Gantz, p. 618; Grimal, s.v. Phoenix 3; Smith s.v. Phoenix 2. For Cleobule, see Tzetzes on Lycophron421; Tzetzes, Allegories of the Iliad Prologomena 432, 524, pp. 33, 41. For Hippodamia, see the A scholia to Iliad 9.448 (cited by Gantz). For Alcimede see Palatine Anthology 3.3 (Paton, pp. 152–153).
Hard, 464; Homer, Iliad9.434–495. For a detailed discussion of the autobiographical part of Phoenix's speech see Rosner, pp. 315–318; Scodel, pp. 128–136. Rosner, p. 315, describes the theme of this section of the speech as one of "paternal love and duty". Scodel, p. 128 n. 3, notes that the scholarly consensus sees this part of Phoenix's speech "as serving to stress the emotional ties between Phoenix and Achilles".
Gantz, p. 618. Sophocles' Phoenix may be the same as a play elsewhere called The Dolopians, see Llyod-Jones, pp. 68–69. Phoenix also appeared as a character in Sophocles, The Lovers of Achilles, see Llyod-Jones, p. 58, and probably played an important role in Sophocles' Scyrians, see Kotlinska-Toma, 187; Lloyd-Jones, pp. 276–277. For Hellenistic plays involving Phoenix, see Kotlinska-Toma, pp. 29–30, 62.
Gantz, p. 618; Grimal, s.v. Phoenix 3; Smith s.v. Phoenix 2. For Cleobule, see Tzetzes on Lycophron421; Tzetzes, Allegories of the Iliad Prologomena 432, 524, pp. 33, 41. For Hippodamia, see the A scholia to Iliad 9.448 (cited by Gantz). For Alcimede see Palatine Anthology 3.3 (Paton, pp. 152–153).
Gantz, p. 618. Sophocles' Phoenix may be the same as a play elsewhere called The Dolopians, see Llyod-Jones, pp. 68–69. Phoenix also appeared as a character in Sophocles, The Lovers of Achilles, see Llyod-Jones, p. 58, and probably played an important role in Sophocles' Scyrians, see Kotlinska-Toma, 187; Lloyd-Jones, pp. 276–277. For Hellenistic plays involving Phoenix, see Kotlinska-Toma, pp. 29–30, 62.
Gantz, p. 618; Collard and Cropp, p. 405; Oxford Classical Dictionary, s.v. Phoenix 1; Aristophanes, Acharnians421, where Aristophanes has Euripides refer to the costume of rags he gave his "Phoenix, the blind man". For a detailed discussion of Euripides' Phoenix see Collard and Cropp, pp. 405–421. For further evidence for Phoenix's blindness in Euripides' play, see test. iva, Collard and Cropp, pp. 410, 411, frs. 815 (with note), 816.2, Collard and Cropp, pp. 418, 419.
Collard and Cropp, p. 406; Gantz, p. 618; test. iic, Collard and Cropp, p. 406; test. iva, Collard and Cropp, pp. 410, 411.
Homer, Iliad9.434–605. For a detailed discussion of Phoenix's speech, see Rosner, pp. 314–327. Several scholars have questioned the authenticity of this section of the Iliad see Rosner, p. 314; Scodel, p. 129 with n. 4.
Hard, 464; Homer, Iliad9.434–495. For a detailed discussion of the autobiographical part of Phoenix's speech see Rosner, pp. 315–318; Scodel, pp. 128–136. Rosner, p. 315, describes the theme of this section of the speech as one of "paternal love and duty". Scodel, p. 128 n. 3, notes that the scholarly consensus sees this part of Phoenix's speech "as serving to stress the emotional ties between Phoenix and Achilles".
Gantz, p. 618; Collard and Cropp, p. 405; Oxford Classical Dictionary, s.v. Phoenix 1; Aristophanes, Acharnians421, where Aristophanes has Euripides refer to the costume of rags he gave his "Phoenix, the blind man". For a detailed discussion of Euripides' Phoenix see Collard and Cropp, pp. 405–421. For further evidence for Phoenix's blindness in Euripides' play, see test. iva, Collard and Cropp, pp. 410, 411, frs. 815 (with note), 816.2, Collard and Cropp, pp. 418, 419.
Gantz, p. 618; Grimal, s.v. Phoenix 3; Smith s.v. Phoenix 2. For Cleobule, see Tzetzes on Lycophron421; Tzetzes, Allegories of the Iliad Prologomena 432, 524, pp. 33, 41. For Hippodamia, see the A scholia to Iliad 9.448 (cited by Gantz). For Alcimede see Palatine Anthology 3.3 (Paton, pp. 152–153).
