Sampling (music) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Sampling (music)" in English language version.

Last modified: 16:58:51, 21 September 2026 (UTC)

Ref.Un. Ref.Website

Global rank English rank

10661web.archive.org

1^st place

189theguardian.com

16^th place

11^th place

123factmag.com

3,043^rd place

1,674^th place

115soundonsound.com

2,031^st place

1,023^rd place

115books.google.com

3^rd place

74worldcat.org

4^th place

64musicradar.com

2,446^th place

1,349^th place

52economist.com

331^st place

272^nd place

44rollingstone.com

57^th place

39^th place

31vox.com

697^th place

420^th place

31washingtonpost.com

35^th place

24^th place

31hollywoodreporter.com

30^th place

22^nd place

22billboard.com

20^th place

13^th place

22complex.com

439^th place

258^th place

22bbc.com

26^th place

23^rd place

22latimes.com

32^nd place

21^st place

21techcrunch.com

317^th place

224^th place

21thevinyldistrict.com

low place

21npr.org

114^th place

75^th place

21play.google.com

1,365^th place

1,034^th place

11newscientist.com

1,041^st place

901^st place

11musictech.com

low place

11pitchfork.com

146^th place

88^th place

11spin.com

758^th place

415^th place

11wamu.org

low place

8,983^rd place

11engadget.com

613^th place

442^nd place

11beatport.com

7,301^st place

5,020^th place

11guinnessworldrecords.com

873^rd place

697^th place

11bostonglobe.com

657^th place

344^th place

11villagevoice.com

1,275^th place

702^nd place

11mixmag.net

5,540^th place

3,087^th place

11ft.com

193^rd place

127^th place

11smithsonianmag.com

663^rd place

431^st place

11independent.co.uk

46^th place

29^th place

11academia.edu

105^th place

99^th place

11doi.org

2^nd place

11jstor.org

23^rd place

15^th place

11musictech.net

low place

11redbull.com

1,723^rd place

1,438^th place

academia.edu (Global: 105^th place; English: 99^th place)

ucla.academia.edu

Fink, Robert (2005), "The Story of ORCH5, or, the Classical Ghost in the Hip-Hop Machine", Popular Music, 24 (3): 339–356, doi:10.1017/S0261143005000553, JSTOR 3877522, archived from the original on 16 March 2012, retrieved 9 February 2025

bbc.com (Global: 26^th place; English: 23^rd place)

"Amen Break musician finally gets paid". BBC News. 11 November 2015. Archived from the original on 12 September 2023. Retrieved 12 September 2023.
"Kraftwerk win 20-year sampling copyright case". BBC News. 30 July 2019. Archived from the original on 5 March 2020. Retrieved 1 February 2020.

beatport.com (Global: 7,301^st place; English: 5,020^th place)

news.beatport.com

Taylor, Ken (14 August 2012). "The exclusive interview; 'I feel like I've done a lot for the MPC'". Beatport. Archived from the original on 21 October 2012. Retrieved 16 March 2013.

billboard.com (Global: 20^th place; English: 13^th place)

Tannenbaum, Rob (22 July 2021). "How Splice Became the Hottest Platform on the Beat Market". Billboard. Archived from the original on 6 December 2022. Retrieved 6 December 2022.
"Beastie Boys Emerge Victorious In Sampling Suit". Billboard. 9 November 2004. Archived from the original on 19 November 2017. Retrieved 24 May 2020.

books.google.com (Global: 3^rd place; English: 3^rd place)

Reggae Wisdom: Proverbs in Jamaican Music. Univ. Press of Mississippi. 2001. ISBN 9781604736595. Archived from the original on 5 May 2024. Retrieved 11 September 2017 – via Google Books.
Bryan J. McCann, The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-On-Crime ERA, pages 41-42 Archived 5 May 2024 at the Wayback Machine, University of Alabama Press
Milner, Greg (3 November 2011). Perfecting Sound Forever: The Story of Recorded Music. Granta Publications. ISBN 9781847086051. Archived from the original on 9 December 2018. Retrieved 7 December 2018.
Mayumi Yoshida Barakan & Judith Connor Greer (1996). Tokyo city guide. Tuttle Publishing. p. 144. ISBN 0-8048-1964-5. Archived from the original on 23 March 2017. Retrieved 6 June 2011.
Condry, Ian (2006). Hip-hop Japan: rap and the paths of cultural globalization. Duke University Press. p. 60. ISBN 0-8223-3892-0. Archived from the original on 20 April 2019. Retrieved 11 June 2019.

