Sam Gilliam (English Wikipedia)

Barrett, Maggie (April 1, 2011). "Groundbreaking Spanish Design at AU Museum" (Press release). Washington, D.C.: American University. Archived from the original on December 1, 2022. Retrieved February 11, 2024.
Gilliam, Sam (2011). "An Interview with Sam Gilliam" (PDF). Sam Gilliam: Close to Trees (Interview). Interviewed by Rasmussen, Jack. American University Museum. p. 2. Archived from the original (PDF) on June 17, 2011. Retrieved February 12, 2024.

artforum.com (Global: 8,626^th place; English: 4,876^th place)

Gilliam, Sam (July 11, 2017). "Interview: Sam Gilliam". Artforum (Interview). Interviewed by Campbell, Andrianna. Archived from the original on February 1, 2024. Retrieved February 4, 2024.
Hudson, Andrew (March 1968). "Washington". Artforum. Vol. 6, no. 7. p. 63. Archived from the original on November 11, 2023. Retrieved February 18, 2024.
Wasserman, Emily (September 1968). "New York". Artforum. Vol. 7, no. 1. p. 62. Archived from the original on November 11, 2023. Retrieved February 6, 2024.
Hudson, Andrew (December 1968). "Washington". Artforum. Vol. 7, no. 4. p. 65. Archived from the original on November 14, 2023. Retrieved February 19, 2024.
Benson, LeGrace G. (September 1970). "Sam Gilliam: Certain Attitudes". Artforum. Vol. 9, no. 1. p. 57. Archived from the original on October 29, 2023.
Pincus-Witten, Robert (February 1972). "New York". Artforum. Vol. 10, no. 6. p. 82. Archived from the original on February 23, 2024. Retrieved February 23, 2024.
Bryan-Wilson, Julia (November 2023). "The Rake and the Furrow". Artforum. Vol. 62, no. 3. Archived from the original on December 17, 2023. Retrieved December 17, 2023.
Wennerstrom, Nord (January 2006). "Sam Gilliam". Artforum. Vol. 44, no. 5. p. 226. Archived from the original on November 18, 2023. Retrieved February 21, 2024.
"Sheela Gowda Honored with 2025 Sam Gilliam Award". Artforum. March 2, 2025. Retrieved August 4, 2025.

artic.edu (Global: 6,314^th place; English: 4,201^st place)

""A" and the Carpenter I". AIC. Art Institute of Chicago. 1973. Archived from the original on November 13, 2020. Retrieved May 28, 2022.

artnet.com (Global: 2,153^rd place; English: 1,399^th place)

news.artnet.com

Kinsella, Eileen (January 2, 2018). "At Age 84, Living Legend Sam Gilliam Is Enjoying His Greatest Renaissance Yet". Artnet News. Archived from the original on November 27, 2023. Retrieved February 3, 2024.
Capps, Kriston (July 8, 2022). "Painter Sam Gilliam Spent His Entire Career in Washington, D.C. Here's How the City Sustained Him When the Art World Wasn't Watching". Artnet News. Archived from the original on February 9, 2023. Retrieved December 17, 2023.
Davis, Ben (August 29, 2019). "How to Look at a Sam Gilliam Painting: With One Eye on History and the Other on Color and Form". Artnet News. Archived from the original on October 1, 2023. Retrieved February 6, 2024.

artnews.com (Global: 5,045^th place; English: 2,949^th place)

Miller, Donald (January 1973). "Hanging loose: An interview with Sam Gilliam". ARTnews. Vol. 72, no. 1. OCLC 2392716. Archived from the original on May 23, 2023. Retrieved February 5, 2024.
Allen, Greg (February 2019). "Color in Landscape". Art in America. ARTnews. OCLC 1121298647. Archived from the original on June 28, 2022. Retrieved June 29, 2022.
Tate, Greg (February 13, 2017). "SNMAAHC in the Middle of the Mall: Art Is the Chapel in This Mega Church". ARTnews. OCLC 2392716. Archived from the original on December 8, 2022. Retrieved February 19, 2024.
Greenberger, Alex (June 27, 2022). "Sam Gilliam, Groundbreaking Artist Who Brought Abstraction Into the Third Dimension, Dies at 88". ARTnews. OCLC 2392716. Archived from the original on June 27, 2022. Retrieved June 29, 2022.
Durón, Maximilíano (March 28, 2024). "Ibrahim Mahama Wins Dia's Inaugural Sam Gilliam Award". ARTnews. Retrieved August 4, 2025.
Greenberger, Alex (August 11, 2021). "How a 'Revolutionary' Racially Integrated Art Exhibition in Texas Changed the Game". ARTnews. OCLC 2392716. Archived from the original on July 2, 2022. Retrieved November 6, 2022.

artreview.com (Global: low place; English: low place)

Rappolt, Mark (July 21, 2014). "Feature: Sam Gilliam". ArtReview. Archived from the original on June 28, 2022. Retrieved December 17, 2023.

arts.gov (Global: 6,978^th place; English: 5,874^th place)

"Sam Gilliam". www.arts.gov. National Endowment for the Arts. Retrieved January 22, 2024.

artsy.net (Global: 7,925^th place; English: 5,235^th place)

Dozier, Ayanna (June 27, 2022). "Remembering Abstract Pioneer Sam Gilliam through 5 Trailblazing Works". Artsy. Archived from the original on October 21, 2022. Retrieved February 5, 2024. Gilliam was partially inspired to drape canvases by his father's work as a carpenter building sets for local church plays, as he said in a 2004 interview with scholar Rohini Talalla.

baltimorefishbowl.com (Global: low place; English: low place)

Gunts, Ed (October 22, 2024). "Johns Hopkins University opens Irene and Richard Frary Gallery and announces Sam Gilliam Lecture Series in Washington, D.C." Baltimore Fishbowl. Retrieved August 4, 2025.

bmoreart.com (Global: low place; English: low place)

Watts, C.M. (July 4, 2022). "The Final Rotation: Sam Gilliam's Full Circle at the Hirshhorn". BmoreArt | Baltimore Contemporary Art. OCLC 933617977. Archived from the original on November 27, 2022. Retrieved February 19, 2024.

books.google.com (Global: 3^rd place; English: 3^rd place)

Dalton, Greg (February 11, 1996). "Touring Exhibit Presents Works of Black Artists". The Sunday Gazette. Associated Press. p. G1. Retrieved February 19, 2024 – via Google Books.

brooklynrail.org (Global: low place; English: 6,393^rd place)

Gilliam, Sam (September 2019). "Sam Gilliam with Tom McGlynn". The Brooklyn Rail (Interview). Interviewed by McGlynn, Tom. Archived from the original on September 26, 2023. Retrieved February 11, 2024.

chicagotribune.com (Global: 95^th place; English: 70^th place)

"Stretching the Canvas". Chicago Tribune. February 18, 1997. Archived from the original on February 18, 2024. Retrieved February 18, 2024.

christies.com (Global: 2,978^th place; English: 2,014^th place)

"Post-War and Contemporary Art Evening Sale".

cooperhewitt.org (Global: low place; English: low place)

"On a Wild Goose Chase | Cooper Hewitt, Smithsonian Design Museum". www.cooperhewitt.org. February 10, 2018. Retrieved February 11, 2024.

corcoran.org (Global: low place; English: low place)

"Sam Gilliam: a retrospective". Corcoran Gallery of Art. Archived from the original on October 14, 2021. Retrieved November 6, 2022.

culturenow.org (Global: low place; English: low place)

"CultureNOW – Jamaica Center Station Riders, Blue: Sam Gilliam and MTA Arts & Design". culturenow.org. Archived from the original on December 13, 2017. Retrieved December 26, 2017.

cuny.edu (Global: 2,137^th place; English: 1,474^th place)

web.york.cuny.edu

"Sam Gilliam, Solar Canopy, 1986", Unforgotten Masterpieces.

dcist.com (Global: low place; English: 7,772^nd place)

Rudig, Stephanie (June 29, 2022). "Sam Gilliam, Longtime D.C. Painter Whose Work Is Celebrated Around The World, Dies At 88". DCist. WAMU. Archived from the original on July 4, 2023. Retrieved February 21, 2024.
Rudig, Stephanie (May 26, 2022). "This D.C. Artist Painted Furiously Through The Pandemic. The Hirshhorn Is Now Displaying Their Work". DCist. WAMU. Archived from the original on May 27, 2022. Retrieved May 28, 2022.

diaart.org (Global: low place; English: low place)

"Sam Gilliam". Dia Art Foundation. Archived from the original on November 27, 2023. Retrieved February 20, 2024.

doi.org (Global: 2^nd place; English: 2^nd place)

