Progressive rock (English Wikipedia)

Bowman 2001, p. 184. Bowman, Durrell S. (2001), K. Holm-Hudson (ed.), "'Let Them All Make Their Own Music:' Individualism, Rush, and the Progressive/Hard Rock Alloy, 1976–77", Progressive Rock Reconsidered, Taylor & Francis, pp. 183–218, archived from the original on 7 November 2021, retrieved 27 January 2019

allmusic.com (Global: 27^th place; English: 20^th place)

"Kraut Rock". AllMusic. Archived from the original on 2 February 2017. Retrieved 25 January 2017.
"Post-Rock". AllMusic. Archived from the original on 1 April 2020. Retrieved 31 January 2017.
"Avant-Prog". AllMusic. Archived from the original on 27 October 2016. Retrieved 14 October 2016.
"Neo-Prog". AllMusic. Archived from the original on 4 September 2015. Retrieved 19 November 2016.
"Prog-Rock". AllMusic. Archived from the original on 8 February 2016. Retrieved 23 July 2016.
"Spirit Biography". AllMusic.
"Captain Beyond – Biography & History – AllMusic". AllMusic. Archived from the original on 14 August 2017. Retrieved 15 June 2017.
"Return to Forever – Biography & History – AllMusic". AllMusic. Archived from the original on 20 July 2017. Retrieved 15 June 2017.
"Frank Zappa – Biography, Albums, Streaming Links – AllMusic". AllMusic. Archived from the original on 5 January 2013. Retrieved 15 June 2017.
"Punishment of Luxury". AllMusic. Archived from the original on 23 October 2015. Retrieved 20 November 2020.

archive.org (Global: 6^th place; English: 6^th place)

Macan 1997, pp. 22, 140. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 187. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Cotner 2000, p. 90. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Gloag, Kenneth (2006). Latham, Alison (ed.). The Oxford Companion to Music. Oxford: Oxford University Press. ISBN 0-19-866212-2.
Cotner 2000, p. 93. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Cotner 2000, p. 91. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Macan 1997, p. 15,20. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 21–22. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 20. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 23. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 26. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 22–23. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 27. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 28. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 185-6. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 186. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 183–84. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 267. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 184. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 179. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 187–188. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 181–183. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 206. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 183. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 188. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 195. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 205. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 198. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 200–01. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
John Covach; Graeme M. Boone, eds. (1997). Understanding Rock: Essays in Musical Analysis. Oxford University Press. p. 6. ISBN 978-0195100051.
Macan 1997, p. 197. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 168–73. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 135. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 263. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, pp. 144–48. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 156. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0
Macan 1997, p. 78. Macan, Edward (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford: Oxford University Press, ISBN 0-19-509887-0

avclub.com (Global: 227^th place; English: 126^th place)

Murray, Noel (28 May 2015). "60 minutes of music that sum up art-punk pioneers Wire". The A.V. Club. Archived from the original on 31 October 2015. Retrieved 16 February 2017.

bbc.co.uk (Global: 11^th place; English: 10^th place)

Masters, Tim (12 September 2014). "Peter Gabriel honoured at Prog music awards". BBC News. Retrieved 15 April 2023.

billboard.com (Global: 20^th place; English: 13^th place)

"Billboard 200". Billboard. 2 January 2013. Retrieved 16 February 2023.

books.google.com (Global: 3^rd place; English: 3^rd place)

