Raga (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Raga" in English language version.

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A Concordance to the Principal Upanishads and Bhagavadgita, GA Jacob, Motilal Banarsidass, page 787
Mundaka Upanishad, Robert Hume, Oxford University Press, page 373
Maitri Upanishad, Max Muller, Oxford University Press, page 299
Kaufmann 1968, p. 41. Kaufmann, Walter (1968). The Ragas of North India. Oxford & Indiana University Press. ISBN 978-0253347800. OCLC 11369.
Caudhurī 2000, pp. 48–50, 81. Caudhurī, Vimalakānta Rôya (2000). The Dictionary of Hindustani Classical Music. Motilal Banarsidass. ISBN 978-81-208-1708-1.
Coormaraswamy and Duggirala (1917). "The Mirror of Gesture". Harvard University Press. p. 4.; Also see chapter 36
Beck 2012, pp. 138–139. Quote: "A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz (2004, p. 13), 'In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)'".. Beck, Guy L. (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. Columbia: University of South Carolina Press. ISBN 978-1-61117-108-2. Schwartz, Susan L. (2004). Rasa: Performing the Divine in India. Columbia University Press. ISBN 978-0-231-13144-5.
Sastri 1943, pp. v–vi, ix–x (English), for raga discussion see pp. 169–274 (Sanskrit). Sastri, S.S., ed. (1943). Sangitaratnakara of Sarngadeva. Adyar: Adyar Library Press. ISBN 978-0-8356-7330-3.
W. Y. Evans-Wentz (2000). The Tibetan Book of the Great Liberation: Or the Method of Realizing Nirvana through Knowing the Mind. Oxford University Press. pp. 111 with footnote 3. ISBN 978-0-19-972723-0.
Kaufmann 1968, p. v. Kaufmann, Walter (1968). The Ragas of North India. Oxford & Indiana University Press. ISBN 978-0253347800. OCLC 11369.
Sastri 1943, p. xxii, Quote: "[In ancient Indian culture], the musical notes are the physical manifestations of the Highest Reality termed Nada-Brahman. Music is not a mere accompaniment in religious worship, it is religious worship itself".. Sastri, S.S., ed. (1943). Sangitaratnakara of Sarngadeva. Adyar: Adyar Library Press. ISBN 978-0-8356-7330-3.
Caudhurī 2000, pp. 150–151. Caudhurī, Vimalakānta Rôya (2000). The Dictionary of Hindustani Classical Music. Motilal Banarsidass. ISBN 978-81-208-1708-1.
Tenzer 2006, pp. 303–309. Tenzer, Michael (2006). Analytical Studies in World Music. Oxford University Press. ISBN 978-0-19-517789-3.

