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Sampler (musical instrument) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Sampler (musical instrument)" in English language version.

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18web.archive.org
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500sound.com

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concordia.ca

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doi.org

  • Grogono, Peter (1973). "MUSYS: Software for an electronic music studio". Software: Practice and Experience. 3 (4): 369–383. doi:10.1002/spe.4380030410. ISSN 1097-024X. S2CID 206507040.
    "[SUMMARY] MUSYS is a system of programs used to create electronic music at the computer studio of Electronic Music Studios, London. This paper describes the programming language employed by composers, and the implementation of its compiler and of other programs in the system. It is shown that by the use of a macrogenerator, an efficient and useful system can be built from simple software on a small computer."

electricityclub.co.uk

emssynthesisers.co.uk

engadget.com

ghservices.com

keyboardmag.com

  • Preve, Francis (1 June 2010). "Sampler Evolution". Keyboard Magazine. Archived from the original on 18 September 2016. 1976 / COMPUTER MUSIC MELODIAN / Based on a DEC PDP-8 computer, it had then-unheard-of 12-bit/22kHz resolution.

maz-sound.com

musicainformatica.org

  • Nunzio, Alex Di (16 May 2014). "The structure". MUSYS. Archived from the original on 21 October 2017. Retrieved 21 October 2017. figure 2 A summary that shows the position of the two PDP computers within the MUSYS system, and all the devices connected to them. {{cite book}}: |work= ignored (help)CS1 maint: bot: original URL status unknown (link) (figure 2)

radionz.co.nz

  • Cockerell, David (1 October 2013), Interview – David Cockerell, archived from the original on 21 October 2017
    on These Hopeful Machines, archived from the original on 21 October 2017
    as a corner of radio program Sound Lounge, Radio New Zealand, [Q] ...Chronometer [3], as I understand it, the sounds of the clock mechanisms and all the rest of it were effectively sampled by an ADC, stored and manipulated by the computer and then spat out again. What was the breakthrough ... [A] Peter kept buying the latest computers that came out and of course the memory increased. Then I built him a hard disc recorder so that one could store some of the sounds on this hard disc. ...

semanticscholar.org

api.semanticscholar.org

  • Grogono, Peter (1973). "MUSYS: Software for an electronic music studio". Software: Practice and Experience. 3 (4): 369–383. doi:10.1002/spe.4380030410. ISSN 1097-024X. S2CID 206507040.
    "[SUMMARY] MUSYS is a system of programs used to create electronic music at the computer studio of Electronic Music Studios, London. This paper describes the programming language employed by composers, and the implementation of its compiler and of other programs in the system. It is shown that by the use of a macrogenerator, an efficient and useful system can be built from simple software on a small computer."

simonv.com

sub.jp

tokyosky.sub.jp

trevorhorn.com

upenn.edu

  • Chinen, Nate (27 August 2013). "Synthesizing Music and Science". ARTS. The Pennsylvania Gazette. No. Sept–Oct 2013. University of Pennsylvania. Archived from the original on 27 February 2014. (see also a photograph Archived 13 January 2016 at the Wayback Machine of the Computer Music Melodian and Harry Mendell)
    "...Mendell's pursuit of innovation, which brought some rather momentous results during his undergraduate years at Penn. / It was then, in the mid-1970s, that Mendell invented the world's first digital sampling synthesizer at an electronic-music laboratory that had been set up in the Annenberg Center. ... / Mendell licensed the Melodian technology to Yamaha, which used it to make a chip for commercial purposes. He also worked with Commodore. ... / A few days after our meeting, Mendell sends an email with the subject line "Exactly what I had in mind (in 1975)!"..."

