9.
Blacking, John (November 1987). "A commonsense view of all music" : reflections on Percy Grainger's contribution to ethnomusicology and music education. Cambridge University Press. p. 161. ISBN 978-0-521-26500-3. Retrieved 21 November 2019.
Benjamin Suchoff, ed. (1997). Béla Bartók Studies in Ethnomusicology. Lincoln: University of Nebraska Press. p. 198. ISBN 0-8032-4247-6.
Richard Henry (n.d.). Culture and the Pentatonic Scale: Exciting Information On Pentatonic Scales. n.p.: World Wide Jazz. p. 4.
Erik Halbig (2005). Pentatonic Improvisation: Modern Pentatonic Ideas for Guitarists of All Styles (Book & CD). Van Nuys, California: Alfred Music. p. 4. ISBN 978-0-7390-3765-2.
Lenard C. Bowie, DMA (2012). African American Musical Heritage: An Appreciation, Historical Summary, and Guide to Music Fundamentals. Philadelphia: Xlibris Corporation. p. 259. ISBN 978-1-4653-0575-6.^{[self-published source]}
Jesper Rübner-Petersen (2011). The Mandolin Picker's Guide to Bluegrass Improvisation. Pacific, Missouri: Mel Bay Publications. p. 17. ISBN 978-1-61065-413-5.
William Duckworth (2009). A Creative Approach to Music Fundamentals. Boston: Schirmer / Cengage Learning. p. 203. ISBN 978-1-111-78406-5.
Kurt Johann Ellenberger (2005). Materials and Concepts in Jazz Improvisation. Grand Rapids, Michigan: Keystone Publication / Assayer Publishing. p. 65. ISBN 978-0-9709811-3-4.
Edward Komara, ed. (2006). Encyclopedia of the Blues. New York: Routledge. p. 863. ISBN 978-0-415-92699-7.
Jeremy Day-O'Connell (2007). Pentatonicism from the Eighteenth Century to Debussy. Rochester: University Rochester Press. p. 54. ISBN 978-1-58046-248-8.
M. L. West (1992). Ancient Greek Music. Oxford: Clarendon Press. pp. 163–164. ISBN 0-19-814975-1.
A.-F. Christidis; Maria Arapopoulou; Maria Christi (2007). A History of Ancient Greek: From the Beginnings to Late Antiquity. Cambridge: Cambridge University Press. p. 1432. ISBN 978-0-521-83307-3.
Spiro J. Shetuni (2011). Albanian Traditional Music: An Introduction, with Sheet Music and Lyrics for 48 Songs. Jefferson, North Carolina: McFarland. p. 38. ISBN 978-0-7864-8630-4.
Simon Broughton; Mark Ellingham; Richard Trillo (1999). World Music: Africa, Europe and the Middle East. London: Rough Guides. p. 160. ISBN 978-1-85828-635-8.
Mark Phillips (2002). GCSE Music. Oxford: Heinemann. p. 97. ISBN 978-0-435-81318-5.
Willi Apel (1969). Harvard Dictionary of Music. Cambridge, Massachusetts: Harvard University Press. p. 665. ISBN 978-0-674-37501-7.
Dale A. Olsen; Daniel E. Sheehy, eds. (1998). The Garland Encyclopedia of World Music, Volume 2: South America, Mexico, Central America, and the Caribbean. New York: Taylor & Francis. p. 217. ISBN 0-8240-6040-7. (Thomas Turino (2004) points out that the pentatonic scale, although widespread, cannot be considered to be predominant in the Andes: Local practices among the Aymara and Kechua in Conima and Canas, Southern Peru in Malena Kuss, ed. (2004). Music in Latin America and the Caribbean: an encyclopedic history. Austin: University of Texas Press. p. 141. ISBN 0-292-70298-1.)
Burton William Peretti (2009). Lift Every Voice: The History of African American Music. New York: Rowman & Littlefield Publishers. p. 39. ISBN 978-0-7425-5811-3.
Anna Czekanowska; John Blacking (2006). Polish Folk Music: Slavonic Heritage – Polish Tradition – Contemporary Trends. Cambridge: Cambridge University Press. p. 189. ISBN 978-0-521-02797-7.
Chaudhuri, A. (2021). Finding the Raga: An Improvisation on Indian Music. Faber & Faber. p. 52. ISBN 978-0-571-37076-4. Retrieved 26 May 2021.
Menon, R.R. (1973). Discovering Indian Music. Somaiya Publications. p. 50. Retrieved 26 May 2021. Some prefer the first Raga to be pentatonic in scale. Let us take for an example, the pentatonic Bhoopali. Its notes are: SA RI GA PA DHA SA up and down the scale.
Chib, S. K. S.; Khan, A. A. (2004). Companion to North Indian Classical Music. Munshiram Manoharlal Publishers. p. 337. ISBN 978-81-215-1090-5. Retrieved 26 May 2021.
Qureshi, R. B. (2016). Master Musicians of India: Hereditary Sarangi Players Speak. Taylor & Francis. p. 385. ISBN 978-1-135-87396-7. Retrieved 26 May 2021.
Thatte, A.; Sabanīsa, M. P. (2000). Vande Mataram, Down the Memory Lane. Jayanti Samaroha Samitee Vande Mataram. p. 77. Retrieved 26 May 2021. Named after the powerful Hindu goddess, Raga Durga is pentatonic, omitting the third and the seventh degrees, while emphasising the sixth and the second.
The Historical Development of Indian Music: A Critical Study. Firma K. L. Mukhopadhyay. 1973. p. 175. ISBN 978-0-88386-344-2. Retrieved 26 May 2021.
O'Brien, J. P. (1977). Non-western Music and the Western Listener. Kendall/Hunt Publishing. p. 37. ISBN 978-0-8403-1755-1. Retrieved 26 May 2021.
Nizami, F.; Arshad, S.; Lakhvīrā, N. Ḥ. (1988). ABC of Music. Punjab Council of the Arts. p. 54. Retrieved 27 May 2021.
Chakraborty, S.; Mazzola, G.; Tewari, S.; Patra, M. (2014). Computational Musicology in Hindustani Music. Computational Music Science. Springer International Publishing. p. 3. ISBN 978-3-319-11472-9. Retrieved 27 May 2021.
Karnani, C. (2005). Form in Indian Music: A Study in Gharanas. Rawat Publications. p. 81. ISBN 978-81-7033-921-2. Retrieved 27 May 2021. Ghulam Ali showed unusual fondness for pentatonic modes like Gunkali, Malkauns, Kausi Dhani and Bhopali. Even Shudh Sarang and Megh Malhar are largely pentatonic.
Katz, J. (1992). The Traditional Indian Theory and Practice of Music and Dance. Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference. E. J. Brill. p. 19. ISBN 978-90-04-09715-5. Retrieved 27 May 2021.
Mohamed Diriye Abdullahi (2001). Culture and Customs of Somalia. Greenwood Publishing Group. p. 170. ISBN 0-313-31333-4. Somali music, a unique kind of music that might be mistaken at first for music from nearby countries such as Ethiopia, the Sudan, or even Arabia, can be recognized by its own tunes and styles.
Tekle, Amare (1994). Eritrea and Ethiopia: from conflict to cooperation. The Red Sea Press. p. 197. ISBN 0-932415-97-0. Djibouti, Eritrea, Ethiopia, Somalia and Sudan have significant similarities emanating not only from culture, religion, traditions, history and aspirations ... They appreciate similar foods and spices, beverages and sweets, fabrics and tapestry, lyrics and music, and jewelry and fragrances.

