Pierre Schaeffer (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Pierre Schaeffer" in English language version.

refsWebsite
Global rank English rank
1st place
1st place
low place
low place
5th place
5th place
2nd place
2nd place
40th place
58th place
low place
8,768th place
low place
low place
low place
low place
91st place
122nd place
7,240th place
4,476th place
3rd place
3rd place
low place
low place
26th place
20th place
low place
low place
305th place
264th place
11th place
8th place
4,694th place
low place
7th place
7th place
7,681st place
4,745th place
537th place
476th place
low place
low place
6,442nd place
4,551st place

120years.net

ardmediathek.de

books.google.com

britannica.com

  • "Pierre Schaeffer". Encyclopædia Britannica: ¶2. Retrieved 4 December 2008. "Schaeffer taught electronic composition at the Paris Conservatory from 1968 until 1980. His writings include novels, short stories, and essays, as well as theoretical works in music, such as À la recherche d'une musique concrète (1952; 'In Search of a Concrete Music"'), Traité des objets musicaux (1966; 'Treatise on Musical Objects'), and the two-volume Machines à communiquer (1970–72; 'Machines for Communicating')."

cambridge.org

discogs.com

doi.org

dukeupress.edu

read.dukeupress.edu

emusician.com

fandalism.com

fau.edu

wise.fau.edu

foundry.co.uk

  • "A-Z of Instruments – Other". The Foundry Creative Media Company Ltd. 2005: sec. 2. Archived from the original on 22 April 2003. Retrieved 7 December 2009. "Musique concrète was an experimental technique that combined pre-recorded sounds natural as well as musical to make musical compositions. Using only the earliest tape recorders, sounds were edited, played backwards and speeded up and down to create fascinating 'sound-scapes'. Pierre Henry was a prolific composer of musique concrète and collaborated with Schaeffer on many compositions. Luciano Berio and Steve Reich are also key figures in musique concrète composition. Karlheinz Stockhausen combined electronic and concrète sounds to become a leader of avant-garde music making."

issuu.com

jstor.org

lvc.edu

csunix1.lvc.edu

nytimes.com

olats.org

rpi.edu

arts.rpi.edu

semanticscholar.org

api.semanticscholar.org

ufpr.br

rem.ufpr.br

web.archive.org

worldcat.org

search.worldcat.org