bostonglobe.com (Global: 657^th place; English: 344^th place)

Sullivan, James (30 March 2012). "DJ Shadow's influence looms large". The Boston Globe. Archived from the original on 2 December 2013. Retrieved 23 March 2013.

complex.com (Global: 439^th place; English: 258^th place)

Adams, Kelsey. "Frank Dukes' Kingsway Music Library Could Change Sampling Forever". Complex. Archived from the original on 4 June 2024. Retrieved 4 June 2024.
X, Dharmic (20 February 2014). "James Brown is apparently the most sampled artist of all time". Complex. Archived from the original on 21 October 2020. Retrieved 1 August 2020.

doi.org (Global: 2^nd place; English: 2^nd place)

Fink, Robert (2005), "The Story of ORCH5, or, the Classical Ghost in the Hip-Hop Machine", Popular Music, 24 (3): 339–356, doi:10.1017/S0261143005000553, JSTOR 3877522, archived from the original on 16 March 2012, retrieved 9 February 2025

economist.com (Global: 331^st place; English: 272^nd place)

"Seven seconds of fire". The Economist. 17 December 2011. ISSN 0013-0613. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
"Just a sample". The Economist. Archived from the original on 14 October 2018. Retrieved 14 October 2018.

engadget.com (Global: 613^th place; English: 442^nd place)

"Hip-hop's most influential sampler gets a 2017 reboot". Engadget. Archived from the original on 31 March 2019. Retrieved 3 April 2018.

factmag.com (Global: 3,043^rd place; English: 1,674^th place)

Meiselman, Jessica (25 June 2016). "Sampled or stolen? Untangling the knotty world of hip-hop copyright". Fact. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
"The Essential... Yellow Magic Orchestra". Fact. 22 January 2015. Archived from the original on 17 April 2019. Retrieved 11 June 2019.
Fintoni, Laurent (2 August 2013). "Don't kick the ethics out of sampling: picking up the bullets from the Weeknd's clash with Portishead". Fact. Archived from the original on 12 October 2018. Retrieved 12 October 2018.

ft.com (Global: 193^rd place; English: 127^th place)

Cheal, David (21 February 2015). "The Life of a Song: 'When the Levee Breaks'". Financial Times. Archived from the original on 29 November 2018. Retrieved 29 November 2018.

guinnessworldrecords.com (Global: 873^rd place; English: 697^th place)

"First album made completely from samples". Guinness World Records. Archived from the original on 7 August 2013. Retrieved 20 March 2013.

hollywoodreporter.com (Global: 30^th place; English: 22^nd place)

Gardner, Eriq (2 June 2016). "Madonna gets victory over 'Vogue' sample at appeals court". The Hollywood Reporter. Archived from the original on 17 December 2022. Retrieved 17 December 2022.

independent.co.uk (Global: 46^th place; English: 29^th place)

Perrone, Pierre (25 March 2011). "Loleatta Holloway: Much-sampled disco diva who sued Black Box over their worldwide hit 'Ride on Time'". The Independent. Archived from the original on 8 July 2019. Retrieved 8 August 2019.

jstor.org (Global: 23^rd place; English: 15^th place)

Fink, Robert (2005), "The Story of ORCH5, or, the Classical Ghost in the Hip-Hop Machine", Popular Music, 24 (3): 339–356, doi:10.1017/S0261143005000553, JSTOR 3877522, archived from the original on 16 March 2012, retrieved 9 February 2025

latimes.com (Global: 32^nd place; English: 21^st place)

Brown, August (6 May 2021). "A homeless LA musician helped create a Daft Punk classic. So why hasn't he seen a dime?". Los Angeles Times. Archived from the original on 6 May 2021. Retrieved 7 May 2021.
Philips, Chuck (1 January 1992). "Songwriter wins large settlement in rap suit". Los Angeles Times. Archived from the original on 29 August 2022. Retrieved 6 August 2022.

