Progressive music (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Progressive music" in English language version.

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48books.google.com

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allmusic.com (Global: 25^th place; English: 22^nd place)

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Cotner 2000, p. 90. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Cotner 2000, p. 93. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Gloag, Kenneth (2006). Latham, Alison (ed.). The Oxford Companion to Music. Oxford: Oxford University Press. ISBN 0-19-866212-2.

books.google.com (Global: 3^rd place; English: 3^rd place)

Willis 2014, p. 219, 'Progressive' music can be seen as an experimentation with alternative routes"; Moore 2004, p. 22, "What was so revolutionary about this post-hippie music that came to be called 'progressive' ... was that ... the umbilical link between idiolect and style had been broken."; Macan 1997, p. 246, "the progressive rock of the 1970s had been 'progressive' only as long as it pushed the stylistic and conceptual boundaries of rock outwards" Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7. Moore, Allan (2004). Jethro Tull's Aqualung. Bloomsbury Publishing. ISBN 978-1-4411-1315-3. Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 978-0-19-509887-7.
Holm-Hudson 2013, p. 85. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4.
Guern 2016, p. 33; Martin 1998, p. 41. Guern, Philippe Le (2016). Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain. Routledge. ISBN 978-1-317-05001-8. Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock. Chicago: Open Court. ISBN 0-8126-9368-X.
Holm-Hudson 2013, pp. 85–87. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4.
Macan 2005, p. 250. Macan, Edward (2005). Endless Enigma: A Musical Biography of Emerson, Lake and Palmer. Open Court. ISBN 978-0-8126-9596-0.
Reynolds 2013, pp. 6–7, 16. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Holm-Hudson 2013, pp. 16, 85–87. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4.
Cotner 2000, p. 90. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Cotner 2000, p. 93. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Allan F. Moore (1 Apr 2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. p. 202. ISBN 978-1-317-05265-4.
Ake, Garrett & Goldmark 2012, p. 131. Ake, David Andrew; Garrett, Charles Hiroshi; Goldmark, Daniel (2012). Jazz/not Jazz: The Music and Its Boundaries. University of California Press. ISBN 978-0-520-27103-6.
Wall 2013, pp. 42–43. Wall, Tim (2013). Studying Popular Music Culture. SAGE Publications. ISBN 978-1-4462-9101-6.
Butler 2002, pp. 103–105. Butler, David (2002). Jazz Noir: Listening to Music from Phantom Lady to The Last Seduction. Greenwood Publishing Group. ISBN 978-0-275-97301-8.
Gillespie 2009, p. 337. Gillespie, Dizzy (2009). To Be, Or Not-- to Bop. University of Minnesota Press. ISBN 978-0-8166-6547-1.
Robinson 2017, p. 223. Robinson, Emily (2017). The Language of Progressive Politics in Modern Britain. Palgrave Macmillan UK. ISBN 978-1-137-50664-1.
Moore 2004, p. 22. Moore, Allan (2004). Jethro Tull's Aqualung. Bloomsbury Publishing. ISBN 978-1-4411-1315-3.
Haworth & Smith 1975, p. 126. Haworth, John Trevor; Smith, Michael A. (1975). Work and Leisure: An Interdisciplinary Study in Theory, Education and Planning. Lepus Books. ISBN 9780860190097.
Moore 2016, pp. 201–202. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4.
Hewitt & Hellier 2015, p. 162. Hewitt, Paolo; Hellier, John (2015). Steve Marriott: All Too Beautiful. Dean Street Press. ISBN 978-1-910570-69-2.
Moore 2016, p. 201. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4.
Moore 2016, pp. 199–200. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4.
Edmondson 2013, p. 890. Edmondson, Jacqueline, ed. (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. ISBN 978-0-313-39348-8.
Willis 2014, p. 219. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7.
Willis 2014, p. 217. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7.
Moore 2016, p. 202. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4.
Reynolds 2006, p. 398. Reynolds, Simon (2006). "New Pop and its Aftermath". On Record: Rock, Pop and the Written Word. Routledge. ISBN 978-1-134-93951-0.
Jacobshagen, Leniger & Henn 2007, p. 141. Jacobshagen, Arnold; Leniger, Markus; Henn, Benedikt (2007). Rebellische Musik: gesellschaftlicher Protest und kultureller Wandel um 1968. Verlag Dohr. ISBN 978-3-936655-48-3.
Priore 2005, p. 79. Priore, Domenic (2005). Smile: The Story of Brian Wilson's Lost Masterpiece. London: Sanctuary. ISBN 1860746276.
Holm-Hudson 2013, p. 84. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4.
Greene 2016, p. 182. Greene, Doyle (2016). Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. McFarland. ISBN 978-1-4766-2403-7.
Macan 2005, p. 75. Macan, Edward (2005). Endless Enigma: A Musical Biography of Emerson, Lake and Palmer. Open Court. ISBN 978-0-8126-9596-0.
Macan 1997, p. 23. Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 978-0-19-509887-7.
Macan 2005, p. xxiii. Macan, Edward (2005). Endless Enigma: A Musical Biography of Emerson, Lake and Palmer. Open Court. ISBN 978-0-8126-9596-0.
Hegarty & Halliwell 2011, p. 224. Hegarty, Paul; Halliwell, Martin (2011). Beyond and Before: Progressive Rock Since the 1960s. New York: The Continuum International Publishing Group. ISBN 978-0-8264-2332-0.
Rojek 2011, p. 28. Rojek, Chris (2011). Pop Music, Pop Culture. Polity. ISBN 978-0-7456-4263-5.
Macan 1997, p. 206. Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 978-0-19-509887-7.
Greene 2014, p. 173. Greene, Doyle (2014). The Rock Cover Song: Culture, History, Politics. McFarland. ISBN 978-1-4766-1507-3.
Martin 1998, p. 251. Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock. Chicago: Open Court. ISBN 0-8126-9368-X.
Keister 2019, p. 20; Martin 1998, p. 41. Keister, Jay (2019). "Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s" (PDF). American Music Research Center Journal. 28. Retrieved January 26, 2021 – via colorado.edu. Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock. Chicago: Open Court. ISBN 0-8126-9368-X.
Politis 1983, p. 81; Martin 1998, p. 41; Hoard & Brackett 2004, p. 524. Politis, John (1983). "Rock Music's Place in the Library". Drexel Library Quarterly. 19. Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock. Chicago: Open Court. ISBN 0-8126-9368-X. Hoard, Christian; Brackett, Nathan, eds. (2004). The New Rolling Stone Album Guide. Simon & Schuster. ISBN 9780743201698.
Reynolds 2013, pp. 7, 16. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Reynolds 2013, p. 184. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Reynolds 2013, p. 376. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Potter & Gann 2016, p. 178. Potter, Keith; Gann, Kyle (2016). The Ashgate Research Companion to Minimalist and Postminimalist Music. Routledge. ISBN 978-1-317-04255-6.
Reynolds 2013, p. 50. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Reynolds 2013, pp. 6–7. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Reynolds 2013, p. 386. Reynolds, Simon (2013). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. ISBN 978-1-136-78316-6.
Pinn, Anthony (2005). "Rap Music and Its Message". In Forbes, Bruce; Mahan, Jeffrey H. (eds.). Religion and Popular Culture in America. University of California Press. pp. 262–263. ISBN 9780520932579. Retrieved March 1, 2021 – via Google Books.

