Psychology of art (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Psychology of art" in English language version.

refsWebsite

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70doi.org

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37nih.gov

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28semanticscholar.org

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16worldcat.org

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6web.archive.org

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5harvard.edu

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3sagepub.com

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3jstor.org

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2archive.org

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2psu.edu

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2handle.net

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1books.google.com

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1naturibeauty.com

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1tap3x.net

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1aber.ac.uk

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1apa.org

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1cambridge.org

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1about.com

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1pabst-publishers.de

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1cognitivefluency.com

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aber.ac.uk (Global: low place; English: 7,536^th place)

pure.aber.ac.uk

Forsythe, A; Nadal, M.; Sheehy, C.; Cela-Conde, C.; Sawey, M. (2011). "Predicting beauty: Fractal dimension and visual complexity in art" (PDF). British Journal of Psychology. 102 (1): 49–70. doi:10.1348/000712610X498958. PMID 21241285. S2CID 30077949.

about.com (Global: 216^th place; English: 186^th place)

arthistory.about.com

Esaak, Shelley. "Balance". Education: Art History. About.com. Archived from the original on 28 June 2012. Retrieved 27 September 2012.

apa.org (Global: 1,220^th place; English: 1,102^nd place)

doi.apa.org

Friedenberg, Jay (May 2018). "Perceived beauty of elongated symmetric shapes: Is more better?". Psychology of Aesthetics, Creativity, and the Arts. 12 (2): 157–165. doi:10.1037/aca0000142. ISSN 1931-390X.

archive.org (Global: 6^th place; English: 6^th place)

Müller-Freienfels, R (1923). Psychologie der Kunst. Leipzig, Germany: Teubner.
Berlyne, D.E. (1971). Aesthetics and Psychobiology. New York: Appleton-Century-Crofts. ISBN 978-0-390-08670-9.

books.google.com (Global: 3^rd place; English: 3^rd place)

Erickson, K (1998). At Eternity's Gate: The Spiritual Vision of Vincent Van Gogh. Grand Rapids, MI: William B. Eerdsman Publishing. pp. 103, 148. ISBN 978-0-8028-3856-8.

cambridge.org (Global: 305^th place; English: 264^th place)

McMANUS, I. C. (October 2005). "Symmetry and asymmetry in aesthetics and the arts". European Review. 13 (S2): 157–180. Bibcode:2005EuRv...13S.157M. doi:10.1017/S1062798705000736. ISSN 1062-7987. S2CID 145809532.

ceon.rs (Global: low place; English: low place)

scindeks-clanci.ceon.rs

Alfirevic, Dj (2011). "Visual Expression in Architecture" (PDF). Arhitektura I Urbanizam. 31 (31): 3–15. doi:10.5937/arhurb1131003a.

cognitivefluency.com (Global: low place; English: low place)

Belke, B.; Leder, H.; Augustin, M.D. (2006). "Mastering style - effects of explicit style-related information, art knowledge and affective state on appreciation of abstract paintings" (PDF). Psychology Science. 48 (2): 115–134. ISSN 1614-9947. Archived from the original (PDF) on 7 March 2016. Retrieved 4 March 2016.

doi.org (Global: 2^nd place; English: 2^nd place)

