Post-disco (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Post-disco" in English language version.

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70disco.com (Global: low place; English: low place)

about.com (Global: 216th place; English: 186th place)

top40.about.com

allmusic.com (Global: 25th place; English: 22nd place)

archive.org (Global: 6th place; English: 6th place)

billboard.com (Global: 19th place; English: 18th place)

books.google.com (Global: 3rd place; English: 3rd place)

britannica.com (Global: 40th place; English: 58th place)

student.britannica.com

  • Parliament/Funkadelic. (2009). In Student's Encyclopædia Archived 2009-04-21 at the Wayback Machine: "Combining funk rhythms, psychedelic guitar, and group harmonies with jazzed-up horns, Clinton and his ever-evolving bands set the tone for many post-disco and post-punk groups of the 1980s and 1990s.". Retrieved August 15, 2009, from Britannica Student Encyclopædia.

consumerhelpweb.com (Global: low place; English: low place)

music.consumerhelpweb.com

  • Heyliger, M., Music - Help - Web - Review Archived 2008-12-04 at the Wayback Machine - A State-of-the-Art Pop Album (Thriller by Michael Jackson): "Not many artists could pull off such a variety of styles (funk, post-disco, rock, easy listening, ballads) back then ...". Retrieved on August 12, 2009

danceclassics.net (Global: low place; English: low place)

disco-funk.co.uk (Global: low place; English: low place)

djhistory.com (Global: low place; English: low place)

  • Broughton, Frank & Brewster, Bill (2000). Larry Levan's Paradise Garage | DJhistory.com Archived 2014-10-06 at the Wayback Machine - Disco's revenge: " [sic] But by the turn of the eighties, he was experimenting with drum machines and synthesizers and, like François Kevorkian around the same time, forging a new electronic, post-disco sound". Retrieved on 1-4-2010.

doi.org (Global: 2nd place; English: 2nd place)

  • Demers, Joanna (2006). "Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste". Popular Music. 25 (3). Cambridge University Press: 25, 401–414. doi:10.1017/S0261143006001012. S2CID 162637991. "In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62, ...)

dustygroove.com (Global: low place; English: low place)

  • Soul > LP > Earth Wind & Fire: Raise!: Earth Wind & Fire hits the 80s -- and never misses a beat! Turns out that the group's older style of jazzy funk was a perfect fit for the boogie-styled rhythms of the post-disco era". Dusty Groove. Retrieved on August 12, 2009.

electrofunkroots.co.uk (Global: low place; English: low place)

electronicbeats.net (Global: low place; English: low place)

fantazia.org.uk (Global: low place; English: low place)

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imdb.com (Global: 16th place; English: 23rd place)

  • "Youngest Pointer Sister Loses Cancer Battle at 52". IMDb.com, Inc. 13 April 2006. Retrieved 10 July 2013. "The Pointer Sisters ... really found their niche in the post-disco world, recording smooth tunes like "Slow Hand" and dance floor fillers such as "I'm So Excited.""

latimes.com (Global: 22nd place; English: 19th place)

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onehitwondercenter.com (Global: low place; English: low place)

  • One Hit Wonder Center - One-Hit Wonder Music of the 50s~90s: "There are also tracks to represent the rise of post-disco club/dance trend, such as Laid Back's "White Horse", New Edition's "Cool It Now", and Timex Social Club's " Rumors" ". Retrieved on August 12, 2009.

pitchfork.com (Global: 159th place; English: 112th place)

popmatters.com (Global: 631st place; English: 390th place)

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api.semanticscholar.org

  • Demers, Joanna (2006). "Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste". Popular Music. 25 (3). Cambridge University Press: 25, 401–414. doi:10.1017/S0261143006001012. S2CID 162637991. "In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62, ...)

slantmagazine.com (Global: 1,006th place; English: 589th place)

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songfacts.com (Global: 1,695th place; English: 1,266th place)

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thefourohfive.com (Global: low place; English: 9,467th place)

theguardian.com (Global: 12th place; English: 11th place)

tripod.com (Global: 549th place; English: 491st place)

eightiesclub.tripod.com

  • The Eighties Club Archived 2018-06-01 at the Wayback Machine: The Politics and Pop Culture of the 1980s: "On the dance floor, David Bowie's "Let's Dance" and Michael Jackson's "Billie Jean" defined the post-disco beat." Retrieved on August 11, 2009.

truthaboutmusic.com (Global: low place; English: low place)

uncut.co.uk (Global: 3,994th place; English: 2,232nd place)

web.archive.org (Global: 1st place; English: 1st place)

worldcat.org (Global: 5th place; English: 5th place)

search.worldcat.org

  • "The Music Steps Beyond Disco: Where The Beat Meets The Street/Danceable Rock Generates First Bevy of Crossover Stars". Billboard. No. 94. Nielsen Business Media, Inc. 19 Jun 1982. p. 36. ISSN 0006-2510.
  • New York (New York Media, LLC). 18: 121. 2 December 1985. ISSN 0028-7369. {{cite journal}}: Missing or empty |title= (help)
  • "That's the Way (Uh-huh, Uh-huh) I Like It - introducing SPY'S ROCK-CRITIC-o-MATIC (by David Bourgeois)". Spy. Sussex Publishers, LLC: 33. May 1992. ISSN 0890-1759. "In their first album since their eponymous effort of last year, Donald and the Vulgarians, without a doubt one of the best post-punk groups of the 1980s, return with their latest release, I Who Have Nothing and Other Songs for the Nineties. Filled with self-absorbed Trinidadian soca, the album screams post-punk/post-disco art-school pop with its use of guitar riff sawing".
  • "That's the Way (Uh-huh, Uh-huh) I Like It - introducing SPY'S ROCK-CRITIC-o-MATIC (by David Bourgeois)". Spy. Sussex Publishers, LLC: 33. May 1992. ISSN 0890-1759. "In their first album since their eponymous effort of last year, Donald and the Vulgarians, without a doubt one of the best post-punk groups of the 1980s, return with their latest release, I Who Have Nothing and Other Songs for the Nineties. Filled with self-absorbed Trinidadian soca, the album screams post-punk/post-disco art-school pop with its use of guitar riff sawing".
  • Billboard. No. 92. Nielsen Business Media, Inc. 18 Jul 1980. ISSN 0006-2510. Disco Business > An Art Unto Itself: Programming of Mobiles - Chicago {{cite magazine}}: Missing or empty |title= (help)
  • "Billboard's Top Album Picks (1979). Billboard SPECIAL SURVEY For Week Ending 10/13/79". Billboard. No. 91. Nielsen Business Media, Inc. Oct 13, 1979. ISSN 0006-2510.
  • Juzwiak, Rich (2004). "Reviews >>> Chromeo - She's In Control". CMJ New Music Monthly. 64 (120): 50. ISSN 1074-6978.

xlr8r.com (Global: low place; English: 8,841st place)

  • Serwer, Jesse (2009) XLR8R: Jesse Serwer in an interview with Dam-Funk. Retrieved on 2-2-2010.