mixmag.net (Global: 5,540^th place; English: 3,087^th place)

"Spotify playlist: 50 tracks that sample the 'Think' break". Mixmag. Archived from the original on 17 May 2021. Retrieved 30 January 2021.

musicradar.com (Global: 2,446^th place; English: 1,349^th place)

"A brief history of sampling". MusicRadar. Archived from the original on 26 June 2019. Retrieved 12 October 2018.
"The 10 most important hardware samplers in history". MusicRadar. Archived from the original on 2 July 2018. Retrieved 13 May 2018.
Cant, Tim (1 July 2022). "10 classic sample libraries that changed music". MusicRadar. Archived from the original on 26 October 2019. Retrieved 26 October 2019.
Music, Future (17 March 2011). "A brief history of GarageBand". MusicRadar. Archived from the original on 23 September 2019. Retrieved 6 December 2022.

musictech.com (Global: low place; English: low place)

"Interpolation vs sampling: a producer's guide to music borrowing and clearance in 2026". MusicTech. 25 February 2026. Retrieved 15 July 2026.

musictech.net (Global: low place; English: low place)

"Future of sample clearance: As easy as tagging friends on Facebook?". MusicTech. 13 September 2019. Archived from the original on 4 June 2021. Retrieved 4 June 2021.

newscientist.com (Global: 1,041^st place; English: 901^st place)

Hamer, Mick (26 March 2015). "Interview: Electronic maestros". New Scientist. Reed Business Information. Archived from the original on 8 July 2008. Retrieved 4 April 2016.

npr.org (Global: 114^th place; English: 75^th place)

"DJ Shadow on sampling as a 'collage of mistakes'". NPR. 17 November 2012. Archived from the original on 14 May 2013. Retrieved 15 August 2022.

pitchfork.com (Global: 146^th place; English: 88^th place)

Dandridge-Lemco, Ben (8 May 2020). "Get to know the loopmakers behind rap's biggest songs". Pitchfork. Archived from the original on 23 April 2021. Retrieved 4 June 2021.

play.google.com (Global: 1,365^th place; English: 1,034^th place)

George, Nelson (26 April 2005). Hip Hop America. Penguin. ISBN 9781101007303. Archived from the original on 23 March 2017. Retrieved 11 December 2016.

redbull.com (Global: 1,723^rd place; English: 1,438^th place)

Needham, Jack (29 November 2019). "How to sample without getting sued". Red Bull. Archived from the original on 4 June 2021. Retrieved 4 June 2021.

rollingstone.com (Global: 57^th place; English: 39^th place)

Leight, Elias (5 July 2018). "Why you're hearing more borrowed lyrics and melodies on pop radio". Rolling Stone. Retrieved 9 July 2026.
Kreps, Daniel (18 February 2017). "Clyde Stubblefield, James Brown's 'Funky Drummer,' Dead at 73". Rolling Stone. Archived from the original on 19 May 2023. Retrieved 1 August 2020.
Weingarten, Christopher R. (28 June 2018). "Inside the Labels Where Kanye West Finds Many of His Best Samples". Rolling Stone. Archived from the original on 7 May 2019. Retrieved 4 June 2021.
Runtagh, Jordan (8 June 2016). "Songs on Trial: 12 Landmark Music Copyright Cases". Rolling Stone. Archived from the original on 14 October 2018. Retrieved 12 October 2018.

smithsonianmag.com (Global: 663^rd place; English: 431^st place)

Eveleth, Rose (24 February 2014). "The world's most sampled song is 'Change the Beat' by Fab 5 Freddy". Smithsonian. Archived from the original on 12 October 2018. Retrieved 12 October 2018.

soundonsound.com (Global: 2,031^st place; English: 1,023^rd place)