Tinio, P. P., & Smith, J. K. (Eds.), The Cambridge handbook of the psychology of aesthetics and the arts. Cambridge University Press, 2014. doi:10.1017/CBO9781139207058. ISBN 9781139207058.
Mather, G., The psychology of visual art: eye, brain and art. Cambridge University Press, 2013). doi:10.1017/CBO9781139030410. ISBN 9781107005983.
Mather, G., The Psychology of Art. Routledge, 2020. doi:10.4324/9780429275920. ISBN 9780367609931.
Brown, S., Gao, X., Tisdelle, L., Eickhoff, S. B., & Liotti, M., Naturalizing aesthetics: brain areas for aesthetic appraisal across sensory modalities. Neuroimage, Vol. 58, Issue 1, 2011, pp. 250-258. doi:10.1016/j.neuroimage.2011.06.012.
Cela-Conde, C. J., Agnati, L., Huston, J. P., Mora, F., & Nadal, M. (2011). The neural foundations of aesthetic appreciation. Progress in Neurobiology, Vol. 94, Issue 1, 2011, pp. 39-48. doi:10.1016/j.pneurobio.2011.03.003.
Sullivan, Paul; McCarthy, John (2009). "An experiential account of the psychology of art". Psychology of Aesthetics, Creativity, and the Arts. 3 (3): 181–187. doi:10.1037/a0014292.
Lindell, Annukka K.; Mueller, Julia (1 June 2011). "Can science account for taste? Psychological insights into art appreciation". Journal of Cognitive Psychology. 23 (4): 453–475. doi:10.1080/20445911.2011.539556. S2CID 144923433.
Landau, Mark J.; Greenberg, Jeff; Solomon, Sheldon; Pyszczynski, Tom; Martens, Andy (1 January 2006). "Windows into Nothingness: Terror Management, Meaninglessness, and Negative Reactions to Modern Art". Journal of Personality and Social Psychology. 90 (6): 879–892. doi:10.1037/0022-3514.90.6.879. PMID 16784340.
Proulx, T.; Heine, S. J.; Vohs, K. D. (5 May 2010). "When Is the Unfamiliar the Uncanny? Meaning Affirmation After Exposure to Absurdist Literature, Humor, and Art". Personality and Social Psychology Bulletin. 36 (6): 817–829. doi:10.1177/0146167210369896. PMID 20445024. S2CID 16300370.
Nicki, R. M.; Moss, Virginia (1975). "Preference for non-representational art as a function of various measures of complexity". Canadian Journal of Psychology. 29 (3): 237–249. doi:10.1037/h0082029.
Vartanian, Oshin; Goel, Vinod (2004). "Neuroanatomical correlates of aesthetic preference for paintings". NeuroReport. 15 (5): 893–897. doi:10.1097/00001756-200404090-00032. PMID 15073538. S2CID 7892067.
Batt, R; Palmiero, M; Nakatani, C; Van Leeuwen, C (11 June 2010). "Style and spectral power: Processing of abstract and representational art in artists and non-artists". Perception. 39 (12): 1659–1671. doi:10.1068/p6747. PMID 21425703. S2CID 36492643.
Furnham, Adrian; Walker, John (2001). "Personality and judgments of abstract, pop art, and representational paintings". European Journal of Personality. 15 (1): 57–72. doi:10.1002/per.340. S2CID 143784122.
Mastandrea, Stefano; Bartoli, Gabriella; Carrus, Giuseppe (May 2011). "The Automatic Aesthetic Evaluation of Different Art and Architectural Styles". Psychology of Aesthetics, Creativity, and the Arts. 5 (2): 126–134. doi:10.1037/a0021126.
Maass, A; Russo, A (July 2003). "Directional bias in the mental representation of spatial events: nature or culture?". Psychological Science. 14 (4): 296–301. doi:10.1111/1467-9280.14421. PMID 12807400. S2CID 38484754.
Vaid, Jyotsna; Rhodes, Rebecca; Tosun, Sumeyra; Eslami, Zohra (2011). "Script Directionality Affects Depiction of Depth in Representational Drawings". Social Psychology. 42 (3): 241–248. doi:10.1027/1864-9335/a000068.
Chokron, Sylvie; De Agostini, Maria (2000). "Reading habits influence aesthetic preference". Cognitive Brain Research. 10 (1–2): 45–49. doi:10.1016/S0926-6410(00)00021-5. PMID 10978691.
Nachson, I.; Argaman, E.; Luria, A. (1999). "Effects of Directional Habits and Handedness on Aesthetic Preference for Left and Right Profiles". Journal of Cross-Cultural Psychology. 30 (1): 106–114. doi:10.1177/0022022199030001006. S2CID 145410382.
