Q (English Wikipedia)

Travers Wood, Henry Craven Ord Lanchester, A Hebrew Grammar, 1913, p. 7. A. B. Davidson, Hebrew Primer and Grammar, 2000, p. 4 Archived 2017-02-04 at the Wayback Machine. The meaning is doubtful. "Eye of a needle" has been suggested, and also "knot" Harvard Studies in Classical Philology vol. 45.
Samuel, Stehman Haldeman (1851). Elements of Latin Pronunciation: For the Use of Students in Language, Law, Medicine, Zoology, Botany, and the Sciences Generally in which Latin Words are Used. J.B. Lippincott. p. 56. Archived from the original on August 16, 2021. Retrieved November 19, 2020.
Hamilton, Gordon James (2006). The Origins of the West Semitic Alphabet in Egyptian Scripts. Catholic Biblical Association of America. ISBN 9780915170401. Archived from the original on February 21, 2022. Retrieved September 16, 2020.
Woodard, Roger G. (March 24, 2014). The Textualization of the Greek Alphabet. Cambridge University Press. p. 303. ISBN 9781107729308. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Miller, D. Gary (September 6, 1994). Ancient Scripts and Phonological Knowledge. John Benjamins Publishing. pp. 54–56. ISBN 9789027276711. Archived from the original on August 18, 2021. Retrieved November 19, 2020.
Bispham, Edward (March 1, 2010). Edinburgh Companion to Ancient Greece and Rome. Edinburgh University Press. p. 482. ISBN 9780748627141. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Sihler, Andrew L. (1995), New Comparative Grammar of Greek and Latin (illustrated ed.), New York: Oxford University Press, p. 21, ISBN 0-19-508345-8, archived from the original on November 9, 2016, retrieved December 24, 2015
Ambrose, Gavin; Harris, Paul (August 31, 2011). The Fundamentals of Typography: Second Edition. A & C Black. p. 24. ISBN 9782940411764. Archived from the original on August 19, 2021. Retrieved November 19, 2020. ...the bisecting tail of the Helvetica 'Q'.
Willen, Bruce; Strals, Nolen (September 23, 2009). Lettering & Type: Creating Letters and Designing Typefaces. Princeton Architectural Press. p. 110. ISBN 9781568987651. Archived from the original on August 15, 2021. Retrieved November 19, 2020. The bowl of the Q is typically similar to the bowl of the O, although not always identical. The style and design of the Q's tail is often a distinctive feature of a typeface.
Vervliet, Hendrik D. L. (January 1, 2008). The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth-century Typefaces. BRILL. pp. 58 (a) 54 (b). ISBN 978-9004169821. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Rabinowitz, Tova (January 1, 2015). Exploring Typography. Cengage Learning. p. 264. ISBN 9781305464810. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Osterer, Heidrun; Stamm, Philipp (May 8, 2014). Adrian Frutiger – Typefaces: The Complete Works. Walter de Gruyter. pp. 97 (a) 183 (b) 219 (c). ISBN 9783038212607. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Loxley, Simon (March 31, 2006). Type: The Secret History of Letters. I.B.Tauris. ISBN 9780857730176. Archived from the original on February 21, 2022. Retrieved November 19, 2020. The uppercase roman Q...has a very long tail, but this has been modified and reduced on versions produced in the following centuries.
Bosler, Denise (May 16, 2012). Mastering Type: The Essential Guide to Typography for Print and Web Design. F+W Media, Inc. p. 31. ISBN 978-1440313714. Letters that contain truly individual parts [are] S, ... Q...^{[permanent dead link]}

creativebloq.com (Global: low place; English: low place)

Hughes, Kerrie (September 2, 2014). "Font of the day: Strato". Creative Bloq. Bath, Somerset: Future plc. Retrieved August 25, 2022.

doi.org (Global: 2^nd place; English: 2^nd place)

Arvaniti, Amalia (1999). "Standard Modern Greek" (PDF). Journal of the International Phonetic Association. 2 (29): 167–172. doi:10.1017/S0025100300006538. S2CID 145606058. Archived from the original on March 3, 2016.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)

fonts.com (Global: low place; English: low place)

Haley, Allan. "The Letter Q". Fonts.com. Monotype Imaging Corporation. Archived from the original on February 3, 2017. Retrieved February 3, 2017.

identifont.com (Global: low place; English: low place)

"2: Q Shape". Identifont. Archived from the original on February 3, 2017. Retrieved February 1, 2017.
"3: $ style". Identifont. Archived from the original on February 3, 2017. Retrieved February 2, 2017. To get the numbers in the table, click Question 1 (serif or sans-serif?) or Question 2 (Q shape) and change the value. They appear under X possible fonts.