books.google.com

Titon et al. 2008, p. 284. Titon, Jeff Todd; Cooley; Locke; McAllester; Rasmussen (2008), Worlds of Music: An Introduction to the Music of the World's Peoples, Cengage, ISBN 978-0-534-59539-5
Wilke & Moebus 2011, pp. 222 with footnote 463. Wilke, Annette; Moebus, Oliver (2011). Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism. Walter de Gruyter. ISBN 978-3-11-024003-0.
Lochtefeld 2002, p. 545. Lochtefeld, James G. (2002). The Illustrated Encyclopedia of Hinduism, 2 Volume Set. The Rosen Publishing Group. ISBN 978-0823922871.
Nettl et al. 1998, pp. 65–67. Nettl, Bruno; Ruth M. Stone; James Porter; Timothy Rice (1998). The Garland Encyclopedia of World Music: South Asia: The Indian Subcontinent. New York and London: Routledge. ISBN 978-0-8240-4946-1.
Fabian, Renee Timmers & Emery Schubert 2014, pp. 173–174. Fabian, Dorottya; Renee Timmers; Emery Schubert (2014). Expressiveness in music performance: Empirical approaches across styles and cultures. Oxford University Press. ISBN 978-0-19-163456-7.
Hast, James R. Cowdery & Stanley Arnold Scott 1999, p. 137. Hast, Dorothea E.; James R. Cowdery; Stanley Arnold Scott (1999). Exploring the World of Music: An Introduction to Music from a World Music Perspective. Kendall Hunt. ISBN 978-0-7872-7154-1.
Kapoor 2005, pp. 46–52. Kapoor, Sukhbir S. (2005). Guru Granth Sahib – An Advance Study. Hemkunt Press. ISBN 978-81-7010-317-2.
Salhi 2013, pp. 183–84. Salhi, Kamal (2013). Music, Culture and Identity in the Muslim World: Performance, Politics and Piety. Routledge. ISBN 978-1-317-96310-3.
Nettl et al. 1998, pp. 107–108. Nettl, Bruno; Ruth M. Stone; James Porter; Timothy Rice (1998). The Garland Encyclopedia of World Music: South Asia: The Indian Subcontinent. New York and London: Routledge. ISBN 978-0-8240-4946-1.
Douglas Q. Adams (1997). Encyclopedia of Indo-European Culture. Routledge. pp. 572–573. ISBN 978-1-884964-98-5.
Robert E. Buswell Jr.; Donald S. Lopez Jr. (2013). The Princeton Dictionary of Buddhism. Princeton University Press. pp. 59, 68, 589. ISBN 978-1-4008-4805-8.
Thomas William Rhys Davids; William Stede (1921). Pali-English Dictionary. Motilal Banarsidass. pp. 203, 214, 567–568, 634. ISBN 978-81-208-1144-7.
Damien Keown (2004). A Dictionary of Buddhism. Oxford University Press. pp. 8, 47, 143. ISBN 978-0-19-157917-2.
Soubhik Chakraborty; Guerino Mazzola; Swarima Tewari; et al. (2014). Computational Musicology in Hindustani Music. Springer. pp. 6, 3–10. ISBN 978-3-319-11472-9.
Te Nijenhuis 1974, p. 3. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Nettl et al. 1998, pp. 73–74. Nettl, Bruno; Ruth M. Stone; James Porter; Timothy Rice (1998). The Garland Encyclopedia of World Music: South Asia: The Indian Subcontinent. New York and London: Routledge. ISBN 978-0-8240-4946-1.
Lal 2004, pp. 311–312. Lal, Ananda (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Kane 1971, pp. 30–39. Kane, Pandurang Vaman (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Te Nijenhuis 1974, p. 2. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Soubhik Chakraborty; Guerino Mazzola; Swarima Tewari; et al. (2014). Computational Musicology in Hindustani Music. Springer. pp. v–vi. ISBN 978-3-319-11472-9.;
Amiya Nath Sanyal (1959). Ragas and Raginis. Orient Longmans. pp. 18–20.
William Forde Thompson (2014). Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE Publications. pp. 1693–1694. ISBN 978-1-4833-6558-9.; Quote: "Some Hindus believe that music is one path to achieving moksha, or liberation from the cycle of rebirth", (...) "The principles underlying this music are found in the Samaveda, (...)".
Beck 2012, pp. 138–139. Quote: "A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz (2004, p. 13), 'In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)'".. Beck, Guy L. (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. Columbia: University of South Carolina Press. ISBN 978-1-61117-108-2. Schwartz, Susan L. (2004). Rasa: Performing the Divine in India. Columbia University Press. ISBN 978-0-231-13144-5.
Dalal 2014, p. 323. Dalal, Roshen (2014). Hinduism: An Alphabetical Guide. Penguin Books. ISBN 978-81-8475-277-9.
Denise Cush; Catherine Robinson; Michael York (2012). Encyclopedia of Hinduism. Routledge. pp. 87–88. ISBN 978-1-135-18979-2.
Nettl et al. 1998, pp. 247–253. Nettl, Bruno; Ruth M. Stone; James Porter; Timothy Rice (1998). The Garland Encyclopedia of World Music: South Asia: The Indian Subcontinent. New York and London: Routledge. ISBN 978-0-8240-4946-1.
Lavezzoli 2006, pp. 371–72. Lavezzoli, Peter (2006). The Dawn of Indian Music in the West. New York: Continuum. ISBN 978-0-8264-1815-9.
Gregory D. Booth; Bradley Shope (2014). More Than Bollywood: Studies in Indian Popular Music. Oxford University Press. pp. 65, 295–298. ISBN 978-0-19-992883-5.
Rowell 2015, pp. 12–13. Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
Kelting 2001, pp. 28–29, 84. Kelting, M. Whitney (2001). Singing to the Jinas: Jain Laywomen, Mandal Singing, and the Negotiations of Jain Devotion. Oxford University Press. ISBN 978-0-19-803211-3.
Kristen Haar; Sewa Singh Kalsi (2009). Sikhism. Infobase. pp. 60–61. ISBN 978-1-4381-0647-2.
Stephen Breck Reid (2001). Psalms and Practice: Worship, Virtue, and Authority. Liturgical Press. pp. 13–14. ISBN 978-0-8146-5080-6.
Pashaura Singh (2006). Guy L. Beck (ed.). Sacred Sound: Experiencing Music in World Religions. Wilfrid Laurier University Press. pp. 156–60. ISBN 978-0-88920-421-8.
Paul Vernon (1995). Ethnic and Vernacular Music, 1898–1960: A Resource and Guide to Recordings. Greenwood Publishing. p. 256. ISBN 978-0-313-29553-9.
Regula Qureshi (1986). Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali. Cambridge University Press. pp. xiii, 22–24, 32, 47–53, 79–85. ISBN 978-0-521-26767-0.
