Pitch (music) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Pitch (music)" in English language version.

refsWebsite
Global rank English rank
3rd place
3rd place
2nd place
2nd place
4th place
4th place
18th place
17th place
low place
low place
11th place
8th place
5th place
5th place
low place
low place
6,325th place
8,806th place
1,580th place
1,390th place

answers.com

  • The Concise Grove Dictionary of Music: Hermann von Helmholtz, Oxford University Press (1994), Answers.com. Retrieved 3 August 2007.

aruffo.com

books.google.com

  • Anssi Klapuri, "Introduction to Music Transcription", in Signal Processing Methods for Music Transcription, edited by Anssi Klapuri and Manuel Davy, 1–20 (New York: Springer, 2006): p. 8. ISBN 978-0-387-30667-4.
  • Plack, Christopher J.; Andrew J. Oxenham; Richard R. Fay, eds. (2005). Pitch: Neural Coding and Perception. New York: Springer. ISBN 978-0-387-23472-4. For the purposes of this book we decided to take a conservative approach, and to focus on the relationship between pitch and musical melodies. Following the earlier ASA definition, we define pitch as 'that attribute of sensation whose variation is associated with musical melodies.' Although some might find this too restrictive, an advantage of this definition is that it provides a clear procedure for testing whether or not a stimulus evokes a pitch, and a clear limitation on the range of stimuli that we need to consider in our discussions.
  • Roy D. Patterson; Etienne Gaudrain & Thomas C. Walters (2010). "The Perception of Family and Register in Musical Tones". In Mari Riess Jones; Richard R. Fay & Arthur N. Popper (eds.). Music Perception. Springer. pp. 37–38. ISBN 978-1-4419-6113-6.
  • Hartmann, William Morris (1997). Signals, Sound, and Sensation. Springer. pp. 145, 284, 287. ISBN 978-1-56396-283-7.
  • Plack, Christopher J.; Andrew J. Oxenham; Richard R. Fay, eds. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 978-0-387-23472-4.
  • Robert A. Dobie & Susan B. Van Hemel (2005). Hearing Loss: Determining Eligibility for Social Security Benefits. National Academies Press. pp. 50–51. ISBN 978-0-309-09296-8.
  • E. Bruce Goldstein (2001). Blackwell Handbook of Perception (4th ed.). Wiley-Blackwell. p. 381. ISBN 978-0-631-20683-5.
  • Richard Lyon & Shihab Shamma (1996). "Auditory Representation of Timbre and Pitch". In Harold L. Hawkins & Teresa A. McMullen (eds.). Auditory Computation. Springer. pp. 221–23. ISBN 978-0-387-97843-7.
  • Olson, Harry F. (1967). Music, Physics and Engineering. Dover Publications. pp. 171, 248–251. ISBN 978-0-486-21769-7.
  • Birger Kollmeier; Thomas Brand & B. Meyer (2008). "Perception of Speech and Sound". In Jacob Benesty; M. Mohan Sondhi & Yiteng Huang (eds.). Springer Handbook of Speech Processing. Springer. p. 65. ISBN 978-3-540-49125-5.
  • Helmholtz, Hermann (1885). On the Sensations of Tone (English Translation). Cosimo. p. 15. ISBN 9781602066397.

brainmusic.org

doi.org

doi.org

dx.doi.org

  • Cohen, A. (1961). Further investigation of the effects of intensity upon the pitch of pure tones. Journal of the Acoustical Society of America, 33, 1363–1376. https://dx.doi.org/10.1121/1.1908441

ens.fr

audition.ens.fr

harvard.edu

ui.adsabs.harvard.edu

nih.gov

pubmed.ncbi.nlm.nih.gov

ncbi.nlm.nih.gov

semanticscholar.org

api.semanticscholar.org

worldcat.org