britannica.com

Graue, Jerald. "Scale". Encyclopedia Britannica. Retrieved 3 May 2021.

deftdigits.com

Joe Walker (6 January 2012). "The World's Most-Used Guitar Scale: A Minor Pentatonic". DeftDigits Guitar Lessons.

doi.org

Miller, Leta E.; Lieberman, Fredric (Summer 1999). "Lou Harrison and the American Gamelan". American Music. 17 (2): 146–178 (158). doi:10.2307/3052712. JSTOR 3052712.
Jeremy Day-O'Connell (2009). "Debussy, Pentatonicism, and the Tonal Tradition" (PDF). Music Theory Spectrum. 31 (2): 225–261. doi:10.1525/mts.2009.31.2.225. Archived (PDF) from the original on 2022-10-09.

ebscohost.com

connection.ebscohost.com

Meri-Sofia Lakopoulos (2015). The Traditional Iso-polyphonic song of Epirus ^{[dead link‍]}. The International Research Center for Traditional Polyphony. June 2015, issue 18. p. 10.

eiu.edu

thekeep.eiu.edu

Amanda Long. "Involve Me: Using the Orff Approach within the Elementary Classroom". The Keep. Eastern Illinois University. p. 7. Retrieved 1 May 2015.

ghostarchive.org

Jeremy Day-O'Connell (2009). "Debussy, Pentatonicism, and the Tonal Tradition" (PDF). Music Theory Spectrum. 31 (2): 225–261. doi:10.1525/mts.2009.31.2.225. Archived (PDF) from the original on 2022-10-09.

how-to-play-blues-guitar.com

"The Pentatonic and Blues Scale". How To Play Blues Guitar. 2008-07-09. Archived from the original on 2008-07-14. Retrieved 2008-07-11.

jstor.org

Ramon Ricker (1999). Pentatonic Scales for Jazz Improvisation. Lebanon, Ind.: Studio P/R, Alfred Publishing Co. ISBN 978-1-4574-9410-9. cites Annie G. Gilchrist (1911). "Note on the Modal System of Gaelic Tunes". Journal of the Folk-Song Society. 4 (16): 150–53. JSTOR 4433969.
Ben Johnston, "Scalar Order as a Compositional Resource", Perspectives of New Music 2, no. 2 (Spring–Summer 1964): pp. 56–76. Citation on p. 64 JSTOR 832482.
Miller, Leta E.; Lieberman, Fredric (Summer 1999). "Lou Harrison and the American Gamelan". American Music. 17 (2): 146–178 (158). doi:10.2307/3052712. JSTOR 3052712.
Van Khe, Tran. "Is the Pentatonic Universal? A Few Reflections on Pentatonism." The World of Music 19, no. 1/2 (1977): 76–84. http://www.jstor.org/stable/43560446.