Howell, Steve (August 2005). "The Lost Art Of Sampling: Part 1". Sound on Sound. Archived from the original on 9 December 2018. Retrieved 12 October 2018.
Vail, Mark (February 2002). "Korg M1 (Retrozone)". Sound on Sound. Archived from the original on 2 November 2019. Retrieved 6 November 2019.
Inglis, Sam (September 2003). "Recreating samples". Sound on Sound. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
Salmon, Richard (March 2008). "Sample clearance". Sound on Sound. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
Tingen, Paul (May 2005). "The Dust Brothers: sampling, remixing & the Boat studio". Sound on Sound. Cambridge, UK: SOS Publications Group. ISSN 1473-5326. Archived from the original on 29 May 2016. Retrieved 25 July 2011.

spin.com (Global: 758^th place; English: 415^th place)

Cush, Andy (15 December 2016). "How Hitmaking Producer Frank Dukes Is Reinventing the Pop Music Machine". Spin. Archived from the original on 4 June 2024. Retrieved 4 June 2024.

techcrunch.com (Global: 317^th place; English: 224^th place)

"Remixing Culture And Why The Art Of The Mash-Up Matters". TechCrunch. Archived from the original on 12 February 2020. Retrieved 16 October 2018.

theguardian.com (Global: 16^th place; English: 11^th place)

Beaumont-Thomas, Ben (6 September 2017). "Holger Czukay, bassist with Can, dies aged 79". The Guardian. ISSN 0261-3077. Archived from the original on 12 August 2023. Retrieved 12 August 2023.
McNamee, David (28 September 2009). "Hey, what's that sound: Sampler". The Guardian. Archived from the original on 4 March 2014. Retrieved 12 October 2018.
McNamee, David (22 June 2009). "Hey, what's that sound: Linn LM-1 Drum Computer and the Oberheim DMX". The Guardian. Archived from the original on 26 October 2018. Retrieved 9 February 2018.
McNamee, David (16 February 2008). "When did sampling become so non-threatening?". The Guardian. Archived from the original on 31 March 2019. Retrieved 12 October 2018.
Jones, Rhian (5 August 2022). "'Common decency': Beyoncé's Renaissance sparks debate about the politics of music sampling". The Guardian. Archived from the original on 6 August 2022. Retrieved 6 August 2022.
Keens, Oliver (13 July 2022). "Cutting up the dancefloor: the glorious, dubious history of the disco edit". The Guardian. ISSN 0261-3077. Retrieved 9 July 2026.
Simpson, Dave (24 March 2006). "Brian Eno and David Byrne, My Life in the Bush of Ghosts". The Guardian. Archived from the original on 20 August 2007. Retrieved 14 October 2018.
Myers, Ben (20 January 2011). "Big Audio Dynamite: more pioneering than the Clash?". The Guardian. London. Archived from the original on 14 February 2017. Retrieved 16 December 2016.
Convery, Stephanie (24 May 2017). "DJ Shadow: 'Music has never been worth less, and yet sampling has never been more risky'". The Guardian. Archived from the original on 15 August 2022. Retrieved 15 August 2022.

thevinyldistrict.com (Global: low place; English: low place)

Carter, Monica (30 June 2011). "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl". The Vinyl District. Archived from the original on 21 March 2012. Retrieved 22 July 2011.

villagevoice.com (Global: 1,275^th place; English: 702^nd place)

"The Dirty Heartbeat of the Golden Age". The Village Voice. 6 November 2007. Archived from the original on 1 May 2019. Retrieved 17 July 2019.

vox.com (Global: 697^th place; English: 420^th place)

Aciman, Alexander (16 April 2018). "Meet the unassuming drum machine that changed music forever". Vox. Archived from the original on 21 December 2018. Retrieved 11 May 2018.

wamu.org (Global: low place; English: 8,983^rd place)

Lefrak, Mikaela (24 April 2020). "The Library of Congress wants DJs (and you) to make beats using its audio collections". WAMU. Archived from the original on 4 June 2021. Retrieved 4 June 2021.

washingtonpost.com (Global: 35^th place; English: 24^th place)

Richards, Chris. "The court case that changed hip-hop — from Public Enemy to Kanye — forever". Washington Post. Archived from the original on 12 October 2018. Retrieved 12 October 2018.

web.archive.org (Global: 1^st place; English: 1^st place)