Alison Tokita; Dr. David W. Hughes (2008). The Ashgate Research Companion to Japanese Music. Ashgate Publishing. pp. 38–39. ISBN 978-0-7546-5699-9.
Frank Reynolds; Jason A. Carbine (2000). The Life of Buddhism. University of California Press. p. 184. ISBN 978-0-520-21105-6.
Fabian, Renee Timmers & Emery Schubert 2014, pp. 173–74. Fabian, Dorottya; Renee Timmers; Emery Schubert (2014). Expressiveness in music performance: Empirical approaches across styles and cultures. Oxford University Press. ISBN 978-0-19-163456-7.
Martinez 2001, pp. 95–96. Martinez, José Luiz (2001). Semiosis in Hindustani Music. Motilal Banarsidass. ISBN 978-81-208-1801-9.
van der Meer 2012, pp. 3–5. van der Meer, W. (2012). Hindustani Music in the 20th Century. Springer. ISBN 978-94-009-8777-7.
van der Meer 2012, p. 5. van der Meer, W. (2012). Hindustani Music in the 20th Century. Springer. ISBN 978-94-009-8777-7.
van der Meer 2012, pp. 6–8. van der Meer, W. (2012). Hindustani Music in the 20th Century. Springer. ISBN 978-94-009-8777-7.
Nettl et al. 1998, p. 67. Nettl, Bruno; Ruth M. Stone; James Porter; Timothy Rice (1998). The Garland Encyclopedia of World Music: South Asia: The Indian Subcontinent. New York and London: Routledge. ISBN 978-0-8240-4946-1.
Mehta 1995, pp. xxix, 248. Mehta, Tarla (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Jairazbhoy 1995, p. 45. Jairazbhoy, Nazir Ali (1995). The Rāgs of North Indian Music: Their Structure & Evolution (first revised Indian ed.). Bombay: Popular Prakashan. ISBN 978-81-7154-395-3.
Dehejia 2013, pp. 191–97. Dehejia, Vidya (2013). The Body Adorned: Sacred and Profane in Indian Art. New York: Columbia University Press. ISBN 978-0-231-51266-4.
Dehejia 2013, pp. 168–69. Dehejia, Vidya (2013). The Body Adorned: Sacred and Profane in Indian Art. New York: Columbia University Press. ISBN 978-0-231-51266-4.
Jairazbhoy 1995, p. ^{[page needed]}. Jairazbhoy, Nazir Ali (1995). The Rāgs of North Indian Music: Their Structure & Evolution (first revised Indian ed.). Bombay: Popular Prakashan. ISBN 978-81-7154-395-3.
Lavezzoli 2006, pp. 17–23. Lavezzoli, Peter (2006). The Dawn of Indian Music in the West. New York: Continuum. ISBN 978-0-8264-1815-9.
Randel 2003, pp. 813–21. Randel, Don Michael (2003). The Harvard Dictionary of Music (fourth ed.). Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2.
Te Nijenhuis 1974, pp. 35–36. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Paul Kocot Nietupski; Joan O'Mara (2011). Reading Asian Art and Artifacts: Windows to Asia on American College Campuses. Rowman & Littlefield. p. 59. ISBN 978-1-61146-070-4.
Te Nijenhuis 1974, p. 36. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Te Nijenhuis 1974, pp. 36–38. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Bryant, Edwin F. (2009-07-21). The Yoga Sutras of Patanjali: A New Edition, Translation, and Commentary with Insights from the Traditional Commentators. North Point Press. pp. 189–190. ISBN 978-0-86547-736-0.
Forster 2010, pp. 564–565, Quote: "In the next five sections, we will examine the evolution of South Indian ragas in the writings of Ramamatya (fl. c. 1550), Venkatamakhi (fl. c. 1620), and Govinda (c. 1800). These three writers focused on a theme common to all organizational systems, namely, the principle of abstraction. Ramamatya was the first Indian theorist to formulate a system based on a mathematically determined tuning. He defined (1) a theoretical 14-tone scale, (2) a practical 12-tone tuning, and (3) a distinction between abstract mela ragas and musical janya ragas. He then combined these three concepts to identify 20 mela ragas, under which he classified more than 60 janya ragas. Venkatamakhi extended (...).". Forster, Cris (2010). Musical Mathematics: On the Art and Science of Acoustic Instruments. Chronicle. ISBN 978-0-8118-7407-6. Indian Music: Ancient Beginnings – Natyashastra
Soubhik Chakraborty; Guerino Mazzola; Swarima Tewari; et al. (2014). Computational Musicology in Hindustani Music. Springer. pp. 15–16, 20, 53–54, 65–66, 81–82. ISBN 978-3-319-11472-9.
Te Nijenhuis 1974, p. 14. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Te Nijenhuis 1974, pp. 21–25. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Randel 2003, pp. 814–815. Randel, Don Michael (2003). The Harvard Dictionary of Music (fourth ed.). Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2.
Te Nijenhuis 1974, pp. 13–14, 21–25. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Randel 2003, p. 815. Randel, Don Michael (2003). The Harvard Dictionary of Music (fourth ed.). Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2.
Te Nijenhuis 1974, p. 32-34. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Te Nijenhuis 1974, pp. 14–25. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. BRILL Academic. ISBN 978-90-04-03978-0.
Reginald Massey; Jamila Massey (1996). The Music of India. Abhinav Publications. pp. 22–25. ISBN 978-81-7017-332-8.
Richa Jain (2002). Song of the Rainbow: A Work on Depiction of Music Through the Medium of Paintings in the Indian Tradition. Kanishka. pp. 26, 39–44. ISBN 978-81-7391-496-6.
Randel 2003, pp. 815–816. Randel, Don Michael (2003). The Harvard Dictionary of Music (fourth ed.). Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2.
Randel 2003, p. 816. Randel, Don Michael (2003). The Harvard Dictionary of Music (fourth ed.). Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2.
Nettl et al. 1998, pp. 457–467. Nettl, Bruno; Ruth M. Stone; James Porter; Timothy Rice (1998). The Garland Encyclopedia of World Music: South Asia: The Indian Subcontinent. New York and London: Routledge. ISBN 978-0-8240-4946-1.
Hormoz Farhat (2004). The Dastgah Concept in Persian Music. Cambridge University Press. pp. 97–99. ISBN 978-0-521-54206-7.