Swartz, Paul; Hewitt, David (1970). "Lateral organization in pictures and aesthetic preference". Perceptual and Motor Skills. 30 (3): 991–1007. doi:10.2466/pms.1970.30.3.991. PMID 5429349. S2CID 6779326.
McDine, David A.; Livingston, Ian J.; Thomas, Nicole A.; Elias, Lorin J. (2011). "Lateral biases in lighting of abstract artwork". Laterality: Asymmetries of Body, Brain and Cognition. 16 (3): 268–279. doi:10.1080/13576500903548382. PMID 20544493. S2CID 29232403.
McLaughlin, John P.; Murphy, Kimberly E. (1994). "Preference for Profile Orientation in Portraits". Empirical Studies of the Arts. 12 (1): 1–7. doi:10.2190/MUD5-7V3E-YBN2-Q2XJ. S2CID 143763794.
ten Cate, Carel (2002). "Posing as Professor: Laterality in Posing Orientation for Portraits of Scientists". Journal of Nonverbal Behavior. 26 (3): 175–192. doi:10.1023/A:1020713416442. S2CID 189898809.
Conesa, Jorge; Brunold-Conesa, Cynthia; Miron, Maria (1995). "Incidence of the half-left profile pose in single-subject portraits". Perceptual and Motor Skills. 81 (3): 920–922. doi:10.2466/pms.1995.81.3.920. PMID 8668453. S2CID 29864266.
Conesa, J (1996). "Preference for the half-left profile pose: Three inclusive models". Perceptual and Motor Skills. 82 (3): 1070. doi:10.2466/pms.1996.82.3c.1070. PMID 8823872. S2CID 43784567.
Krupinski, E; Locher, P (1988). "Skin conductance and aesthetic evaluative responses to nonrepresentational works of art varying in symmetry". Bulletin of the Psychonomic Society. 26 (4): 355–358. doi:10.3758/bf03337681.
Orr, Mark; Ohlsson, Stellan (2005). "Relationship Between Complexity and Liking as a Function of Expertise". Music Perception. 22 (4): 583–611. doi:10.1525/mp.2005.22.4.583.
Zhang, K.; Harrell, S.; Ji, X. (2012). "Computational Aesthetics: On the Complexity of Computer-Generated Paintings". Leonardo. 45 (3): 243–248. CiteSeerX 10.1.1.310.2718. doi:10.1162/leon_a_00366. S2CID 57567595.
Neperud, Ronald; Marschalek (1988). "Informational and Affect Bases of Aesthetic Response". Leonardo. 21 (3): 305–31. doi:10.2307/1578660. JSTOR 1578660. S2CID 191383059.
Chamorro-Premuzic, T; Burke, C. (2010). "Personality Predictors of Artistic Preferences as a Function of Emotional Valence and Perceived Complexity of Paintings". Psychology of Aesthetics, Creativity, and the Arts. 4 (4): 196–204. doi:10.1037/a0019211.
North, A.C.; Hargreaves, D.J. (1995). "Subjective Complexity, Familiarity, and Liking for Popular Music". Psychomusicology. 14 (1–2): 77–93. doi:10.1037/h0094090.
Silvia, P. J. (2005). "What Is Interesting? Exploring the Appraisal Structure of Interest". Emotion. 5 (1): 89–102. CiteSeerX 10.1.1.576.692. doi:10.1037/1528-3542.5.1.89. PMID 15755222.
Forsythe, A; Nadal, M.; Sheehy, C.; Cela-Conde, C.; Sawey, M. (2011). "Predicting beauty: Fractal dimension and visual complexity in art" (PDF). British Journal of Psychology. 102 (1): 49–70. doi:10.1348/000712610X498958. PMID 21241285. S2CID 30077949.
Goodchilds, Jacqueline; Thornton B. Roby; Momoyo Ise (1969). "Evaluative reactions to the viewing of pseudo-dance sequences: Selected temporal and spatial aspects". The Journal of Social Psychology. 79 (1): 121–133. doi:10.1080/00224545.1969.9922395. PMID 5351780.
Hodgson, Derek (2011). "The First Appearance of Symmetry in the Human Lineage: Where Perception Meets Art". Symmetry. 3 (1): 37–53. Bibcode:2011Symm....3...37H. doi:10.3390/sym3010037.
Jones, B.; Lisa, D.M.; Little, A. (2007). "The role of symmetry in attraction to average faces". Perception & Psychophysics. 69 (8): 1273–1277. doi:10.3758/BF03192944. PMID 18078219.
Tinio, P. P. L.; Leder, H. (2009). "Just how stable are stable aesthetic features? Symmetry, complexity, and the jaws of massive familiarisation". Acta Psychologica. 130 (3): 241–250. doi:10.1016/j.actpsy.2009.01.001. PMID 19217589.