vintagesynth.com

web.archive.org

  • Cockerell, David (1 October 2013), Interview – David Cockerell, archived from the original on 21 October 2017
    on These Hopeful Machines, archived from the original on 21 October 2017
    as a corner of radio program Sound Lounge, Radio New Zealand, [Q] ...Chronometer [3], as I understand it, the sounds of the clock mechanisms and all the rest of it were effectively sampled by an ADC, stored and manipulated by the computer and then spat out again. What was the breakthrough ... [A] Peter kept buying the latest computers that came out and of course the memory increased. Then I built him a hard disc recorder so that one could store some of the sounds on this hard disc. ...
  • Nunzio, Alex Di (16 May 2014). "The structure". MUSYS. Archived from the original on 21 October 2017. Retrieved 21 October 2017. figure 2 A summary that shows the position of the two PDP computers within the MUSYS system, and all the devices connected to them. {{cite book}}: |work= ignored (help)CS1 maint: bot: original URL status unknown (link) (figure 2)
  • Hinton, Graham (27 December 2002). "The Putney Studio (1970)". EMS: The Inside Story. Cornwall, UK: Electronic Music Studios. Archived from the original on 13 May 2016.
  • Grogono, Peter (26 November 2014). "Electronic Music Studios (London) Ltd". Department of Computer Science, Faculty of Engineering and Computer Science, Concordia University. Archived from the original on 15 May 2021. (See also: "The Mouse Programming Language". Archived from the original on 15 May 2021.)
  • Hall, Tom (2015), "Before The Mask: Birtwistle's electronic music collaborations with Peter Zinovieff", in Beard, David; Gloag, Kenneth; Jones, Nicholas (eds.), Harrison Birtwistle Studies, Cambridge University Press, pp. 63–94, ISBN 978-1-107-09374-4, archived from the original on 20 December 2017
  • Martin Russ, Sound Synthesis and Sampling, page 29 Archived 21 October 2017 at the Wayback Machine, CRC Press
  • "Hip-hop's most influential sampler gets a 2017 reboot". 22 January 2017. Archived from the original on 19 May 2017. Retrieved 20 June 2017.
  • A Beginner's Guide To YELLOW MAGIC ORCHESTRA Archived 19 May 2017 at the Wayback Machine, The Electricity Club
  • Chiemi Manabe – 不思議・少女 Archived 27 April 2017 at the Wayback Machine, discogs
  • Logic System – Orient Express Archived 27 April 2017 at the Wayback Machine, discogs
  • Preve, Francis (1 June 2010). "Sampler Evolution". Keyboard Magazine. Archived from the original on 18 September 2016. 1976 / COMPUTER MUSIC MELODIAN / Based on a DEC PDP-8 computer, it had then-unheard-of 12-bit/22kHz resolution.
  • Chinen, Nate (27 August 2013). "Synthesizing Music and Science". ARTS. The Pennsylvania Gazette. No. Sept–Oct 2013. University of Pennsylvania. Archived from the original on 27 February 2014. (see also a photograph Archived 13 January 2016 at the Wayback Machine of the Computer Music Melodian and Harry Mendell)
    "...Mendell's pursuit of innovation, which brought some rather momentous results during his undergraduate years at Penn. / It was then, in the mid-1970s, that Mendell invented the world's first digital sampling synthesizer at an electronic-music laboratory that had been set up in the Annenberg Center. ... / Mendell licensed the Melodian technology to Yamaha, which used it to make a chip for commercial purposes. He also worked with Commodore. ... / A few days after our meeting, Mendell sends an email with the subject line "Exactly what I had in mind (in 1975)!"..."
  • "SYNCLAVIER EARLY HISTORY". Synclavier European Services. Archived from the original on 14 November 2016.
  • "The Holmes Page: The Fairlight CMI". GH Services. 2010. Archived from the original on 29 October 2005.
  • "Fairlight CMI (Series I – III)". Archived from the original on 3 July 2007.
  • Peel, Ian (1 January 2010). "From the Art of Plastic to the Age of Noise" Archived 11 November 2013 at the Wayback Machine. Sleeve notes for the deluxe reissue of Adventures in Modern Recording, posted on trevorhorn.com. Retrieved 12 January 2016.
  • Ziegs, Matthias (2005). "Resampling Qualität im Vergleich" (in German). MAZ-Soundtools. Archived from the original on 8 March 2011. Retrieved 5 February 2011.
  • V., Simon (8 May 2001). "Sampler anti-aliasing and pitch-shifting comparison". simonv.com. Archived from the original on 19 June 2010. Retrieved 5 February 2011.

wikipedia.org

nl.wikipedia.org

worldcat.org

search.worldcat.org

  • Grogono, Peter (1973). "MUSYS: Software for an electronic music studio". Software: Practice and Experience. 3 (4): 369–383. doi:10.1002/spe.4380030410. ISSN 1097-024X. S2CID 206507040.
    "[SUMMARY] MUSYS is a system of programs used to create electronic music at the computer studio of Electronic Music Studios, London. This paper describes the programming language employed by composers, and the implementation of its compiler and of other programs in the system. It is shown that by the use of a macrogenerator, an efficient and useful system can be built from simple software on a small computer."