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Sanchi (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Sanchi" in English language version.

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  • Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, c. Third Century BC to Fifth Century AD, Julia Shaw, Routledge, 12 Aug 2016
  • Buddhist Circuit in Central India: Sanchi, Satdhara, Sonari, Andher, Travel ... p. 31
  • Buddhist Circuit in Central India: Sanchi, Satdhara, Sonari, Andher, Travel Guide. Goodearth Publications. 2010. p. 12. ISBN 9789380262055.
  • World Heritage Monuments and Related Edifices in India, Volume 1 p. 50 by Alī Jāvīd, Tabassum Javeed, Algora Publishing, New York [2]
  • Encyclopaedia Indica: India, Pakistan, Bangladesh. Anmol Publications. 1996. p. 783. ISBN 978-81-7041-859-7. It may be mentioned that the motif of lions carrying a wheel occurs at Sanchis which might be a representation of the Sarnath's Asokan pillar capital .
  • Buddhist Architecture by Huu Phuoc Le p. 155
  • Singh, Upinder (2016). The Idea of Ancient India: Essays on Religion, Politics, and Archaeology (in Arabic). SAGE Publications India. ISBN 9789351506454.
  • Abram, David; (Firm), Rough Guides (2003). The Rough Guide to India. Rough Guides. ISBN 9781843530893.
  • Chakrabarty, Dilip K. (2009). India: An Archaeological History: Palaeolithic Beginnings to Early Historic Foundations. Oxford University Press. ISBN 9780199088140.
  • Shaw, Julia (12 August 2016). Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, c. Third Century BC to Fifth Century AD. Routledge. p. 58. ISBN 978-1-315-43263-2. It is inaccurate to refer to the post-Mauryan monuments at Sanchi as Sunga. Not only was Pusyamitra reputedly animical to Buddhism, but most of the donative inscriptions during this period attest to predominantly collective and nonroyal modes of sponsorship.
  • Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, C. Third Century BC to Fifth Century AD, Julia Shaw, Left Coast Press, 2013 p. 88ff
  • Buddhist Architecture Huu Phuoc Le, Grafikol, 2010 p. 149
  • Ornament in Indian Architecture Margaret Prosser Allen, University of Delaware Press, 1991 p. 18
  • An Encyclopaedia of Indian Archaeology, by Amalananda Ghosh, BRILL p. 295
  • Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, C. Third Century BC to Fifth Century AD, Julia Shaw, Left Coast Press, 2013 p. 90
  • "The railing of Sanchi Stupa No.2, which represents the oldest extensive stupa decoration in existence, (and) dates from about the second century B.C.E." Constituting Communities: Theravada Buddhism and the Religious Cultures of South and Southeast Asia, John Clifford Holt, Jacob N. Kinnard, Jonathan S. Walters, SUNY Press, 2012 p. 197
  • Didactic Narration: Jataka Iconography in Dunhuang with a Catalogue of Jataka Representations in China, Alexander Peter Bell, LIT Verlag Münster, 2000 p. 15ff
  • Buddhist Architecture, Huu Phuoc Le, Grafikol, 2010 p. 149
  • Ancient Indian History and Civilization, Sailendra Nath Sen, New Age International, 1999 p. 170
  • Alcock, Susan E.; Alcock, John H. D'Arms Collegiate Professor of Classical Archaeology and Classics and Arthur F. Thurnau Professor Susan E.; D'Altroy, Terence N.; Morrison, Kathleen D.; Sinopoli, Carla M. (2001). Empires: Perspectives from Archaeology and History. Cambridge University Press. p. 169. ISBN 9780521770200.
  • Indian History. Tata McGraw-Hill Education. p. 251. ISBN 9781259063237.
  • Jain, Kailash Chand (1972). Malwa Through The Ages. Motilal Banarsidass Publ. p. 154. ISBN 9788120808249.
  • World Heritage Monuments and Related Edifices in India, Volume 1 by Alī Jāvīd, Tabassum Javeed, Algora Publishing, 2008 p. 51
  • In the Realm of Gods and Kings by Andrew Topsfield, Philip Wilson Publishers, 2014 p. 250
  • Chakrabarti, Manika (1981). Mālwa in Post-Maurya Period: A Critical Study with Special Emphasis on Numismatic Evidences. Punthi Pustak. p. 100.
  • Vogel, Jean Ph (1947). India antiqua. Brill Archive. p. 130.
  • The East: Buddhists, Hindus and the Sons of Heaven, Architecture in context II, Routledge, 2015, by Christopher Tadgell p. 24
  • A Companion to Asian Art and Architecture by Deborah S. Hutton, John Wiley & Sons, 2015, p. 438
  • "Buddhist Architecture" by Huu Phuoc Le Grafikol, 2010, p. 44
  • "The Archaeology of South Asia: From the Indus to Asoka, c.6500 BCE-200 CE" Robin Coningham, Ruth Young Cambridge University Press, 31 aout 2015, p. 414 [3]
  • Early Buddhist Narrative Art by Patricia Eichenbaum Karetzky p. 16
  • Early Byzantine Churches in Macedonia & Southern Serbia by R.F. Hoddinott p. 17
  • Age of the Nandas and Mauryas by Kallidaikurichi Aiyah Nilakanta Sastri p. 376 sq
  • A Comprehensive History Of Ancient India (3 Vol. Set), Sterling Publishers Pvt. Ltd, 2003 p. 87
  • Strong, J.S. (2007). Relics of the Buddha. Princeton University Press. pp. 136–37. ISBN 978-0-691-11764-5.
  • Asiatic Mythology by J. Hackin p. 83ff
  • Asiatic Mythology by J. Hackin p. 84
  • Singh, Upinder (2017). Political Violence in Ancient India. Harvard University Press. p. 162. ISBN 9780674975279.
  • Singh, Upinder (2008). A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century. Pearson Education India. p. 333. ISBN 9788131711200.
  • Thapar, Romila (2012). Aśoka and the Decline of the Mauryas. Oxford University Press. p. 27. ISBN 9780199088683.
  • Ashoka in Ancient India Nayanjot Lahiri, Harvard University Press, 2015 p. 296
  • "Musicians generally described as "Greeks" from the eastern gateway at Sanchi" in Stoneman, Richard (2019). The Greek Experience of India: From Alexander to the Indo-Greeks. Princeton University Press. pp. 441–444, Fig. 15.6. ISBN 9780691185385.
  • "The scene shows musicians playing a variety of instruments, some of them quite extraordinary such as the Greek double flute and wind instruments with dragon head from West Asia" in The Archaeology of Seafaring in Ancient South Asia, Himanshu Prabha Ray, Cambridge University Press, 2003 p. 255
  • Purātattva, Number 8. Indian Archaeological Society. 1975. p. 188. A reference to a Yona in the Sanchi inscriptions is also of immense value.(...) One of the inscriptions announces the gift of a Setapathia Yona, "Setapathiyasa Yonasa danam" i.e the gift of a Yona, inhabitant of Setapatha. The word Yona can't be here anything, but a Greek donor
  • The Idea of Ancient India: Essays on Religion, Politics, and Archaeology, SAGE Publications India, Upinder Singh, 2016 p. 18
  • Faces of Power: Alexander's Image and Hellenistic Politics by Andrew Stewart p. 180
  • Interpretation in "Ashoka in Ancient India", by Nayanjot Lahiri, Harvard University Press, 2015 p. 296
  • The Buddha Image: Its Origin and Development, Yuvraj Krishan, Bharatiya Vidya Bhavan, 1996 p. 4
  • Buddhist Art in India, Ceylon, and Java, Jean Philippe Vogel, Adriaan Jacob Barnouw, Asian Educational Services, 1936 p. 41
  • The Goose in Indian Literature and Art, Brill Archive p. 58
  • Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, c. Third Century BC to Fifth Century AD, Julia Shaw, Routledge, 2016 pp. 58-59
  • Indian Numismatic Studies by K. D. Bajpai p. 100
  • 2500 Years of Buddhism by P.V. Bapat, p. 283
  • Great Monuments of India, DK p. 41
  • Malwa Through The Ages, by Kailash Chand Jain p. 277
  • "Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, c. Third Century BC to Fifth Century AD", Julia Shaw, Routledge, 2016 p. 20
  • Ornament in Indian Architecture, Margaret Prosser Allen, University of Delaware Press, 1991 p. 18
  • Didactic Narration: Jataka Iconography in Dunhuang with a Catalogue of Jataka Representations in China, Alexander Peter Bell, LIT Verlag Münster, 2000 p. 31ff
  • Asoka, Mookerji Radhakumud, Motilal Banarsidass Publishers, 1962 p. 204
  • The Buddha Image: Its Origin and Development, Yuvraj Krishan, Bharatiya Vidya Bhavan, 1996 p. 26
  • The Buddha Image: Its Origin and Development, Yuvraj Krishan, Bharatiya Vidya Bhavan, 1996 p. 1ff
  • The Grandeur of Gandhara: The Ancient Buddhist Civilization of the Swat, Peshawar, Kabul and Indus Valleys Rafi-us Samad, Algora Publishing, 2011 p. 23
  • Journal of the Royal Asiatic Society of Great Britain and Ireland. Cambridge University Press for the Royal Asiatic Society. 1851. pp. 108–109.
  • Salomon, Richard (1998). Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the other Indo-Aryan Languages. Oxford University Press. p. 207. ISBN 9780195356663.

