Progressive pop (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Progressive pop" in English language version.

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31books.google.com

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2teamrock.com

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archive.org

Everett 2001, pp. 311–12. Everett, Walter (2001). The Beatles as Musicians: The Quarry Men Through Rubber Soul. New York, NY: Oxford University Press. ISBN 0-19-514105-9.
Macan 1997, p. 187. Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 978-0-19-509887-7.

books.google.com

Haworth & Smith 1975, p. 126. Haworth, John Trevor; Smith, Michael A. (1975). Work and Leisure: An Interdisciplinary Study in Theory, Education and Planning. Lepus Books. ISBN 0-86019-009-9.
Reynolds 2006, p. 398. Reynolds, Simon (2006), "New Pop and its Aftermath", On Record: Rock, Pop and the Written Word, Routledge, ISBN 978-1-134-93951-0
Willis 2014, p. 220. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7.
Roberts & Rooksby 2003, p. 137. Roberts, Jim; Rooksby, Rikky (2003). The Songwriting Sourcebook: How to Turn Chords Into Great Songs. Hal Leonard. ISBN 978-1-61780-033-7.
Moore 2004, p. 22. Moore, Allan (2004), Jethro Tull's Aqualung, Bloomsbury Publishing, ISBN 978-1-4411-1315-3
Prown & Newquist 1997, p. 78. Prown, Pete; Newquist, Harvey P. (1997). Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Hal Leonard Corporation. ISBN 978-0-7935-4042-6.
Shepherd, Virden & Vulliamy 1977, pp. 187–188. Shepherd, John; Virden, Phil; Vulliamy, Graham (1977), Whose Music?: A Sociology of Musical Languages, Transaction Publishers, ISBN 978-1-4128-4147-4
Shepherd, Virden & Vulliamy 1977, pp. 186–188. Shepherd, John; Virden, Phil; Vulliamy, Graham (1977), Whose Music?: A Sociology of Musical Languages, Transaction Publishers, ISBN 978-1-4128-4147-4
Zoppo 2014, p. 120. Zoppo, Donato (2014). Prog: Una suite lunga mezzo secolo (in Italian). Arcana. ISBN 978-88-6231-639-2.
Jacobshagen, Leniger & Henn 2007, p. 141. Jacobshagen, Arnold; Leniger, Markus; Henn, Benedikt (2007). Rebellische Musik: gesellschaftlicher Protest und kultureller Wandel um 1968. Verlag Dohr. ISBN 978-3-936655-48-3.
Shepherd, Virden & Vulliamy 1977, p. 201. Shepherd, John; Virden, Phil; Vulliamy, Graham (1977), Whose Music?: A Sociology of Musical Languages, Transaction Publishers, ISBN 978-1-4128-4147-4
Breithaupt & Breithaupt 2000, p. 68. Breithaupt, Don; Breithaupt, Jeff (2000), Night Moves: Pop Music in the Late '70s, St. Martin's Press, ISBN 978-0-312-19821-3
Breithaupt & Breithaupt 2000, p. 70. Breithaupt, Don; Breithaupt, Jeff (2000), Night Moves: Pop Music in the Late '70s, St. Martin's Press, ISBN 978-0-312-19821-3
Hewitt & Hellier 2015, p. 162. Hewitt, Paolo; Hellier, John (2015). Steve Marriott: All Too Beautiful. Dean Street Press. ISBN 978-1-910570-69-2.
Blake 2009, p. 45. Blake, Andrew (2009). "Recording practices and the role of the producer". In Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel (eds.). The Cambridge Companion to Recorded Music. Cambridge University Press. ISBN 978-1-139-82796-6.
Shepherd, Virden & Vulliamy 1977, pp. 187–188, 201. Shepherd, John; Virden, Phil; Vulliamy, Graham (1977), Whose Music?: A Sociology of Musical Languages, Transaction Publishers, ISBN 978-1-4128-4147-4
Willis 2014, p. 217. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7.
Edmondson 2013, p. 890. Edmondson, Jacqueline, ed. (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. ISBN 978-0-313-39348-8.
Sanchez 2014, p. 81. Sanchez, Luis (2014). The Beach Boys' Smile. Bloomsbury Publishing. ISBN 978-1-62356-956-3.
Philo 2014, p. 119. Philo, Simon (2014). British Invasion: The Crosscurrents of Musical Influence. Rowman & Littlefield Publishers. ISBN 978-0-8108-8627-8.
Philo 2014, pp. 119–121. Philo, Simon (2014). British Invasion: The Crosscurrents of Musical Influence. Rowman & Littlefield Publishers. ISBN 978-0-8108-8627-8.
Moore 1997, p. 70. Moore, Allan (1997). The Beatles: Sgt. Pepper's Lonely Hearts Club Band. Cambridge University Press. ISBN 978-0-521-57484-6.
Heylin 2012, p. 40. Heylin, Clinton (2012). All the Madmen: Barrett, Bowie, Drake, the Floyd, The Kinks, The Who and the Journey to the Dark Side of English Rock. Little, Brown Book Group. ISBN 978-1-78033-078-5.
Lenig 2010, p. 34. Lenig, Stuart (2010). The Twisted Tale of Glam Rock. ABC-CLIO. ISBN 978-0-313-37986-4.
Heylin 2012, pp. 40–41. Heylin, Clinton (2012). All the Madmen: Barrett, Bowie, Drake, the Floyd, The Kinks, The Who and the Journey to the Dark Side of English Rock. Little, Brown Book Group. ISBN 978-1-78033-078-5.
Cohn 1970, p. 242. Cohn, Nik (1970), Awopbopaloobop Alopbamboom: The Golden Age of Rock, Grove Press, ISBN 978-0-8021-3830-9
Cohn 1970, p. 244. Cohn, Nik (1970), Awopbopaloobop Alopbamboom: The Golden Age of Rock, Grove Press, ISBN 978-0-8021-3830-9
Breithaupt & Breithaupt 2000, pp. 67–68. Breithaupt, Don; Breithaupt, Jeff (2000), Night Moves: Pop Music in the Late '70s, St. Martin's Press, ISBN 978-0-312-19821-3
Breithaupt & Breithaupt 2014, p. 136. Breithaupt, Don; Breithaupt, Jeff (2014), Precious and Few: Pop Music of the Early '70s, St. Martin's Press, ISBN 978-1-4668-7649-1
Breithaupt & Breithaupt 2000, p. 67. Breithaupt, Don; Breithaupt, Jeff (2000), Night Moves: Pop Music in the Late '70s, St. Martin's Press, ISBN 978-0-312-19821-3
Moore 2016, p. 202. Moore, Allan (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4.