britannica.com

Nettl 2010. Nettl, Bruno (2010). "Raga, Indian Musical Genre". Encyclopædia Britannica.

chrysalis-foundation.org

Forster 2010, pp. 564–565, Quote: "In the next five sections, we will examine the evolution of South Indian ragas in the writings of Ramamatya (fl. c. 1550), Venkatamakhi (fl. c. 1620), and Govinda (c. 1800). These three writers focused on a theme common to all organizational systems, namely, the principle of abstraction. Ramamatya was the first Indian theorist to formulate a system based on a mathematically determined tuning. He defined (1) a theoretical 14-tone scale, (2) a practical 12-tone tuning, and (3) a distinction between abstract mela ragas and musical janya ragas. He then combined these three concepts to identify 20 mela ragas, under which he classified more than 60 janya ragas. Venkatamakhi extended (...).". Forster, Cris (2010). Musical Mathematics: On the Art and Science of Acoustic Instruments. Chronicle. ISBN 978-0-8118-7407-6. Indian Music: Ancient Beginnings – Natyashastra

doi.org

Mathur, Avantika; Vijayakumar, Suhas; Chakravarti, Bhismadev; Singh, Nandini (2015). "Emotional responses to Hindustani raga music: the role of musical structure". Frontiers in Psychology. 6: 513. doi:10.3389/fpsyg.2015.00513. PMC 4415143. PMID 25983702.
Dace 1963, p. 249. Dace, Wallace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Lidova 2014. Lidova, Natalia (2014). Natyashastra. Oxford University Press. doi:10.1093/obo/9780195399318-0071.
Brown 2014, p. 455, Quote:"Kirtan, (...), is the congregational singing of sacred chants and mantras in call-and-response format."; Also see, pp. 457, 474–475. Brown, Sara Black (2014). "Krishna, Christians, and Colors: The Socially Binding Influence of Kirtan Singing at a Utah Hare Krishna Festival". Ethnomusicology. 58 (3): 454–80. doi:10.5406/ethnomusicology.58.3.0454.
Powers 1984, pp. 352–353. Powers, Harold S. (1984). "Review: Sangita-Ratnakara of Sarngadeva, Translated by R.K. Shringy". Ethnomusicology. 28 (2): 352–355. doi:10.2307/850775. JSTOR 850775.
Rao, Suvarnalata; Rao, Preeti (2014). "An Overview of Hindustani Music in the Context of Computational Musicology". Journal of New Music Research. 43 (1): 31–33. CiteSeerX 10.1.1.645.9188. doi:10.1080/09298215.2013.831109. S2CID 36631020.
Ries 1969, p. 22. Ries, Raymond E. (1969). "The Cultural Setting of South Indian Music". Asian Music. 1 (2): 22–31. doi:10.2307/833909. JSTOR 833909.

