Analysis of information sources in references of the Wikipedia article "Rolling Stone" in English language version.
Last modified:
Mesmo sem existir oficialmente no Brasil, a "Rolling Stone" fez tanto sucesso que mereceu – como outros produtos estrangeiros muito cobiçados – uma versão pirata, em 1972[Even though it did not officially exist in Brazil, "Rolling Stone" was so successful that it deserved – like other highly coveted foreign products – a pirated version, in 1972]
Its covers minted stars.
Rolling Stone International has existing licensee partnerships in Europe (Germany, Italy, France), Asia (Japan) and the Americas (Argentina, Brazil, Colombia and Mexico).
If you read my book, you will see clearly the way in which Wenner's magazine was for and about white men between the ages of 18 and 34, a demographic he astutely identified in 1967, with Black and female artists as afterthoughts or sidebars. Black artists on the Rolling Stone cover were an anomaly during the time he owned and operated it; highly sexualized images of female artists were not. As I write in Sticky Fingers, "It was a man's magazine, though women read it; it was a white magazine, though African Americans were fetishized in it." (In 2017, Wenner sold the company to Penske Media.)
Its covers minted stars.
Rolling Stone International has existing licensee partnerships in Europe (Germany, Italy, France), Asia (Japan) and the Americas (Argentina, Brazil, Colombia and Mexico).
Mesmo sem existir oficialmente no Brasil, a "Rolling Stone" fez tanto sucesso que mereceu – como outros produtos estrangeiros muito cobiçados – uma versão pirata, em 1972[Even though it did not officially exist in Brazil, "Rolling Stone" was so successful that it deserved – like other highly coveted foreign products – a pirated version, in 1972]