Rentschler, I; Jüttner, M; Unzicker, A; Landis, T (1999). "Innate and learned components of human visual preference". Current Biology. 9 (13): 665–671. doi:10.1016/S0960-9822(99)80306-6. PMID 10395537. S2CID 16067206.
Makin, Alexis D. J.; Pecchineda, A.; Bertamini, M. (2012). "Implicit Affective Evaluation of Visual Symmetry". Emotion. 12 (5): 1021–1030. doi:10.1037/a0026924. hdl:11573/446772. PMID 22251051. S2CID 42313154.
Reber, Rolf; Schwarz, Norbert; Winkielman, Piotr (1 November 2004). "Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience?". Personality and Social Psychology Review. 8 (4): 364–382. doi:10.1207/s15327957pspr0804_3. hdl:1956/594. PMID 15582859. S2CID 1868463.
Shepherd, Kathrine; Bar, Moshe (2011). "Preference for symmetry: Only on Mars?". Perception. 40 (10): 1254–1256. doi:10.1068/p7057. PMC 3786096. PMID 22308897.
Cárdenas, R.A.; Harris, L.J. (2006). "Symmetrical decorations enhance the attractiveness of faces and abstract designs". Evolution and Human Behavior. 27: 1–18. doi:10.1016/j.evolhumbehav.2005.05.002.
Friedenberg, Jay (May 2018). "Perceived beauty of elongated symmetric shapes: Is more better?". Psychology of Aesthetics, Creativity, and the Arts. 12 (2): 157–165. doi:10.1037/aca0000142. ISSN 1931-390X.
Friedenberg, Jay (January 2018). "Geometric Regularity, Symmetry and the Perceived Beauty of Simple Shapes". Empirical Studies of the Arts. 36 (1): 71–89. doi:10.1177/0276237417695454. ISSN 0276-2374. S2CID 125543266.
Little, Anthony (17 April 2014). "Domain Specificity in Human Symmetry Preferences: Symmetry is Most Pleasant When Looking at Human Faces". Symmetry. 6 (2): 222–233. Bibcode:2014Symm....6..222L. doi:10.3390/sym6020222. ISSN 2073-8994.
Swami, Viren; Furnham, Adrian (September 2012). "The Effects of Symmetry and Personality on Aesthetic Preferences". Imagination, Cognition and Personality. 32 (1): 41–57. doi:10.2190/IC.32.1.d. ISSN 0276-2366. S2CID 146541479.
Bertamini, Marco; Rampone, Giulia; Makin, Alexis D.J.; Jessop, Andrew (17 June 2019). "Symmetry preference in shapes, faces, flowers and landscapes". PeerJ. 7 e7078. doi:10.7717/peerj.7078. ISSN 2167-8359. PMC 6585942. PMID 31245176.
Leder, Helmut; Tinio, Pablo P. L.; Brieber, David; Kröner, Tonio; Jacobsen, Thomas; Rosenberg, Raphael (January 2019). "Symmetry Is Not a Universal Law of Beauty". Empirical Studies of the Arts. 37 (1): 104–114. doi:10.1177/0276237418777941. ISSN 0276-2374.
Weichselbaum, Hanna; Leder, Helmut; Ansorge, Ulrich (March 2018). "Implicit and Explicit Evaluation of Visual Symmetry as a Function of Art Expertise". i-Perception. 9 (2): 204166951876146. doi:10.1177/2041669518761464. ISSN 2041-6695. PMC 5937629. PMID 29755722.
Hu, Zhiguo; Wang, Xinrui; Hu, Xinkui; Lei, Xiaofang; Liu, Hongyan (February 2021). "Aesthetic Evaluation of Computer Icons: Visual Pattern Differences Between Art-Trained and Lay Raters of Icons". Perceptual and Motor Skills. 128 (1): 115–134. doi:10.1177/0031512520969637. ISSN 0031-5125. PMID 33121355. S2CID 226207439.
Gartus, Andreas; Völker, Mark; Leder, Helmut (May 2020). "What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns". Symmetry. 12 (5): 707. Bibcode:2020Symm...12..707G. doi:10.3390/sym12050707. ISSN 2073-8994.
Monteiro, Luis Carlos Pereira; Nascimento, Victória Elmira Ferreira do; Carvalho da Silva, Amanda; Miranda, Ana Catarina; Souza, Givago Silva; Ripardo, Rachel Coelho (February 2022). "The Role of Art Expertise and Symmetry on Facial Aesthetic Preferences". Symmetry. 14 (2): 423. Bibcode:2022Symm...14..423M. doi:10.3390/sym14020423. ISSN 2073-8994.
McMANUS, I. C. (October 2005). "Symmetry and asymmetry in aesthetics and the arts". European Review. 13 (S2): 157–180. Bibcode:2005EuRv...13S.157M. doi:10.1017/S1062798705000736. ISSN 1062-7987. S2CID 145809532.
