Rock music (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Rock music" in English language version.

refsWebsite

Global rank English rank

74web.archive.org

1^st place

44allmusic.com

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28webcitation.org

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289^th place

11archive.org

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11books.google.com

3^rd place

9rollingstone.com

47^th place

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7unt.edu

1,336^th place

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6robertchristgau.com

817^th place

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5theguardian.com

12^th place

11^th place

4forbes.com

54^th place

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4nytimes.com

7^th place

4about.com

216^th place

186^th place

3worldcat.org

5^th place

3pitchfork.com

159^th place

112^th place

3billboard.com

19^th place

18^th place

2archive.today

14^th place

2usatoday.com

41^st place

34^th place

1masterclass.com

9,085^th place

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1vulture.com

126^th place

84^th place

1seeker.com

low place

1liveabout.com

5,407^th place

4,097^th place

1arquivo.pt

1,668^th place

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1qz.com

1,110^th place

695^th place

1adioslounge.com

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1buzz.ie

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1nostalgiacentral.com

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1britannica.com

40^th place

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1cnn.com

28^th place

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1richieunterberger.com

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1tripod.com

549^th place

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1ucla.edu

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1nbcnews.com

137^th place

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1metrotimes.com

6,091^st place

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1signonsandiego.com

2,298^th place

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1seattletimes.com

519^th place

316^th place

1questia.com

1,201^st place

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1mtv.com

80^th place

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1popmatters.com

631^st place

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1bbc.co.uk

8^th place

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1jimdero.com

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1today.com

396^th place

242^nd place

1genius.com

955^th place

729^th place

1kdot.com

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1udiscovermusic.com

2,803^rd place

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1festicket.com

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1ew.com

35^th place

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1chartmetric.com

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1vice.com

175^th place

137^th place

1theverge.com

114^th place

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1medium.com

551^st place

406^th place

1mixdownmag.com.au

low place

1diymag.com

3,875^th place

2,135^th place

1europavox.com

low place

1doomedandstoned.com

low place

1nme.com

128^th place

91^st place

1thequietus.com

2,163^rd place

1,236^th place

1npr.org

92^nd place

72^nd place

1stereogum.com

835^th place

490^th place

1rtbf.be

1,099^th place

3,910^th place

1glidemagazine.com

8,344^th place

4,533^rd place

1guitarworld.com

1,575^th place

916^th place

1loudwire.com

698^th place

465^th place

1rebeatmag.com

low place

1doi.org

2^nd place

1semanticscholar.org

11^th place

8^th place

1gatech.edu

4,448^th place

2,923^rd place

1ok.co.uk

3,463^rd place

1,887^th place

1imdb.com

16^th place

23^rd place

about.com

rock.about.com

T. Grierson, "Post-Grunge: A History of Post-Grunge Rock", About.com, archived from the original on 14 May 2011
T. Grierson, "What Is Rap-Rock: A Brief History of Rap-Rock" Archived 29 December 2016 at the Wayback Machine, About.com. Retrieved 31 December 2008.

80music.about.com

S. Peake, "Heartland Rock", About.com, archived from the original on 12 May 2011

top40.about.com

W. Lamb, "Punk Pop", About.com, archived from the original on 16 May 2011

adioslounge.com

Davis, Lance (8 March 2011). "Get It Low: The Dirty Guitar of Junior Barnard". The Adios Lounge. Archived from the original on 12 July 2018. Retrieved 11 November 2022.

