Place de la Concorde (Degas) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Place de la Concorde (Degas)" in English language version.

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12web.archive.org

1^st place

5jstor.org

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5worldcat.org

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5archive.org

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4ebscohost.com

1,786^th place

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4nytimes.com

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1hermitagemuseum.org

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1latimes.com

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1washingtonpost.com

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1ctinsider.com

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archive.org

Le Normand-Romain, Antoinette; Pinegeot, Anne; Hohl, Reinhold; Rose, Barbara (1987). Sculpture: The Adventure of Modern Sculpture in the Nineteenth and Twentieth Centuries. Geneva: Skira; London: Weidenfeld and Nicolson. p. 29. ISBN 0-297-79046-3. Retrieved 15 March 2024.
Boggs, Jean Sutherland (1994). "Degas as a Portraitist". In Baumenn, Felix; Karabelnik, Marianne (eds.). Degas: Portraits. London: Merrell Holberton. pp. 42–43. ISBN 1-85894-014-1. Retrieved 15 March 2024.
Shackelford, George T.M. (2015). "Man in the Middle". Gustave Caillebotte: The Painter's Eye. Washington, DC: National Gallery of Art. p. 45. ISBN 978-0-226-26355-7. Retrieved 17 March 2024.
Scharf, Aaron (1974). Art and Photography (Revised 1974 ed.). Baltimore, Maryland: Penguin Books Ltd. pp. 198–202. ISBN 978-0-14-021722-3.
Rubin, James H. (2003). Impressionist Cats & Dogs: Pets in the Painting of Modern Life. New Haven: Yale University Press. pp. 65–68. ISBN 978-0-300-09873-0.

ctinsider.com

Sardar, Zahid (12 November 1995). "For the first time since World War II, over 70 Impressionist and Post-Impressionist masterpieces secreted away in Russia, are being shown to the world at the Hermitage museum in St. Petersburg. The accompanying exhibit catalog, "Hidden Treasures Revealed"". CT Insider. Archived from the original on 29 December 2023. Retrieved 29 December 2023.

ebscohost.com

search.ebscohost.com

Crisci-Richardson (2015), p. 172. Crisci-Richardson, Roberta (2015). Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917). Newcastle upon Tyne, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-7449-6.
Crisci-Richardson (2015), p. 170. Crisci-Richardson, Roberta (2015). Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917). Newcastle upon Tyne, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-7449-6.
Crisci-Richardson (2015), p. 174. Crisci-Richardson, Roberta (2015). Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917). Newcastle upon Tyne, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-7449-6.
Crisci-Richardson (2015), pp. 170–171. Crisci-Richardson, Roberta (2015). Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917). Newcastle upon Tyne, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-7449-6.

hermitagemuseum.org

"Degas: Place de la Concorde. From the Masterpieces Reborn series". The State Hermitage Museum. Archived from the original on 20 December 2016. Retrieved 16 October 2023.

jstor.org

Buchanan (1997), pp. 34, 45–46. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), p. 32. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), p. 83. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), pp. 34, 42. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Meller, Mari Kálmán (2003). "Degas's 'Place de la Concorde: Vicomte Lepic and His Daughters'". The Burlington Magazine. 145 (1201): 273–281. ISSN 0007-6287. JSTOR 3100666. Archived from the original on 12 February 2023. Retrieved 14 March 2024.

latimes.com

Knight, Christopher (20 March 1995). "COLUMN ONE : Displaying the Spoils of War : The Hermitage is about to exhibit Impressionist masterpieces the Soviet army took out of Nazi Germany. The dispute over who has a right to such 'trophy art' is fueled by the lure of big money and the bitterness of old foes". Los Angeles Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.

nytimes.com

Russell, John (8 February 1995). "CRITIC'S NOTEBOOK; A Show With Lessons Esthetic and Political". The New York Times. Archived from the original on 14 March 2024. Retrieved 14 March 2024.
Erlanger, Steven (30 March 1995). "Hermitage, in Its Manner, Displays Its Looted Art". The New York Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.
Russell, John (4 October 1994). "Hermitage Reveals It Hid Trove of Impressionist Art". The New York Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.
Blumenthal, Ralph (23 January 1995). "Revelations and Agonizing On Soviet Seizure of Artwork". The New York Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.

washingtonpost.com

Hiatt, Fred (30 March 1995). "STALIN'S GERMAN WAR TROPHIES DAZZLE THE ART WORLD". Washington Post. Retrieved 29 December 2023.

web.archive.org

"Degas: Place de la Concorde. From the Masterpieces Reborn series". The State Hermitage Museum. Archived from the original on 20 December 2016. Retrieved 16 October 2023.
Russell, John (8 February 1995). "CRITIC'S NOTEBOOK; A Show With Lessons Esthetic and Political". The New York Times. Archived from the original on 14 March 2024. Retrieved 14 March 2024.
Buchanan (1997), pp. 34, 45–46. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), p. 32. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), p. 83. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), pp. 34, 42. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Meller, Mari Kálmán (2003). "Degas's 'Place de la Concorde: Vicomte Lepic and His Daughters'". The Burlington Magazine. 145 (1201): 273–281. ISSN 0007-6287. JSTOR 3100666. Archived from the original on 12 February 2023. Retrieved 14 March 2024.
Erlanger, Steven (30 March 1995). "Hermitage, in Its Manner, Displays Its Looted Art". The New York Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.
Russell, John (4 October 1994). "Hermitage Reveals It Hid Trove of Impressionist Art". The New York Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.
Knight, Christopher (20 March 1995). "COLUMN ONE : Displaying the Spoils of War : The Hermitage is about to exhibit Impressionist masterpieces the Soviet army took out of Nazi Germany. The dispute over who has a right to such 'trophy art' is fueled by the lure of big money and the bitterness of old foes". Los Angeles Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.
Sardar, Zahid (12 November 1995). "For the first time since World War II, over 70 Impressionist and Post-Impressionist masterpieces secreted away in Russia, are being shown to the world at the Hermitage museum in St. Petersburg. The accompanying exhibit catalog, "Hidden Treasures Revealed"". CT Insider. Archived from the original on 29 December 2023. Retrieved 29 December 2023.
Blumenthal, Ralph (23 January 1995). "Revelations and Agonizing On Soviet Seizure of Artwork". The New York Times. Archived from the original on 29 December 2023. Retrieved 29 December 2023.

worldcat.org

Buchanan (1997), pp. 34, 45–46. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), p. 32. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), p. 83. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Buchanan (1997), pp. 34, 42. Buchanan, Harvey (1997). "Edgar Degas and Ludovic Lepic: An Impressionist Friendship". Cleveland Studies in the History of Art. 2. Cleveland Museum of Art: 32–121. ISSN 1092-3934. JSTOR 20079691. Archived from the original on 13 March 2024. Retrieved 14 March 2024.
Meller, Mari Kálmán (2003). "Degas's 'Place de la Concorde: Vicomte Lepic and His Daughters'". The Burlington Magazine. 145 (1201): 273–281. ISSN 0007-6287. JSTOR 3100666. Archived from the original on 12 February 2023. Retrieved 14 March 2024.