colorado.edu (Global: 2,526^th place; English: 1,796^th place)

Keister 2019, p. 20; Martin 1998, p. 41. Keister, Jay (2019). "Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s" (PDF). American Music Research Center Journal. 28. Retrieved January 26, 2021 – via colorado.edu. Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock. Chicago: Open Court. ISBN 0-8126-9368-X.
Keister 2019, p. 9. Keister, Jay (2019). "Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s" (PDF). American Music Research Center Journal. 28. Retrieved January 26, 2021 – via colorado.edu.
Keister 2019, pp. 9–10. Keister, Jay (2019). "Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s" (PDF). American Music Research Center Journal. 28. Retrieved January 26, 2021 – via colorado.edu.
Keister 2019, p. 10. Keister, Jay (2019). "Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s" (PDF). American Music Research Center Journal. 28. Retrieved January 26, 2021 – via colorado.edu.

dallasobserver.com (Global: 2,736^th place; English: 1,514^th place)

Lewis, Miles Marshall (August 9, 2007). "Common". Dallas Observer. Retrieved July 14, 2021.

highsnobiety.com (Global: 3,549^th place; English: 2,162^nd place)

Hussain, Shahzaib (November 23, 2008). "Renegade Man: The Legacy of Kanye West's '808s & Heartbreak'". Highsnobiety. Retrieved July 16, 2021.

rollingstone.com (Global: 47^th place; English: 38^th place)

Epstein, Dan. "50 Greatest Prog Rock Albums of All Time". Rolling Stone. Retrieved 18 February 2022.

stereogum.com (Global: 835^th place; English: 490^th place)

Deville, Chris (November 20, 2020). "Kanye West 'My Beautiful Dark Twisted Fantasy' 10th Anniversary Review". Stereogum. Retrieved March 1, 2021.

umn.edu (Global: 1,266^th place; English: 860^th place)

lipscomb.umn.edu

Covach 1997, p. 5. Covach, John (1997). "Progressive Rock, 'Close to the Edge', and the Boundaries of Style" (PDF). In John Covach; Graeme M. Boone (eds.). Understanding Rock: Essays in Musical Analysis. New York: Oxford University Press.

vice.com (Global: 175^th place; English: 137^th place)

Vinti, Mike (January 29, 2016). "Beyond Grime: Why You Need to be Paying Attention to Britain's Other Rap Scenes". Vice. Retrieved March 1, 2021.

washingtonpost.com (Global: 34^th place; English: 27^th place)

Himes 1990. Himes, Geoffrey (May 16, 1990). "Records". The Washington Post. Retrieved January 26, 2021.