Bannister 2007, p. 37. Bannister, Matthew (2007). White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Ashgate Publishing, Ltd. ISBN 978-0-7546-8803-7. Archived from the original on 23 July 2016. Retrieved 8 December 2016.
Robinson 2017, p. 223. Robinson, Emily (2017). The Language of Progressive Politics in Modern Britain. Palgrave Macmillan UK. ISBN 978-1-137-50664-1. Archived from the original on 17 February 2017. Retrieved 14 February 2017.
Cotner 2000, p. 90. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Moore 2004, p. 22. Moore, Allan (2004). Jethro Tull's Aqualung. Bloomsbury Publishing. ISBN 978-1-4411-1315-3. Archived from the original on 5 May 2016. Retrieved 12 December 2015.
Haworth & Smith 1975, p. 126. Haworth, John Trevor; Smith, Michael A. (1975). Work and Leisure: An Interdisciplinary Study in Theory, Education and Planning. Lepus Books. ISBN 9780860190097. Archived from the original on 23 February 2017. Retrieved 12 October 2016.
Moore 2016, pp. 201–202. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Holm-Hudson 2013, pp. 16, 85–87. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Holm-Hudson 2013, p. 16. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Holm-Hudson 2013, pp. 85–87. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Cotner 2000, p. 93. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Cotner 2000, p. 91. Cotner, John S. (2000). "Music Theory and Progressive Rock Style Analysis". Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1.
Willis 2014, pp. 204, 219. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7. Archived from the original on 24 February 2017. Retrieved 12 October 2016.
Willis 2014, p. 219. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7. Archived from the original on 24 February 2017. Retrieved 12 October 2016.
Romano 2010, p. 24. Romano, Will (2010). Mountains Come Out of the Sky: The Illustrated History of Prog Rock. Milwaukee, WI: Backbeat Books. ISBN 978-0-87930-991-6. Archived from the original on 25 August 2016. Retrieved 12 October 2016.
Holm-Hudson 2013, p. 85. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Prown & Newquist 1997, p. 78. Prown, Pete; Newquist, Harvey P. (1997). Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Hal Leonard Corporation. ISBN 978-0-7935-4042-6. Archived from the original on 23 February 2017. Retrieved 12 October 2016.
Philo 2014, p. 119. Philo, Simon (2014). British Invasion: The Crosscurrents of Musical Influence. Rowman & Littlefield Publishers. ISBN 978-0-8108-8627-8. Archived from the original on 7 December 2019. Retrieved 12 October 2016.
Moore 2016, p. 201. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Moore 2016, pp. 199–200. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Holm-Hudson 2008, p. 10. Holm-Hudson, Kevin (2008). Genesis and The Lamb Lies Down on Broadway. Ashgate. ISBN 978-0-7546-6139-9.
Fowles, Paul; Wade, Graham (2012). Concise History of Rock Music. Mel Bay Publications. p. 125. ISBN 978-1-61911-016-8. Archived from the original on 23 February 2017. Retrieved 12 October 2016.
Priore 2005, p. 79. Priore, Domenic (2005). Smile: The Story of Brian Wilson's Lost Masterpiece. London: Sanctuary. ISBN 1860746276. Archived from the original on 13 March 2016. Retrieved 8 December 2016.
Encyclopedia of Classic Rock. Abc-Clio. 24 February 2017. ISBN 9781440835148.
Moore 2016, p. 202. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Greene 2014, p. 173. Greene, Doyle (2014). The Rock Cover Song: Culture, History, Politics. McFarland. ISBN 978-1-4766-1507-3.
Bannister 2007, pp. 36–37. Bannister, Matthew (2007). White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Ashgate Publishing, Ltd. ISBN 978-0-7546-8803-7. Archived from the original on 23 July 2016. Retrieved 8 December 2016.
Rojek 2011, p. 28. Rojek, Chris (2011). Pop Music, Pop Culture. Polity. ISBN 978-0-7456-4263-5. Archived from the original on 18 August 2020. Retrieved 8 December 2016.

britannica.com (Global: 37^th place; English: 64^th place)

britannica.com

"Art rock | Genres, Influences & History | Britannica". Encyclopedia Britannica. Archived from the original on 16 December 2025. Retrieved 15 January 2026.

kids.britannica.com

O'Brien 1999. O'Brien, Lucy (1999), Sounds of the Psychedelic Sixties, Britannica.com, archived from the original on 17 August 2014, retrieved 18 June 2013

calprog.com (Global: low place; English: low place)

"CalProg ~ Festivals". Calprog.com. Archived from the original on 5 December 2011. Retrieved 2 November 2021.

cambridge.org (Global: 209^th place; English: 151^st place)

Stubbs, David (2024). "Krautrock and British Post-Punk". In Reising, Russell (ed.). The Cambridge Companion to Krautrock. Cambridge University Press. pp. 263–277. doi:10.1017/9781009036535.018. ISBN 978-1-009-03653-5. Retrieved 26 June 2025.

chicagoreader.com (Global: 1,976^th place; English: 1,021^st place)

Wyman, Bill (14 January 1988). "The four phases of Pink Floyd". The Chicago Reader. Archived from the original on 12 August 2014. Retrieved 4 July 2013.

classicpopmag.com (Global: 8,177^th place; English: 4,094^th place)

"Things that dreams are made of: The birth of synth-pop". Classic Pop. 20 October 2022. Retrieved 22 January 2025.

cruisetotheedge.com (Global: low place; English: low place)

"Progressive Rock Cruise Adventure | Cruise to the Edge 2026". 25 July 2025. Retrieved 4 February 2026.

doi.org (Global: 2^nd place; English: 2^nd place)