Brown (2017), p. 62 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 63 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 64 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 66 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Gawlak & Gilliam (1991), p. 10 Gawlak, Annie; Gilliam, Sam (1991). "Solids and Veils". Art Journal. 50 (1). New York: College Art Association: 10–11. doi:10.1080/00043249.1991.10791412. JSTOR 777075. OCLC 38436076.
Brown (2017), p. 67 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.

eastcityart.com (Global: low place; English: low place)

"Kenneth Victor Young: Exploring Space". East City Art. March 11, 2021. Archived from the original on June 25, 2021. Retrieved September 2, 2021.

fabricworkshopandmuseum.org (Global: low place; English: low place)

"Artist-in-Residence: Sam Gilliam". The Fabric Workshop and Museum. Archived from the original on February 12, 2024. Retrieved February 12, 2024.

gq.com (Global: 568^th place; English: 359^th place)

Sargent, Antwaun (October 3, 2023). "The Anxiety and Ecstasy of Rashid Johnson". GQ. Condé Nast. Archived from the original on February 19, 2024. Retrieved February 19, 2024.

gsa.gov (Global: low place; English: 6,347^th place)

Heartney, Eleanor. "GSA Art in Architecture: Introduction" (PDF). gsa.gov. Archived from the original (PDF) on January 22, 2024. Retrieved January 22, 2024.
"Triple Variants". GSA. General Services Administration. Archived from the original on June 29, 2022. Retrieved November 10, 2022.

hyperallergic.com (Global: 6,997^th place; English: 4,096^th place)

Di Liscia, Valentina (June 27, 2022). "Sam Gilliam, Groundbreaking Abstractionist, Dies at 88". Hyperallergic. OCLC 881810209. Archived from the original on October 26, 2023. Retrieved December 17, 2023.
Gilliam, Sam (March 19, 2016). "Beer with a Painter: Sam Gilliam". Hyperallergic (Interview). Interviewed by Samet, Jennifer. OCLC 881810209. Archived from the original on January 31, 2024. Retrieved February 3, 2024.
Vartanian, Hrag (May 6, 2016). "Tracing the Contours of Power at the Marrakech Bienniale". Hyperallergic. OCLC 881810209. Archived from the original on July 22, 2022. Retrieved November 6, 2022.

imma.ie (Global: low place; English: low place)

Sam Gilliam: Sewing Fields. Irish Museum of Modern Art. Retrieved June 4, 2025.

jhu.edu (Global: 699^th place; English: 479^th place)

hub.jhu.edu

"Johns Hupkins University Opens New State-of-the-Art Higher Education Facility on Pennsylvania Avenue in the Heart of Washington, D.C." (Press release). Baltimore: Johns Hopkins University. October 18, 2023. Archived from the original on November 17, 2023. Retrieved February 13, 2024.

jstor.org (Global: 26^th place; English: 20^th place)

Brown (2017), p. 62 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 63 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 64 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 66 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Gawlak & Gilliam (1991), p. 10 Gawlak, Annie; Gilliam, Sam (1991). "Solids and Veils". Art Journal. 50 (1). New York: College Art Association: 10–11. doi:10.1080/00043249.1991.10791412. JSTOR 777075. OCLC 38436076.
Brown (2017), p. 67 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.

kunstmuseumbasel.ch (Global: low place; English: low place)

kunstmuseumbasel.ch

"Sam Gilliam". Kunstmuseum Basel. Archived from the original on July 8, 2022. Retrieved July 17, 2022.
"Sam Gilliam: Music of Color". Kunstmuseum Basel. Archived from the original on October 7, 2022. Retrieved November 6, 2022.

sammlungonline.kunstmuseumbasel.ch

"Rondo". Kunstmuseum Basel (in German). Archived from the original on November 6, 2022. Retrieved November 6, 2022.

labiennale.org (Global: 1,519^th place; English: 1,459^th place)

"La Biennale di Venezia – Artists". www.labiennale.org. Archived from the original on June 29, 2017. Retrieved February 22, 2017.

leoweekly.com (Global: low place; English: low place)

Triplett, Jo Anne (June 20, 2006). "Man of Constant Color: Sam Gilliam's Abstract Art Comes Home for a Retrospective". Louisville Eccentric Observer. OCLC 904436205. Archived from the original on June 4, 2023. Retrieved February 4, 2024.
Doty, Will (April 23, 2025). "Speed Art Museum Welcomes Diallo Simon-Ponte As Assistant Curator Of Collections". LEO Weekly. Retrieved August 4, 2025.

loc.gov (Global: 70^th place; English: 63^rd place)

"Painting "Triple Variants" Russell Federal Building & U.S. Courthouse, Atlanta, Georgia". Library of Congress, Washington, D.C. 20540 USA. Retrieved January 22, 2024.

louisville.edu (Global: low place; English: low place)

"Sam Gilliam". louisville.edu. Retrieved July 22, 2018.

mmoca.org (Global: low place; English: low place)

"RECOLLECT: Sam Gilliam". Madison Museum of Contemporary Art. Archived from the original on January 17, 2024. Retrieved February 14, 2024.

moma.org (Global: 1,761^st place; English: 1,749^th place)

assets.moma.org

"Projects: Sam Gilliam" (PDF) (Exhibition checklist). New York: Museum of Modern Art. 1971. Archived (PDF) from the original on April 12, 2021. Retrieved February 8, 2024.

moma.org

"Projects: Sam Gilliam". MoMA. Museum of Modern Art. Archived from the original on June 9, 2022. Retrieved November 6, 2022.

mta.info (Global: 2,626^th place; English: 1,602^nd place)

web.mta.info

"Jamaica Center-Parsons-Archer | Sam Gilliam", MTA Arts & Design, MTA.

netdna-ssl.com (Global: low place; English: 7,838^th place)

s6ipu273fot45vwmj44vfylu-wpengine.netdna-ssl.com

"Prominent African American Artist, Sam Gilliam, Dies at the Age of 88" (PDF). Speed Art Museum. Archived (PDF) from the original on November 6, 2022. Retrieved November 6, 2022.

newsbank.com (Global: 414^th place; English: 253^rd place)

infoweb.newsbank.com

Forgey, Benjamin (November 20, 1966). "Tom Bostelle Show at Bader's". The Evening Star. No. 324. p. 47 (D3) – via NewsBank.
Forgey, Benjamin (October 22, 1967). "Sam Gilliam Bursts Forth at Phillips". The Sunday Star. No. 295. p. 45 (D3). OCLC 2260929 – via NewsBank.
Forgey, Benjamin (February 21, 1975). "Corcoran Show is Mostly Big". Portfolio. The Washington Star and Daily News. Vol. 123. p. 14 (B2). OCLC 10344624 – via NewsBank.
"Gilliam Arrested in Memphis: District Artist Charged With Violence on Jet". The Washington Star and Daily News. Vol. 123. February 25, 1975. p. 7 (A5). OCLC 10344624. Retrieved February 9, 2024 – via NewsBank.
Forgey, Benjamin (April 25, 1975). "D.C. Artist Aids Philadelphia". The Washington Star. Vol. 123. p. 19 (B3). OCLC 4798911. Retrieved February 9, 2024 – via NewsBank.

newyorker.com (Global: 146^th place; English: 110^th place)

Tomkins, Calvin (February 5, 2024). "The Art World Before and After Thelma Golden". The New Yorker. Archived from the original on February 5, 2024. Retrieved February 19, 2024.

nga.gov (Global: 4,113^th place; English: 3,226^th place)

"Acquisition: Sam Gilliam". NGA (Press release). Washington, D.C.: National Gallery of Art. October 9, 2023. Archived from the original on February 20, 2024. Retrieved February 20, 2024.
"Shoot Six". NGA. National Gallery of Art. 1965. Archived from the original on May 28, 2022. Retrieved May 28, 2022.

nybooks.com (Global: 1,785^th place; English: 1,133^rd place)

Pinckney, Darryl (May 24, 2012). "Big Changes in Black America?; Touré's 'Who's Afraid of Post-Blackness?'". The New York Review of Books. Vol. 59, no. 9. Retrieved February 19, 2024.