Howell, Steve (August 2005). "The Lost Art Of Sampling: Part 1". Sound on Sound. Archived from the original on 9 December 2018. Retrieved 12 October 2018.
Reggae Wisdom: Proverbs in Jamaican Music. Univ. Press of Mississippi. 2001. ISBN 9781604736595. Archived from the original on 5 May 2024. Retrieved 11 September 2017 – via Google Books.
Bryan J. McCann, The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-On-Crime ERA, pages 41-42 Archived 5 May 2024 at the Wayback Machine, University of Alabama Press
Beaumont-Thomas, Ben (6 September 2017). "Holger Czukay, bassist with Can, dies aged 79". The Guardian. ISSN 0261-3077. Archived from the original on 12 August 2023. Retrieved 12 August 2023.
McNamee, David (28 September 2009). "Hey, what's that sound: Sampler". The Guardian. Archived from the original on 4 March 2014. Retrieved 12 October 2018.
Hamer, Mick (26 March 2015). "Interview: Electronic maestros". New Scientist. Reed Business Information. Archived from the original on 8 July 2008. Retrieved 4 April 2016.
"A brief history of sampling". MusicRadar. Archived from the original on 26 June 2019. Retrieved 12 October 2018.
McNamee, David (22 June 2009). "Hey, what's that sound: Linn LM-1 Drum Computer and the Oberheim DMX". The Guardian. Archived from the original on 26 October 2018. Retrieved 9 February 2018.
Milner, Greg (3 November 2011). Perfecting Sound Forever: The Story of Recorded Music. Granta Publications. ISBN 9781847086051. Archived from the original on 9 December 2018. Retrieved 7 December 2018.
"The 10 most important hardware samplers in history". MusicRadar. Archived from the original on 2 July 2018. Retrieved 13 May 2018.
Aciman, Alexander (16 April 2018). "Meet the unassuming drum machine that changed music forever". Vox. Archived from the original on 21 December 2018. Retrieved 11 May 2018.
Vail, Mark (February 2002). "Korg M1 (Retrozone)". Sound on Sound. Archived from the original on 2 November 2019. Retrieved 6 November 2019.
McNamee, David (16 February 2008). "When did sampling become so non-threatening?". The Guardian. Archived from the original on 31 March 2019. Retrieved 12 October 2018.
Meiselman, Jessica (25 June 2016). "Sampled or stolen? Untangling the knotty world of hip-hop copyright". Fact. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
Cant, Tim (1 July 2022). "10 classic sample libraries that changed music". MusicRadar. Archived from the original on 26 October 2019. Retrieved 26 October 2019.
Music, Future (17 March 2011). "A brief history of GarageBand". MusicRadar. Archived from the original on 23 September 2019. Retrieved 6 December 2022.
Tannenbaum, Rob (22 July 2021). "How Splice Became the Hottest Platform on the Beat Market". Billboard. Archived from the original on 6 December 2022. Retrieved 6 December 2022.
Dandridge-Lemco, Ben (8 May 2020). "Get to know the loopmakers behind rap's biggest songs". Pitchfork. Archived from the original on 23 April 2021. Retrieved 4 June 2021.
Cush, Andy (15 December 2016). "How Hitmaking Producer Frank Dukes Is Reinventing the Pop Music Machine". Spin. Archived from the original on 4 June 2024. Retrieved 4 June 2024.
Adams, Kelsey. "Frank Dukes' Kingsway Music Library Could Change Sampling Forever". Complex. Archived from the original on 4 June 2024. Retrieved 4 June 2024.
Lefrak, Mikaela (24 April 2020). "The Library of Congress wants DJs (and you) to make beats using its audio collections". WAMU. Archived from the original on 4 June 2021. Retrieved 4 June 2021.
