Piano Concerto No. 5 (Beethoven) (English Wikipedia)

Schindler 1972, p. 196. Schindler, Anton (1972) [1860]. MacArdle, Donald W. (ed.). Beethoven as I Knew Him. Translated by Jolly, Constance S. New York: W. W. Norton and Company, Inc. ISBN 0-393-00638-7.
Schindler 1972, p. 160. Schindler, Anton (1972) [1860]. MacArdle, Donald W. (ed.). Beethoven as I Knew Him. Translated by Jolly, Constance S. New York: W. W. Norton and Company, Inc. ISBN 0-393-00638-7.

beethoven.org.pl

Eisen n.d. Eisen, Cliff (n.d.). "Ludwig van Beethoven – The five piano concertos". beethoven.org.pl.
Eisen n.d. "Whereas in Mozart's concertos soloist and ensemble work in tandem, in Beethoven's the soloist is clearly the hero." Eisen, Cliff (n.d.). "Ludwig van Beethoven – The five piano concertos". beethoven.org.pl.
Eisen n.d. "...they increasingly cast the composer, not the performer, as the works' hero." Eisen, Cliff (n.d.). "Ludwig van Beethoven – The five piano concertos". beethoven.org.pl.

books.google.com

Steinberg 1998, p. 71. Steinberg, Michael (1998). The Concerto: A Listener's Guide. Oxford University Press. p. 71. ISBN 978-0-19-510330-4.
Steinberg 1998, p. 73. Steinberg, Michael (1998). The Concerto: A Listener's Guide. Oxford University Press. p. 71. ISBN 978-0-19-510330-4.
Steinberg 1998, p. 74. Steinberg, Michael (1998). The Concerto: A Listener's Guide. Oxford University Press. p. 71. ISBN 978-0-19-510330-4.
Schwarm 2011, p. 118. Schwarm, Betsy (2011). Classical Music Insights: Understanding and Enjoying Great Music. Trafford Pub. ISBN 978-1-4269-9667-2.
Sipe 1998, pp. 30–31. Sipe, Thomas (1998). Beethoven: Eroica Symphony. Cambridge University Press. ISBN 978-0-521-47562-4.
Beethoven 1999, p. 1. Beethoven, Ludwig van (1 January 1999). Piano concerto no. 5 in E-flat major, op. 73: "Emperor". Courier Corporation. ISBN 978-0-486-40636-7.
Keefe 2005, p. 89. Keefe, Simon P. (27 October 2005). The Cambridge Companion to the Concerto. Cambridge University Press. ISBN 978-0-521-83483-4.
U of Nebraska Press 2000, p. 88. Forum, Beethoven (1 March 2000). Beethoven Forum. U of Nebraska Press. ISBN 978-0-8032-6195-2.
Walker 1987, p. 182. Walker, Alan (1987). Franz Liszt: The Virtuoso Years, 1811-1847. Cornell University Press. ISBN 978-0-8014-9421-5.
Walker 1987, p. 423. Walker, Alan (1987). Franz Liszt: The Virtuoso Years, 1811-1847. Cornell University Press. ISBN 978-0-8014-9421-5.
Comini 2008, p. 333. Comini, Alessandra (2008). The Changing Image of Beethoven: A Study in Mythmaking. Sunstone Press. ISBN 978-0-86534-661-1.
Comini 2008, p. 347. Comini, Alessandra (2008). The Changing Image of Beethoven: A Study in Mythmaking. Sunstone Press. ISBN 978-0-86534-661-1.
Steinberg 1998, p. 72. Steinberg, Michael (1998). The Concerto: A Listener's Guide. Oxford University Press. p. 71. ISBN 978-0-19-510330-4.

broadwaypress.com

SDRM n.d., pp. 58–59. "Sound Design and Recorded Music" (PDF). broadwaypress.com.

bu.edu

Wallace 2018, p. 12. Wallace, Robin (2018). The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op. 73 to Op. 85 (PDF). Center for Beethoven Research Boston University. ISBN 978-0-692-12921-0.{{cite book}}: CS1 maint: location missing publisher (link)
Wallace 2018, p. 14. Wallace, Robin (2018). The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op. 73 to Op. 85 (PDF). Center for Beethoven Research Boston University. ISBN 978-0-692-12921-0.{{cite book}}: CS1 maint: location missing publisher (link)

carnegiehall.org

"The Five Most-Often Performed Piano Concertos at Carnegie Hall". www.carnegiehall.org. Retrieved 21 September 2021.

discogs.com

Ashkenazy 1972. Ashkenazy, Vladimir (1972). Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti – The Piano Concertos (Recording). Decca Records.
Brendel 1992. Brendel, Alfred (1992). Alfred Brendel • Beethoven – Piano Concerto No.5 - Emperor (Recording). Philips Insignia.
Gulda 1973. Gulda, Friedrich (1973). Beethoven - Friedrich Gulda • Horst Stein • Vienna Philharmonic Orchestra – The Five Piano Concertos (Recording). London Records.
Perahia 1986. Perahia, Murray (1986). Beethoven - Murray Perahia · Royal Concertgebouw Orchestra · Bernard Haitink – The Five Piano Concertos (Recording). Sony Music.