nytimes.com (Global: 7^th place; English: 7^th place)

nytimes.com

Smith, Roberta (June 27, 2022). "Sam Gilliam, Abstract Artist of Drape Paintings, Dies at 88". The New York Times. OCLC 1645522. Archived from the original on June 29, 2022. Retrieved June 29, 2022.
Russell, John (January 7, 1983). "Art: Clocks at the Frick". The New York Times. p. C23. OCLC 1645522. Archived from the original on May 24, 2015. Retrieved February 4, 2024.
Edwards, Melvin; Johnson, Rashid (June 28, 2022). "Sam Gilliam 'Took a Step Most People Didn't Understand Was Possible'". The New York Times (Interview). Interviewed by Loos, Ted. OCLC 1645522. Archived from the original on January 4, 2023. Retrieved February 13, 2024.
Kennedy, Shawn G. (June 25, 1998). "Arts in America; Seeking to Stretch the Boundaries of Printmaking". The New York Times. OCLC 1645522. Archived from the original on March 11, 2023. Retrieved February 12, 2024.
Glueck, Grace (April 6, 1971). "15 of 75 Black Artists Leave As Whitney Exhibition Opens". The New York Times. p. 50. OCLC 1645522. Archived from the original on November 4, 2023. Retrieved February 7, 2024.
Kramer, Hilton (June 12, 1972). "Venice Biennale Is Optimistic in Spirit". The New York Times. p. 45. OCLC 1645522. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
Raynor, Vivien (January 20, 1978). "Art: Casting Space in a Different Light". The New York Times. OCLC 1645522. Archived from the original on March 10, 2018. Retrieved February 18, 2024.
Pogrebin, Robin (October 20, 2020). "With Black Artists' Input, One Gallery Is 'Starting to Look Different'". The New York Times. OCLC 1645522. Archived from the original on October 20, 2020. Retrieved February 12, 2024.
Loos, Ted (June 12, 2018). "At 84, Sam Gilliam Fires Up His Competitive Spirit". The New York Times. OCLC 1645522. Archived from the original on November 27, 2023. Retrieved February 19, 2024.
Gilliam, Sam; Edwards, Melvin; Williams, William T. (March 31, 2022). "Melvin Edwards, Sam Gilliam and William T. Williams: Abstract Artists and Old Friends". T: The New York Times Style Magazine (Interview). Interviewed by Bradley, Adam. OCLC 56425907. Archived from the original on April 6, 2023. Retrieved February 13, 2024.

timesmachine.nytimes.com

Raynor, Vivien (February 17, 1974). "The Art of Survival (and Vice Versa): Four Young Artists Illustrate the Shift from Bohemia to Bureaucracy". The New York Times Magazine. p. 304. OCLC 45309770.
Mellow, James R. (June 29, 1969). "The Black Artist, the Black Community, the White Art World". The New York Times. p. D23. OCLC 1645522. Retrieved February 7, 2024.
Glueck, Grace (August 1, 1982). "Some Summer Fare Materializes at Hudson River Museum". The New York Times. p. 399 (16 WC). OCLC 1645522. Retrieved February 12, 2024.

archive.nytimes.com

Griffin, Jonathan (September 10, 2014). "The New Dealer". T: The New York Times Style Magazine. OCLC 56425907. Archived from the original on July 17, 2022. Retrieved July 17, 2022.

observer.com (Global: 760^th place; English: 494^th place)

D'Arcy, David (November 11, 2020). "Sam Gilliam's Long-Awaited Pace Exhibition Blurs the Boundaries of Painting". Observer. Archived from the original on November 26, 2022. Retrieved February 19, 2024.
Tremayne-Pengelly, Alexandra (October 17, 2023). "Sam Gilliam's Legacy Now Includes an Annual $75,000 Artist Award". Observer. Retrieved August 4, 2025.

ogdenmuseum.org (Global: low place; English: low place)

"Sam Gilliam Biography". Ogden Museum of Southern Art. April 8, 2020. Archived from the original on March 29, 2023. Retrieved December 17, 2023.

pacegallery.com (Global: low place; English: low place)

"Sam Gilliam: Late Paintings". Pace Gallery. Archived from the original on October 11, 2022. Retrieved November 6, 2022.
"Sam Gilliam: The Last Five Years". Pace Gallery. Archived from the original on November 16, 2023. Retrieved February 14, 2024.
"Sam Gilliam: Existed Existing". Pace Gallery. Archived from the original on May 31, 2022. Retrieved November 6, 2022.

pbswisconsin.org (Global: low place; English: low place)

Weege, William; Axsom, Richard H. (April 7, 2018). "William Weege's Collaboration with Sam Gilliam". University Place. PBS Wisconsin. Wisconsin Channel. Archived from the original on September 30, 2023. Retrieved February 12, 2024.

philamuseum.org (Global: low place; English: 7,549^th place)

"Seahorses by Sam Gilliam". Philadelphia Museum of Art. Archived from the original on January 31, 2024. Retrieved February 7, 2024.

philandersmithcollegeart.wordpress.com (Global: low place; English: low place)

"Chair Key". Philander Smith College African American Art. Philander Smith College. October 13, 2014. Archived from the original on November 15, 2022. Retrieved November 15, 2022.

phillipscollection.org (Global: low place; English: low place)

"Remembering Sam Gilliam". The Phillips Collection. Archived from the original on July 19, 2022. Retrieved November 6, 2022.
"Red Petals". Phillips. The Phillips Collection. Retrieved July 19, 2022.

proquest.com (Global: 206^th place; English: 124^th place)

Richard, Paul (February 28, 1993). "Soul Survivor: Sam Gilliam, the Last of the Color Painters, Toughs It Out in D.C.". The Washington Post. p. G1. OCLC 2269358. ProQuest 307594651.
Hudson, Andrew (December 11, 1966). "Two Shows Here Demonstrate the Evolution of Art". The Washington Post, Times Herald. p. 151 (C5). OCLC 2269359. ProQuest 142721415.
Richard, Paul (November 5, 1967). "Fine Young Color Painter Has a One-Man Show". The Washington Post, Times Herald. p. K8. OCLC 2269359. ProQuest 143081330.
"Sam Gilliam has new show at Modern Art". New York Amsterdam News. November 27, 1971. p. D3. OCLC 13416782. ProQuest 226741031.
Richard, Paul (April 20, 1972). "Six Artists for Biennale". The Washington Post, Times Herald. p. C5. OCLC 2269359. ProQuest 148373848.
Richard, Paul (November 30, 1973). "Gilliam: Mellow and Calm". The Washington Post, Times Herald. pp. B1, B7. OCLC 2269359. ProQuest 148334675.
Newton Jones, Linda (September 11, 1975). "Artist Gilliam Acquitted in Airline Assault Case". The Washington Post. p. 60 (C4). OCLC 2269358. ProQuest 146399016.
Bredemeier, Kenneth (February 26, 1975). "D.C. Artist Charged In Airline Assault". The Washington Post. p. 11 (A11). OCLC 2269358. ProQuest 146250193.
Trescott, Jacqueline (January 30, 2011). "Sam Gilliam: An Ever-Changing Force". The Washington Post. p. E2. OCLC 2269358. ProQuest 1938725431.

scholar.google.com (Global: 1,697^th place; English: 1,040^th place)

Gilliam v. Commissioner, 51 T.C.M. (CCH) 515, 516-517 (United States Tax Court 1986).

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

Brown (2017), p. 62 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 63 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 64 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 66 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.
Brown (2017), p. 67 Brown, Jackson (2017). "Sam Gilliam". Callaloo, A Journal of African Diaspora Arts and Letters. 40 (5). Baltimore: Johns Hopkins University Press: 59–68. doi:10.1353/cal.2017.0155. JSTOR 26776416. S2CID 201765406.

si.edu (Global: 340^th place; English: 295^th place)

hirshhorn.si.edu

"Sam Gilliam: Full Circle". Hirshhorn. Smithsonian Institution. Retrieved June 27, 2022.
"In Memorian: Sam Gilliam 1933-2022" (Press release). Washington, D.C.: Hirshhorn Museum and Sculpture Garden. June 27, 2022. Archived from the original on September 26, 2023. Retrieved February 19, 2024.
"Rail". Hirshhorn Museum and Sculpture Garden. Smithsonian Institution. Archived from the original on April 15, 2022. Retrieved May 28, 2022.

americanart.si.edu

"Sam Gilliam". Smithsonian American Art Museum. Smithsonian Institution. Archived from the original on December 9, 2023. Retrieved February 4, 2024.
"April 4 - Sam Gilliam". SAAM. Smithsonian Institution. Archived from the original on July 31, 2022. Retrieved November 6, 2022.

aaa.si.edu

Gilliam, Sam (November 11, 1989). "Oral history interview with Sam Gilliam". Archives of American Art Oral History Program (Interview). Interviewed by Benjamin Forgey. Washington, D.C.: Smithsonian Institution. Archived from the original on February 1, 2023. Retrieved February 5, 2024.

siris-artinventories.si.edu

"Sculpture with a "D", (sculpture)". siris-artinventories.si.edu. Smithsonian Art Inventories catalog. Retrieved January 22, 2024.

nmaahc.si.edu

"Yet Do I Marvel (Countee Cullen)". NMAAHC. Smithsonian Institution. Archived from the original on August 7, 2023. Retrieved August 7, 2023.

state.gov (Global: 264^th place; English: 249^th place)

art.state.gov

"Sam Gilliam | Medal of Arts 2015". Art in Embassies. United States Department of State. Retrieved June 29, 2022.