Jones, Rhian (5 August 2022). "'Common decency': Beyoncé's Renaissance sparks debate about the politics of music sampling". The Guardian. Archived from the original on 6 August 2022. Retrieved 6 August 2022.
Inglis, Sam (September 2003). "Recreating samples". Sound on Sound. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
"Remixing Culture And Why The Art Of The Mash-Up Matters". TechCrunch. Archived from the original on 12 February 2020. Retrieved 16 October 2018.
"Hip-hop's most influential sampler gets a 2017 reboot". Engadget. Archived from the original on 31 March 2019. Retrieved 3 April 2018.
Mayumi Yoshida Barakan & Judith Connor Greer (1996). Tokyo city guide. Tuttle Publishing. p. 144. ISBN 0-8048-1964-5. Archived from the original on 23 March 2017. Retrieved 6 June 2011.
Carter, Monica (30 June 2011). "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl". The Vinyl District. Archived from the original on 21 March 2012. Retrieved 22 July 2011.
Condry, Ian (2006). Hip-hop Japan: rap and the paths of cultural globalization. Duke University Press. p. 60. ISBN 0-8223-3892-0. Archived from the original on 20 April 2019. Retrieved 11 June 2019.
"The Essential... Yellow Magic Orchestra". Fact. 22 January 2015. Archived from the original on 17 April 2019. Retrieved 11 June 2019.
Simpson, Dave (24 March 2006). "Brian Eno and David Byrne, My Life in the Bush of Ghosts". The Guardian. Archived from the original on 20 August 2007. Retrieved 14 October 2018.
Myers, Ben (20 January 2011). "Big Audio Dynamite: more pioneering than the Clash?". The Guardian. London. Archived from the original on 14 February 2017. Retrieved 16 December 2016.
Fintoni, Laurent (2 August 2013). "Don't kick the ethics out of sampling: picking up the bullets from the Weeknd's clash with Portishead". Fact. Archived from the original on 12 October 2018. Retrieved 12 October 2018.
"Seven seconds of fire". The Economist. 17 December 2011. ISSN 0013-0613. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
Taylor, Ken (14 August 2012). "The exclusive interview; 'I feel like I've done a lot for the MPC'". Beatport. Archived from the original on 21 October 2012. Retrieved 16 March 2013.
"First album made completely from samples". Guinness World Records. Archived from the original on 7 August 2013. Retrieved 20 March 2013.
Sullivan, James (30 March 2012). "DJ Shadow's influence looms large". The Boston Globe. Archived from the original on 2 December 2013. Retrieved 23 March 2013.
"The Dirty Heartbeat of the Golden Age". The Village Voice. 6 November 2007. Archived from the original on 1 May 2019. Retrieved 17 July 2019.
Salmon, Richard (March 2008). "Sample clearance". Sound on Sound. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
"Just a sample". The Economist. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
"Spotify playlist: 50 tracks that sample the 'Think' break". Mixmag. Archived from the original on 17 May 2021. Retrieved 30 January 2021.
Cheal, David (21 February 2015). "The Life of a Song: 'When the Levee Breaks'". Financial Times. Archived from the original on 29 November 2018. Retrieved 29 November 2018.
Eveleth, Rose (24 February 2014). "The world's most sampled song is 'Change the Beat' by Fab 5 Freddy". Smithsonian. Archived from the original on 12 October 2018. Retrieved 12 October 2018.