britannica.com

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cam.ac.uk

himalaya.socanth.cam.ac.uk

  • Shrestha, SS (1999). "Ramagrama excavation" (PDF). Ancient Nepal: Journal of the Department of Archaeology. 142: 1–12. Retrieved 30 November 2014.

cf.ac.uk

orca.cf.ac.uk

doi.org

exoticindiaart.com

  • Sachim Kumar Tiwary in Monolithic Pillars of The Gupta Period B.R. Publishing Corporation 2014 p. 92, page scan

financialexpress.com

  • [1] Rs 50, Rs 200, Rs 500 and Rs 2000 notes images: Here are the new currency notes released by RBI

frontline.in

jstor.org

  • Rhi, Ju-Hyung (1994). "From Bodhisattva to Buddha: The Beginning of Iconic Representation in Buddhist Art". Artibus Asiae. 54 (3/4): 220–221. doi:10.2307/3250056. JSTOR 3250056.

mp.gov.in

museumsanchiasi.mp.gov.in

ntu.edu.tw

ccbs.ntu.edu.tw

  • Asoka and the Buddha-Relics, T.W. Rhys Davids, Journal of the Royal Asiatic Society, 1901, pp. 397-410 [4]

rbi.org.in

paisaboltahai.rbi.org.in

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  • An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171

sdstate.edu

projectsouthasia.sdstate.edu

web.archive.org

zenodo.org