Analysis of information sources in references of the Wikipedia article "Post-hardcore" in English language version.
[...] But, the second album by the post-hardcore Kentuckians sure didn't 'kick' anything; its influence rather devoid of immediacy. [...]
Drawing from funk as much as punk, Beefeater cooks up a groovy combination on their debut album.
The recordings, which revealed the influence of early-D.C. punk ('Gray Matter', 'Caffeine Blues'), also warned about the dangers of punk nostalgia ('Retrospect') and featured a surprising cover of the Beatles' 'I Am the Walrus' was the first hint of the band's strong pop streak.
When our last album, Reside came out in 2007 we saw all of these hardcore blogs out there that hated it, and that's as it should be because we're not a hardcore band. I don't mind if people call us a punk band because that's what we've always been. I don't mean to be presumptuous, but the lineage of the Effigies has always been more along the lines of the Sex Pistols, the Stranglers, the Ruts and that kind of stuff...
Well, first of all, I don't recognize that attribution. I've never recognized 'emo' as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that – what, like the Bad Brains weren't emotional? What – they were robots or something? It just doesn't make any sense to me.
{{cite web}}: CS1 maint: numeric names: authors list (link)Enter "blackgaze", the buzz term for a new school of bands taking black metal out of the shadows and melding its blast beats, dungeon wailing and razorwire guitars with the more reflective melodies of post-rock, shoegaze and post-hardcore.
Too early to be post-hardcore but too uncommon for any simple classification, this Southern California quartet doesn't try to create a blizzard of noise — they go at it more artfully, but with equally ear-wrenching results. [...]
[...] Where most punks from the '80s hardcore scene made the transition into hard rock or post hardcore outfits like Rollins Band and Fugazi, it still seems natural that he would make the jump into the acoustic side of things. [...]
The Trail of Dead has been known as something of a sprawling band ever since the band's first release in 1998. They've always been able to incorporate elements of noise rock and art rock into a post-hardcore foundation that allows for them to wander sonically not only from song to song but within each song itself and never losing the listener's interest in the song.
There was no hardcore [influence]. It was just that these bands sounded different. Siouxsie & The Banshees didn't sound like the Sex Pistols, and they didn't sound like the Buzzcocks, the Jam or the Clash. But you knew they were all of the same school. So we wanted to be influenced by those bands and sound unique but not emulate those bands, so no one could really say we were doing what those guys were doing. So we dicked around, and had rockabilly influences, and a lot of influences from English punk, and as a result, we searched for our sound for a number of years until we came up with a couple of styles that we kind of settled in on.
When our last album, Reside came out in 2007 we saw all of these hardcore blogs out there that hated it, and that's as it should be because we're not a hardcore band. I don't mind if people call us a punk band because that's what we've always been. I don't mean to be presumptuous, but the lineage of the Effigies has always been more along the lines of the Sex Pistols, the Stranglers, the Ruts and that kind of stuff...
[...] But, the second album by the post-hardcore Kentuckians sure didn't 'kick' anything; its influence rather devoid of immediacy. [...]
There was no hardcore [influence]. It was just that these bands sounded different. Siouxsie & The Banshees didn't sound like the Sex Pistols, and they didn't sound like the Buzzcocks, the Jam or the Clash. But you knew they were all of the same school. So we wanted to be influenced by those bands and sound unique but not emulate those bands, so no one could really say we were doing what those guys were doing. So we dicked around, and had rockabilly influences, and a lot of influences from English punk, and as a result, we searched for our sound for a number of years until we came up with a couple of styles that we kind of settled in on.