X, Dharmic (20 February 2014). "James Brown is apparently the most sampled artist of all time". Complex. Archived from the original on 21 October 2020. Retrieved 1 August 2020.
Perrone, Pierre (25 March 2011). "Loleatta Holloway: Much-sampled disco diva who sued Black Box over their worldwide hit 'Ride on Time'". The Independent. Archived from the original on 8 July 2019. Retrieved 8 August 2019.
Fink, Robert (2005), "The Story of ORCH5, or, the Classical Ghost in the Hip-Hop Machine", Popular Music, 24 (3): 339–356, doi:10.1017/S0261143005000553, JSTOR 3877522, archived from the original on 16 March 2012, retrieved 9 February 2025
"Amen Break musician finally gets paid". BBC News. 11 November 2015. Archived from the original on 12 September 2023. Retrieved 12 September 2023.
Kreps, Daniel (18 February 2017). "Clyde Stubblefield, James Brown's 'Funky Drummer,' Dead at 73". Rolling Stone. Archived from the original on 19 May 2023. Retrieved 1 August 2020.
"DJ Shadow on sampling as a 'collage of mistakes'". NPR. 17 November 2012. Archived from the original on 14 May 2013. Retrieved 15 August 2022.
Brown, August (6 May 2021). "A homeless LA musician helped create a Daft Punk classic. So why hasn't he seen a dime?". Los Angeles Times. Archived from the original on 6 May 2021. Retrieved 7 May 2021.
Convery, Stephanie (24 May 2017). "DJ Shadow: 'Music has never been worth less, and yet sampling has never been more risky'". The Guardian. Archived from the original on 15 August 2022. Retrieved 15 August 2022.
"Future of sample clearance: As easy as tagging friends on Facebook?". MusicTech. 13 September 2019. Archived from the original on 4 June 2021. Retrieved 4 June 2021.
Weingarten, Christopher R. (28 June 2018). "Inside the Labels Where Kanye West Finds Many of His Best Samples". Rolling Stone. Archived from the original on 7 May 2019. Retrieved 4 June 2021.
Needham, Jack (29 November 2019). "How to sample without getting sued". Red Bull. Archived from the original on 4 June 2021. Retrieved 4 June 2021.
Runtagh, Jordan (8 June 2016). "Songs on Trial: 12 Landmark Music Copyright Cases". Rolling Stone. Archived from the original on 14 October 2018. Retrieved 12 October 2018.
George, Nelson (26 April 2005). Hip Hop America. Penguin. ISBN 9781101007303. Archived from the original on 23 March 2017. Retrieved 11 December 2016.
Philips, Chuck (1 January 1992). "Songwriter wins large settlement in rap suit". Los Angeles Times. Archived from the original on 29 August 2022. Retrieved 6 August 2022.
Richards, Chris. "The court case that changed hip-hop — from Public Enemy to Kanye — forever". Washington Post. Archived from the original on 12 October 2018. Retrieved 12 October 2018.
Tingen, Paul (May 2005). "The Dust Brothers: sampling, remixing & the Boat studio". Sound on Sound. Cambridge, UK: SOS Publications Group. ISSN 1473-5326. Archived from the original on 29 May 2016. Retrieved 25 July 2011.
"Beastie Boys Emerge Victorious In Sampling Suit". Billboard. 9 November 2004. Archived from the original on 19 November 2017. Retrieved 24 May 2020.
Gardner, Eriq (2 June 2016). "Madonna gets victory over 'Vogue' sample at appeals court". The Hollywood Reporter. Archived from the original on 17 December 2022. Retrieved 17 December 2022.
"Kraftwerk win 20-year sampling copyright case". BBC News. 30 July 2019. Archived from the original on 5 March 2020. Retrieved 1 February 2020.

