Richard Wagner (English Wikipedia)

Management record Archived 28 January 2013 at the Wayback Machine at Bayreuth Festival website, accessed 26 January 2013.
Statutes of the Foundation (in German) Archived 17 October 2010 at the Wayback Machine at Bayreuth Festival website, accessed 26 January 2013.

bh.org.il

dbs.bh.org.il

On the Brühl as a centre of the Jewish quarter, see e.g. the Leipzig page of the Museum of the Jewish People website, and the Leo Baeck Institute page on the Jewish history of Leipzig, also the "Destroyed German Synagogues" site page on Leipzig, (all accessed 19 April 2020.)

blueyonder.co.uk

smerus.pwp.blueyonder.co.uk

Conway 2002. Conway, David (2002). "A Vulture is Almost an Eagle' ... The Jewishness of Richard Wagner". Jewry in Music. Archived from the original on 3 December 2012. Retrieved 23 November 2012.

books.google.com

Kienzle 2005, p. 81. Kienzle, Ulrike (2005). "Parsifal and Religion: A Christian Music Drama?". In Kinderman, William; Syer, Katherine Rae (eds.). A Companion To Wagner's Parsifal. Woodbridge: Boydell & Brewer. pp. 81–132. ISBN 978-1-57113-457-8.
Joe 2010, p. 23, n.45. Joe, Jeongwon (2010). "Why Wagner and Cinema? Tolkien was wrong". In Joe, Jeongwon; Gilman, Sander L. (eds.). Wagner and Cinema. Bloomington: Indiana University Press. ISBN 978-0-253-22163-6.
Chandler, Andrew; Stokłosa, Katarzyna; Vinzent, Jutta. Exile and Patronage: Cross-cultural Negotiations Beyond the Third Reich. Münster: LIT Verlag. p. 4.

digitale-sammlungen.de

periodika.digitale-sammlungen.de

Körner (1984), 326. Körner, Hans (1984). "Der Bayerische Maximiliansorden für Wissenschaft und Kunst und seine Mitglieder". Zeitschrift für Bayerische Landesgeschichte (in German). 47: 299–398. Archived from the original on 19 July 2018. Retrieved 26 February 2018.

doi.org

Millington 2002b. Millington, Barry (2002b) [1992]. "Parsifal". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O002803. (subscription or UK public library membership required)
Millington 2001b. Millington, Barry (2001b). "Wesendonck [Wesendonk; née Luckemeyer], Mathilde". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.30144. (subscription or UK public library membership required)
Cormack 2005, pp. 21–25. Cormack, David (Spring 2005). "'Wir welken und sterben dahinnen': Carrie Pringle and the Solo Flowermaidens of 1882". The Musical Times. 146 (1890). Musical Times Publications Ltd.: 16–31. doi:10.2307/30044066. JSTOR 30044066.
Skelton 2002. Skelton, Geoffrey (2002) [2001]. "Bayreuth". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.40950. Retrieved 20 December 2009. (subscription or UK public library membership required)
Millington 2002c. Millington, Barry (2002c) [1992]. "Walküre, Die". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O003661. (subscription or UK public library membership required)
Millington 2002a. Millington, Barry (2002a) [1992]. "Meistersinger von Nürnberg, Die". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O003512. (subscription or UK public library membership required)
Sietz & Wiegandt 2001. Sietz, Reinhold; Wiegandt, Matthias (2001). "Hiller, Ferdinand". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.13041. Retrieved 23 July 2010. (subscription or UK public library membership required)
See Bruen 1993 Bruen, Hanan (Spring 1993). "Wagner in Israel: A conflict among Aesthetic, Historical, Psychological and Social Considerations". Journal of Aesthetic Education. 27 (1). University of Illinois Press: 99–103. doi:10.2307/3333345. JSTOR 3333345.

fabermusic.com

Faber Music News 2007, p. 2. "Faber Music News" (PDF). Faber Music. Autumn 2007. Archived from the original (PDF) on 2 April 2016.

germansynagogues.com

On the Brühl as a centre of the Jewish quarter, see e.g. the Leipzig page of the Museum of the Jewish People website, and the Leo Baeck Institute page on the Jewish history of Leipzig, also the "Destroyed German Synagogues" site page on Leipzig, (all accessed 19 April 2020.)