allmusic.com

Bill Dahl, "Jimmy Preston", AllMusic, archived from the original on 20 May 2016, retrieved 27 April 2012
"Rockabilly", AllMusic, archived from the original on 11 February 2011.
"British Invasion", AllMusic, archived from the original on 11 February 2011.
"Britpop", AllMusic, archived from the original on 12 February 2011.
"Blues-rock", AllMusic, archived from the original on 12 February 2011.
R. Unterberger, "The Beatles: I'm a Loser", AllMusic, archived from the original on 12 February 2011.
"Prog rock", AllMusic, archived from the original on 12 February 2011.
B. Eder, "Renaissance", AllMusic, archived from the original on 12 February 2011.
"Jazz-Rock Music Genre Overview", AllMusic, archived from the original on 16 February 2011
"Glam rock", AllMusic, archived from the original on 12 February 2011.
"Hard Rock", AllMusic, archived from the original on 12 February 2011.
S.T. Erlewine, "Queen", AllMusic, archived from the original on 12 February 2011.
J. Dougan, "Thin Lizzy", AllMusic, archived from the original on 12 February 2011.
"Heartland Rock", AllMusic, archived from the original on 13 February 2011.
S.T. Erlewine, "The Killers: Sam's Town", Rolling Stone, archived from the original on 29 April 2011
"Industrial rock", AllMusic, archived from the original on 1 January 2011
S.T. Erlewine, "The Smiths", AllMusic, archived from the original on 16 July 2011
S.T. Erlewine, "R.E.M.", AllMusic, archived from the original on 28 June 2011
"College rock", AllMusic, archived from the original on 29 December 2010
"Shoegaze", AllMusic, archived from the original on 24 February 2011
"Grunge", AllMusic, archived from the original on 13 February 2011.
"Post-grunge", AllMusic, archived from the original on 13 February 2011.
"Punk Pop", AllMusic, archived from the original on 17 February 2011.
S.T. Erlewine, "Weezer", AllMusic, archived from the original on 13 February 2011.
"Indie rock", AllMusic, archived from the original on 5 January 2011
"Post rock", AllMusic, archived from the original on 14 February 2011.
"Math rock", AllMusic, archived from the original on 14 February 2011.
"Space rock", AllMusic, archived from the original on 12 June 2022
"Sadcore", AllMusic, archived from the original on 14 February 2011.
"Chamber pop", AllMusic, archived from the original on 14 February 2011.
"Alternative Metal", AllMusic, archived from the original on 14 February 2011.
W. Ruhlmann, "Blondie", AllMusic, archived from the original on 15 January 2011
D.A. Guarisco, "The Clash: The Magnificent Seven", AllMusic, archived from the original on 14 February 2011.
"Rap-Metal", AllMusic, 15 October 2008, archived from the original on 2 April 2012
"British Trad Rock", AllMusic, archived from the original on 17 February 2011.
M. Wilson, "Stereophonics: You Gotta Go There to Come Back", AllMusic, archived from the original on 14 February 2011.
H. Phares, "Travis", AllMusic, archived from the original on 14 February 2011.
A. Ogg, "Stereophonics", AllMusic, archived from the original on 21 January 2011
A. Leahey, "Coldplay", AllMusic, archived from the original on 14 January 2011
"Post-hardcore", AllMusic, archived from the original on 5 May 2011
"Emo", AllMusic, archived from the original on 15 February 2011.
"Screamo", AllMusic, archived from the original on 21 March 2012, retrieved 25 May 2011
H. Phares, "Franz Ferdinand: Franz Ferdinand (Australia Bonus CD)", AllMusic, archived from the original on 16 February 2011.
"New Wave/Post-Punk Revival", AllMusic, archived from the original on 16 February 2011.