Stubbs, David (2024). "Krautrock and British Post-Punk". In Reising, Russell (ed.). The Cambridge Companion to Krautrock. Cambridge University Press. pp. 263–277. doi:10.1017/9781009036535.018. ISBN 978-1-009-03653-5. Retrieved 26 June 2025.
Covach 2000. Covach, John (2000), "Echolyn and American progressive rock", Contemporary Music Review, 18 (4): 13–61, doi:10.1080/07494460000640031, retrieved 28 May 2013at informaworld.com (subscription required)

e-prog.net (Global: low place; English: low place)

Allen, Jim. "From Tull To Tortoise: Post-Rock's Proggy Past". CMJ New Music. Archived from the original on 3 February 2013. Retrieved 20 June 2013.

erictamm.com (Global: low place; English: low place)

Tamm 1995, p. 29. Tamm, Eric (1995), Brian Eno: His Music and the Vertical Color of Sound, Da Capo Press, ISBN 0-306-80649-5, archived from the original on 5 December 2006
Tamm 1995, p. 30. Tamm, Eric (1995), Brian Eno: His Music and the Vertical Color of Sound, Da Capo Press, ISBN 0-306-80649-5, archived from the original on 5 December 2006

ew.com (Global: 59^th place; English: 45^th place)

Serpick, Evan (9 May 2005), Prog Rocks Again, Entertainment Weekly, archived from the original on 14 January 2012, retrieved 25 May 2012

express.co.uk (Global: 796^th place; English: 532^nd place)

Rees, Caroline (15 April 2016). "Former Marillion singer Fish: My six best albums". express.co.uk. Archived from the original on 23 August 2019. Retrieved 23 August 2019.

faroutmagazine.co.uk (Global: 2,502^nd place; English: 1,522^nd place)

Starkey, Arun (22 September 2023). "Robert Fripp explains how Tool 'influenced' King Crimson". Far Out. Retrieved 15 June 2025.

grammy.com (Global: 357^th place; English: 285^th place)

"2022 GRAMMYs Awards Show: Complete Winners & Nominations List". Grammy.com.

guitarinternational.com (Global: low place; English: low place)

Clark 2012. Clark, William (25 August 2012), "Ian Crichton Talks About Saga, Guitars, Throwing Shapes and 20/20", Guitar International, archived from the original on 26 April 2013, retrieved 6 June 2013

highbeam.com (Global: 515^th place; English: 295^th place)

Karnick 2003. Karnick, S. T. (August 2003), "Roll over Sibelius", The American Spectator, HighBeam Research., archived from the original on 31 March 2002, retrieved 28 May 2013(subscription required)

informaworld.com (Global: low place; English: low place)

Covach 2000. Covach, John (2000), "Echolyn and American progressive rock", Contemporary Music Review, 18 (4): 13–61, doi:10.1080/07494460000640031, retrieved 28 May 2013at informaworld.com (subscription required)

jimdero.com (Global: low place; English: low place)

DeRogatis, Jim (1998). "Everything You Ever Wanted to Know About the Prog-Rock Underground (But Were Afraid to Ask)". Archived from the original on 6 October 2014. Retrieved 23 June 2013.

loudersound.com (Global: 741^st place; English: 422^nd place)

Lloyd-Davis, Isere (16 February 2017). "Paperlate: the modern witch goes prog". Prog. Archived from the original on 19 June 2018. Retrieved 17 June 2018.
Moffitt, Greg (30 November 2016). "How the synthesiser helped shape progressive music". Classic Rock.
Dome, Malcolm (28 October 2014). "It's Prog Jim, But Not As We Know It: Golden Earring". louder. Retrieved 31 January 2023.
Sharp, Johnny (10 May 2025). "'Dismissed as bland, complacent and of the establishment, it was now outsider music. If you wanted to be a true rebel, you came out as a prog fan': Five essential neo-prog albums of the 80s". loudersound.com. Retrieved 15 June 2025.
Blake, Mark (22 March 2017). "Steve Rothery: 'People still think Marillion are a Scottish heavy metal band'". Louder. Archived from the original on 6 December 2020. Retrieved 23 August 2019.
Weller, Phil (20 May 2022). "'They are always adventurous and challenging. And like Yes and Genesis, they still have great songs at the heart of it.' It's Radiohead's proggiest moments". loudersound.com. Retrieved 15 June 2025.
Ewing, Jerry (11 October 2023). "'Imploring humans to explore a deeper understanding of everything': Tool's proggiest moments". loudersound.com. Retrieved 15 June 2025.
Weller, Paul (5 June 2025). "'They've always ignored the rule book in favour of new, often over-the-top ideas': These are Muse's proggiest moments". loudersound.com. Retrieved 15 June 2025.
Wilson, Steven (6 August 2024). "'The Red Hot Chili Peppers might have based their entire career on it': Steven Wilson's 20 favourite British rock albums". loudersound.com. Retrieved 15 June 2025.
Munro, Scott (29 November 2017). "Paul Draper to support Steven Wilson in the US". loudersound.com. Retrieved 15 June 2025.
"'Knowingly progressive and endearingly archetypal in a way that only two young pop historians could fathom': If you thought Ween were taking the piss with The Mollusk, you were wrong". loudersound.com. 2 June 2025. Retrieved 15 June 2025.