gutenberg.org

cf. Shaw 1898 Shaw, George Bernard (1898). The Perfect Wagnerite. London: Grant Richards. Online version at Gutenberg, Retrieved 20 July 2010.
Shaw 1898, Introduction. Shaw, George Bernard (1898). The Perfect Wagnerite. London: Grant Richards. Online version at Gutenberg, Retrieved 20 July 2010.

imdb.com

See entries for these films at the Internet Movie Database (IMDb).

imslp.net

hz.imslp.net

Normally the orchestration by Felix Mottl is used (score available at IMSLP website), although Wagner arranged one of the songs for chamber orchestra.^[75]

imslp.org

Normally the orchestration by Felix Mottl is used (score available at IMSLP website), although Wagner arranged one of the songs for chamber orchestra.^[75]

jstor.org

Cormack 2005, pp. 21–25. Cormack, David (Spring 2005). "'Wir welken und sterben dahinnen': Carrie Pringle and the Solo Flowermaidens of 1882". The Musical Times. 146 (1890). Musical Times Publications Ltd.: 16–31. doi:10.2307/30044066. JSTOR 30044066.
Zenk, Christina (2017). "Die "Walküren" und kein Ende: Eine Systematisierung von Referenztypen in Filmen". Archiv für Musikwissenschaft (in German). 74 (2): 78–102. ISSN 0003-9292. JSTOR 26332326. Retrieved 19 May 2023.
See Bruen 1993 Bruen, Hanan (Spring 1993). "Wagner in Israel: A conflict among Aesthetic, Historical, Psychological and Social Considerations". Journal of Aesthetic Education. 27 (1). University of Illinois Press: 99–103. doi:10.2307/3333345. JSTOR 3333345.

laibach.org

"Volkswagner". Laibach. Retrieved 24 December 2012.

lbi.org

On the Brühl as a centre of the Jewish quarter, see e.g. the Leipzig page of the Museum of the Jewish People website, and the Leo Baeck Institute page on the Jewish history of Leipzig, also the "Destroyed German Synagogues" site page on Leipzig, (all accessed 19 April 2020.)

marxists.org

Lukacs, György (1937). "Richard Wagner as a "True Socialist"". Литературные теории XIX века и марксизм" (Nineteenth Century Literary Theories and Marxism). Translated by P., Anton. Moscow: State Publishing House of the USSR.
Lunacharsky, Anatoly (1965) [1933]. "Richard Wagner (On the 50th Anniversary of His Death)". On Literature and Art. Translated by Pyman, Avril. Moscow: Progress Publishers.

monsalvat.no

Everett (2020). Everett, Derrick (18 April 2020). "Parsifal and Race – claims and refutations: Wagner, Gobineau and Parsifal – Gobineau as the inspiration for Parsifal". Archived from the original on 19 March 2022. Retrieved 10 May 2020.

newcriterion.com

Penrose, James F. (September 2020). "The "old sorcerer"". The New Criterion. Vol. 39, no. 1. New York: Foundation for Cultural Review. p. 63. Retrieved 16 June 2023.

nybooks.com

Sontag 1980; Kaes 1989, pp. 44, 63 Sontag, Susan (21 February 1980). "Eye of the Storm". The New York Review of Books. XXVII (2): 36–43. Reprinted as "Syberberg's Hitler". Under the Sign of Saturn. New York: Farrar, Straus and Giroux. 1980. pp. 137–165. ISBN 978-0-86316-052-3. Kaes, Anton (1989). From Hitler to Heimat: The Return of History as Film. Cambridge: Harvard University Press. ISBN 978-0-674-32456-5.

operabase.com

See performance listings by opera in Operabase, and the Wikipedia articles Der fliegende Holländer discography, Tannhäuser discography and Lohengrin discography.

ort.org

holocaustmusic.ort.org

Fackler 2007. See also the Music and the Holocaust website. Fackler, Guido (Winter 2007). "Music in Concentration Camps 1933–1945". Music and Politics. 1 (1). Translated by Peter Logan. Archived from the original on 21 June 2010.