studiomuseum.org (Global: low place; English: low place)

"Sam Gilliam". Studio Museum in Harlem. September 10, 2020. Archived from the original on July 7, 2022. Retrieved November 6, 2022.
"Master Builder Pieces and Eagles". Studio Museum. The Studio Museum in Harlem. April 23, 2021. Archived from the original on May 28, 2022. Retrieved May 28, 2022.

theartnewspaper.com (Global: 3,687^th place; English: 2,491^st place)

da Silva, José (June 14, 2018). "Sam Gilliam: A Life Beyond the Frame". The Art Newspaper. OCLC 301312316. Archived from the original on July 1, 2022. Retrieved February 11, 2024.
Sutton, Benjamin (March 28, 2024). "Ghanaian artist Ibrahim Mahama wins inaugural Sam Gilliam Award". The Art Newspaper - International art news and events. Retrieved August 4, 2025.

theguardian.com (Global: 12^th place; English: 11^th place)

Basciano, Oliver (June 30, 2022). "Sam Gilliam obituary". The Guardian. Archived from the original on June 14, 2023. Retrieved December 17, 2023.
Fowler, William (October 15, 2015). "Searching for Sam Gilliam: the 81-year-old art genius saved from oblivion". The Guardian. Archived from the original on January 31, 2023. Retrieved February 19, 2024.

thehistorymakers.org (Global: low place; English: 6,041^st place)

"Sam Gilliam's Biography". The HistoryMakers. Retrieved March 9, 2021.

wamu.org (Global: low place; English: low place)

Schweitzer, Ally (September 22, 2016). "At Smithsonian African American Museum, A Washington Painter Gets His Due". WAMU. Archived from the original on October 29, 2023. Retrieved February 19, 2024.

washingtoncitypaper.com (Global: 5,788^th place; English: 3,283^rd place)

Capps, Kriston (June 2, 2017). "Color, Full: A Timeline of the Washington Color School". Washington City Paper. OCLC 39653406. Archived from the original on April 15, 2023. Retrieved February 13, 2024.
Capps, Kriston (March 27, 2015). "Return to Splendor". Washington City Paper. OCLC 39653406. Archived from the original on November 27, 2023. Retrieved February 11, 2024.

washingtonpost.com (Global: 34^th place; English: 27^th place)

O'Sullivan, Michael (June 27, 2022). "Sam Gilliam, abstract artist who went beyond the frame, dies at 88". The Washington Post. OCLC 2269358. Archived from the original on November 29, 2023. Retrieved December 17, 2023.
Cohen, Jean Lawlor (June 26, 2015). "When the Washington Color School earned its stripes on the national stage". The Washington Post. OCLC 2269358. Archived from the original on August 2, 2015. Retrieved February 10, 2024.
Smee, Sebastian (June 28, 2022). "Sam Gilliam never fought the canvas. He liberated it". The Washington Post. OCLC 2269358. Archived from the original on September 22, 2023. Retrieved December 17, 2023.
Kennicott, Philip (November 30, 2022). "Phillips Collection Hires Art Historian as New Director". The Washington Post. OCLC 2269358. Archived from the original on November 30, 2022. Retrieved February 12, 2024.
Edgers, Geoff (July 9, 2016). "The not-so-simple comeback story of pioneering artist Sam Gilliam". The Washington Post. OCLC 2269358. Archived from the original on July 8, 2016. Retrieved February 18, 2024.
Carmean Jr., E.A. (October 25, 1982). "Celebrating The Birth of Stain Painting". The Washington Post. OCLC 2269358. Archived from the original on August 28, 2017. Retrieved February 13, 2024.
O'Sullivan, Michael (October 20, 2005). "The Insightful Sam Gilliam". The Washington Post. Archived from the original on February 21, 2024. Retrieved February 21, 2024.

web.archive.org (Global: 1^st place; English: 1^st place)