archive.org

W. E. Studwell and D. F. Lonergan, The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s (Abingdon: Routledge, 1999), ISBN 0-7890-0151-9 p.xi
J.M. Curtis, Rock Eras: Interpretations of Music and Society, 1954–1984 (Madison, WI: Popular Press, 1987), ISBN 0-87972-369-6, pp. 68–73.
Campbell, Michael; Brody, James (2007). Rock and Roll: An Introduction (2nd ed.). Belmont, CA: Thomson Schirmer. pp. 80–81. ISBN 978-0-534-64295-2.
P. Théberge, Any Sound you can Imagine: Making Music/Consuming Technology (Middletown, CT, Wesleyan University Press, 1997), ISBN 0-8195-6309-9, pp. 69–70.
J. Covach, "From craft to art: formal structure in the music of the Beatles", in K. Womack and Todd F. Davis, eds, Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four (New York: SUNY Press, 2006), ISBN 0-7914-6715-5, p. 40.
P. Wicke, Rock Music: Culture, Aesthetics and Sociology (Cambridge: Cambridge University Press, 1990), ISBN 0-521-39914-9, p. x.
Christgau, Robert; et al. (2000). McKeen, William (ed.). Rock & Roll Is Here to Stay: An Anthology. W.W. Norton & Company. pp. 564–65, 567. ISBN 0-393-04700-8.
McDonald, Chris (2009). Rush, Rock Music and the Middle Class: Dreaming in Middletown. Bloomington, IN: Indiana University Press. pp. 108–09. ISBN 978-0-253-35408-2.
S. Waksman, Instruments of Desire: the Electric Guitar and the Shaping of Musical Experience (Cambridge, MA: Harvard University Press, 2001), ISBN 0-674-00547-3, p. 176.
T. Warner, Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution (Aldershot: Ashgate, 2003), ISBN 0-7546-3132-X, pp. 3–4.
R. Beebe, D. Fulbrook and B. Saunders, "Introduction" in R. Beebe, D. Fulbrook, B. Saunders, eds, Rock Over the Edge: Transformations in Popular Music Culture (Durham, NC: Duke University Press, 2002), ISBN 0-8223-2900-X, p. 7.

archive.today

K. Sanneh (3 December 2000), "Rappers Who Definitely Know How to Rock", The New York Times, archived from the original on 14 July 2012
For example, vocalists Girls Aloud are referred to as a "girl band" in OK magazine Archived 1 November 2012 at the Wayback Machine and the Guardian, while Girlschool are termed a "girl group" at the imdb and Belfast Telegraph.

arquivo.pt

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bbc.co.uk

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billboard.com

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books.google.com

Campbell, Michael; Brody, James (2007). Rock and Roll: An Introduction (2nd ed.). Belmont, CA: Thomson Schirmer. pp. 80–81. ISBN 978-0-534-64295-2.
Campbell & Brody 2007, p. 117
Frith, Simon (2007). Taking Popular Music Seriously: Selected Essays. Aldershot, England: Ashgate Publishing. pp. 43–44. ISBN 978-0-7546-2679-4. Archived from the original on 6 April 2023. Retrieved 27 March 2023.
Collis, John (2002). Chuck Berry: The Biography. Aurum. p. 38. ISBN 978-1-85410-873-9. Archived from the original on 8 February 2023. Retrieved 17 October 2015.
Hicks, Michael (2000). Sixties Rock: Garage, Psychedelic, and Other Satisfactions. University of Illinois Press. p. 17. ISBN 0-252-06915-3.
Simonelli, David (2013). Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. Lanham, MD: Lexington Books. pp. 96–97. ISBN 978-0-7391-7051-9. Archived from the original on 16 November 2023. Retrieved 4 June 2021.
Jeff Wagner (2010). Mean Deviation: Four Decades of Progressive Heavy Metal. Bazillion Points Books. p. 242. ISBN 978-0-9796163-3-4.
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Koskoff, E. (2017). The Garland Encyclopedia of World Music: The United States and Canada. Taylor & Francis. p. 1253. ISBN 978-1-351-54414-6. Archived from the original on 10 June 2024. Retrieved 14 February 2020.
S. Borthwick and R. Moy (2004), Popular Music Genres: an Introduction, Edinburgh: Edinburgh University Press, pp. 121–23, ISBN 0-7486-1745-0, archived from the original on 10 June 2024, retrieved 19 November 2020

britannica.com

I.A. Robbins, "British Invasion", Encyclopædia Britannica, archived from the original on 21 December 2010

buzz.ie

"Throwback tune of the day: Nowhere to Go – The Four Freshmen". Buzz.ie. Archived from the original on 8 March 2021. Retrieved 25 February 2021.

chartmetric.com

blog.chartmetric.com

Joven, Jason; Rosenborg, Rutger A.; Seekhao, Nuttiiya; Yuen, Michelle (23 April 2020). "COVID-19's Effect on the Global Music Business, Part 1: Genre". Chartmetric.