oxforddnb.com

Biddiss, Michael (n.d.) "Chamberlain, Houston Stewart" in Oxford Dictionary of National Biography

oxfordmusiconline.com

Millington 2002b. Millington, Barry (2002b) [1992]. "Parsifal". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O002803. (subscription or UK public library membership required)
Millington 2001b. Millington, Barry (2001b). "Wesendonck [Wesendonk; née Luckemeyer], Mathilde". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.30144. (subscription or UK public library membership required)
Skelton 2002. Skelton, Geoffrey (2002) [2001]. "Bayreuth". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.40950. Retrieved 20 December 2009. (subscription or UK public library membership required)
Millington 2002c. Millington, Barry (2002c) [1992]. "Walküre, Die". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O003661. (subscription or UK public library membership required)
Millington 2002a. Millington, Barry (2002a) [1992]. "Meistersinger von Nürnberg, Die". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.O003512. (subscription or UK public library membership required)
Sietz & Wiegandt 2001. Sietz, Reinhold; Wiegandt, Matthias (2001). "Hiller, Ferdinand". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.13041. Retrieved 23 July 2010. (subscription or UK public library membership required)

psychiatryonline.org

ajp.psychiatryonline.org

Horton 1999. Horton, Paul C. (July 1999). Feder, Stuart (ed.). "Review of Psychoanalytic Explorations in Music: Second Series". The American Journal of Psychiatry. 156 (1109–1110).

richard-wagner-verband.de

"Richard-Wagner-Verband-International". International Association of the Wagner Societies. Archived from the original on 5 June 2011. Retrieved 1 February 2013.

rollingstone.com

Sheffield, Rob (21 April 2021). "A Toast to Jim Steinman: The Songwriting Powder Keg Who Kept Giving Off Sparks". Rolling Stone. Retrieved 15 May 2022.

stanford.edu

opera.stanford.edu

For example, Der fliegende Holländer (Dutchman) was first performed in London in 1870 and in the US (Philadelphia) in 1876; Tannhäuser in New York in 1859 and in London in 1876; Lohengrin in New York in 1871 and London in 1875.^[165] For detailed performance histories including other countries, see Stanford University Wagner site, under each opera.

stern.de

Reissman 2004. Reissman, Carla S. (17 February 2004). "Rammstein meets Wagner". Stern. Archived from the original on 19 January 2015. Retrieved 31 October 2012.

syberberg.de

Sontag 1980; Kaes 1989, pp. 44, 63 Sontag, Susan (21 February 1980). "Eye of the Storm". The New York Review of Books. XXVII (2): 36–43. Reprinted as "Syberberg's Hitler". Under the Sign of Saturn. New York: Farrar, Straus and Giroux. 1980. pp. 137–165. ISBN 978-0-86316-052-3. Kaes, Anton (1989). From Hitler to Heimat: The Return of History as Film. Cambridge: Harvard University Press. ISBN 978-0-674-32456-5.

time.com

content.time.com

E.g. in Walsh 1992 Walsh, Michael (13 January 1992). "The Case of Wagner – Again". Time. Retrieved 4 September 2021.

ucsb.edu

music.ucsb.edu

Fackler 2007. See also the Music and the Holocaust website. Fackler, Guido (Winter 2007). "Music in Concentration Camps 1933–1945". Music and Politics. 1 (1). Translated by Peter Logan. Archived from the original on 21 June 2010.

uni-wuerzburg.de

musikwissenschaft.uni-wuerzburg.de

"Richard Wagner Schriften (RWS). Historisch-kritische Gesamtausgabe" [Richard Wagner Writings (RWS). Historical-Critical Complete Edition] (in German). University of Würzburg. Retrieved 5 February 2021.
"Richard-Wagner-Briefausgabe" (in German). Universität Würzburg. Retrieved 5 February 2021.

viu.ca

records.viu.ca

Nietzsche 2009, III, p. 5.. Nietzsche, Friedrich (2009) [1887]. "On the Genealogy of Morals – A Polemical Tract". records.viu.ca. Translated by Johnston, Ian C. Archived from the original on 8 August 2013. Retrieved 14 March 2014.