O'Sullivan, Michael (June 27, 2022). "Sam Gilliam, abstract artist who went beyond the frame, dies at 88". The Washington Post. OCLC 2269358. Archived from the original on November 29, 2023. Retrieved December 17, 2023.
Panero, James (August 19, 2020). "'Sam Gilliam' Review: Flowing Color, Billowing Canvas". The Wall Street Journal. Archived from the original on November 27, 2023. Retrieved December 17, 2023.
Cohen, Jean Lawlor (June 26, 2015). "When the Washington Color School earned its stripes on the national stage". The Washington Post. OCLC 2269358. Archived from the original on August 2, 2015. Retrieved February 10, 2024.
Smee, Sebastian (June 28, 2022). "Sam Gilliam never fought the canvas. He liberated it". The Washington Post. OCLC 2269358. Archived from the original on September 22, 2023. Retrieved December 17, 2023.
Di Liscia, Valentina (June 27, 2022). "Sam Gilliam, Groundbreaking Abstractionist, Dies at 88". Hyperallergic. OCLC 881810209. Archived from the original on October 26, 2023. Retrieved December 17, 2023.
Rappolt, Mark (July 21, 2014). "Feature: Sam Gilliam". ArtReview. Archived from the original on June 28, 2022. Retrieved December 17, 2023.
Smith, Roberta (June 27, 2022). "Sam Gilliam, Abstract Artist of Drape Paintings, Dies at 88". The New York Times. OCLC 1645522. Archived from the original on June 29, 2022. Retrieved June 29, 2022.
Kinsella, Eileen (January 2, 2018). "At Age 84, Living Legend Sam Gilliam Is Enjoying His Greatest Renaissance Yet". Artnet News. Archived from the original on November 27, 2023. Retrieved February 3, 2024.
"Sam Gilliam". Smithsonian American Art Museum. Smithsonian Institution. Archived from the original on December 9, 2023. Retrieved February 4, 2024.
Basciano, Oliver (June 30, 2022). "Sam Gilliam obituary". The Guardian. Archived from the original on June 14, 2023. Retrieved December 17, 2023.
Capps, Kriston (July 8, 2022). "Painter Sam Gilliam Spent His Entire Career in Washington, D.C. Here's How the City Sustained Him When the Art World Wasn't Watching". Artnet News. Archived from the original on February 9, 2023. Retrieved December 17, 2023.
"Sam Gilliam Biography". Ogden Museum of Southern Art. April 8, 2020. Archived from the original on March 29, 2023. Retrieved December 17, 2023.
Gilliam, Sam (March 19, 2016). "Beer with a Painter: Sam Gilliam". Hyperallergic (Interview). Interviewed by Samet, Jennifer. OCLC 881810209. Archived from the original on January 31, 2024. Retrieved February 3, 2024.
Gilliam, Sam (July 11, 2017). "Interview: Sam Gilliam". Artforum (Interview). Interviewed by Campbell, Andrianna. Archived from the original on February 1, 2024. Retrieved February 4, 2024.
Triplett, Jo Anne (June 20, 2006). "Man of Constant Color: Sam Gilliam's Abstract Art Comes Home for a Retrospective". Louisville Eccentric Observer. OCLC 904436205. Archived from the original on June 4, 2023. Retrieved February 4, 2024.
Kennicott, Philip (November 30, 2022). "Phillips Collection Hires Art Historian as New Director". The Washington Post. OCLC 2269358. Archived from the original on November 30, 2022. Retrieved February 12, 2024.
"Kenneth Victor Young: Exploring Space". East City Art. March 11, 2021. Archived from the original on June 25, 2021. Retrieved September 2, 2021.
Gilliam, Sam (November 11, 1989). "Oral history interview with Sam Gilliam". Archives of American Art Oral History Program (Interview). Interviewed by Benjamin Forgey. Washington, D.C.: Smithsonian Institution. Archived from the original on February 1, 2023. Retrieved February 5, 2024.
Russell, John (January 7, 1983). "Art: Clocks at the Frick". The New York Times. p. C23. OCLC 1645522. Archived from the original on May 24, 2015. Retrieved February 4, 2024.
Lewis, Jim (November 28, 2014). "Red Orange Yellow Green and Blue Period". W Art. pp. 87–88. Archived from the original on February 25, 2017.
Edgers, Geoff (July 9, 2016). "The not-so-simple comeback story of pioneering artist Sam Gilliam". The Washington Post. OCLC 2269358. Archived from the original on July 8, 2016. Retrieved February 18, 2024.
Carmean Jr., E.A. (October 25, 1982). "Celebrating The Birth of Stain Painting". The Washington Post. OCLC 2269358. Archived from the original on August 28, 2017. Retrieved February 13, 2024.
Capps, Kriston (June 2, 2017). "Color, Full: A Timeline of the Washington Color School". Washington City Paper. OCLC 39653406. Archived from the original on April 15, 2023. Retrieved February 13, 2024.
Capps, Kriston (March 27, 2015). "Return to Splendor". Washington City Paper. OCLC 39653406. Archived from the original on November 27, 2023. Retrieved February 11, 2024.
Edwards, Melvin; Johnson, Rashid (June 28, 2022). "Sam Gilliam 'Took a Step Most People Didn't Understand Was Possible'". The New York Times (Interview). Interviewed by Loos, Ted. OCLC 1645522. Archived from the original on January 4, 2023. Retrieved February 13, 2024.
Rudig, Stephanie (June 29, 2022). "Sam Gilliam, Longtime D.C. Painter Whose Work Is Celebrated Around The World, Dies At 88". DCist. WAMU. Archived from the original on July 4, 2023. Retrieved February 21, 2024.
Gilliam, Sam (September 2019). "Sam Gilliam with Tom McGlynn". The Brooklyn Rail (Interview). Interviewed by McGlynn, Tom. Archived from the original on September 26, 2023. Retrieved February 11, 2024.
Hudson, Andrew (March 1968). "Washington". Artforum. Vol. 6, no. 7. p. 63. Archived from the original on November 11, 2023. Retrieved February 18, 2024.
Wasserman, Emily (September 1968). "New York". Artforum. Vol. 7, no. 1. p. 62. Archived from the original on November 11, 2023. Retrieved February 6, 2024.
Hudson, Andrew (December 1968). "Washington". Artforum. Vol. 7, no. 4. p. 65. Archived from the original on November 14, 2023. Retrieved February 19, 2024.
Kennedy, Shawn G. (June 25, 1998). "Arts in America; Seeking to Stretch the Boundaries of Printmaking". The New York Times. OCLC 1645522. Archived from the original on March 11, 2023. Retrieved February 12, 2024.
Miller, Donald (January 1973). "Hanging loose: An interview with Sam Gilliam". ARTnews. Vol. 72, no. 1. OCLC 2392716. Archived from the original on May 23, 2023. Retrieved February 5, 2024.
Dozier, Ayanna (June 27, 2022). "Remembering Abstract Pioneer Sam Gilliam through 5 Trailblazing Works". Artsy. Archived from the original on October 21, 2022. Retrieved February 5, 2024. Gilliam was partially inspired to drape canvases by his father's work as a carpenter building sets for local church plays, as he said in a 2004 interview with scholar Rohini Talalla.
Benson, LeGrace G. (September 1970). "Sam Gilliam: Certain Attitudes". Artforum. Vol. 9, no. 1. p. 57. Archived from the original on October 29, 2023.
Davis, Ben (August 29, 2019). "How to Look at a Sam Gilliam Painting: With One Eye on History and the Other on Color and Form". Artnet News. Archived from the original on October 1, 2023. Retrieved February 6, 2024.
Glueck, Grace (April 6, 1971). "15 of 75 Black Artists Leave As Whitney Exhibition Opens". The New York Times. p. 50. OCLC 1645522. Archived from the original on November 4, 2023. Retrieved February 7, 2024.
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"Projects: Sam Gilliam" (PDF) (Exhibition checklist). New York: Museum of Modern Art. 1971. Archived (PDF) from the original on April 12, 2021. Retrieved February 8, 2024.
da Silva, José (June 14, 2018). "Sam Gilliam: A Life Beyond the Frame". The Art Newspaper. OCLC 301312316. Archived from the original on July 1, 2022. Retrieved February 11, 2024.
Kramer, Hilton (June 12, 1972). "Venice Biennale Is Optimistic in Spirit". The New York Times. p. 45. OCLC 1645522. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
Weege, William; Axsom, Richard H. (April 7, 2018). "William Weege's Collaboration with Sam Gilliam". University Place. PBS Wisconsin. Wisconsin Channel. Archived from the original on September 30, 2023. Retrieved February 12, 2024.
"Seahorses by Sam Gilliam". Philadelphia Museum of Art. Archived from the original on January 31, 2024. Retrieved February 7, 2024.
"Artist-in-Residence: Sam Gilliam". The Fabric Workshop and Museum. Archived from the original on February 12, 2024. Retrieved February 12, 2024.
Raynor, Vivien (January 20, 1978). "Art: Casting Space in a Different Light". The New York Times. OCLC 1645522. Archived from the original on March 10, 2018. Retrieved February 18, 2024.
Bryan-Wilson, Julia (November 2023). "The Rake and the Furrow". Artforum. Vol. 62, no. 3. Archived from the original on December 17, 2023. Retrieved December 17, 2023.
Cassel Oliver, Valerie; Zucker, Steven (June 13, 2022). "Sam Gilliam, Purpled (Chasers Series)". Smarthistory. Archived from the original on June 11, 2022. Retrieved June 11, 2022 – via YouTube.
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Tomkins, Calvin (February 5, 2024). "The Art World Before and After Thelma Golden". The New Yorker. Archived from the original on February 5, 2024. Retrieved February 19, 2024.
Allen, Greg (February 2019). "Color in Landscape". Art in America. ARTnews. OCLC 1121298647. Archived from the original on June 28, 2022. Retrieved June 29, 2022.
"Stretching the Canvas". Chicago Tribune. February 18, 1997. Archived from the original on February 18, 2024. Retrieved February 18, 2024.
O'Sullivan, Michael (October 20, 2005). "The Insightful Sam Gilliam". The Washington Post. Archived from the original on February 21, 2024. Retrieved February 21, 2024.
Barrett, Maggie (April 1, 2011). "Groundbreaking Spanish Design at AU Museum" (Press release). Washington, D.C.: American University. Archived from the original on December 1, 2022. Retrieved February 11, 2024.
Gilliam, Sam (2011). "An Interview with Sam Gilliam" (PDF). Sam Gilliam: Close to Trees (Interview). Interviewed by Rasmussen, Jack. American University Museum. p. 2. Archived from the original (PDF) on June 17, 2011. Retrieved February 12, 2024.
Sargent, Antwaun (October 3, 2023). "The Anxiety and Ecstasy of Rashid Johnson". GQ. Condé Nast. Archived from the original on February 19, 2024. Retrieved February 19, 2024.
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Fowler, William (October 15, 2015). "Searching for Sam Gilliam: the 81-year-old art genius saved from oblivion". The Guardian. Archived from the original on January 31, 2023. Retrieved February 19, 2024.
Pogrebin, Robin (October 20, 2020). "With Black Artists' Input, One Gallery Is 'Starting to Look Different'". The New York Times. OCLC 1645522. Archived from the original on October 20, 2020. Retrieved February 12, 2024.
Schweitzer, Ally (September 22, 2016). "At Smithsonian African American Museum, A Washington Painter Gets His Due". WAMU. Archived from the original on October 29, 2023. Retrieved February 19, 2024.
Tate, Greg (February 13, 2017). "SNMAAHC in the Middle of the Mall: Art Is the Chapel in This Mega Church". ARTnews. OCLC 2392716. Archived from the original on December 8, 2022. Retrieved February 19, 2024.
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Loos, Ted (June 12, 2018). "At 84, Sam Gilliam Fires Up His Competitive Spirit". The New York Times. OCLC 1645522. Archived from the original on November 27, 2023. Retrieved February 19, 2024.
Greenberger, Alex (June 27, 2022). "Sam Gilliam, Groundbreaking Artist Who Brought Abstraction Into the Third Dimension, Dies at 88". ARTnews. OCLC 2392716. Archived from the original on June 27, 2022. Retrieved June 29, 2022.
D'Arcy, David (November 11, 2020). "Sam Gilliam's Long-Awaited Pace Exhibition Blurs the Boundaries of Painting". Observer. Archived from the original on November 26, 2022. Retrieved February 19, 2024.
Rudig, Stephanie (May 26, 2022). "This D.C. Artist Painted Furiously Through The Pandemic. The Hirshhorn Is Now Displaying Their Work". DCist. WAMU. Archived from the original on May 27, 2022. Retrieved May 28, 2022.
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"In Memorian: Sam Gilliam 1933-2022" (Press release). Washington, D.C.: Hirshhorn Museum and Sculpture Garden. June 27, 2022. Archived from the original on September 26, 2023. Retrieved February 19, 2024.
Heartney, Eleanor. "GSA Art in Architecture: Introduction" (PDF). gsa.gov. Archived from the original (PDF) on January 22, 2024. Retrieved January 22, 2024.
"Triple Variants". GSA. General Services Administration. Archived from the original on June 29, 2022. Retrieved November 10, 2022.
"Chair Key". Philander Smith College African American Art. Philander Smith College. October 13, 2014. Archived from the original on November 15, 2022. Retrieved November 15, 2022.
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"From Model to Rainbow". WMATA. Archived from the original on July 9, 2022. Retrieved July 11, 2022.
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"Acquisition: Sam Gilliam". NGA (Press release). Washington, D.C.: National Gallery of Art. October 9, 2023. Archived from the original on February 20, 2024. Retrieved February 20, 2024.
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Greenberger, Alex (August 11, 2021). "How a 'Revolutionary' Racially Integrated Art Exhibition in Texas Changed the Game". ARTnews. OCLC 2392716. Archived from the original on July 2, 2022. Retrieved November 6, 2022.
Vartanian, Hrag (May 6, 2016). "Tracing the Contours of Power at the Marrakech Bienniale". Hyperallergic. OCLC 881810209. Archived from the original on July 22, 2022. Retrieved November 6, 2022.
Gilliam, Sam; Edwards, Melvin; Williams, William T. (March 31, 2022). "Melvin Edwards, Sam Gilliam and William T. Williams: Abstract Artists and Old Friends". T: The New York Times Style Magazine (Interview). Interviewed by Bradley, Adam. OCLC 56425907. Archived from the original on April 6, 2023. Retrieved February 13, 2024.
"Remembering Sam Gilliam". The Phillips Collection. Archived from the original on July 19, 2022. Retrieved November 6, 2022.
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"Sam Gilliam". Studio Museum in Harlem. September 10, 2020. Archived from the original on July 7, 2022. Retrieved November 6, 2022.
"Prominent African American Artist, Sam Gilliam, Dies at the Age of 88" (PDF). Speed Art Museum. Archived (PDF) from the original on November 6, 2022. Retrieved November 6, 2022.
"Sam Gilliam: a retrospective". Corcoran Gallery of Art. Archived from the original on October 14, 2021. Retrieved November 6, 2022.
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"Shoot Six". NGA. National Gallery of Art. 1965. Archived from the original on May 28, 2022. Retrieved May 28, 2022.
"April 4 - Sam Gilliam". SAAM. Smithsonian Institution. Archived from the original on July 31, 2022. Retrieved November 6, 2022.
"Rondo". Kunstmuseum Basel (in German). Archived from the original on November 6, 2022. Retrieved November 6, 2022.
""A" and the Carpenter I". AIC. Art Institute of Chicago. 1973. Archived from the original on November 13, 2020. Retrieved May 28, 2022.
"Rail". Hirshhorn Museum and Sculpture Garden. Smithsonian Institution. Archived from the original on April 15, 2022. Retrieved May 28, 2022.
"Master Builder Pieces and Eagles". Studio Museum. The Studio Museum in Harlem. April 23, 2021. Archived from the original on May 28, 2022. Retrieved May 28, 2022.
"Yet Do I Marvel (Countee Cullen)". NMAAHC. Smithsonian Institution. Archived from the original on August 7, 2023. Retrieved August 7, 2023.