newstatesman.com (Global: 1,323^rd place; English: 717^th place)

Morgan, Frances (6 September 2007). "The power of pop". New Statesman. Archived from the original on 17 September 2009.

npr.org (Global: 114^th place; English: 75^th place)

Boros, Chris (6 November 2008). "Peter Hammill: Prog Rock's Unsung Hero". NPR. Archived from the original on 20 October 2013. Retrieved 23 June 2013.
Weigel, David (18 July 2017). "Can't Prog Rock Get Any Respect Around Here?". NPR Music. Morning Edition. NPR. Retrieved 5 February 2023.

pdxmonthly.com (Global: low place; English: 7,454^th place)

Schonfeld, Matthew (4 November 2014). "What Do David Bowie, Frank Zappa, and the Talking Heads Have in Common? This Man". Portland Monthly. Archived from the original on 28 November 2020. Retrieved 20 November 2020.

popmatters.com (Global: 567^th place; English: 299^th place)

Interrante, Scott (20 May 2015). "The 12 Best Brian Wilson Songs". Popmatters. Archived from the original on 21 September 2016. Retrieved 9 March 2016.

pressreader.com (Global: 875^th place; English: 539^th place)

Kendall, Jo (5 May 2019). "Record Collection". Prog. Archived from the original on 30 January 2021. Retrieved 23 January 2021 – via PressReader.

progarchives.com (Global: 6,827^th place; English: 8,810^th place)

"Progressive rock music discography & reviews". Progarchives.com. Retrieved 5 February 2023.

progreport.com (Global: low place; English: low place)

"Artists of the Decade 2010-2019: Mike Portnoy and Neal Morse". The Prog Report. 31 December 2019. Retrieved 30 July 2024.
"Watch 'Prog From Home' all-star virtual concert!". The Prog Report. 9 May 2020. Retrieved 30 July 2024.

progressiveears.com (Global: low place; English: low place)

Tamm 1990. Tamm, Eric (1990), "Chapter Three: Fripp the Listener", Robert Fripp: From crimson king to crafty master (Progressive Ears ed.), Faber and Faber, ISBN 0-571-16289-4, retrieved 5 June 2013

progstock.com (Global: low place; English: low place)

"ProgStock 2021 – The American Northeast's Only International Progressive Rock Festival, 1–3 October 2021 in Rahway, NJ". Archived from the original on 28 January 2011. Retrieved 7 November 2021.

psychedelicbabymag.com (Global: low place; English: 7,801^st place)

Breznikar, Klemen (25 August 2023). "Pour Nous Autres | Interview | Lost Prog Rock from Montreal". It's Psychedelic Baby! Magazine. Retrieved 8 December 2024.

recordcollectormag.com (Global: 4,465^th place; English: 2,228^th place)

"Mansun". Record Collector. 18 March 2019. Retrieved 15 June 2025.

robertchristgau.com (Global: 836^th place; English: 449^th place)

Christgau, Robert (1981). "Consumer Guide '70s: G". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved 24 February 2019 – via robertchristgau.com.

rollingstone.com (Global: 57^th place; English: 39^th place)

Graves, Tom (16 June 1994). "Pink Floyd: The Division Bell". Rolling Stone. Archived from the original on 16 January 2014. Retrieved 4 July 2013.

slate.com (Global: 409^th place; English: 260^th place)

Weigel 2012b. Weigel, David (14 August 2012b), Prog Spring: Entry 2: The rise of prog, music never meant for "the average person", Slate.com, retrieved 5 January 2014
Weigel 2012e. Weigel, David (17 August 2012e), Prog Spring: Entry 5: Prog Lives!, Slate.com, retrieved 22 June 2013^{[permanent dead link]}

stereogum.com (Global: 649^th place; English: 330^th place)

Leas, Ryan (5 August 2016). "Tomorrow Never Knows: How 1966's Trilogy Of Pet Sounds, Blonde On Blonde, And Revolver Changed Everything". Stereogum. Archived from the original on 14 February 2017. Retrieved 15 February 2017.

