Rashomon effect (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Rashomon effect" in English language version.

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academia.edu

  • Choe, Steve (2017–18). "Park Chan-wook's Critique of Moral Judgment: The Handmaiden (2016)" (PDF). Studies in the Humanities. 44 & 45 (1 & 2). Indiana University of Pennsylvania: 20. On the other hand, the very structure of The Handmaiden may be read to interrupt these pleasures and the sense of moral certitude that underpins it. Rashomon-like, the two parts of Park's film provide the viewer with two perspectives on the same event.

archive.org

  • Davenport, Christian (2010). "Rashomon Effect, Observation, and Data Generation". Media Bias, Perspective, and State Repression: The Black Panther Party. Cambridge, UK: Cambridge University Press. pp. 52–73, esp. 55. ISBN 9780521759700.
  • Alia, Valerie (1997). "The Rashomon Principle: The Journalist as Ethnographer". In Alia, Valerie; Brennan, Brian; Hoffmaster, Barry (eds.). Deadlines and Diversity: Journalism Ethics in a Changing World. Halifax, CAN: Fernwood. ISBN 9781895686548.

austlii.edu.au

  • The Australian Institute for Progress Ltd v The Electoral Commission of Queensland & Ors (No 2) [2020] QSC 174 (15 June 2020), Supreme Court (Qld, Australia).

avclub.com

  • Handlen, Zack (June 11, 2011). "The X-Files: "Bad Blood" / Millennium : "Luminary"". The A.V Club. Retrieved November 5, 2024. This is a Rashomon episode, in which much of the running time is given over to either Mulder or Scully explaining their version of events.

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  • Bernstein, Richard (April 3, 1998). "'An Instance Of The Fingerpost': Many Voices Tell An Intricate Tale". The New York Times. Retrieved August 16, 2024. "An Instance of the Fingerpost" is told "Rashomon" style, by four different narrators, each of whom has only a partial understanding of events and only one of whom makes telling the truth his primary purpose.

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theatlantic.com

  • Sims, David (2021-10-13). "Ridley Scott's New Film Plays a Masterly Trick". The Atlantic. Retrieved 2024-08-16. The story is told in the style of Rashomon, the 1950 film in which the same murder is recounted by several different characters. But Rashomon underscored the subjective nature of truth; in The Last Duel, each new storyteller works to peel back the self-aggrandizement of the last.

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