cnn.com

T. Leopold (5 February 2004), When the Beatles hit America CNN February 10, 2004, CNN, archived from the original on 11 April 2010

diymag.com

"Psychedelic Porn Crumpets - Fronzoli". DIY. 8 November 2023. Retrieved 7 April 2024.

doi.org

Auslander, Philip (28 January 2004). "I Wanna Be Your Man: Suzi Quatro's musical androgyny" (PDF). Popular Music. 23 (1). United Kingdom: Cambridge University Press: 1–16. doi:10.1017/S0261143004000030. ISSN 0261-1430. S2CID 191508078. Archived from the original (PDF) on 24 May 2013. Retrieved 25 April 2012.

doomedandstoned.com

"Doomed & Stoned". doomedandstoned.com. Retrieved 18 April 2024.

europavox.com

"Panorama: A brief guide to Neo-psychedelia in Europe". Europavox. Retrieved 7 April 2024.

ew.com

Yang, Rachel; Huff, Lauren; Nolfi, Joey; Kinane, Ruth (26 March 2020). "BTS, Madonna, Khalid, Billie Eilish, and more artists canceling shows over coronavirus". Entertainment Weekly.

festicket.com

Curtis-Horsfall, Thomas. "Festival Trends of The 2010s: Representation and Inclusivity". FestTicket. Retrieved 10 February 2023.^{[permanent dead link‍]}

forbes.com

McIntyre, Hugh. "Report: Hip-Hop/R&B Is The Dominant Genre In The U.S. For The First Time". Forbes. Archived from the original on 17 July 2017. Retrieved 27 November 2019.
Ross, Danny. "Rock 'N' Roll Is Dead. No, Really This Time". Forbes. Archived from the original on 9 April 2023. Retrieved 27 November 2019.
Baltin, Steve. "Why Twenty One Pilots Are Such A Vital Band For Rock". Forbes. Archived from the original on 8 July 2023. Retrieved 28 March 2024.
Nikel, David (29 April 2020). "In Photos: Denmark's Drive-In Venue Gets Around Coronavirus Event Ban". Forbes.

gatech.edu

lmc.gatech.edu

Auslander, Philip (28 January 2004). "I Wanna Be Your Man: Suzi Quatro's musical androgyny" (PDF). Popular Music. 23 (1). United Kingdom: Cambridge University Press: 1–16. doi:10.1017/S0261143004000030. ISSN 0261-1430. S2CID 191508078. Archived from the original (PDF) on 24 May 2013. Retrieved 25 April 2012.

genius.com

"Why Rock Can't Compete With Hip-Hop in 2017". Genius. Archived from the original on 20 September 2023. Retrieved 15 August 2020.

glidemagazine.com

"Viagra Boys Set the Bar High with Brash Post-Punk Hijinks on 'Welfare Jazz' (ALBUM REVIEW)". Glide Magazine. 7 January 2021. Retrieved 31 December 2021.

guitarworld.com

Brad Angle (9 July 2021). "The new wave of classic rock: 15 guitar bands you need to know about". guitarworld. Retrieved 10 July 2024.

imdb.com

For example, vocalists Girls Aloud are referred to as a "girl band" in OK magazine Archived 1 November 2012 at the Wayback Machine and the Guardian, while Girlschool are termed a "girl group" at the imdb and Belfast Telegraph.

jimdero.com

J. DeRogatis (3 October 2003), "True Confessional?", Chicago Sun-Times, archived from the original on 1 May 2011

kdot.com

Whitecloud, Shane (15 May 2018). "Why Did Rock Music Decline and Can It Make a Comeback?". KDOT. Archived from the original on 11 July 2018. Retrieved 11 July 2018.

liveabout.com

"The First Rock and Roll Song". LiveAbout. Archived from the original on 27 October 2022. Retrieved 11 November 2022.

loudwire.com

Schaffner, Lauryn (17 January 2023). "11 Bands That Are Leading the Classic Rock Revival". Loudwire. Retrieved 10 July 2024.