theguardian.com (Global: 16^th place; English: 11^th place)

Lydon, John (31 October 2009). "John Lydon: Soundtrack of my Life". The Guardian (Interview). Interviewed by Will Hodgkinson. Archived from the original on 8 November 2016. Retrieved 23 June 2013.
Sean Michaels (18 February 2010). "John Lydon: I don't hate Pink Floyd". the Guardian. Archived from the original on 8 November 2016. Retrieved 16 December 2016.
Petridis, Alexis (22 July 2010). "Go back to go forward: the resurgence of prog rock". The Guardian. London. Archived from the original on 9 November 2016. Retrieved 9 November 2016.

trouserpress.com (Global: 3,233^rd place; English: 1,612^th place)

"Alternative TV". Trouser Press. Archived from the original on 28 October 2020. Retrieved 20 November 2020.

ultimateclassicrock.com (Global: 1,128^th place; English: 648^th place)

"How King Crimson Were Reborn on New Wave-Influenced "Discipline"". Ultimate Classic Rock. 22 September 2016. Archived from the original on 8 November 2020. Retrieved 20 November 2020.
Reed, Ryan (25 April 2020). "Tony Levin Still Hopes King Crimson Will Tour With Tool". Ultimate Classic Rock. Retrieved 15 June 2025.
Giles, Jeff (29 July 2014). "Ian Anderson Admits Prog Was 'A Little Bit Overblown'". Ultimate Classic Rock. Archived from the original on 27 April 2019. Retrieved 30 April 2018.

unipv.it (Global: low place; English: low place)

www-3.unipv.it

Pirenne, Christophe (2005). "The Role of Radio, 33 Records and Technologies in the Growth of Progressive Rock". Proceedings of the International Conference "Composition and Experimentation in British Rock 1966–1976". Archived from the original on 7 July 2015. Retrieved 27 June 2013.
Spicer, Mark (2005). "Genesis's Foxtrot". Proceedings of the International Conference "Composition and Experimentation in British Rock 1966–1976". Archived from the original on 19 October 2013. Retrieved 3 July 2013.

web.archive.org (Global: 1^st place; English: 1^st place)