Sammartino, Jonathan; Palmer, Stephen E. (1 January 2012). "Aesthetic issues in spatial composition: Effects of vertical position and perspective on framing single objects". Journal of Experimental Psychology: Human Perception and Performance. 38 (4): 865–879. doi:10.1037/a0027736. PMID 22428674.
Locher, Paul; Overbeeke, Kees; Stappers, Pieter Jan (1 January 2005). "Spatial balance of color triads in the abstract art of Piet Mondrian". Perception. 34 (2): 169–189. doi:10.1068/p5033. PMID 15832568. S2CID 33551778.
Latto, Richard; Brain, Douglas; Kelly, Brian (1 January 2000). "An oblique effect in aesthetics: Homage to Mondrian (1872 - 1944)". Perception. 29 (8): 981–987. doi:10.1068/p2352. PMID 11145089. S2CID 6490395.
Locher, Paul J (1 October 2003). "An empirical investigation of the visual rightness theory of picture perception". Acta Psychologica. 114 (2): 147–164. doi:10.1016/j.actpsy.2003.07.001. PMID 14529822.
Vartanian, Oshin; Martindale, Colin; Podsiadlo, Jacob; Overbay, Shane; Borkum, Jonathan (1 November 2005). "The link between composition and balance in masterworks vs. paintings of lower artistic quality". British Journal of Psychology. 96 (4): 493–503. doi:10.1348/000712605X47927. PMID 16248938.
Silvia, P. J. (2007). "Knowledge-based assessment of expertise in the arts: exploring aesthetic fluency" (PDF). Psychology of Aesthetics, Creativity, and the Arts. 1 (4): 247–249. doi:10.1037/1931-3896.1.4.247.
Conesa, J; Brunold-Conesa, C; Miron, M (1995). "Incidence of the Half-Left Profile Pose in Single-Subject Portraits". Perceptual and Motor Skills. 81 (3): 920–922. doi:10.2466/pms.1995.81.3.920. PMID 8668453. S2CID 29864266.
Pihko, E.; et al. (2011). "Experiencing art: the influence of expertise and painting abstraction level". Frontiers in Human Neuroscience. 5: 1–10. doi:10.3389/fnhum.2011.00094. PMC 3170917. PMID 21941475.
Vogt, S.; S. Magnussen (2007). "Expertise in pictorial perception: eye-movement pattern and visual memory in artists and laymen". Perception. 36 (1): 91–100. doi:10.1068/p5262. PMID 17357707. S2CID 5910802.
Leder, H.; G. Gerger; S. G. Dressler; A. Schabmann (2012). "How art is appreciated". Psychology of Aesthetics, Creativity, and the Arts. 6 (1): 2–10. doi:10.1037/a0026396.
Hekkert, P.; Van Wieringen, P. C. (1996). "The impact of level of expertise on the evaluation of original and altered versions of post-impressionistic paintings". Acta Psychologica. 94 (2): 117–131. doi:10.1016/0001-6918(95)00055-0.
Russell, Phil A. (1 February 2003). "Effort after meaning and the hedonic value of paintings". British Journal of Psychology. 94 (1): 99–110. doi:10.1348/000712603762842138. PMID 12648392.
Franklin, Margery B.; Becklen, Robert C.; Doyle, Charlotte L. (1 January 1993). "The Influence of Titles on How Paintings Are Seen". Leonardo. 26 (2): 103. doi:10.2307/1575894. JSTOR 1575894. S2CID 191412639.
Leder, Helmut; Carbon, Claus-Christian; Ripsas, Ai-Leen (1 February 2006). "Entitling art: Influence of title information on understanding and appreciation of paintings". Acta Psychologica. 121 (2): 176–198. doi:10.1016/j.actpsy.2005.08.005. PMID 16289075.
Yeazell, Ruth Bernard (April 2011). "This Is Not a Title". The Yale Review. 99 (2): 134–143. doi:10.1111/j.1467-9736.2011.00709.x.
Millis, Keith (1 September 2001). "Making meaning brings pleasure: the influence of titles on aesthetic experiences". Emotion. 1 (3): 320–329. doi:10.1037/1528-3542.1.3.320. PMID 12934689.
Alfirevic, Dj (2011). "Visual Expression in Architecture" (PDF). Arhitektura I Urbanizam. 31 (31): 3–15. doi:10.5937/arhurb1131003a.
Markovic, S.; Dj, Alfirevic (2015). "Basic dimensions of experience of architectural objects' expressiveness: Effect of expertise". Psihologija. 48 (1): 61–78. doi:10.2298/psi1501061m.