worldcat.org (Global: 4^th place; English: 4^th place)

search.worldcat.org

Beaumont-Thomas, Ben (6 September 2017). "Holger Czukay, bassist with Can, dies aged 79". The Guardian. ISSN 0261-3077. Archived from the original on 12 August 2023. Retrieved 12 August 2023.
Keens, Oliver (13 July 2022). "Cutting up the dancefloor: the glorious, dubious history of the disco edit". The Guardian. ISSN 0261-3077. Retrieved 9 July 2026.
"Seven seconds of fire". The Economist. 17 December 2011. ISSN 0013-0613. Archived from the original on 14 October 2018. Retrieved 14 October 2018.
Tingen, Paul (May 2005). "The Dust Brothers: sampling, remixing & the Boat studio". Sound on Sound. Cambridge, UK: SOS Publications Group. ISSN 1473-5326. Archived from the original on 29 May 2016. Retrieved 25 July 2011.

Sampling (music) (English Wikipedia)

academia.edu (Global: 105th place; English: 99th place)

ucla.academia.edu

bbc.com (Global: 26th place; English: 23rd place)

beatport.com (Global: 7,301st place; English: 5,020th place)

news.beatport.com

billboard.com (Global: 20th place; English: 13th place)

books.google.com (Global: 3rd place; English: 3rd place)

bostonglobe.com (Global: 657th place; English: 344th place)

complex.com (Global: 439th place; English: 258th place)

doi.org (Global: 2nd place; English: 2nd place)

economist.com (Global: 331st place; English: 272nd place)

engadget.com (Global: 613th place; English: 442nd place)

factmag.com (Global: 3,043rd place; English: 1,674th place)

ft.com (Global: 193rd place; English: 127th place)

guinnessworldrecords.com (Global: 873rd place; English: 697th place)

hollywoodreporter.com (Global: 30th place; English: 22nd place)

independent.co.uk (Global: 46th place; English: 29th place)

jstor.org (Global: 23rd place; English: 15th place)

latimes.com (Global: 32nd place; English: 21st place)

mixmag.net (Global: 5,540th place; English: 3,087th place)

musicradar.com (Global: 2,446th place; English: 1,349th place)

musictech.com (Global: low place; English: low place)

musictech.net (Global: low place; English: low place)

newscientist.com (Global: 1,041st place; English: 901st place)

npr.org (Global: 114th place; English: 75th place)

pitchfork.com (Global: 146th place; English: 88th place)

play.google.com (Global: 1,365th place; English: 1,034th place)

redbull.com (Global: 1,723rd place; English: 1,438th place)

rollingstone.com (Global: 57th place; English: 39th place)

smithsonianmag.com (Global: 663rd place; English: 431st place)

soundonsound.com (Global: 2,031st place; English: 1,023rd place)

spin.com (Global: 758th place; English: 415th place)

techcrunch.com (Global: 317th place; English: 224th place)

theguardian.com (Global: 16th place; English: 11th place)

thevinyldistrict.com (Global: low place; English: low place)

villagevoice.com (Global: 1,275th place; English: 702nd place)

vox.com (Global: 697th place; English: 420th place)

wamu.org (Global: low place; English: 8,983rd place)

washingtonpost.com (Global: 35th place; English: 24th place)

web.archive.org (Global: 1st place; English: 1st place)

worldcat.org (Global: 4th place; English: 4th place)

search.worldcat.org

academia.edu (Global: 105^th place; English: 99^th place)

bbc.com (Global: 26^th place; English: 23^rd place)

beatport.com (Global: 7,301^st place; English: 5,020^th place)

billboard.com (Global: 20^th place; English: 13^th place)

books.google.com (Global: 3^rd place; English: 3^rd place)

bostonglobe.com (Global: 657^th place; English: 344^th place)

complex.com (Global: 439^th place; English: 258^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

economist.com (Global: 331^st place; English: 272^nd place)

engadget.com (Global: 613^th place; English: 442^nd place)

factmag.com (Global: 3,043^rd place; English: 1,674^th place)

ft.com (Global: 193^rd place; English: 127^th place)

guinnessworldrecords.com (Global: 873^rd place; English: 697^th place)

hollywoodreporter.com (Global: 30^th place; English: 22^nd place)

independent.co.uk (Global: 46^th place; English: 29^th place)

jstor.org (Global: 23^rd place; English: 15^th place)

latimes.com (Global: 32^nd place; English: 21^st place)

mixmag.net (Global: 5,540^th place; English: 3,087^th place)

musicradar.com (Global: 2,446^th place; English: 1,349^th place)

newscientist.com (Global: 1,041^st place; English: 901^st place)

npr.org (Global: 114^th place; English: 75^th place)

pitchfork.com (Global: 146^th place; English: 88^th place)

play.google.com (Global: 1,365^th place; English: 1,034^th place)

redbull.com (Global: 1,723^rd place; English: 1,438^th place)

rollingstone.com (Global: 57^th place; English: 39^th place)

smithsonianmag.com (Global: 663^rd place; English: 431^st place)

soundonsound.com (Global: 2,031^st place; English: 1,023^rd place)

spin.com (Global: 758^th place; English: 415^th place)

techcrunch.com (Global: 317^th place; English: 224^th place)

theguardian.com (Global: 16^th place; English: 11^th place)

villagevoice.com (Global: 1,275^th place; English: 702^nd place)

vox.com (Global: 697^th place; English: 420^th place)

wamu.org (Global: low place; English: 8,983^rd place)

washingtonpost.com (Global: 35^th place; English: 24^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

worldcat.org (Global: 4^th place; English: 4^th place)