Performance (English Wikipedia)

Shippmann, Jeffery S.; Ash, Ronald A.; Batjtsta, Mariangela; Carr, Linda; Eyde, Lorraine D.; Hesketh, Beryl; Kehoe, Jerry; Pearlman, Kenneth; Prien, Erich P.; Sanchez, Juan I. (2000). "The Practice of Competency Modeling". Personnel Psychology. 53 (3): 703–740. doi:10.1111/j.1744-6570.2000.tb00220.x. ISSN 0031-5826.
Smith, Terry (September 2011). "Currents of world-making in contemporary art". World Art. 1 (2): 171–188. doi:10.1080/21500894.2011.602712. ISSN 2150-0894. S2CID 191639109.
Smith, Jessi L.; Hardy, Tiffany; Arkin, Robert (2009). "When practice doesn't make perfect: Effort expenditure as an active behavioral self-handicapping strategy". Journal of Research in Personality. 43: 95–98. doi:10.1016/j.jrp.2008.10.004.
Tangian, Andranik (1997). "Performance interpretation by segmentation and its notation". Contemporary Theatre Review. 6 (4): 79–97. doi:10.1080/10486809708568438.
Tangian, Andranik (1999). "Towards a generative theory of interpretation for performance modeling". Musicae Scientiae. 3 (2): 237–267. doi:10.1177/102986499900300205. S2CID 145716284.
Baldwin, Sandra (1980). "Effect of Speakers' Sex and Size of Audience on Heart-Rate Changes During Short Impromptu Speeches". Psychological Reports. 46 (1): 123–130. doi:10.2466/pr0.1980.46.1.123. PMID 7367532. S2CID 20025236.
Studer, Regina (2014). "Psychophysiological Activation During Preparation, Performance, and Recovery in High- and Low-Anxious Music Students" (PDF). Applied Psychophysiology and Biofeedback. 39 (1). Association for Applied Psychophysiology and Biofeedback: 45–57. doi:10.1007/s10484-014-9240-2. PMID 24477850. S2CID 43418025.
Maclntyre, Valerie (2010). "Heart Rate Variability as a Predictor of Speaking Anxiety". Communication Research Reports. 27 (4): 286–297. doi:10.1080/08824096.2010.496323. S2CID 55686972.
Brutten, Eugene (1963). "A Palmer Sweat Investigation of the Effect of Audience Variation Upon Stage Fright". Speech Monographs. 30 (2): 92–96. doi:10.1080/03637756309375363.

morethanthreeartists.wordpress.com (Global: low place; English: low place)

kelseymt (7 September 2015). "Adrian Piper: Performances and Activism". More Than Three Women Artists. Retrieved 24 November 2019.

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pubmed.ncbi.nlm.nih.gov

Baldwin, Sandra (1980). "Effect of Speakers' Sex and Size of Audience on Heart-Rate Changes During Short Impromptu Speeches". Psychological Reports. 46 (1): 123–130. doi:10.2466/pr0.1980.46.1.123. PMID 7367532. S2CID 20025236.
Studer, Regina (2014). "Psychophysiological Activation During Preparation, Performance, and Recovery in High- and Low-Anxious Music Students" (PDF). Applied Psychophysiology and Biofeedback. 39 (1). Association for Applied Psychophysiology and Biofeedback: 45–57. doi:10.1007/s10484-014-9240-2. PMID 24477850. S2CID 43418025.

openculture.com (Global: 9,015^th place; English: 6,581^st place)

"Jackson Pollock 51: Short Film Captures the Painter Creating Abstract Expressionist Art". Open Culture. Retrieved 21 November 2019.

orpheusinstituut.be (Global: low place; English: low place)

Andreas Dorschel, Music as Play. In: Paulo de Assis (ed.), Virtual Works – Actual Things: Essays in Musical Ontology. Leuven University Press, Leuven 2018 (Orpheus Institute Series), pp. 115–133. pdf online

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"The Naked City". homepages.phonecoop.coop. Archived from the original on 27 November 2020. Retrieved 21 November 2019.

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doc.rero.ch

Studer, Regina (2014). "Psychophysiological Activation During Preparation, Performance, and Recovery in High- and Low-Anxious Music Students" (PDF). Applied Psychophysiology and Biofeedback. 39 (1). Association for Applied Psychophysiology and Biofeedback: 45–57. doi:10.1007/s10484-014-9240-2. PMID 24477850. S2CID 43418025.

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api.semanticscholar.org

Smith, Terry (September 2011). "Currents of world-making in contemporary art". World Art. 1 (2): 171–188. doi:10.1080/21500894.2011.602712. ISSN 2150-0894. S2CID 191639109.
Tangian, Andranik (1999). "Towards a generative theory of interpretation for performance modeling". Musicae Scientiae. 3 (2): 237–267. doi:10.1177/102986499900300205. S2CID 145716284.
Baldwin, Sandra (1980). "Effect of Speakers' Sex and Size of Audience on Heart-Rate Changes During Short Impromptu Speeches". Psychological Reports. 46 (1): 123–130. doi:10.2466/pr0.1980.46.1.123. PMID 7367532. S2CID 20025236.
Studer, Regina (2014). "Psychophysiological Activation During Preparation, Performance, and Recovery in High- and Low-Anxious Music Students" (PDF). Applied Psychophysiology and Biofeedback. 39 (1). Association for Applied Psychophysiology and Biofeedback: 45–57. doi:10.1007/s10484-014-9240-2. PMID 24477850. S2CID 43418025.
Maclntyre, Valerie (2010). "Heart Rate Variability as a Predictor of Speaking Anxiety". Communication Research Reports. 27 (4): 286–297. doi:10.1080/08824096.2010.496323. S2CID 55686972.

theartstory.org (Global: 8,973^rd place; English: 8,269^th place)

"VALIE EXPORT Art, Bio, Ideas". The Art Story. Retrieved 24 November 2019.

web.archive.org (Global: 1^st place; English: 1^st place)

"The Naked City". homepages.phonecoop.coop. Archived from the original on 27 November 2020. Retrieved 21 November 2019.

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Shippmann, Jeffery S.; Ash, Ronald A.; Batjtsta, Mariangela; Carr, Linda; Eyde, Lorraine D.; Hesketh, Beryl; Kehoe, Jerry; Pearlman, Kenneth; Prien, Erich P.; Sanchez, Juan I. (2000). "The Practice of Competency Modeling". Personnel Psychology. 53 (3): 703–740. doi:10.1111/j.1744-6570.2000.tb00220.x. ISSN 0031-5826.
Smith, Terry (September 2011). "Currents of world-making in contemporary art". World Art. 1 (2): 171–188. doi:10.1080/21500894.2011.602712. ISSN 2150-0894. S2CID 191639109.

Performance (English Wikipedia)

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