handle.net (Global: 102^nd place; English: 76^th place)

hdl.handle.net

Makin, Alexis D. J.; Pecchineda, A.; Bertamini, M. (2012). "Implicit Affective Evaluation of Visual Symmetry". Emotion. 12 (5): 1021–1030. doi:10.1037/a0026924. hdl:11573/446772. PMID 22251051. S2CID 42313154.
Reber, Rolf; Schwarz, Norbert; Winkielman, Piotr (1 November 2004). "Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience?". Personality and Social Psychology Review. 8 (4): 364–382. doi:10.1207/s15327957pspr0804_3. hdl:1956/594. PMID 15582859. S2CID 1868463.

harvard.edu (Global: 18^th place; English: 17^th place)

ui.adsabs.harvard.edu

Hodgson, Derek (2011). "The First Appearance of Symmetry in the Human Lineage: Where Perception Meets Art". Symmetry. 3 (1): 37–53. Bibcode:2011Symm....3...37H. doi:10.3390/sym3010037.
Little, Anthony (17 April 2014). "Domain Specificity in Human Symmetry Preferences: Symmetry is Most Pleasant When Looking at Human Faces". Symmetry. 6 (2): 222–233. Bibcode:2014Symm....6..222L. doi:10.3390/sym6020222. ISSN 2073-8994.
Gartus, Andreas; Völker, Mark; Leder, Helmut (May 2020). "What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns". Symmetry. 12 (5): 707. Bibcode:2020Symm...12..707G. doi:10.3390/sym12050707. ISSN 2073-8994.
Monteiro, Luis Carlos Pereira; Nascimento, Victória Elmira Ferreira do; Carvalho da Silva, Amanda; Miranda, Ana Catarina; Souza, Givago Silva; Ripardo, Rachel Coelho (February 2022). "The Role of Art Expertise and Symmetry on Facial Aesthetic Preferences". Symmetry. 14 (2): 423. Bibcode:2022Symm...14..423M. doi:10.3390/sym14020423. ISSN 2073-8994.
McMANUS, I. C. (October 2005). "Symmetry and asymmetry in aesthetics and the arts". European Review. 13 (S2): 157–180. Bibcode:2005EuRv...13S.157M. doi:10.1017/S1062798705000736. ISSN 1062-7987. S2CID 145809532.

jstor.org (Global: 26^th place; English: 20^th place)

Neperud, Ronald; Marschalek (1988). "Informational and Affect Bases of Aesthetic Response". Leonardo. 21 (3): 305–31. doi:10.2307/1578660. JSTOR 1578660. S2CID 191383059.
Winston, W. S.; Cupchik, G. C. (1992). "The evaluation of high art and popular art by naive and experienced viewers". Visual Arts Research. 18 (1): 1–14. JSTOR 20715763.
Franklin, Margery B.; Becklen, Robert C.; Doyle, Charlotte L. (1 January 1993). "The Influence of Titles on How Paintings Are Seen". Leonardo. 26 (2): 103. doi:10.2307/1575894. JSTOR 1575894. S2CID 191412639.

naturibeauty.com (Global: low place; English: low place)

Rogers, Jeff. "Understanding Creativity: What Drives us to Create?". Psychology of Beauty.

nih.gov (Global: 4^th place; English: 4^th place)