masterclass.com

"Power Pop Guide: A Brief History of Power Pop". MasterClass. 4 March 2022. Archived from the original on 24 May 2022. Retrieved 23 May 2022.

medium.com

Keith, Cup of (9 October 2023). "King Gizzard and the Lizard Wizard have Set a Path to World Domination". Medium. Retrieved 7 April 2024.

metrotimes.com

www2.metrotimes.com

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mixdownmag.com.au

"Jay Watson takes us through the recording of Gum's new album". Mixdown Magazine. 16 June 2020. Retrieved 7 April 2024.

mtv.com

J. D'Angelo, Will Korn, Papa Roach and Limp Bizkit evolve or die: a look at the Nu Metal meltdown, MTV, archived from the original on 21 December 2010

nbcnews.com

E. Olsen (4 September 2004), 10 years later, Cobain continues to live on through his music, MSNBC, archived from the original on 11 March 2011

nme.com

Beaumont, Mark (10 September 2019). "Mark, My Words: I give you crank wave, the start of the subculture revival". NME. Retrieved 7 December 2021.

nostalgiacentral.com

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nytimes.com

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query.nytimes.com

K. Sanneh (3 December 2000), "Rappers Who Definitely Know How to Rock", The New York Times, archived from the original on 14 July 2012

ok.co.uk

For example, vocalists Girls Aloud are referred to as a "girl band" in OK magazine Archived 1 November 2012 at the Wayback Machine and the Guardian, while Girlschool are termed a "girl group" at the imdb and Belfast Telegraph.

pitchfork.com

N. Abebe (24 October 2005), "Twee as Fuck: The Story of Indie Pop", Pitchfork Media, archived from the original on 3 February 2011
"Coronavirus: Updated List of Tours and Festivals Canceled or Postponed Due to COVID-19". Pitchfork. 20 March 2020. Retrieved 3 April 2020.
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popmatters.com

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questia.com

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rebeatmag.com

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archive.seattletimes.com

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seeker.com

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api.semanticscholar.org

Auslander, Philip (28 January 2004). "I Wanna Be Your Man: Suzi Quatro's musical androgyny" (PDF). Popular Music. 23 (1). United Kingdom: Cambridge University Press: 1–16. doi:10.1017/S0261143004000030. ISSN 0261-1430. S2CID 191508078. Archived from the original (PDF) on 24 May 2013. Retrieved 25 April 2012.

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theguardian.com

Smith, Barnaby (30 September 2014). "The Wild One by Johnny O'Keefe – Australia's first rock'n'roll hit". The Guardian. ISSN 0261-3077. Retrieved 18 April 2024.
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True, Everett (13 November 2014). "Tame Impala kickstart the Australian psychedelic explosion". The Guardian.
For example, vocalists Girls Aloud are referred to as a "girl band" in OK magazine Archived 1 November 2012 at the Wayback Machine and the Guardian, while Girlschool are termed a "girl group" at the imdb and Belfast Telegraph.

thequietus.com

Doran, John (26 November 2019). "The Quietus: Black Sky Thinking - Idle Threat: Who Are The True Champions Of DIY Rock In 2020?". The Quietus. Retrieved 7 December 2021.

theverge.com

Cox, Jamieson (14 July 2015). "Review: Tame Impala's Currents is a journey to the center of a single mind". The Verge. Retrieved 7 April 2024.

today.com

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tripod.com

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Knight, Brian L., "Rock in the Name of Progress (Part VI -"Thelonius Punk")", The Vermont Review, archived from the original on 17 July 2011

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Gilliland 1969, show 55, track 2. Gilliland, John (1969). "Crammer: A lively cram course on the history of rock and some other things" (audio). Pop Chronicles. University of North Texas Libraries.
Gilliland 1969, shows 20–21. Gilliland, John (1969). "Crammer: A lively cram course on the history of rock and some other things" (audio). Pop Chronicles. University of North Texas Libraries.
Gilliland 1969, show 28. Gilliland, John (1969). "Crammer: A lively cram course on the history of rock and some other things" (audio). Pop Chronicles. University of North Texas Libraries.
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