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

Arvaniti, Amalia (1999). "Standard Modern Greek" (PDF). Journal of the International Phonetic Association. 2 (29): 167–172. doi:10.1017/S0025100300006538. S2CID 145606058. Archived from the original on March 3, 2016.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)

ship.edu (Global: low place; English: low place)

webspace.ship.edu

Boeree, C. George. "The Origin of the Alphabet". Shippensburg University. Shippensburg University of Pennsylvania. Archived from the original on December 4, 2016. Retrieved February 3, 2017.

stackexchange.com (Global: 1,983^rd place; English: 1,330^th place)

tex.stackexchange.com

Fischer, Ulrike (November 2, 2014). "How to force a long-tailed Q in EB Garamond". TeX Stack Exchange. Archived from the original on February 4, 2017. Retrieved February 3, 2017.

typographher.com (Global: low place; English: low place)

Phillips, Nicole Arnett (January 27, 2016). "Wired asked 15 Typographers to introduce us to their favorite glyphs". Typograph.Her. Archived from the original on February 3, 2017. Retrieved February 3, 2017.

typography.com (Global: low place; English: low place)

"What are "Stylistic Sets?"". Typography.com. Hoefler & Co. Archived from the original on February 4, 2017. Retrieved February 3, 2017.

unicode.org (Global: 311^th place; English: 239^th place)

Barmeier, Severin (October 10, 2015), L2/15-241: Proposal to encode Latin small capital letter Q (PDF), archived (PDF) from the original on June 14, 2019, retrieved June 19, 2018
Miller, Kirk; Cornelius, Craig (September 25, 2020). "L2/20-251: Unicode request for modifier Latin capital letters" (PDF).
Miller, Kirk; Ashby, Michael (November 8, 2020). "L2/20-252R: Unicode request for IPA modifier-letters (a), pulmonic" (PDF).
Everson, Michael; Baker, Peter; Emiliano, António; Grammel, Florian; Haugen, Odd Einar; Luft, Diana; Pedro, Susana; Schumacher, Gerd; Stötzner, Andreas (January 30, 2006). "L2/06-027: Proposal to add Medievalist characters to the UCS" (PDF). Archived (PDF) from the original on September 19, 2018. Retrieved March 24, 2018.

upenn.edu (Global: 702^nd place; English: 520^th place)

ling.upenn.edu

Noyer, Rolf. "Principal Sound Changes from PIE to Greek" (PDF). University of Pennsylvania Department of Linguistics. Archived (PDF) from the original on February 4, 2017. Retrieved February 3, 2017.

web.archive.org (Global: 1^st place; English: 1^st place)