pubmed.ncbi.nlm.nih.gov

Landau, Mark J.; Greenberg, Jeff; Solomon, Sheldon; Pyszczynski, Tom; Martens, Andy (1 January 2006). "Windows into Nothingness: Terror Management, Meaninglessness, and Negative Reactions to Modern Art". Journal of Personality and Social Psychology. 90 (6): 879–892. doi:10.1037/0022-3514.90.6.879. PMID 16784340.
Proulx, T.; Heine, S. J.; Vohs, K. D. (5 May 2010). "When Is the Unfamiliar the Uncanny? Meaning Affirmation After Exposure to Absurdist Literature, Humor, and Art". Personality and Social Psychology Bulletin. 36 (6): 817–829. doi:10.1177/0146167210369896. PMID 20445024. S2CID 16300370.
Vartanian, Oshin; Goel, Vinod (2004). "Neuroanatomical correlates of aesthetic preference for paintings". NeuroReport. 15 (5): 893–897. doi:10.1097/00001756-200404090-00032. PMID 15073538. S2CID 7892067.
Batt, R; Palmiero, M; Nakatani, C; Van Leeuwen, C (11 June 2010). "Style and spectral power: Processing of abstract and representational art in artists and non-artists". Perception. 39 (12): 1659–1671. doi:10.1068/p6747. PMID 21425703. S2CID 36492643.
Maass, A; Russo, A (July 2003). "Directional bias in the mental representation of spatial events: nature or culture?". Psychological Science. 14 (4): 296–301. doi:10.1111/1467-9280.14421. PMID 12807400. S2CID 38484754.
Chokron, Sylvie; De Agostini, Maria (2000). "Reading habits influence aesthetic preference". Cognitive Brain Research. 10 (1–2): 45–49. doi:10.1016/S0926-6410(00)00021-5. PMID 10978691.
Swartz, Paul; Hewitt, David (1970). "Lateral organization in pictures and aesthetic preference". Perceptual and Motor Skills. 30 (3): 991–1007. doi:10.2466/pms.1970.30.3.991. PMID 5429349. S2CID 6779326.
McDine, David A.; Livingston, Ian J.; Thomas, Nicole A.; Elias, Lorin J. (2011). "Lateral biases in lighting of abstract artwork". Laterality: Asymmetries of Body, Brain and Cognition. 16 (3): 268–279. doi:10.1080/13576500903548382. PMID 20544493. S2CID 29232403.
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ncbi.nlm.nih.gov

Shepherd, Kathrine; Bar, Moshe (2011). "Preference for symmetry: Only on Mars?". Perception. 40 (10): 1254–1256. doi:10.1068/p7057. PMC 3786096. PMID 22308897.
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pabst-publishers.de (Global: low place; English: low place)

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sagepub.com (Global: 731^st place; English: 638^th place)

journals.sagepub.com

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semanticscholar.org (Global: 11^th place; English: 8^th place)

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Rentschler, I; Jüttner, M; Unzicker, A; Landis, T (1999). "Innate and learned components of human visual preference". Current Biology. 9 (13): 665–671. doi:10.1016/S0960-9822(99)80306-6. PMID 10395537. S2CID 16067206.
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Vogt, S.; S. Magnussen (2007). "Expertise in pictorial perception: eye-movement pattern and visual memory in artists and laymen". Perception. 36 (1): 91–100. doi:10.1068/p5262. PMID 17357707. S2CID 5910802.
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tap3x.net (Global: low place; English: low place)

"About Face: Perhaps its Not About What a Piece of Art Can Tell Us About the Artist's Type, but What Personality Theory Can Tell Us About What Art is". Archived from the original on 14 July 2023. Retrieved 16 July 2008.

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"About Face: Perhaps its Not About What a Piece of Art Can Tell Us About the Artist's Type, but What Personality Theory Can Tell Us About What Art is". Archived from the original on 14 July 2023. Retrieved 16 July 2008.
Sandelands, Lloyd E.; Buckner, Georgette C. "Of Art and Work: Aesthetic Experience and the Psychology of Work Feelings" (PDF). Research in Organizational Behavior. Vol. 11. pp. 105–131. ISBN 978-0-89232-921-2. Archived from the original on 4 March 2016.{{cite book}}: CS1 maint: bot: original URL status unknown (link)
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Belke, B.; Leder, H.; Augustin, M.D. (2006). "Mastering style - effects of explicit style-related information, art knowledge and affective state on appreciation of abstract paintings" (PDF). Psychology Science. 48 (2): 115–134. ISSN 1614-9947. Archived from the original (PDF) on 7 March 2016. Retrieved 4 March 2016.
Rahmatabadi, Saeid; Toushmalani, Reza (2011). "Physical Order and Disorder in Expressionist Architecture Style" (PDF). Australian Journal of Basic and Applied Sciences. 5 (9): 406–409. ISSN 1991-8178. Archived from the original on 13 June 2016.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)

worldcat.org (Global: 5^th place; English: 5^th place)

