Rootless cosmopolitan (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Rootless cosmopolitan" in English language version.

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archive.org

  • Figes, Orlando (2007). The Whisperers: Private Life in Stalin's Russia. New York City: Metropolitan Books. p. 494. ISBN 978-0-8050-7461-1.

chabad.org

doi.org

escholarship.org

cloudfront.escholarship.org

forward.com

jewishnews.co.uk

manchester.ac.uk

research.manchester.ac.uk

moderndiplomacy.eu

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  • "Stalin on Art and Culture". International Association of Friends of the Soviet Union. Archived from the original on 7 March 2023. Retrieved 5 December 2021. In 1946 Stalin met with Soviet intellectuals to discuss and analyze the trends developing in Soviet art, music, literature and theatre – after the Second World War. Here we give a shortened version of his replies to questions posed by the intellectuals. '[...] Frequently in the pages of Soviet literary journals works are found where Soviet people, builders of communism are shown in pathetic and ludicrous forms. The positive Soviet hero is derided and inferior before all things foreign and cosmopolitism that we all fought against from the time of Lenin, characteristic of the political leftovers, is many times applauded. In the theater it seems that Soviet plays are pushed aside by plays from foreign bourgeois authors. The same thing is starting to happen in Soviet films.'

nytimes.com

parliament.uk

hansard.parliament.uk

politico.com

publishersweekly.com

semanticscholar.org

api.semanticscholar.org

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web.archive.org

  • "Stalin on Art and Culture". International Association of Friends of the Soviet Union. Archived from the original on 7 March 2023. Retrieved 5 December 2021. In 1946 Stalin met with Soviet intellectuals to discuss and analyze the trends developing in Soviet art, music, literature and theatre – after the Second World War. Here we give a shortened version of his replies to questions posed by the intellectuals. '[...] Frequently in the pages of Soviet literary journals works are found where Soviet people, builders of communism are shown in pathetic and ludicrous forms. The positive Soviet hero is derided and inferior before all things foreign and cosmopolitism that we all fought against from the time of Lenin, characteristic of the political leftovers, is many times applauded. In the theater it seems that Soviet plays are pushed aside by plays from foreign bourgeois authors. The same thing is starting to happen in Soviet films.'

worldjewishcongress.org