Davies, Kenneth Gordon (1999). The Royal African Company. Routledge/Thoemmes Press. p. 106. ISBN978-0-415-19077-0., originally published in London by Longmans, Green in 1957.
Sainsbury, W Noel, ed. (1889). America and West Indies: September 1672 - "Sept. 27. Westminster.". Vol. 7, 1669–1674. Digitised by the Arts and Humanities Research Council. London: Calendar of State Papers Colonial, America and West Indies; Originally published by Her Majesty's Stationery Office. pp. 404–417. Archived from the original on 11 August 2020.
Sainsbury, W Noel, ed. (1889). America and West Indies: September 1672 - "Sept. 27. Westminster.". Vol. 7, 1669–1674. Digitised by the Arts and Humanities Research Council. London: Calendar of State Papers Colonial, America and West Indies; Originally published by Her Majesty's Stationery Office. pp. 404–417. Archived from the original on 11 August 2020.
Antonia Quirke, "In Search of the Black Mozart: A Revealing Look at Handel's Investment in the Slave Trade," New Statesman (4 June 2015), [1]; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of Messiah Reconsidered," in Notes 76, no. 1 (Sept 2019): 27ff [2]; "Artists respond to Handel’s investment in the transatlantic slave trade," St Paul Chamber Orchestra Blog (11 December 2020) [3].
A Note on the Relative Importance of Slaves and Gold in West African Exports. Author(s): Richard Bean. The Journal of African History, 1974, Vol. 15, No. 3 (1974), pp. 351-356. Cambridge University Press. https://www.jstor.org/stable/180664 Accessed Wed, 31 Jan 2024
Antonia Quirke, "In Search of the Black Mozart: A Revealing Look at Handel's Investment in the Slave Trade," New Statesman (4 June 2015), [1]; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of Messiah Reconsidered," in Notes 76, no. 1 (Sept 2019): 27ff [2]; "Artists respond to Handel’s investment in the transatlantic slave trade," St Paul Chamber Orchestra Blog (11 December 2020) [3].
Antonia Quirke, "In Search of the Black Mozart: A Revealing Look at Handel's Investment in the Slave Trade," New Statesman (4 June 2015), [1]; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of Messiah Reconsidered," in Notes 76, no. 1 (Sept 2019): 27ff [2]; "Artists respond to Handel’s investment in the transatlantic slave trade," St Paul Chamber Orchestra Blog (11 December 2020) [3].
Sainsbury, W Noel, ed. (1889). America and West Indies: September 1672 - "Sept. 27. Westminster.". Vol. 7, 1669–1674. Digitised by the Arts and Humanities Research Council. London: Calendar of State Papers Colonial, America and West Indies; Originally published by Her Majesty's Stationery Office. pp. 404–417. Archived from the original on 11 August 2020.
Sainsbury, W Noel, ed. (1889). America and West Indies: September 1672 - "Sept. 27. Westminster.". Vol. 7, 1669–1674. Digitised by the Arts and Humanities Research Council. London: Calendar of State Papers Colonial, America and West Indies; Originally published by Her Majesty's Stationery Office. pp. 404–417. Archived from the original on 11 August 2020.
Davies, K. G. (Kenneth Gordon) (1999) [originally published in London by Longmans, Green & Co in 1957.]. The Royal African Company. London: Routledge/Thoemmes Press. p. 41. ISBN041519072X. OCLC42746420.
Evans, Chris, 1961- (2010). Slave Wales : the Welsh and Atlantic slavery, 1660-1850. University of Wales Press. ISBN978-0-7083-2303-8. OCLC653083564.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)