Travers Wood, Henry Craven Ord Lanchester, A Hebrew Grammar, 1913, p. 7. A. B. Davidson, Hebrew Primer and Grammar, 2000, p. 4 Archived 2017-02-04 at the Wayback Machine. The meaning is doubtful. "Eye of a needle" has been suggested, and also "knot" Harvard Studies in Classical Philology vol. 45.
Haley, Allan. "The Letter Q". Fonts.com. Monotype Imaging Corporation. Archived from the original on February 3, 2017. Retrieved February 3, 2017.
Samuel, Stehman Haldeman (1851). Elements of Latin Pronunciation: For the Use of Students in Language, Law, Medicine, Zoology, Botany, and the Sciences Generally in which Latin Words are Used. J.B. Lippincott. p. 56. Archived from the original on August 16, 2021. Retrieved November 19, 2020.
Hamilton, Gordon James (2006). The Origins of the West Semitic Alphabet in Egyptian Scripts. Catholic Biblical Association of America. ISBN 9780915170401. Archived from the original on February 21, 2022. Retrieved September 16, 2020.
Woodard, Roger G. (March 24, 2014). The Textualization of the Greek Alphabet. Cambridge University Press. p. 303. ISBN 9781107729308. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Noyer, Rolf. "Principal Sound Changes from PIE to Greek" (PDF). University of Pennsylvania Department of Linguistics. Archived (PDF) from the original on February 4, 2017. Retrieved February 3, 2017.
Boeree, C. George. "The Origin of the Alphabet". Shippensburg University. Shippensburg University of Pennsylvania. Archived from the original on December 4, 2016. Retrieved February 3, 2017.
Arvaniti, Amalia (1999). "Standard Modern Greek" (PDF). Journal of the International Phonetic Association. 2 (29): 167–172. doi:10.1017/S0025100300006538. S2CID 145606058. Archived from the original on March 3, 2016.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)
Miller, D. Gary (September 6, 1994). Ancient Scripts and Phonological Knowledge. John Benjamins Publishing. pp. 54–56. ISBN 9789027276711. Archived from the original on August 18, 2021. Retrieved November 19, 2020.
Bispham, Edward (March 1, 2010). Edinburgh Companion to Ancient Greece and Rome. Edinburgh University Press. p. 482. ISBN 9780748627141. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Sihler, Andrew L. (1995), New Comparative Grammar of Greek and Latin (illustrated ed.), New York: Oxford University Press, p. 21, ISBN 0-19-508345-8, archived from the original on November 9, 2016, retrieved December 24, 2015
Ambrose, Gavin; Harris, Paul (August 31, 2011). The Fundamentals of Typography: Second Edition. A & C Black. p. 24. ISBN 9782940411764. Archived from the original on August 19, 2021. Retrieved November 19, 2020. ...the bisecting tail of the Helvetica 'Q'.
Willen, Bruce; Strals, Nolen (September 23, 2009). Lettering & Type: Creating Letters and Designing Typefaces. Princeton Architectural Press. p. 110. ISBN 9781568987651. Archived from the original on August 15, 2021. Retrieved November 19, 2020. The bowl of the Q is typically similar to the bowl of the O, although not always identical. The style and design of the Q's tail is often a distinctive feature of a typeface.
Vervliet, Hendrik D. L. (January 1, 2008). The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth-century Typefaces. BRILL. pp. 58 (a) 54 (b). ISBN 978-9004169821. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Rabinowitz, Tova (January 1, 2015). Exploring Typography. Cengage Learning. p. 264. ISBN 9781305464810. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Osterer, Heidrun; Stamm, Philipp (May 8, 2014). Adrian Frutiger – Typefaces: The Complete Works. Walter de Gruyter. pp. 97 (a) 183 (b) 219 (c). ISBN 9783038212607. Archived from the original on February 21, 2022. Retrieved November 19, 2020.
Loxley, Simon (March 31, 2006). Type: The Secret History of Letters. I.B.Tauris. ISBN 9780857730176. Archived from the original on February 21, 2022. Retrieved November 19, 2020. The uppercase roman Q...has a very long tail, but this has been modified and reduced on versions produced in the following centuries.
Fischer, Ulrike (November 2, 2014). "How to force a long-tailed Q in EB Garamond". TeX Stack Exchange. Archived from the original on February 4, 2017. Retrieved February 3, 2017.
"What are "Stylistic Sets?"". Typography.com. Hoefler & Co. Archived from the original on February 4, 2017. Retrieved February 3, 2017.
"2: Q Shape". Identifont. Archived from the original on February 3, 2017. Retrieved February 1, 2017.
"3: $ style". Identifont. Archived from the original on February 3, 2017. Retrieved February 2, 2017. To get the numbers in the table, click Question 1 (serif or sans-serif?) or Question 2 (Q shape) and change the value. They appear under X possible fonts.
Heller, Stephen (January 7, 2016). "We asked 15 typographers to describe their favorite letterforms. Here's what they told us". WIRED. Archived from the original on February 3, 2017. Retrieved February 3, 2017.
Phillips, Nicole Arnett (January 27, 2016). "Wired asked 15 Typographers to introduce us to their favorite glyphs". Typograph.Her. Archived from the original on February 3, 2017. Retrieved February 3, 2017.
Barmeier, Severin (October 10, 2015), L2/15-241: Proposal to encode Latin small capital letter Q (PDF), archived (PDF) from the original on June 14, 2019, retrieved June 19, 2018
Everson, Michael; Baker, Peter; Emiliano, António; Grammel, Florian; Haugen, Odd Einar; Luft, Diana; Pedro, Susana; Schumacher, Gerd; Stötzner, Andreas (January 30, 2006). "L2/06-027: Proposal to add Medievalist characters to the UCS" (PDF). Archived (PDF) from the original on September 19, 2018. Retrieved March 24, 2018.

wired.com (Global: 193^rd place; English: 152^nd place)

Heller, Stephen (January 7, 2016). "We asked 15 typographers to describe their favorite letterforms. Here's what they told us". WIRED. Archived from the original on February 3, 2017. Retrieved February 3, 2017.

Q (English Wikipedia)

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creativebloq.com (Global: low place; English: low place)

doi.org (Global: 2nd place; English: 2nd place)

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api.semanticscholar.org

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tex.stackexchange.com

typographher.com (Global: low place; English: low place)

typography.com (Global: low place; English: low place)

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ling.upenn.edu

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stackexchange.com (Global: 1,983^rd place; English: 1,330^th place)

unicode.org (Global: 311^th place; English: 239^th place)

upenn.edu (Global: 702^nd place; English: 520^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

wired.com (Global: 193^rd place; English: 152^nd place)