Rasa (aesthetics) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Rasa (aesthetics)" in English language version.

refsWebsite

Global rank English rank

21books.google.com

3^rd place

5doi.org

2^nd place

3archive.org

6^th place

3jstor.org

26^th place

20^th place

2worldcat.org

5^th place

2wikisource.org

27^th place

51^st place

1ibiblio.org

1,079^th place

789^th place

1britannica.com

40^th place

58^th place

1brill.com

1,840^th place

1,115^th place

1thenavarasa.com

low place

archive.org

Susan L. Schwartz (2004). Rasa: Performing the Divine in India. Columbia University Press. pp. 12–17. ISBN 978-0-231-13144-5.
Ghosh, Manomohan (2002). Natyasastra. p. 2 note 3. ISBN 81-7080-076-5.
Cooper, Darius (2000), The Cinema of Satyajit Ray: Between Tradition and Modernity, Cambridge University Press, pp. 1–4, ISBN 0-521-62980-2

books.google.com

Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 73, 102–106, 120. ISBN 978-1-4411-0381-9.
Ketu H. Katrak; Anita Ratnam (2014). Voyages of Body and Soul: Selected Female Icons of India and Beyond. Cambridge Scholars Publishing. p. 45. ISBN 978-1-4438-6115-1.
Rowell 2015, pp. 327–333. Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
W.S. Hanley (2012). Anna-Teresa Tymieniecka (ed.). Analecta Husserliana, Ingardeniana III: The Performing Arts, the Fine Arts, and Literature. Springer. pp. 299–300, 295–309. ISBN 978-94-011-3762-1.
Marc Benamou (2010). RASA: Affect and Intuition in Javanese Musical Aesthetics. Oxford University Press. pp. 122, 172–194. ISBN 978-0-19-971995-2.
Peter Lavezzoli (2006). The Dawn of Indian Music in the West. Bloomsbury Academic. p. 23. ISBN 978-0-8264-1815-9.
Emmie Te Nijenhuis 1974, pp. 34–42. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Sebastian Alackapally (2002). Being and Meaning: Reality and Language in Bhartṛhari and Heidegger. Motilal Banarsidass. pp. 78–97. ISBN 978-81-208-1803-3.
Harold G. Coward (1980). The Sphota Theory of Language: A Philosophical Analysis. Motilal Banarsidass. pp. 17–23. ISBN 978-81-208-0181-3.
Alice Boner; Sadāśiva Rath Śarmā; Bettina Bäumer (1996). The essence of form in sacred art. Motilal Banarsidass. pp. 72–78, 45–46, 57–58, 115–116, 121–122. ISBN 978-81-208-0090-8.
Alice Boner; Sadāśiva Rath Śarmā; Bettina Bäumer (1996). The essence of form in sacred art. Motilal Banarsidass. pp. 73–74. ISBN 978-81-208-0090-8.
Ariel Glucklich (1994). The Sense of Adharma. Oxford University Press. pp. 30–31. ISBN 978-0-19-508341-5.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 102–103. ISBN 978-1-4411-0381-9.
Laurie L. Patton (2005). Bringing the Gods to Mind: Mantra and Ritual in Early Indian Sacrifice. University of California Press. pp. 100–101. ISBN 978-0-520-93088-9.; For original text: Rigveda 1.187, Wikisource (in Sanskrit)
Dinkgrafe Daniel Meyer (2011). Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Publishing. p. 243. ISBN 978-1-4438-3491-9.; For Sanskrit original, see: तैत्तिरीयोपनिषद ब्रह्मानन्दवल्ली, Wikisource
Arindam Chakrabarti (2016). The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. Bloomsbury Academic. pp. 1–2. ISBN 978-1-4725-2430-0.
Narendra Nath Sarma (1994). Paṇḍitarāja Jagannātha, the Renowned Sanskrit Poet of Medieval India. Mittal Publications. p. 75. ISBN 978-81-7099-393-3.
Daniel Meyer-Dinkgräfe (2005). Approaches to Acting: Past and Present. Bloomsbury Academic. pp. 102–104, 155–156. ISBN 978-1-4411-0381-9.
Ananda Lal 2004, p. 308, 492. Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Tarla Mehta 1995, p. 24. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Pollock, Sheldon (26 April 2016). A Rasa Reader: Classical Indian Aesthetics. Columbia University Press. p. 48. ISBN 978-0-231-54069-8.

brill.com

Bäumer, Bettina (1 January 2008). "The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism". Religion and the Arts. 12 (1–3): 214–229. doi:10.1163/156852908X271033. ISSN 1079-9265.

britannica.com

Rasa: Indian Aesthetic Theory, Encyclopedia Britannica (2013)

doi.org

Natalia Lidova 2014 Natalia Lidova (2014). "Natyashastra". Oxford University Press. doi:10.1093/obo/9780195399318-0071.
Wallace Dace 1963, pp. 249–252. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Wallace Dace 1963, pp. 249–250. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Bäumer, Bettina (1 January 2008). "The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism". Religion and the Arts. 12 (1–3): 214–229. doi:10.1163/156852908X271033. ISSN 1079-9265.
Long, Jeffery D.; Sherma, Rita D.; Jain, Pankaj; Khanna, Madhu, eds. (2022). Hinduism and Tribal Religions. Encyclopedia of Indian Religions. Dordrecht: Springer Netherlands. pp. 85–86. doi:10.1007/978-94-024-1188-1. ISBN 978-94-024-1187-4.

ibiblio.org

Monier Monier-Williams (1899), Rasa, Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford)

jstor.org

Wallace Dace 1963, pp. 249–252. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Wallace Dace 1963, pp. 249–250. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Hardikar, A. R. (1994). "The Aesthetic Appreciator or Sahṛdaya". Annals of the Bhandarkar Oriental Research Institute. 75 (1/4): 265–272. ISSN 0378-1143.

thenavarasa.com

"The Navarasa". Retrieved 22 April 2012.

wikisource.org

sa.wikisource.org

Laurie L. Patton (2005). Bringing the Gods to Mind: Mantra and Ritual in Early Indian Sacrifice. University of California Press. pp. 100–101. ISBN 978-0-520-93088-9.; For original text: Rigveda 1.187, Wikisource (in Sanskrit)
Dinkgrafe Daniel Meyer (2011). Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Publishing. p. 243. ISBN 978-1-4438-3491-9.; For Sanskrit original, see: तैत्तिरीयोपनिषद ब्रह्मानन्दवल्ली, Wikisource

worldcat.org

search.worldcat.org

Hardikar, A. R. (1994). "The Aesthetic Appreciator or Sahṛdaya". Annals of the Bhandarkar Oriental Research Institute. 75 (1/4): 265–272. ISSN 0378-1143.
Bäumer, Bettina (1 January 2008). "The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism". Religion and the Arts. 12 (1–3): 214–229. doi:10.1163/156852908X271033. ISSN 1079-9265.