wmagazine.com (Global: 793^rd place; English: 504^th place)

Lewis, Jim (November 28, 2014). "Red Orange Yellow Green and Blue Period". W Art. pp. 87–88. Archived from the original on February 25, 2017.

wmata.com (Global: low place; English: 8,130^th place)

"From Model to Rainbow". WMATA. Archived from the original on July 9, 2022. Retrieved July 11, 2022.

worldcat.org (Global: 5^th place; English: 5^th place)

search.worldcat.org

O'Sullivan, Michael (June 27, 2022). "Sam Gilliam, abstract artist who went beyond the frame, dies at 88". The Washington Post. OCLC 2269358. Archived from the original on November 29, 2023. Retrieved December 17, 2023.
Cohen, Jean Lawlor (June 26, 2015). "When the Washington Color School earned its stripes on the national stage". The Washington Post. OCLC 2269358. Archived from the original on August 2, 2015. Retrieved February 10, 2024.
Smee, Sebastian (June 28, 2022). "Sam Gilliam never fought the canvas. He liberated it". The Washington Post. OCLC 2269358. Archived from the original on September 22, 2023. Retrieved December 17, 2023.
Di Liscia, Valentina (June 27, 2022). "Sam Gilliam, Groundbreaking Abstractionist, Dies at 88". Hyperallergic. OCLC 881810209. Archived from the original on October 26, 2023. Retrieved December 17, 2023.
Smith, Roberta (June 27, 2022). "Sam Gilliam, Abstract Artist of Drape Paintings, Dies at 88". The New York Times. OCLC 1645522. Archived from the original on June 29, 2022. Retrieved June 29, 2022.
Binstock (2005), p. 7 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Gilliam, Sam (March 19, 2016). "Beer with a Painter: Sam Gilliam". Hyperallergic (Interview). Interviewed by Samet, Jennifer. OCLC 881810209. Archived from the original on January 31, 2024. Retrieved February 3, 2024.
Gilliam (2013), p. 202 Gilliam, Sam (2013). "Sam Gilliam". The Storied South: Voices of Writers and Artists (Interview). Interviewed by Ferris, William R. Chapel Hill, North Carolina: University of North Carolina Press. pp. 200–205. ISBN 9781469607542. OCLC 838415403.
Binstock & Webb (2005), p. 157 Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), pp. 8–9 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Raynor, Vivien (February 17, 1974). "The Art of Survival (and Vice Versa): Four Young Artists Illustrate the Shift from Bohemia to Bureaucracy". The New York Times Magazine. p. 304. OCLC 45309770.
Binstock (2005), p. 12 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock & Webb (2005), p. 158 Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Triplett, Jo Anne (June 20, 2006). "Man of Constant Color: Sam Gilliam's Abstract Art Comes Home for a Retrospective". Louisville Eccentric Observer. OCLC 904436205. Archived from the original on June 4, 2023. Retrieved February 4, 2024.
Kennicott, Philip (November 30, 2022). "Phillips Collection Hires Art Historian as New Director". The Washington Post. OCLC 2269358. Archived from the original on November 30, 2022. Retrieved February 12, 2024.
Binstock (2005), p. 8 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Edwards (2017), p. 7 Edwards, Adrienne (2017). "Sam Gilliam: Betwixt". Sam Gilliam: 1967-1973 (Exhibition catalogue). New York: Mnuchin Gallery. pp. 7–13. ISBN 9780998453927. OCLC 1020307668.
Binstock (2005), p. 9 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock & Helfenstein (2018), p. 182 Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Kloner (1978), p. 15 Kloner, Jay (1978). "Indoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 15–19. OCLC 5106592.
Binstock (2005), p. 10 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock & Webb (2005), p. 159 Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Binstock & Webb (2005), pp. 158–159 Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), pp. 11–12 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 15 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 15: "It happened that once when I was doing a figurative study the construction of that composition paralleled a construction of an artist I was interested in–Hans Hofmann–so, immediately, instead of painting the figure I changed courses and started to paint the structure." Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 11 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Godfrey (2019), pp. 95–96 Godfrey, Mark (2019). "Abstraction in Tryin' Times, 1967-1980". In Martin, Courtney J. (ed.). Four Generations: The Joyner/Giuffrida Collection of Abstract Art. New York: Gregory R. Miller & Co. pp. 93–109. ISBN 9781941366264. OCLC 1104920240.
Richard, Paul (February 28, 1993). "Soul Survivor: Sam Gilliam, the Last of the Color Painters, Toughs It Out in D.C.". The Washington Post. p. G1. OCLC 2269358. ProQuest 307594651.
Russell, John (January 7, 1983). "Art: Clocks at the Frick". The New York Times. p. C23. OCLC 1645522. Archived from the original on May 24, 2015. Retrieved February 4, 2024.
Edgers, Geoff (July 9, 2016). "The not-so-simple comeback story of pioneering artist Sam Gilliam". The Washington Post. OCLC 2269358. Archived from the original on July 8, 2016. Retrieved February 18, 2024.
Carmean Jr., E.A. (October 25, 1982). "Celebrating The Birth of Stain Painting". The Washington Post. OCLC 2269358. Archived from the original on August 28, 2017. Retrieved February 13, 2024.
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Capps, Kriston (June 2, 2017). "Color, Full: A Timeline of the Washington Color School". Washington City Paper. OCLC 39653406. Archived from the original on April 15, 2023. Retrieved February 13, 2024.
Capps, Kriston (March 27, 2015). "Return to Splendor". Washington City Paper. OCLC 39653406. Archived from the original on November 27, 2023. Retrieved February 11, 2024.
Edwards, Melvin; Johnson, Rashid (June 28, 2022). "Sam Gilliam 'Took a Step Most People Didn't Understand Was Possible'". The New York Times (Interview). Interviewed by Loos, Ted. OCLC 1645522. Archived from the original on January 4, 2023. Retrieved February 13, 2024.
Binstock (2005), p. 17 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), pp. 17–18 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Noland (1965), quoted in Binstock (2005), ch. 1: "From Louisville to Washington", p. 17 Noland, Cornelia (October 1965). "Meet an Artist: Sam Gilliam". Washingtonian. Vol. 1, no. 1. p. 24. OCLC 37264488. Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 18 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Hudson, Andrew (December 11, 1966). "Two Shows Here Demonstrate the Evolution of Art". The Washington Post, Times Herald. p. 151 (C5). OCLC 2269359. ProQuest 142721415.
Binstock (2005), p. 19: "For the first time I felt like an artist ought to feel. Not only did I create an image, but my personality took hold. It became very important to become known as one of the youngest members of the Washington Color Field School." Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 58 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 20 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), pp. 20–21 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 26 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Kloner (1978), p. 16 Kloner, Jay (1978). "Indoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 15–19. OCLC 5106592.
Binstock & Helfenstein (2018), p. 183 Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Porter (2017), p. 24 Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
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Binstock (2005), p. 27 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 22 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Richard, Paul (November 5, 1967). "Fine Young Color Painter Has a One-Man Show". The Washington Post, Times Herald. p. K8. OCLC 2269359. ProQuest 143081330.
Binstock (2005), p. 21 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), pp. 22, 26 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 31 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Osadtschy (2018), p. 33 Osadtschy, Olga (2018). "Plates - Explanatory Notes". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 33, 47, 69, 79, 114, 123, 129. ISBN 9783960983408. OCLC 1059129151.
Porter (2017), p. 25 Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
Binstock (2005), p. 34 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 35 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 36 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Gilliam (2018), p. 56 Gilliam, Sam (2018). Binstock, Jonathan P.; Helfenstein, Josef (eds.). "Selections From an Ongoing Conversation Between Sam Gilliam and Jonathan P. Binstock". The Music of Color: Sam Gilliam 1967-1973 (Interview). Interviewed by Binstock, Jonathan P. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 11–27. ISBN 9783960983408. OCLC 1059129151.
Binstock (2005), p. 56 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Forgey, Benjamin (October 22, 1967). "Sam Gilliam Bursts Forth at Phillips". The Sunday Star. No. 295. p. 45 (D3). OCLC 2260929 – via NewsBank.
Binstock (2005), p. 24 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 25 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Kennedy, Shawn G. (June 25, 1998). "Arts in America; Seeking to Stretch the Boundaries of Printmaking". The New York Times. OCLC 1645522. Archived from the original on March 11, 2023. Retrieved February 12, 2024.
Binstock (2005), p. 45 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Helfenstein (2018), p. 139 Helfenstein, Josef (2018). "From Object to Process: The Drapes in Context". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 135–150. ISBN 9783960983408. OCLC 1059129151.
Sims (2023), p. 11 Sims, Lowery Stokes (2023). "Sam Gilliam: Painting, Structure, and Space". Sam Gilliam: The Last Five Years (Exhibition catalogue). New York / Los Angeles: Pace Gallery / David Kordansky Gallery. pp. 8–17. ISBN 9781948701389. OCLC 1230158624.
Binstock (2005), p. 44 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Helfenstein (2018), pp. 139–141 Helfenstein, Josef (2018). "From Object to Process: The Drapes in Context". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 135–150. ISBN 9783960983408. OCLC 1059129151.
Miller, Donald (January 1973). "Hanging loose: An interview with Sam Gilliam". ARTnews. Vol. 72, no. 1. OCLC 2392716. Archived from the original on May 23, 2023. Retrieved February 5, 2024.
Binstock (2005), p. 84 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 47 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock & Webb (2005), p. 160 Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 52 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 53 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Helfenstein (2018), p. 81 Helfenstein, Josef (2018). "From Object to Process: The Drapes in Context". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 135–150. ISBN 9783960983408. OCLC 1059129151.
Moten (2020), p. 44 Moten, Fred (2020). "The Circle with a Whole in the Middle". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 78–96. ISBN 9781948701389. OCLC 1230158624.
Rose (1996), pp. 22-23: "Gilliam's 'drapes' are an important part of the post-minimalist dialogue of the late '60s that engaged the avant-garde on both sides of the Atlantic." Rose, Barbara (1996). "Abstraction as Identity". International Review of African American Art. 13 (3). Hampton, Virginia: Hampton University: 18–23. OCLC 571762615.