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Jung, Carl (1964). "Approaching the Unconscious". In Jung, Carl; von Franz, Marie-Luise (eds.). Man and His Symbols. London: Aldus Books Ltd. pp. 18–103. ISBN 978-0-385-05221-4. OCLC 224253. {{cite book}}: ISBN / Date incompatibility (help)
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Little, Anthony (17 April 2014). "Domain Specificity in Human Symmetry Preferences: Symmetry is Most Pleasant When Looking at Human Faces". Symmetry. 6 (2): 222–233. Bibcode:2014Symm....6..222L. doi:10.3390/sym6020222. ISSN 2073-8994.
Swami, Viren; Furnham, Adrian (September 2012). "The Effects of Symmetry and Personality on Aesthetic Preferences". Imagination, Cognition and Personality. 32 (1): 41–57. doi:10.2190/IC.32.1.d. ISSN 0276-2366. S2CID 146541479.
Bertamini, Marco; Rampone, Giulia; Makin, Alexis D.J.; Jessop, Andrew (17 June 2019). "Symmetry preference in shapes, faces, flowers and landscapes". PeerJ. 7 e7078. doi:10.7717/peerj.7078. ISSN 2167-8359. PMC 6585942. PMID 31245176.
Leder, Helmut; Tinio, Pablo P. L.; Brieber, David; Kröner, Tonio; Jacobsen, Thomas; Rosenberg, Raphael (January 2019). "Symmetry Is Not a Universal Law of Beauty". Empirical Studies of the Arts. 37 (1): 104–114. doi:10.1177/0276237418777941. ISSN 0276-2374.
Weichselbaum, Hanna; Leder, Helmut; Ansorge, Ulrich (March 2018). "Implicit and Explicit Evaluation of Visual Symmetry as a Function of Art Expertise". i-Perception. 9 (2): 204166951876146. doi:10.1177/2041669518761464. ISSN 2041-6695. PMC 5937629. PMID 29755722.
Hu, Zhiguo; Wang, Xinrui; Hu, Xinkui; Lei, Xiaofang; Liu, Hongyan (February 2021). "Aesthetic Evaluation of Computer Icons: Visual Pattern Differences Between Art-Trained and Lay Raters of Icons". Perceptual and Motor Skills. 128 (1): 115–134. doi:10.1177/0031512520969637. ISSN 0031-5125. PMID 33121355. S2CID 226207439.
Gartus, Andreas; Völker, Mark; Leder, Helmut (May 2020). "What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns". Symmetry. 12 (5): 707. Bibcode:2020Symm...12..707G. doi:10.3390/sym12050707. ISSN 2073-8994.
Monteiro, Luis Carlos Pereira; Nascimento, Victória Elmira Ferreira do; Carvalho da Silva, Amanda; Miranda, Ana Catarina; Souza, Givago Silva; Ripardo, Rachel Coelho (February 2022). "The Role of Art Expertise and Symmetry on Facial Aesthetic Preferences". Symmetry. 14 (2): 423. Bibcode:2022Symm...14..423M. doi:10.3390/sym14020423. ISSN 2073-8994.
McMANUS, I. C. (October 2005). "Symmetry and asymmetry in aesthetics and the arts". European Review. 13 (S2): 157–180. Bibcode:2005EuRv...13S.157M. doi:10.1017/S1062798705000736. ISSN 1062-7987. S2CID 145809532.
Augustin, M. D.; Leder, H. (2006). "Art expertise: a study of concepts and conceptual spaces" (PDF). Psychology Science. 48 (2): 135–156. ISSN 1614-9947. Archived from the original (PDF) on 2 December 2017. Retrieved 4 March 2016.
Belke, B.; Leder, H.; Augustin, M.D. (2006). "Mastering style - effects of explicit style-related information, art knowledge and affective state on appreciation of abstract paintings" (PDF). Psychology Science. 48 (2): 115–134. ISSN 1614-9947. Archived from the original (PDF) on 7 March 2016. Retrieved 4 March 2016.
Rahmatabadi, Saeid; Toushmalani, Reza (2011). "Physical Order and Disorder in Expressionist Architecture Style" (PDF). Australian Journal of Basic and Applied Sciences. 5 (9): 406–409. ISSN 1991-8178. Archived from the original on 13 June 2016.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)

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cambridge.org (Global: 305^th place; English: 264^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

handle.net (Global: 102^nd place; English: 76^th place)

harvard.edu (Global: 18^th place; English: 17^th place)

jstor.org (Global: 26^th place; English: 20^th place)

nih.gov (Global: 4^th place; English: 4^th place)

psu.edu (Global: 207^th place; English: 136^th place)

sagepub.com (Global: 731^st place; English: 638^th place)

semanticscholar.org (Global: 11^th place; English: 8^th place)

uncg.edu (Global: low place; English: 6,852^nd place)

web.archive.org (Global: 1^st place; English: 1^st place)

worldcat.org (Global: 5^th place; English: 5^th place)