firstpost.com

"Carnatic singer M Balamuralikrishna passes away in Chennai, Venkaiah Naidu offers condolences". Firstpost. 2016-11-22. Retrieved 2021-08-11.

ibiblio.org

Monier-Williams 1899, p. 872. Monier-Williams, Monier (1899), A Sanskrit-English Dictionary, London: Oxford University Press
Monier-Williams 1899. Monier-Williams, Monier (1899), A Sanskrit-English Dictionary, London: Oxford University Press

jstor.org

Dace 1963, p. 249. Dace, Wallace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Powers 1984, pp. 352–353. Powers, Harold S. (1984). "Review: Sangita-Ratnakara of Sarngadeva, Translated by R.K. Shringy". Ethnomusicology. 28 (2): 352–355. doi:10.2307/850775. JSTOR 850775.
Ries 1969, p. 22. Ries, Raymond E. (1969). "The Cultural Setting of South Indian Music". Asian Music. 1 (2): 22–31. doi:10.2307/833909. JSTOR 833909.

nih.gov

ncbi.nlm.nih.gov

Mathur, Avantika; Vijayakumar, Suhas; Chakravarti, Bhismadev; Singh, Nandini (2015). "Emotional responses to Hindustani raga music: the role of musical structure". Frontiers in Psychology. 6: 513. doi:10.3389/fpsyg.2015.00513. PMC 4415143. PMID 25983702.

pubmed.ncbi.nlm.nih.gov

Mathur, Avantika; Vijayakumar, Suhas; Chakravarti, Bhismadev; Singh, Nandini (2015). "Emotional responses to Hindustani raga music: the role of musical structure". Frontiers in Psychology. 6: 513. doi:10.3389/fpsyg.2015.00513. PMC 4415143. PMID 25983702.

psu.edu

citeseerx.ist.psu.edu

Rao, Suvarnalata; Rao, Preeti (2014). "An Overview of Hindustani Music in the Context of Computational Musicology". Journal of New Music Research. 43 (1): 31–33. CiteSeerX 10.1.1.645.9188. doi:10.1080/09298215.2013.831109. S2CID 36631020.

sanskritdocuments.org

Sanskrit: Natyasastra Chapter 28, नाट्यशास्त्रम् अध्याय २८, ॥ २१॥

semanticscholar.org

api.semanticscholar.org

Rao, Suvarnalata; Rao, Preeti (2014). "An Overview of Hindustani Music in the Context of Computational Musicology". Journal of New Music Research. 43 (1): 31–33. CiteSeerX 10.1.1.645.9188. doi:10.1080/09298215.2013.831109. S2CID 36631020.

sruti.com

Raja n.d., "Due to the influence of Amir Khan". Raja, Deepak S. (n.d.). "Marwa, Pooriya, and Sohini: The Tricky Triplets". Shruti.^{[full citation needed]}

thehindu.com

Ramakrishnan, Deepa H. (2016-11-23). "Balamurali, a legend, who created ragas with three swaras". The Hindu. ISSN 0971-751X. Retrieved 2021-08-11.

ucla.edu

ethnomusicologyreview.ucla.edu

Nazir Ali Jairazbhoy (1985), Harmonic Implications of Consonance and Dissonance in Ancient Indian Music, Pacific Review of Ethnomusicology 2:28–51. Citation on pp. 28–31.

worldcat.org

search.worldcat.org

Kaufmann 1968, p. 41. Kaufmann, Walter (1968). The Ragas of North India. Oxford & Indiana University Press. ISBN 978-0253347800. OCLC 11369.
Kaufmann 1968, p. v. Kaufmann, Walter (1968). The Ragas of North India. Oxford & Indiana University Press. ISBN 978-0253347800. OCLC 11369.
Ramakrishnan, Deepa H. (2016-11-23). "Balamurali, a legend, who created ragas with three swaras". The Hindu. ISSN 0971-751X. Retrieved 2021-08-11.