wagnerjahr2013.de

Wagnerjahr 2013 Archived 7 February 2013 at the Wayback Machine website, accessed 14 November 2012

web.archive.org

Nietzsche 2009, III, p. 5.. Nietzsche, Friedrich (2009) [1887]. "On the Genealogy of Morals – A Polemical Tract". records.viu.ca. Translated by Johnston, Ian C. Archived from the original on 8 August 2013. Retrieved 14 March 2014.
Körner (1984), 326. Körner, Hans (1984). "Der Bayerische Maximiliansorden für Wissenschaft und Kunst und seine Mitglieder". Zeitschrift für Bayerische Landesgeschichte (in German). 47: 299–398. Archived from the original on 19 July 2018. Retrieved 26 February 2018.
The WWV is available online Archived 12 March 2007 at the Wayback Machine in German (accessed 30 October 2012)
Wagnerjahr 2013 Archived 7 February 2013 at the Wayback Machine website, accessed 14 November 2012
Reissman 2004. Reissman, Carla S. (17 February 2004). "Rammstein meets Wagner". Stern. Archived from the original on 19 January 2015. Retrieved 31 October 2012.
"Richard-Wagner-Verband-International". International Association of the Wagner Societies. Archived from the original on 5 June 2011. Retrieved 1 February 2013.
Faber Music News 2007, p. 2. "Faber Music News" (PDF). Faber Music. Autumn 2007. Archived from the original (PDF) on 2 April 2016.
Management record Archived 28 January 2013 at the Wayback Machine at Bayreuth Festival website, accessed 26 January 2013.
Statutes of the Foundation (in German) Archived 17 October 2010 at the Wayback Machine at Bayreuth Festival website, accessed 26 January 2013.
Conway 2002. Conway, David (2002). "A Vulture is Almost an Eagle' ... The Jewishness of Richard Wagner". Jewry in Music. Archived from the original on 3 December 2012. Retrieved 23 November 2012.
Everett (2020). Everett, Derrick (18 April 2020). "Parsifal and Race – claims and refutations: Wagner, Gobineau and Parsifal – Gobineau as the inspiration for Parsifal". Archived from the original on 19 March 2022. Retrieved 10 May 2020.
Fackler 2007. See also the Music and the Holocaust website. Fackler, Guido (Winter 2007). "Music in Concentration Camps 1933–1945". Music and Politics. 1 (1). Translated by Peter Logan. Archived from the original on 21 June 2010.

worldcat.org

Zenk, Christina (2017). "Die "Walküren" und kein Ende: Eine Systematisierung von Referenztypen in Filmen". Archiv für Musikwissenschaft (in German). 74 (2): 78–102. ISSN 0003-9292. JSTOR 26332326. Retrieved 19 May 2023.
Cited in Michotte 1968, pp. 135–136; conversation between Rossini and Emile Naumann, recorded in Naumann 1876, IV, p. 5 Michotte, Edmond (1968). Weinstock, Herbert (ed.). Richard Wagner's Visit to Rossini (Paris 1860): and an Evening at Rossini's in Beau-Sejour (Passy) 1858. Translated by Weinstock, Herbert. Chicago: University of Chicago Press. ISBN 978-0-226-52442-9. Naumann, Emil (1876). Italienische Tondichter, von Palestrina bis auf die Gegenwart [Italian Composers, From Palestrina to the Present Day] (in German). Berlin: R. Oppenheim. OCLC 12378618.
Warshaw 2012, pp. 77–78. Warshaw, Hilary (2012). "No Sound of Music". The Wagner Journal. 6 (2): 77–79. ISSN 1755-0173.
See Karlsson 2012, pp. 35–52 Karlsson, Jonas (2012). "'In that hour it began'? Hitler, Rienzi, and the Trustworthiness of August Kubizek's The Young Hitler I Knew". The Wagner Journal. 6 (2): 33–47. ISSN 1755-0173.

wqxr.org

Giovetti, Olivia (10 December 2011). "Silver Screen Wagner Vies for Oscar Gold". WQXR-FM. Retrieved 15 April 2012.