Sarah Baartman (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Sarah Baartman" in English language version.

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  • Lederman, Muriel and Ingrid Bartsch (2001). The Gender and Science Reader. New York: Routledge, p. 351.
  • Biologist Stephen Jay Gould recounted Cuvier's monograph on Baartman's genitalia, "The labia minora, or inner lips, of the ordinary female genitalia are greatly enlarged in Khoi-San women, and may hang down three or four inches below the vulva when women stand, thus giving the impression of a separate and enveloping curtain of skin."Gould, Stephen Jay (1985). "The Hottentot Venus." The Flamingo's Smile. New York: W. W. Norton, p. 298.

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  • Qureshi, Sadiah (June 2004). "Displaying Sara Baartman, the 'Venus Hottentot'". History of Science. 42 (136): 233–257. doi:10.1177/007327530404200204. S2CID 53611448. The woman ... is now called Sara Baartman. Unfortunately, no record of her original name exists and she is better known by her epithet, the Hottentot Venus', to her contemporaries, present-day historians, and political activists.
  • Scully, Pamela; Crais, Clifton (2008). "Race and Erasure: Sara Baartman and Hendrik Cesars in Cape Town and London". Journal of British Studies. 47 (2): 301–323. doi:10.1086/526552. S2CID 161966020.
  • "Dunlop produced a contract signed by himself and Sara dated 29 October 1810, which was to run from the preceding March for five years. This stated that she was his domestic servant and would allow herself to be exhibited in public in return for 12 guineas a year."Harvey, Karen. "Baartman, Sarah". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/73573. (Subscription or UK public library membership required.)
  • Gilman, Sander L. (1985). "Black Bodies, White Bodies: Toward an iconography of Female Sexuality in Late Nineteenth Century Art, Medicine, and Literature". Critical Inquiry. 12 (1). The University of Chicago Press: 204–242. doi:10.1086/448327. JSTOR 1343468. PMID 11616873. S2CID 27830153.
  • Osha, Sanya (2014), "African Sexualities II", African Postcolonial Modernity, Palgrave Macmillan US, pp. 181–199, doi:10.1057/9781137446930_8, ISBN 9781349496174
  • McKay, James; Johnson, Helen (July 2008). "Pornographic eroticism and sexual grotesquerie in representations of African American sportswomen". Social Identities. 14 (4): 491–504. doi:10.1080/13504630802211985. S2CID 143309969.

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  • Sarah Bartmann at England Births and Christenings 1538–1975, FamilySearch.

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  • Gilman, Sander L. (1985). "Black Bodies, White Bodies: Toward an iconography of Female Sexuality in Late Nineteenth Century Art, Medicine, and Literature". Critical Inquiry. 12 (1). The University of Chicago Press: 204–242. doi:10.1086/448327. JSTOR 1343468. PMID 11616873. S2CID 27830153.

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  • Gilman, Sander L. (1985). "Black Bodies, White Bodies: Toward an iconography of Female Sexuality in Late Nineteenth Century Art, Medicine, and Literature". Critical Inquiry. 12 (1). The University of Chicago Press: 204–242. doi:10.1086/448327. JSTOR 1343468. PMID 11616873. S2CID 27830153.

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  • "Another Venus once I saw, / A young Caffrarian from the Cape ;/And Bond Street swells surveyed with awe/The vast proportions of her shape. / Jet-black and woolly was her hair,/And damson-hued her bounteous lips ;/But more admired, beyond compare,/Were two enormous – pillow-slips./Yet slenderer was her girth than thine,/If measured round that Crinoline!" From "Crinoliniana" by "Dunshunner" William Edmondstoune Aytoun: Blackwood's Edinburgh Magazine Vol. 93 (572): June 1863, p. 763.

oxforddnb.com

  • "Dunlop produced a contract signed by himself and Sara dated 29 October 1810, which was to run from the preceding March for five years. This stated that she was his domestic servant and would allow herself to be exhibited in public in return for 12 guineas a year."Harvey, Karen. "Baartman, Sarah". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/73573. (Subscription or UK public library membership required.)

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  • Qureshi, Sadiah (June 2004). "Displaying Sara Baartman, the 'Venus Hottentot'". History of Science. 42 (136): 233–257. doi:10.1177/007327530404200204. S2CID 53611448. The woman ... is now called Sara Baartman. Unfortunately, no record of her original name exists and she is better known by her epithet, the Hottentot Venus', to her contemporaries, present-day historians, and political activists.
  • Scully, Pamela; Crais, Clifton (2008). "Race and Erasure: Sara Baartman and Hendrik Cesars in Cape Town and London". Journal of British Studies. 47 (2): 301–323. doi:10.1086/526552. S2CID 161966020.
  • Gilman, Sander L. (1985). "Black Bodies, White Bodies: Toward an iconography of Female Sexuality in Late Nineteenth Century Art, Medicine, and Literature". Critical Inquiry. 12 (1). The University of Chicago Press: 204–242. doi:10.1086/448327. JSTOR 1343468. PMID 11616873. S2CID 27830153.
  • McKay, James; Johnson, Helen (July 2008). "Pornographic eroticism and sexual grotesquerie in representations of African American sportswomen". Social Identities. 14 (4): 491–504. doi:10.1080/13504630802211985. S2CID 143309969.

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