cleveland.com

Smith, Troy L. (May 24, 2016). "50 greatest album-opening songs". cleveland.com. Retrieved December 14, 2016.

kb.se

urn.kb.se

Palmberg & Baaz 2001, p. 49. Palmberg, Mai; Baaz, Maria Eriksson (2001). Same and Other: Negotiating African Identity in Cultural Production. Nordic Africa Institute. ISBN 978-91-7106-477-6.

nytimes.com

Wray, John (May 18, 2008). "The Return of the One-Man Band". The New York Times. Retrieved December 16, 2016.

soundonsound.com

"Making Arrangements—A Rough Guide To Song Construction & Arrangement, Part 1". Sound on Sound. October 1997. Archived from the original on May 8, 2014. Retrieved May 8, 2014.

teamrock.com

Wilson, Rich (November 25, 2015). "Alan Parsons Project: "I think we were part of the punk rebellion"". Team Rock. Retrieved December 14, 2016.
Lester, Paul (August 18, 2016). "The Outer Limits: How prog were Buggles?". TeamRock.

telegraph.co.uk

Morgan, Clive (August 21, 2017). "Steven Wilson reveals the stories behind his album To the Bone - track by track and interview". The Telegraph.

tidal.com

Reed, Ryan (November 20, 2019). "A Guide to Progressive Pop". Tidal.

umn.edu

lipscomb.umn.edu

Covach 1997, p. 5. Covach, John (1997). "Progressive Rock, 'Close to the Edge,' and the Boundaries of Style" (PDF). In John Covach; Graeme M. Boone (eds.). Understanding Rock: Essays in Musical Analysis. New York: Oxford University Press. ISBN 978-0-19-510005-1.

vice.com

Poyau, Morgan (July 13, 2011). "The 80s Nostalgia Aesthetic Of Music's Hottest New Subgenre: Hypnagogic Pop". Vice Media. Retrieved August 15, 2016.

web.archive.org

"Making Arrangements—A Rough Guide To Song Construction & Arrangement, Part 1". Sound on Sound. October 1997. Archived from the original on May 8, 2014. Retrieved May 8, 2014.