RCA Mark II Sound Synthesizer (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "RCA Mark II Sound Synthesizer" in English language version.

refsWebsite
Global rank English rank
1st place
1st place
91st place
122nd place
low place
7,456th place
18th place
17th place
2nd place
2nd place
low place
low place
6th place
6th place
8,624th place
5,168th place
9th place
13th place

146.204 (Global: low place; English: low place)

98.130.146.204

  • Olson & Belar 1955 Olson, Harry F.; Belar, Herbert (May 1955). "Electronic Music Synthesizer". Journal of the Acoustical Society of America. 27 (3): 595–612. Bibcode:1955ASAJ...27..595O. doi:10.1121/1.1907975. Archived from the original (reprint) on 2013-10-16. Retrieved 2013-01-21. The electronic music synthesizer is a machine that produces music from a coded record. The coded record, is produced by a musician, musical engineer, or composer with a fundamental understanding of the composition of sound. The electronic music synthesizer provides means for the production of a tone with any frequency, intensity, growth, duration, decay, portamento, timbre, vibrato, and variation. If these properties of a tone are specified, the tone can be completely described. ...
    Note: a paper about RCA Electronic Music Synthesizer, also known as Mark I, which was unveiled in 1955 and housed at Princeton University (according to Holmes 2012, pp. 179).

archive.org (Global: 6th place; English: 6th place)

  • Olson & Belar 1955 Olson, Harry F.; Belar, Herbert (May 1955). "Electronic Music Synthesizer". Journal of the Acoustical Society of America. 27 (3): 595–612. Bibcode:1955ASAJ...27..595O. doi:10.1121/1.1907975. Archived from the original (reprint) on 2013-10-16. Retrieved 2013-01-21. The electronic music synthesizer is a machine that produces music from a coded record. The coded record, is produced by a musician, musical engineer, or composer with a fundamental understanding of the composition of sound. The electronic music synthesizer provides means for the production of a tone with any frequency, intensity, growth, duration, decay, portamento, timbre, vibrato, and variation. If these properties of a tone are specified, the tone can be completely described. ...
    Note: a paper about RCA Electronic Music Synthesizer, also known as Mark I, which was unveiled in 1955 and housed at Princeton University (according to Holmes 2012, pp. 179).

discogs.com (Global: 91st place; English: 122nd place)

doi.org (Global: 2nd place; English: 2nd place)

  • Olson & Belar 1955 Olson, Harry F.; Belar, Herbert (May 1955). "Electronic Music Synthesizer". Journal of the Acoustical Society of America. 27 (3): 595–612. Bibcode:1955ASAJ...27..595O. doi:10.1121/1.1907975. Archived from the original (reprint) on 2013-10-16. Retrieved 2013-01-21. The electronic music synthesizer is a machine that produces music from a coded record. The coded record, is produced by a musician, musical engineer, or composer with a fundamental understanding of the composition of sound. The electronic music synthesizer provides means for the production of a tone with any frequency, intensity, growth, duration, decay, portamento, timbre, vibrato, and variation. If these properties of a tone are specified, the tone can be completely described. ...
    Note: a paper about RCA Electronic Music Synthesizer, also known as Mark I, which was unveiled in 1955 and housed at Princeton University (according to Holmes 2012, pp. 179).

ethw.org (Global: low place; English: 7,456th place)

  • "RCA Mark I and Mark II Synthesizers". Engineering and Technology History Wiki. 2012. The success of the Mark I led to the creation of the Mark II, which had twice as many tone oscillators and gave the composer more flexibility.[verification needed]

furious.com (Global: 8,624th place; English: 5,168th place)

  • Gross, Jason (April 2000). "Milton Babbitt talks about "Philomel" , OHM- The Early Gurus of Electronic Music". Perfect Sound Forever. No. April 2000. Still going strong at age 84, renowned composer Milton Babbitt was a founding member of the Columbia-Princeton Electronic Center (see related article) where he created "Philomel," one of the first compositions of the synthesizer (available on New World Records).
    • "The Early Gurus of Electronic Music". Perfect Sound Forever. April 2000.

harvard.edu (Global: 18th place; English: 17th place)

ui.adsabs.harvard.edu

  • Olson & Belar 1955 Olson, Harry F.; Belar, Herbert (May 1955). "Electronic Music Synthesizer". Journal of the Acoustical Society of America. 27 (3): 595–612. Bibcode:1955ASAJ...27..595O. doi:10.1121/1.1907975. Archived from the original (reprint) on 2013-10-16. Retrieved 2013-01-21. The electronic music synthesizer is a machine that produces music from a coded record. The coded record, is produced by a musician, musical engineer, or composer with a fundamental understanding of the composition of sound. The electronic music synthesizer provides means for the production of a tone with any frequency, intensity, growth, duration, decay, portamento, timbre, vibrato, and variation. If these properties of a tone are specified, the tone can be completely described. ...
    Note: a paper about RCA Electronic Music Synthesizer, also known as Mark I, which was unveiled in 1955 and housed at Princeton University (according to Holmes 2012, pp. 179).

web.archive.org (Global: 1st place; English: 1st place)

  • Olson & Belar 1955 Olson, Harry F.; Belar, Herbert (May 1955). "Electronic Music Synthesizer". Journal of the Acoustical Society of America. 27 (3): 595–612. Bibcode:1955ASAJ...27..595O. doi:10.1121/1.1907975. Archived from the original (reprint) on 2013-10-16. Retrieved 2013-01-21. The electronic music synthesizer is a machine that produces music from a coded record. The coded record, is produced by a musician, musical engineer, or composer with a fundamental understanding of the composition of sound. The electronic music synthesizer provides means for the production of a tone with any frequency, intensity, growth, duration, decay, portamento, timbre, vibrato, and variation. If these properties of a tone are specified, the tone can be completely described. ...
    Note: a paper about RCA Electronic Music Synthesizer, also known as Mark I, which was unveiled in 1955 and housed at Princeton University (according to Holmes 2012, pp. 179).
  • "Wuorinen's story of Time's Encomium". Art of the States. Archived from the original on 2012-07-16.
  • "RCA Mark II". Synthmuseum.com. Archived from the original on July 10, 1997.; based on Forrest, Peter (1996). The A-Z of Analogue Synthesizers. N-Z Pt. 2. Devon, England: Susurreal Publishing. ISBN 978-0-95243770-3., copyright 1994 Peter Forrest; with additional help from Eric Chasalow

youtube.com (Global: 9th place; English: 13th place)