"Kraut Rock". AllMusic. Archived from the original on 2 February 2017. Retrieved 25 January 2017.
Lloyd-Davis, Isere (16 February 2017). "Paperlate: the modern witch goes prog". Prog. Archived from the original on 19 June 2018. Retrieved 17 June 2018.
"Post-Rock". AllMusic. Archived from the original on 1 April 2020. Retrieved 31 January 2017.
"Avant-Prog". AllMusic. Archived from the original on 27 October 2016. Retrieved 14 October 2016.
"Neo-Prog". AllMusic. Archived from the original on 4 September 2015. Retrieved 19 November 2016.
Bannister 2007, p. 37. Bannister, Matthew (2007). White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Ashgate Publishing, Ltd. ISBN 978-0-7546-8803-7. Archived from the original on 23 July 2016. Retrieved 8 December 2016.
Murray, Noel (28 May 2015). "60 minutes of music that sum up art-punk pioneers Wire". The A.V. Club. Archived from the original on 31 October 2015. Retrieved 16 February 2017.
"Art rock | Genres, Influences & History | Britannica". Encyclopedia Britannica. Archived from the original on 16 December 2025. Retrieved 15 January 2026.
"Prog-Rock". AllMusic. Archived from the original on 8 February 2016. Retrieved 23 July 2016.
Robinson 2017, p. 223. Robinson, Emily (2017). The Language of Progressive Politics in Modern Britain. Palgrave Macmillan UK. ISBN 978-1-137-50664-1. Archived from the original on 17 February 2017. Retrieved 14 February 2017.
Moore 2004, p. 22. Moore, Allan (2004). Jethro Tull's Aqualung. Bloomsbury Publishing. ISBN 978-1-4411-1315-3. Archived from the original on 5 May 2016. Retrieved 12 December 2015.
Haworth & Smith 1975, p. 126. Haworth, John Trevor; Smith, Michael A. (1975). Work and Leisure: An Interdisciplinary Study in Theory, Education and Planning. Lepus Books. ISBN 9780860190097. Archived from the original on 23 February 2017. Retrieved 12 October 2016.
Moore 2016, pp. 201–202. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Holm-Hudson 2013, pp. 16, 85–87. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Holm-Hudson 2013, p. 16. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Holm-Hudson 2013, pp. 85–87. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Willis 2014, pp. 204, 219. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7. Archived from the original on 24 February 2017. Retrieved 12 October 2016.
Willis 2014, p. 219. Willis, Paul E. (2014). Profane Culture. Princeton University Press. ISBN 978-1-4008-6514-7. Archived from the original on 24 February 2017. Retrieved 12 October 2016.
Romano 2010, p. 24. Romano, Will (2010). Mountains Come Out of the Sky: The Illustrated History of Prog Rock. Milwaukee, WI: Backbeat Books. ISBN 978-0-87930-991-6. Archived from the original on 25 August 2016. Retrieved 12 October 2016.
Holm-Hudson 2013, p. 85. Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. Archived from the original on 8 February 2017. Retrieved 12 October 2016.
Prown & Newquist 1997, p. 78. Prown, Pete; Newquist, Harvey P. (1997). Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Hal Leonard Corporation. ISBN 978-0-7935-4042-6. Archived from the original on 23 February 2017. Retrieved 12 October 2016.
Philo 2014, p. 119. Philo, Simon (2014). British Invasion: The Crosscurrents of Musical Influence. Rowman & Littlefield Publishers. ISBN 978-0-8108-8627-8. Archived from the original on 7 December 2019. Retrieved 12 October 2016.
Moore 2016, p. 201. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Moore 2016, pp. 199–200. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
Tamm 1995, p. 29. Tamm, Eric (1995), Brian Eno: His Music and the Vertical Color of Sound, Da Capo Press, ISBN 0-306-80649-5, archived from the original on 5 December 2006
Leas, Ryan (5 August 2016). "Tomorrow Never Knows: How 1966's Trilogy Of Pet Sounds, Blonde On Blonde, And Revolver Changed Everything". Stereogum. Archived from the original on 14 February 2017. Retrieved 15 February 2017.
Interrante, Scott (20 May 2015). "The 12 Best Brian Wilson Songs". Popmatters. Archived from the original on 21 September 2016. Retrieved 9 March 2016.
Pirenne, Christophe (2005). "The Role of Radio, 33 Records and Technologies in the Growth of Progressive Rock". Proceedings of the International Conference "Composition and Experimentation in British Rock 1966–1976". Archived from the original on 7 July 2015. Retrieved 27 June 2013.
O'Brien 1999. O'Brien, Lucy (1999), Sounds of the Psychedelic Sixties, Britannica.com, archived from the original on 17 August 2014, retrieved 18 June 2013
Fowles, Paul; Wade, Graham (2012). Concise History of Rock Music. Mel Bay Publications. p. 125. ISBN 978-1-61911-016-8. Archived from the original on 23 February 2017. Retrieved 12 October 2016.
Bowman 2001, p. 184. Bowman, Durrell S. (2001), K. Holm-Hudson (ed.), "'Let Them All Make Their Own Music:' Individualism, Rush, and the Progressive/Hard Rock Alloy, 1976–77", Progressive Rock Reconsidered, Taylor & Francis, pp. 183–218, archived from the original on 7 November 2021, retrieved 27 January 2019
Priore 2005, p. 79. Priore, Domenic (2005). Smile: The Story of Brian Wilson's Lost Masterpiece. London: Sanctuary. ISBN 1860746276. Archived from the original on 13 March 2016. Retrieved 8 December 2016.