Binstock (2005), p. 44: "Gilliam's single most significant and celebrated invention, the draped or suspended painting, was a major development of the post-1960 era, and one that has earned him an enduring place in the history of formalist art." Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 56-57 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 79 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 60-61 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Mellow, James R. (June 29, 1969). "The Black Artist, the Black Community, the White Art World". The New York Times. p. D23. OCLC 1645522. Retrieved February 7, 2024.
Binstock (2005), p. 70 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 81 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Jacobs (1985), p. 22 Jacobs, Joseph (1985). Since the Harlem Renaissance: 50 Years of Afro-American Art (Exhibition catalogue). Lewisburg, Pennsylvania: Bucknell University Center Gallery. ISBN 9780916279028. OCLC 12727416.
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Glueck, Grace (April 6, 1971). "15 of 75 Black Artists Leave As Whitney Exhibition Opens". The New York Times. p. 50. OCLC 1645522. Archived from the original on November 4, 2023. Retrieved February 7, 2024.
Helfenstein (2018), p. 143 Helfenstein, Josef (2018). "From Object to Process: The Drapes in Context". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 135–150. ISBN 9783960983408. OCLC 1059129151.
Martin (2020), p. 116 Martin, Courtney J. (2020). "Imagine the Show on the First Day". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 114–124. ISBN 9781948701389. OCLC 1230158624.
Binstock (2005), p. 94 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 89 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 46 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
"Sam Gilliam has new show at Modern Art". New York Amsterdam News. November 27, 1971. p. D3. OCLC 13416782. ProQuest 226741031.
Porter (2017), p. 30 Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
Stovall (2022), p. 93 Stovall, Lou (2022). "My Story". In Stovall, Will (ed.). Of the Land: The Art and Poetry of Lou Stovall. Washington, D.C.: Georgetown University Press. pp. 75–95. ISBN 9781647121716. OCLC 1248597976.
Kloner (1978), p. 17 Kloner, Jay (1978). "Indoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 15–19. OCLC 5106592.
Binstock (2005), p. 83 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 87 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
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da Silva, José (June 14, 2018). "Sam Gilliam: A Life Beyond the Frame". The Art Newspaper. OCLC 301312316. Archived from the original on July 1, 2022. Retrieved February 11, 2024.
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Martin (2020), p. 117 Martin, Courtney J. (2020). "Imagine the Show on the First Day". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 114–124. ISBN 9781948701389. OCLC 1230158624.
Martin (2020), p. 118 Martin, Courtney J. (2020). "Imagine the Show on the First Day". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 114–124. ISBN 9781948701389. OCLC 1230158624.
Binstock (2005), p. 92 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Porter (2017), p. 23 Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
Osadtschy (2018), p. 114 Osadtschy, Olga (2018). "Plates - Explanatory Notes". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 33, 47, 69, 79, 114, 123, 129. ISBN 9783960983408. OCLC 1059129151.
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Porter (2017), p. 22-23 Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
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Gilliam (2013), p. 204 Gilliam, Sam (2013). "Sam Gilliam". The Storied South: Voices of Writers and Artists (Interview). Interviewed by Ferris, William R. Chapel Hill, North Carolina: University of North Carolina Press. pp. 200–205. ISBN 9781469607542. OCLC 838415403.
Kloner (1978), p. 18 Kloner, Jay (1978). "Indoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 15–19. OCLC 5106592.
Sims (2023), p. 15 Sims, Lowery Stokes (2023). "Sam Gilliam: Painting, Structure, and Space". Sam Gilliam: The Last Five Years (Exhibition catalogue). New York / Los Angeles: Pace Gallery / David Kordansky Gallery. pp. 8–17. ISBN 9781948701389. OCLC 1230158624.
Forgey, Benjamin (February 21, 1975). "Corcoran Show is Mostly Big". Portfolio. The Washington Star and Daily News. Vol. 123. p. 14 (B2). OCLC 10344624 – via NewsBank.
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Newton Jones, Linda (September 11, 1975). "Artist Gilliam Acquitted in Airline Assault Case". The Washington Post. p. 60 (C4). OCLC 2269358. ProQuest 146399016.
"Gilliam Arrested in Memphis: District Artist Charged With Violence on Jet". The Washington Star and Daily News. Vol. 123. February 25, 1975. p. 7 (A5). OCLC 10344624. Retrieved February 9, 2024 – via NewsBank.
Bredemeier, Kenneth (February 26, 1975). "D.C. Artist Charged In Airline Assault". The Washington Post. p. 11 (A11). OCLC 2269358. ProQuest 146250193.
Binstock (2005), p. 103-104 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Forgey, Benjamin (April 25, 1975). "D.C. Artist Aids Philadelphia". The Washington Star. Vol. 123. p. 19 (B3). OCLC 4798911. Retrieved February 9, 2024 – via NewsBank.
Binstock (2005), p. 102 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 113 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 204 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 106 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Davies (1978), p. 1 Davies, Hugh M. (1978). "Outdoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 1–3. OCLC 5106592.
Gilliam (2018), p. 12 Gilliam, Sam (2018). Binstock, Jonathan P.; Helfenstein, Josef (eds.). "Selections From an Ongoing Conversation Between Sam Gilliam and Jonathan P. Binstock". The Music of Color: Sam Gilliam 1967-1973 (Interview). Interviewed by Binstock, Jonathan P. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 11–27. ISBN 9783960983408. OCLC 1059129151.
Kloner (1978), p. 19 Kloner, Jay (1978). "Indoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 15–19. OCLC 5106592.
Glueck, Grace (August 1, 1982). "Some Summer Fare Materializes at Hudson River Museum". The New York Times. p. 399 (16 WC). OCLC 1645522. Retrieved February 12, 2024.
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Raynor, Vivien (January 20, 1978). "Art: Casting Space in a Different Light". The New York Times. OCLC 1645522. Archived from the original on March 10, 2018. Retrieved February 18, 2024.
Binstock & Helfenstein (2018), p. 184 Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Binstock (2005), p. 118 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), pp. 118–119 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 119 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Gawlak & Gilliam (1991), p. 10 Gawlak, Annie; Gilliam, Sam (1991). "Solids and Veils". Art Journal. 50 (1). New York: College Art Association: 10–11. doi:10.1080/00043249.1991.10791412. JSTOR 777075. OCLC 38436076.
Binstock (2005), p. 120 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 133 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Allen, Greg (February 2019). "Color in Landscape". Art in America. ARTnews. OCLC 1121298647. Archived from the original on June 28, 2022. Retrieved June 29, 2022.
Rose (1996), p. 18: "American abstractionist Sam Gilliam continues to innovate in areas from studio art to public commissions. Confusion reigns in the art world, but Gilliam is consolidating his position as a cutting edge modernist who has simulated the tradition and carried it forward in his own terms." Rose, Barbara (1996). "Abstraction as Identity". International Review of African American Art. 13 (3). Hampton, Virginia: Hampton University: 18–23. OCLC 571762615.
Thorson, Alice (May 10, 1991). "Gilliam Makes a Splash". Washington City Paper. OCLC 39653406.
Binstock & Webb (2005), p. 167 Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Binstock (2005), p. 138 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Beardsley (1991), p. 18 Beardsley, John (1991). "Then and Now". Sam Gilliam: Of Fireflies or Ferris Wheels, a Cultural Presentation of the United States of America (Exhibition catalogue). Washington, D.C.: Arts America Program, United States Information Agency. pp. 9–18. OCLC 52922826.
Gilliam (1997), p. Unpaginated Gilliam, Sam (1997). "Sam Gilliam: Washington, D.C., April 15, 1997". Sam Gilliam: Of Fireflies and Ferris Wheels: Monastery Parallel (Exhibition catalogue). Magdeburg: Kunstmuseum Kloster Unser Lieben Frauen Magdeburg. pp. Unpaginated. ISBN 9783930030309. OCLC 845459239.
Binstock (2005), p. 139; 142 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Cullinan (2019), p. 110 Cullinan, Nicholas (2019). "Nicholas Cullinan on Sam Gilliam". In Martin, Courtney J. (ed.). Four Generations: The Joyner/Giuffrida Collection of Abstract Art. New York: Gregory R. Miller & Co. pp. 110–111. ISBN 9781941366264. OCLC 1104920240.
Binstock & Helfenstein (2018), p. 186 Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Binstock (2005), p. 142 Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Trescott, Jacqueline (January 30, 2011). "Sam Gilliam: An Ever-Changing Force". The Washington Post. p. E2. OCLC 2269358. ProQuest 1938725431.
Griffin, Jonathan (September 10, 2014). "The New Dealer". T: The New York Times Style Magazine. OCLC 56425907. Archived from the original on July 17, 2022. Retrieved July 17, 2022.
Pogrebin, Robin (October 20, 2020). "With Black Artists' Input, One Gallery Is 'Starting to Look Different'". The New York Times. OCLC 1645522. Archived from the original on October 20, 2020. Retrieved February 12, 2024.
Tate, Greg (February 13, 2017). "SNMAAHC in the Middle of the Mall: Art Is the Chapel in This Mega Church". ARTnews. OCLC 2392716. Archived from the original on December 8, 2022. Retrieved February 19, 2024.
Loos, Ted (June 12, 2018). "At 84, Sam Gilliam Fires Up His Competitive Spirit". The New York Times. OCLC 1645522. Archived from the original on November 27, 2023. Retrieved February 19, 2024.
Greenberger, Alex (June 27, 2022). "Sam Gilliam, Groundbreaking Artist Who Brought Abstraction Into the Third Dimension, Dies at 88". ARTnews. OCLC 2392716. Archived from the original on June 27, 2022. Retrieved June 29, 2022.
Watts, C.M. (July 4, 2022). "The Final Rotation: Sam Gilliam's Full Circle at the Hirshhorn". BmoreArt | Baltimore Contemporary Art. OCLC 933617977. Archived from the original on November 27, 2022. Retrieved February 19, 2024.
Binstock & Helfenstein (2018), p. 185 Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Sims (2023), p. 9 Sims, Lowery Stokes (2023). "Sam Gilliam: Painting, Structure, and Space". Sam Gilliam: The Last Five Years (Exhibition catalogue). New York / Los Angeles: Pace Gallery / David Kordansky Gallery. pp. 8–17. ISBN 9781948701389. OCLC 1230158624.
Greenberger, Alex (August 11, 2021). "How a 'Revolutionary' Racially Integrated Art Exhibition in Texas Changed the Game". ARTnews. OCLC 2392716. Archived from the original on July 2, 2022. Retrieved November 6, 2022.
Vartanian, Hrag (May 6, 2016). "Tracing the Contours of Power at the Marrakech Bienniale". Hyperallergic. OCLC 881810209. Archived from the original on July 22, 2022. Retrieved November 6, 2022.
Binstock & Helfenstein (2018), pp. 183–184 Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Gilliam, Sam; Edwards, Melvin; Williams, William T. (March 31, 2022). "Melvin Edwards, Sam Gilliam and William T. Williams: Abstract Artists and Old Friends". T: The New York Times Style Magazine (Interview). Interviewed by Bradley, Adam. OCLC 56425907. Archived from the original on April 6, 2023. Retrieved February 13, 2024.