doi.org

Tyson 1969, p. 138–141. Tyson, Alan (February 1969). "Beethoven's Heroic Phase". The Musical Times. 110 (1512): 139–141. doi:10.2307/952790. JSTOR 952790.
Kerman, Tyson & Burnham 2001, § 5. Kerman, Joseph; Tyson, Alan; Burnham, Scott G. (2001). "Ludwig van Beethoven". Oxford Music Online. doi:10.1093/gmo/9781561592630.article.40026.
Grove 1905, p. 176. Grove, George (1905). "Beethoven's Concerto for Pianoforte and Orchestra, No. 5, in E Flat (Op. 73)". The Musical Times. 46 (745): 172–176. doi:10.2307/902659. JSTOR 902659. Retrieved 20 June 2022.
Bribitzer-Stull 2006, p. 241. Bribitzer-Stull, Matthew (2006). "The Cadenza as Parenthesis: An Analytic Approach". Journal of Music Theory. 50 (2): 211–251. doi:10.1215/00222909-2008-016.
Cooper 2007, p. 460. Cooper, Barry (2007). "Beethoven and the Double Bar". Music & Letters. 88 (3): 458–483. doi:10.1093/ml/gcm003. ISSN 0027-4224. JSTOR 30162867. Retrieved 12 June 2022.
Kerman 1997, p. 520. Kerman, Joseph (1997). "Piano Concertos by Mozart and Beethoven". Early Music. 25 (3): 519–521. doi:10.1093/earlyj/XXV.3.519. ISSN 0306-1078. JSTOR 3128439. Retrieved 12 June 2022.

idagio.com

booklets.idagio.com

Summers 2018, p. 11. Summers, Jonathan (2018). "FREDERIC LAMOND The Liszt recordings & HMV & Electrola electrical recordings" (PDF).

jstor.org

Tyson 1969, p. 138–141. Tyson, Alan (February 1969). "Beethoven's Heroic Phase". The Musical Times. 110 (1512): 139–141. doi:10.2307/952790. JSTOR 952790.
Grove 1905, p. 176. Grove, George (1905). "Beethoven's Concerto for Pianoforte and Orchestra, No. 5, in E Flat (Op. 73)". The Musical Times. 46 (745): 172–176. doi:10.2307/902659. JSTOR 902659. Retrieved 20 June 2022.
Cooper 2007, p. 460. Cooper, Barry (2007). "Beethoven and the Double Bar". Music & Letters. 88 (3): 458–483. doi:10.1093/ml/gcm003. ISSN 0027-4224. JSTOR 30162867. Retrieved 12 June 2022.
Kerman 1997, p. 520. Kerman, Joseph (1997). "Piano Concertos by Mozart and Beethoven". Early Music. 25 (3): 519–521. doi:10.1093/earlyj/XXV.3.519. ISSN 0306-1078. JSTOR 3128439. Retrieved 12 June 2022.

loc.gov

Forge 1912. Forge, Frank La (1912). Adagio from 5th concerto, op. 73 (Recording). Victor – via Library of Congress.

prestomusic.com

Arrau 2011. Arrau, Claudio (2011). Beethoven: Piano Concertos Nos. 1-5 (Recording). Urania Records – via Presto Music.
Kempff 2013. Kempff, Wilhelm (2013). Wilhelm Kempff: The Concerto Recordings (Recording). Deutsche Grammophon – via Presto Music.
Larrocha 1984. Larrocha, Alicia de (1984). Beethoven: Piano Concertos Nos. 1-5 & Choral Fantasia (Recording). Decca Records – via Presto Music.
Grimaud 2007. Grimaud, Hélène (2007). Beethoven: Piano Concerto No. 5 & Piano Sonata No. 28 in A, Op. 101 (Recording). Deutsche Grammophon – via Presto Music.
Gould 2012. Gould, Glenn (2012). Glenn Gould plays Beethoven: The 5 Piano Concertos (Recording). Sony Music – via Presto Music.

staatsbibliothek-berlin.de

digital.staatsbibliothek-berlin.de

Beethoven 1809, 74 Beethoven, Ludwig van (1809). "Konzerte; pf, orch; Es-Dur; op.73, 1809". Digitalisierte Sammlungen der Staatsbibliothek zu Berlin.

tdl.org

uh-ir.tdl.org

Shen 2015, pp. 2–7. Shen, Yan (May 2015). "Narrative Analysis of Beethoven's Piano Concerto No. 5" (PDF). uh-ir.tdl.org.
Shen 2015, p. 2. Shen, Yan (May 2015). "Narrative Analysis of Beethoven's Piano Concerto No. 5" (PDF). uh-ir.tdl.org.

worldcat.org

search.worldcat.org

Cooper 2007, p. 460. Cooper, Barry (2007). "Beethoven and the Double Bar". Music & Letters. 88 (3): 458–483. doi:10.1093/ml/gcm003. ISSN 0027-4224. JSTOR 30162867. Retrieved 12 June 2022.
Einstein 1958, p. 248. Einstein, Alfred (1958). Essays on Music. London: Faber and Faber. OCLC 713913183.
Kerman 1997, p. 520. Kerman, Joseph (1997). "Piano Concertos by Mozart and Beethoven". Early Music. 25 (3): 519–521. doi:10.1093/earlyj/XXV.3.519. ISSN 0306-1078. JSTOR 3128439. Retrieved 12 June 2022.