"Captain Beyond – Biography & History – AllMusic". AllMusic. Archived from the original on 14 August 2017. Retrieved 15 June 2017.
"Return to Forever – Biography & History – AllMusic". AllMusic. Archived from the original on 20 July 2017. Retrieved 15 June 2017.
"Frank Zappa – Biography, Albums, Streaming Links – AllMusic". AllMusic. Archived from the original on 5 January 2013. Retrieved 15 June 2017.
Spicer, Mark (2005). "Genesis's Foxtrot". Proceedings of the International Conference "Composition and Experimentation in British Rock 1966–1976". Archived from the original on 19 October 2013. Retrieved 3 July 2013.
Kendall, Jo (5 May 2019). "Record Collection". Prog. Archived from the original on 30 January 2021. Retrieved 23 January 2021 – via PressReader.
Moore 2016, p. 202. Moore, Allan F. (2016). Song Means: Analysing and Interpreting Recorded Popular Song. Routledge. ISBN 978-1-317-05265-4. Archived from the original on 7 November 2021. Retrieved 12 October 2016.* Sarig, Roni (1998), The Secret History of Rock: The Most Influential Bands You\'ve Never Heard, Crown Publishing Group
DeRogatis, Jim (1998). "Everything You Ever Wanted to Know About the Prog-Rock Underground (But Were Afraid to Ask)". Archived from the original on 6 October 2014. Retrieved 23 June 2013.
Graves, Tom (16 June 1994). "Pink Floyd: The Division Bell". Rolling Stone. Archived from the original on 16 January 2014. Retrieved 4 July 2013.
Wyman, Bill (14 January 1988). "The four phases of Pink Floyd". The Chicago Reader. Archived from the original on 12 August 2014. Retrieved 4 July 2013.
Boros, Chris (6 November 2008). "Peter Hammill: Prog Rock's Unsung Hero". NPR. Archived from the original on 20 October 2013. Retrieved 23 June 2013.
Lydon, John (31 October 2009). "John Lydon: Soundtrack of my Life". The Guardian (Interview). Interviewed by Will Hodgkinson. Archived from the original on 8 November 2016. Retrieved 23 June 2013.
Sean Michaels (18 February 2010). "John Lydon: I don't hate Pink Floyd". the Guardian. Archived from the original on 8 November 2016. Retrieved 16 December 2016.
Tamm 1995, p. 30. Tamm, Eric (1995), Brian Eno: His Music and the Vertical Color of Sound, Da Capo Press, ISBN 0-306-80649-5, archived from the original on 5 December 2006
Bannister 2007, pp. 36–37. Bannister, Matthew (2007). White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Ashgate Publishing, Ltd. ISBN 978-0-7546-8803-7. Archived from the original on 23 July 2016. Retrieved 8 December 2016.
Rojek 2011, p. 28. Rojek, Chris (2011). Pop Music, Pop Culture. Polity. ISBN 978-0-7456-4263-5. Archived from the original on 18 August 2020. Retrieved 8 December 2016.
Morgan, Frances (6 September 2007). "The power of pop". New Statesman. Archived from the original on 17 September 2009.
"Punishment of Luxury". AllMusic. Archived from the original on 23 October 2015. Retrieved 20 November 2020.
"Alternative TV". Trouser Press. Archived from the original on 28 October 2020. Retrieved 20 November 2020.
"How King Crimson Were Reborn on New Wave-Influenced "Discipline"". Ultimate Classic Rock. 22 September 2016. Archived from the original on 8 November 2020. Retrieved 20 November 2020.
Schonfeld, Matthew (4 November 2014). "What Do David Bowie, Frank Zappa, and the Talking Heads Have in Common? This Man". Portland Monthly. Archived from the original on 28 November 2020. Retrieved 20 November 2020.
Petridis, Alexis (22 July 2010). "Go back to go forward: the resurgence of prog rock". The Guardian. London. Archived from the original on 9 November 2016. Retrieved 9 November 2016.
Clark 2012. Clark, William (25 August 2012), "Ian Crichton Talks About Saga, Guitars, Throwing Shapes and 20/20", Guitar International, archived from the original on 26 April 2013, retrieved 6 June 2013
Blake, Mark (22 March 2017). "Steve Rothery: 'People still think Marillion are a Scottish heavy metal band'". Louder. Archived from the original on 6 December 2020. Retrieved 23 August 2019.
Rees, Caroline (15 April 2016). "Former Marillion singer Fish: My six best albums". express.co.uk. Archived from the original on 23 August 2019. Retrieved 23 August 2019.
Karnick 2003. Karnick, S. T. (August 2003), "Roll over Sibelius", The American Spectator, HighBeam Research., archived from the original on 31 March 2002, retrieved 28 May 2013(subscription required)
Allen, Jim. "From Tull To Tortoise: Post-Rock's Proggy Past". CMJ New Music. Archived from the original on 3 February 2013. Retrieved 20 June 2013.
Serpick, Evan (9 May 2005), Prog Rocks Again, Entertainment Weekly, archived from the original on 14 January 2012, retrieved 25 May 2012
"CalProg ~ Festivals". Calprog.com. Archived from the original on 5 December 2011. Retrieved 2 November 2021.
"ProgStock 2021 – The American Northeast's Only International Progressive Rock Festival, 1–3 October 2021 in Rahway, NJ". Archived from the original on 28 January 2011. Retrieved 7 November 2021.
Giles, Jeff (29 July 2014). "Ian Anderson Admits Prog Was 'A Little Bit Overblown'". Ultimate Classic Rock. Archived from the original on 27 April 2019. Retrieved 30 April 2018.