wsj.com (Global: 79^th place; English: 65^th place)

Panero, James (August 19, 2020). "'Sam Gilliam' Review: Flowing Color, Billowing Canvas". The Wall Street Journal. Archived from the original on November 27, 2023. Retrieved December 17, 2023.
Cronin, Brenda (August 7, 2019). "The Artist Catching Fire at 85". The Wall Street Journal. Retrieved February 6, 2024.
Freudenheim, Tom L. (January 11, 2006). "A Master of Color Too Long in the Shadows". The Wall Street Journal. Retrieved February 24, 2024.
Gilliam, Sam; Johnson, Rashid (March 14, 2013). "The Art of Inspiration". The Wall Street Journal (Interview). Interviewed by Schama, Chloe. Retrieved February 24, 2024.
Gilliam, Sam (October 13, 2020). "86-Year-Old Artist Sam Gilliam Looks Back on a Tumultuous, Legendary Life". The Wall Street Journal (Interview). Interviewed by Delistraty, Cody. Retrieved February 24, 2024.

youtube.com (Global: 9^th place; English: 13^th place)

Gilliam, Sam (October 30, 2015). "Conversation with an Artist: Sam Gilliam" (YouTube video) (Interview). Interviewed by Paul Davis. Houston: Menil Collection. 36 min. 40 sec. Retrieved February 13, 2024.
Cassel Oliver, Valerie; Zucker, Steven (June 13, 2022). "Sam Gilliam, Purpled (Chasers Series)". Smarthistory. Archived from the original on June 11, 2022. Retrieved June 11, 2022 – via YouTube.
Binstock, Jonathan P.; Cassel Oliver, Valerie; Farrington, Lisa; Jones, Kellie; Powell, Richard J. (September 22, 2022). Coming Full Circle: Conversations About Sam Gilliam (YouTube video). Washington, D.C.: Hirshhorn Museum and Sculpture Garden. Event occurs at 1 hr 16 min 38 sec. Retrieved February 18, 2024. ...as we were going to Fisk and Atlanta University, and Howard and other institutions [...] what we did find however were Alma Thomases, and Sam Gilliams, and William T. Williams. So this gives us another narrative about those abstract artists and their engagements [...] with a wider community.

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