Progressive rock (English Wikipedia)

academia.edu (Global: 105th place; English: 99th place)

allmusic.com (Global: 27th place; English: 20th place)

archive.org (Global: 6th place; English: 6th place)

avclub.com (Global: 227th place; English: 126th place)

bbc.co.uk (Global: 11th place; English: 10th place)

billboard.com (Global: 20th place; English: 13th place)

books.google.com (Global: 3rd place; English: 3rd place)

britannica.com (Global: 37th place; English: 64th place)

britannica.com

kids.britannica.com

calprog.com (Global: low place; English: low place)

cambridge.org (Global: 209th place; English: 151st place)

chicagoreader.com (Global: 1,976th place; English: 1,021st place)

classicpopmag.com (Global: 8,177th place; English: 4,094th place)

cruisetotheedge.com (Global: low place; English: low place)

doi.org (Global: 2nd place; English: 2nd place)

e-prog.net (Global: low place; English: low place)

erictamm.com (Global: low place; English: low place)

ew.com (Global: 59th place; English: 45th place)

express.co.uk (Global: 796th place; English: 532nd place)

faroutmagazine.co.uk (Global: 2,502nd place; English: 1,522nd place)

grammy.com (Global: 357th place; English: 285th place)

guitarinternational.com (Global: low place; English: low place)

highbeam.com (Global: 515th place; English: 295th place)

informaworld.com (Global: low place; English: low place)

jimdero.com (Global: low place; English: low place)

loudersound.com (Global: 741st place; English: 422nd place)

newstatesman.com (Global: 1,323rd place; English: 717th place)

npr.org (Global: 114th place; English: 75th place)

pdxmonthly.com (Global: low place; English: 7,454th place)

popmatters.com (Global: 567th place; English: 299th place)

pressreader.com (Global: 875th place; English: 539th place)

progarchives.com (Global: 6,827th place; English: 8,810th place)

progreport.com (Global: low place; English: low place)

progressiveears.com (Global: low place; English: low place)

progstock.com (Global: low place; English: low place)

psychedelicbabymag.com (Global: low place; English: 7,801st place)

recordcollectormag.com (Global: 4,465th place; English: 2,228th place)

robertchristgau.com (Global: 836th place; English: 449th place)

rollingstone.com (Global: 57th place; English: 39th place)

slate.com (Global: 409th place; English: 260th place)

stereogum.com (Global: 649th place; English: 330th place)

theguardian.com (Global: 16th place; English: 11th place)

trouserpress.com (Global: 3,233rd place; English: 1,612th place)

ultimateclassicrock.com (Global: 1,128th place; English: 648th place)

unipv.it (Global: low place; English: low place)

www-3.unipv.it

web.archive.org (Global: 1st place; English: 1st place)

academia.edu (Global: 105^th place; English: 99^th place)

allmusic.com (Global: 27^th place; English: 20^th place)

archive.org (Global: 6^th place; English: 6^th place)

avclub.com (Global: 227^th place; English: 126^th place)

bbc.co.uk (Global: 11^th place; English: 10^th place)

billboard.com (Global: 20^th place; English: 13^th place)

books.google.com (Global: 3^rd place; English: 3^rd place)

britannica.com (Global: 37^th place; English: 64^th place)

cambridge.org (Global: 209^th place; English: 151^st place)

chicagoreader.com (Global: 1,976^th place; English: 1,021^st place)

classicpopmag.com (Global: 8,177^th place; English: 4,094^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

ew.com (Global: 59^th place; English: 45^th place)

express.co.uk (Global: 796^th place; English: 532^nd place)

faroutmagazine.co.uk (Global: 2,502^nd place; English: 1,522^nd place)

grammy.com (Global: 357^th place; English: 285^th place)

highbeam.com (Global: 515^th place; English: 295^th place)

loudersound.com (Global: 741^st place; English: 422^nd place)

newstatesman.com (Global: 1,323^rd place; English: 717^th place)

npr.org (Global: 114^th place; English: 75^th place)

pdxmonthly.com (Global: low place; English: 7,454^th place)

popmatters.com (Global: 567^th place; English: 299^th place)

pressreader.com (Global: 875^th place; English: 539^th place)

progarchives.com (Global: 6,827^th place; English: 8,810^th place)

psychedelicbabymag.com (Global: low place; English: 7,801^st place)

recordcollectormag.com (Global: 4,465^th place; English: 2,228^th place)

robertchristgau.com (Global: 836^th place; English: 449^th place)

rollingstone.com (Global: 57^th place; English: 39^th place)

slate.com (Global: 409^th place; English: 260^th place)

stereogum.com (Global: 649^th place; English: 330^th place)

theguardian.com (Global: 16^th place; English: 11^th place)

trouserpress.com (Global: 3,233^rd place; English: 1,612^th place)

ultimateclassicrock.com (Global: 1,128^th place; English: 648^th place)

web.archive.org (Global: 1^st place; English: 1^st place)